Sullivan, A: Marmion Overture

Recordings: Walthamstow Assembly Hall, London, UK, July 1962 (Ruddigore), April 1964 (The Yeomen of the Guard); Watford Town Hall, Watford, UK, August 1959 (H.M.S. Pinafore), September 1960 (Iolanthe, The Gondoliers), September 1961 (Patience); Decca Studios, West Hampstead, London, UK, May 1965 (Princess Ida), February 1966 (The Sorcerer), December 1967 (The Pirates of Penzance), January 1969 (Choruses), January 1973 (The Mikado), June 1974 (Macbeth), July 1975 (Utopia Limited), March 1976 (The Grand Duke); Kingsway Hall, London, UK, January 1961 (Cox and Box), November 1982 (Overture di Ballo); Whitfield Street Studios, London, UK, February 1977 (Marmion)

In 2011 Decca Eloquence will commence on a series of G&S operetta highlights discs. By way of an ‘overture’, here’s a 2CD set of Overtures from the D’Oyly Carte recordings made over several years by Decca, together with some of Sullivan’s ‘concert overtures’ – Macbeth, Marmion and Di Ballo. Also included is an extremely rare 1969 Decca recording of Sullivan Choruses conducted by James Walker, better known in musical circles as one of Decca’s key recording engineers, but an ardent G&S fan. It receives its first release on Decca CD. A perfect introduction to the set pieces and patter songs in orchestral guise.

29 May 2011 marks the 100th anniversary of the death of Sir William Schwenck Gilbert – the librettist of one of the most famous musical partnerships in music history.

Decca’s earliest recordings of G&S with the D’Oyly Carte Opera Company were made between 1949 and 1955 in MONO. In 1957, the first in a new series of stereo recordings was initiated with The Pirates of Penzance, culminating in 1966 with The Sorcerer; between 1967 and 1979 a second series of recordings was made.