All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Strauss, R: Die Frau ohne SchattenRecorded live at the Salzburg Festival, July 2011
Already brimming with symbols and transformations, the epic fairytale recounted by Strauss and his librettist Hofmannsthal in Die Frau ohne Schatten acquires a further allegorical dimension in Christoph Loy’s inventive production for the Salzburg Festival. The central character, the Empress – half-spirit, half-human, and unable to bear children until she finds a shadow – here becomes a young soprano who makes a voyage of personal and professional discovery as she records the opera. A superb cast fulfils the complex vocal and dramatic demands of the piece while Christian Thielemann and the Vienna Philharmonic rise gloriously to the challenges of Strauss’s most ambitious and splendid operatic score. Premiere recording of this production. Christian Thielemann’s first opera performance at the Salzburg Festival. First opera from Salzburg Festival to be released on Opus Arte. Extra features include 'Christian Thielemann rehearses 'Die Frau Ohne Schatten', and cast gallery. Running time: 220 minutes Subtitles: EN/FR/DE/ES Sound format: 2.0LPCM + 5.1(5.0) DTS “Evelyn Herlitzius and Wolfgang Koch inject drama as a couple experiencing marital difficulties...[the Empress] is central throughout, compellingly acted and luminously sung by the marvellous Anne Schwanewilms...Holding it all together are the clearly articulated text and a magic carpet of sound that's down with assurance by Christian Thielemann...Orchestral detail has tremendous clarity and the documentary extra includes pithy insights from cast and crew” BBC Music Magazine, July 2012 **** “Loy's Personregie works well for nearly every singer...The VPO under Christian Thielemann is impeccable...[Thielemann] brings a perceptive though-line to this vast structure, and he cares as much about intimacy as about grandeur...The stand-out onstage is Michaela Schuster (Nurse), vocally magnificent and revelling in her characterization...Schwanewilms's Empress embodies dignified feminine beauty and dignity...her pristine timbre eminently suits the role.” International Record Review, June 2012 “As an exercise in demonstrating a director’s power, it’s strangely impressive; as a way of experiencing the opera, it’s persistently, excruciatingly frustrating.” Opera | | | Usually despatched in 2 - 3 working days. |
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| |  | Strauss, R: Die Frau ohne SchattenRecorded live at the Salzburg Festival, July 2011
Already brimming with symbols and transformations, the epic fairytale recounted by Strauss and his librettist Hofmannsthal in Die Frau ohne Schatten acquires a further allegorical dimension in Christoph Loy’s inventive production for the Salzburg Festival. The central character, the Empress – half-spirit, half-human, and unable to bear children until she finds a shadow – here becomes a young soprano who makes a voyage of personal and professional discovery as she records the opera. A superb cast fulfils the complex vocal and dramatic demands of the piece while Christian Thielemann and the Vienna Philharmonic rise gloriously to the challenges of Strauss’s most ambitious and splendid operatic score. Premiere recording of this production. Christian Thielemann’s first opera performance at the Salzburg Festival. First opera from Salzburg Festival to be released on Opus Arte. Extra features include 'Christian Thielemann rehearses 'Die Frau Ohne Schatten', and cast gallery. Running time: 220 minutes Subtitles: EN/FR/DE/ES Sound format: 2.0LPCM + 5.1(5.0) DTS “Evelyn Herlitzius and Wolfgang Koch inject drama as a couple experiencing marital difficulties...[the Empress] is central throughout, compellingly acted and luminously sung by the marvellous Anne Schwanewilms...Holding it all together are the clearly articulated text and a magic carpet of sound that's down with assurance by Christian Thielemann...Orchestral detail has tremendous clarity and the documentary extra includes pithy insights from cast and crew” BBC Music Magazine, July 2012 **** “Loy's Personregie works well for nearly every singer...The VPO under Christian Thielemann is impeccable...[Thielemann] brings a perceptive though-line to this vast structure, and he cares as much about intimacy as about grandeur...The stand-out onstage is Michaela Schuster (Nurse), vocally magnificent and revelling in her characterization...Schwanewilms's Empress embodies dignified feminine beauty and dignity...her pristine timbre eminently suits the role.” International Record Review, June 2012 | | | Usually despatched in 2 - 3 working days. |
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| |  | Strauss, R: Die Frau ohne SchattenLive Recording from The Aichi Prefectural Art Theatre, Nagoya, Japan, 1992
Set by Setsu Asakura Arthaus presents a rare document of an early nineties operatic highlight: the Japanese premiere of Wolfgang Sawallisch’s last production at the Bavarian State Opera. The Company’s tour of Nagoya and Tokyo in autumn 1992 under director and principal conductor Wolfgang Sawallisch was a particularly important event. Sawallisch was celebrating both the twenty-fi fth anniversary of his fi rst appearance as visiting guest conductor of the NHK Symphony Orchestra in Tokyo and his departure, after twenty-one years, from his two principal posts with the Bavarian State Opera in Munich. Sawallisch - an acclaimed interpreter of the music of Richard Strauss - chose Die Frau ohne Schatten to commemorate these anniversaries. Through the many years that Sawallisch had worked in Japan, he had developed a profound affi nity with the country and its people and his respect for, and intimate knowledge of, the Japanese art scene made him choose a Japanese production team around director and kabuki actor Ennosuke Ichikawa for the new production. Reviews of the performances in Nagoya and Tokyo were likewise enthusiastic. Asahi headed: “The wondrous harmony of form and singing: The sensuality of stage lighting and colour that is cultivated in Japan, together with the sensuality of the actors’ movements, harmonizes well with the European expressiveness of the music.” Sound Format: PCM Stereo, DD 5.1, DTS 5.1 Picture Format: 4:3 DVD Format: 1xDVD 5, 1xDVD 9 / NTSC Subtitle Languages: GB, DE, FR, ES, IT Running Time: 183 mins FSK: 0 “[DeVol and Seiffert] are both excellent in these very demanding roles...Sawallisch is a master Straussian, shaping each phrase and building each climax unerringly, bringing out the drama and atmosphere...There may be overtones of Turandot or even The Mikado, but the result is most compelling.” Penguin Guide, 2010 edition *** | | | Usually despatched in 2 - 3 working days. |
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| |  | Strauss, R: Die Frau ohne Schatten
René Kollo (Kaiser), Cheryl Studer (Kaiserin), Hanna Schwarz (Amme), Alfred Muff (Barak), Ute Vinzing (Farberin), Andreas Schmidt (Geisterbote), Paul Frey (Erscheinung eines Jünglings), Julie Kaufmann (Stimme des Falken), Marjana Lipovsek (Stimme von Oben), Jan-Hendrik Rootering (Einäugige), Kurt Rydl (Einarmige), Cyndia Sieden (Ein Hüter) Sinfonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Wolfgang Sawallisch | | | In stock - usually despatched within 1 working day. |
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| |  | Strauss, R: Die Frau ohne Schatten
Jess Thomas (Kaiser), Ingrid Bjoner (Kaiserin), Martha Mödl (Amme), Dietrich Fischer-Dieskau (Barak), Inge Borkh (Färberin), Hans Hotter (Geisterbote), Georg Paskuda (Erscheinung eines Jünglings), Gerda Sommerschuh (Stimme des Falken), Herta Töpper (Stimme von Oben), Carl Hoppe (Einäugige), Max Proebstl (Einarmige), Paul Kuen (Bucklige) Bayerischer Staatsopernchor & Bayerischer Staatsorchester, Joseph Keilberth ‘This is an historical document of some importance in the recorded history of this piece … Inge Borkh’s utter commitment to the part of the Dyer’s wife … probably remains unsurpassed.’ Gramophone Of all the Strauss-Hoffmansthal collaborations, Die Frau ohne Schatten (The Woman without a Shadow) is by far the most ambitious, and perhaps the opera with the richest musical ideas. Dealing with a complex and lofty subject – the relationship of a man and his wife to a higher principle (Keikobad, the King of the Spirits, and God) and to human society, the opera has comparisons with Mozart’s Magic Flute. The characterisation is some of the strongest in all Strauss’s operas, and the vocal writing for Barak and his wife rivals, if not exceeds, anything in Der Rosenkavalier and Salome. At the premier in Vienna in 1919 conducted by Franz Schalk, Strauss was relieved to learn that for once all the critics were praising his new opera. | | | In stock - usually despatched within 1 working day. |
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| |  | Strauss, R: Die Frau ohne Schatten
(Live Recording 1977) | | | In stock - usually despatched within 1 working day. |
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| |  | Strauss, R: Die Frau ohne Schatten
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| |  | Strauss, R: Die Frau ohne Schatten
Hans Hopf (Kaiser), Leonie Rysanek (Kaiserin), Josef Metternich (Barak), Marianne Schech (Sein Weib), Kurt Bohme (Gesiterbote), Lilian Benningsen (Die Amme), Gerda Sommerschuh (Stimme des Falken), Howard Vandenburg (Erscheinung eines Jünglings), Ina Gerhein (Stimme von Oben) Bayerische Staatsoper, Rudolf Kempe This performance was recorded in Munich in 1954. Excellent sound. | | | Usually despatched in 2 - 3 working days. |
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| |  | Strauss, R: Die Frau ohne Schatten
(recorded 9/11/1955) | | | Usually despatched in 3 - 4 working days. |
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| |  | Strauss, R: Die Frau ohne Schatten
“Hildegard Behrens' voice has rarely sounded so beautiful on record. The Vienna Philharmonic surpass themselves ... this superb recording is unlikely to be matched, let alone surpassed, for many years. Solti himself is inspired throughout.” Penguin Guide, 2010 edition **** “This was the most ambitious project on which Strauss and his librettist Hugo von Hofmannsthal collaborated. It's both fairy tale and allegory with a score that's Wagnerian in its scale and breadth. This Solti version presents the score absolutely complete in an opulent recording that encompasses every detail of the work's multi-faceted orchestration. Nothing escapes his keen eye and ear or that of the Decca engineers. The cast boasts splendid exponents of the two soprano roles. Behrens's vocal acting suggests complete identification with the unsatisfied plight of the Dyer's Wife and her singing has a depth of character to compensate for some tonal wear. Varady gives an intense, poignant account of the Empress's taxing music. The others, though never less thanadequate, leave something to be desired. Domingo sings the Emperor with vigour and strength but evinces little sense of the music's idiom. José van Dam is likewise a vocally impeccable Barak but never penetrates the Dyer's soul. Runkel is a mean, malign Nurse as she should be, though she could be a little more interesting in this part. It benefits from glorious, dedicated playing by the VPO.” Gramophone Classical Music Guide, 2010 | | | (Sorry, download not available in your country) | Usually despatched in 8 - 10 working days. |
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