Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates.
Crystal Tears (+free dvd)
John Dowland & his contemporaries
There are few pleasures more delightful than musical melancholy, especially when it flows from the pen of the finest Elizabethan poets and a composer whose name will be forever associated with that emotion: John Dowland. His lute songs and consort songs form the backbone of Andreas Scholl's latest recital.
The countertenor has gathered his favourite partners around him in the service of this sublime vocal art, elegantly distilling its fragile instants of grace.The songs are adroitly interspersed with instrumental pieces by Dowland's contemporaries.
Bonus DVD NTSC: a performance of the song 'Venus' birds' and a documentary on the making of this recording.Trailers available on harmoniamundi.com & Youtube.
Since it was founded in Basel in 1989, Concerto di Viole has played as a permanent ensemble. Its four members all studied at the Schola Cantorum Basiliensis and each individual brings to it rich musical experience with well-known international ensembles.They have recorded a number of CDs including German Baroque cantatas with Andreas Scholl for harmonia mundi in 1998.
“There is surely no voice more ethereal-sounding among contemporary falsettists than Scholl’s, and he lavishes a ravishingly beautiful sound on the Dowland “hits”: Go, crystal tears; Now, oh now, I needs must part; From silent night; Come, heavy sleep. The danger of monotony is averted with the interspersing of viol Fantasias by John Ward and Richard Mico, and of Dowland’s lute solos, Semper Dowland, Semper Dolens, The Lady Rich, Her Galliard and A Fancy, exquisitely played by Julian Behr. For fans of both Dowland and Scholl, this is a collector’s item.” Sunday Times, 29th June 2008 Disc of the Week
“Since this is a collection dominated by John Dowland's consort songs, sobs and melancholy lie at its heart. But with Scholl's alto brand of counter-tenor floating the lines, polishing the vowels so beautifully, the sorrow never quite feels real. Occasionally he's too loud and hooty, and more than once monotonous. But Venus Birds is irresistible, he dies very nicely in Oh Death, Rock Me to Sleep, and he is always surrounded by succulent sounds from the lutenist Julian Behr. Even with the whistling and instrumental tracks, the variety of mood and texture remains limited - but who goes to Dowland to frolic?” The Times, 7th June 2008 ***
“The exquisite melancholy pervading the disc, and its companion DVD, is the perfect balm to beguile you through a wistful summer evening” The Observer, 25th May 2008
“There is some magical singing here, and Scholl is supported by instrumental playing of rare subtlety and real finesse.” BBC Music Magazine, July 2008 ****
“Scholl's technique is unimpeachable, his tone polished beyond doubt…” Gramophone Magazine, September 2008
“Inevitably, Andreas Scholl gets the headline treatment, though the man himself seems very much a team player. And though there are a few quibbles with his approach to this repertory, his interaction with Concerto di Viole and lutenist Julian Behr carries great conviction. The choice of Dowland songs holds few surprises. Although Scholl's technique is unimpeachable, his tone polished beyond doubt, there's a surprising diffidence.
Dowland's melancholy may have been a genuine personality trait but the Elizabethan penchant for this most intractable of humours was also (as Scholl acknowledges) a wider social phenomenon, a fashionable affectation; and from an artist of Scholl's accomplishment, a tauter balance between demure reserve and theatricality would have been welcome. Otherwise, one runs the risk of a one–dimensional Dowland, and Scholl doesn't entirely avoids it here.
That said, the first track, 'Go crystal tears', makes for a fine opening, and in 'Go nightly cares' the dialogue between voice and viols is very impressive. The whistling in the refrain of John Bennett's 'Venus' birds' seems the wrong sort of affectation, and the portamenti in the refrain of Byrd's 'Though Amaryllis dance in green' are likewise overdone.
The gems here are the pieces by lesser–known composers, in which Scholl's reserve is perhaps less of an issue: Robert Johnson's 'Have you seen the bright lily grow?' is particularly moving, and movingly conveyed, with something of the languor of the air de cour. Concerto di Viole's contributions are stylish, and Behr is both a sensitive accompanist and a distinguished soloist (in 'Semper Dowland semper dolens'). On a bonus DVD there's a short documentary that faithfully captures the atmosphere of a recording session, in which Scholl comes across as a down-to-earth, reflective and genuinely charming person.” Gramophone Classical Music Guide, 2010
In stock - usually despatched within 1 working day.
Not Just Dowland
The programme, entitled ‘Not Just Dowland’ sets the father of English song alongside his contemporary Robert Johnson, who notably composed for the plays of Shakespeare, and the Italians Monteverdi, Grandi, Piccinini, Caccini and Merula. There are also instrumental items by Johnson, Ferrabosco, Rosseter and Kabsberger.
“Everything was so perfect, the evening seemed to pass in a flash,” was The Independent’s verdict on the Wigmore Hall recital in December 2008 by soprano Carolyn Sampson and lutenist Matthew Wadsworth. “The soprano Carolyn Sampson is blessed with a lovely voice …and the lutenist Matthew Wadsworth … really is a class apart among exponents of this increasingly popular musical instrument.”
“Carolyn Sampson’s pure soprano cossets the words, savouring their expressive implications, relishing their shifts of rhythm and subtly sighing with bliss, yearning or heartache, depending on the circumstances.” The Telegraph, 29th January 2010 ****
“One of the chief delights... is the opportunity to hear the theorbo at close quarters...in the skilled hands of Matthew Wadsworth it takes centre stage, both as a solo instrument and as an exquisite companion to Carolyn Sampson's sweet, lyrical soprano...a ravishing programme of beguiling melancholia.” The Observer, 7th February 2010
“Wadsworth's lute and theorbo...craft a seamless expressive narrative...Sampson is careful never to over-egg the grief, always keeping in reserve extremities of emotion for the very darkest moments - and she never distorts the musical line by over-dramatisation.” BBC Music Magazine, May 2010 *****
“Carolyn Sampson and lutenist Matthew Wadsworth are well matched protagonists and in the main they cope equally well with both repertories. Sampson's diction is especially clear in the English selections, which come across very naturally.” Gramophone Magazine, September 2010
“Both artists respond with dark-shaded tones to a music that is touched by the aching melancholy of its time and place.” Sunday Times, 12th December 2010 ***
Usually despatched in 3 - 4 working days.
Away Delights: Lute Solos and Songs from Shakespeare's England
Matthew Wadsworth is one of the foremost lutenists of his generation. Since graduating from the Royal Academy of Music in 1997, he has quickly gained recognition as one of leading exponents of the 17th-century lute repertoire. This includes the works of Robert Johnson, the last of the great English lutenists and the only known composer to have provided music for Shakespeare’s plays. Much of Johnson’s output is, remarkably, rarely recorded. On this CD, alongside well known songs such as Where the bee sucks and Care charming sleep, are many previously unrecorded masterpieces. Joining Matthew is soprano Carolyn Sampson, who has been described by The Gramophone as “now the best British early music soprano by quite some distance.”
Recorded October 2003 and April 2004, St. Mary's Church, South Creake, Norfolk
This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.
Music of his Plays & People
O, mistress mine
Kemp's jigg (for lute)
Love, love, nothing but love
Fantasia a 5
It fell on a summer's day
Where the bee sucks
Full fathom five
Almain & ayre
Ayre in C
It was a lover and his lass
No more, good herdsman
I am not I, of such belief
Usually despatched in 8 - 10 working days.