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| |  | Dowland: Lachrimae
Ruby Hugues (soprano), Reinoud Van Mechelen (tenor) & Thomas Dunford (lute) Alpha is particularly pleased to present this first disc devoted to the lutenist Thomas Dunford. The programme combines lute pieces by Dowland with lute songs for several voices. These songs are certainly among the most frequently recorded works of the Elizabethan era. However, the four-part polyphonic texture is generally reduced to a single voice with lute accompaniment. The approach adopted on this disc has been to realise the songs in several voices, thus reverting to the practice, widespread at the time, of an intimate ‘chamber’ performance of these pieces. Thus the inspired playing of Thomas Dunford is answered by exceptionally rich polyphony, with the combination of the two offering a Dowland of unprecedented colour and energy. | 
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| |  | Dowland’s Delight
anon.: | Der gestreifft Danntz | Bach, J S: | Lute Suite No. 3 in G minor, BWV995: Sarabande Lute Suite No. 3 in G minor, BWV995: Gavotte en Rondeau Lute Suite No. 3 in G minor, BWV995: Allemande | Craus: | Der Stifl Tanz Die Milnerin Schniert schuech, Affen Tantz | Dowland: | The King of Denmark, His Galliard Lachrimae Pavan, P. 15 My Lord Willoughby's Welcome Home Lady Hunsdon's Puffe Mrs White's Nothing, P. 56 Sir John Smith, His Almain Mrs Winter's Jump Tarleton's Jig Tarleton's Riserrectione Semper Dowland Semper Dolens What If A Day | Judenkönig: | Kalata ala spagnola Rossina - Ain niderlendisch runden dantz | Neusidler, M: | Der Fuggerin Dantz | Reusner, E: | Paduana Sonatina | Weiss, S: | Fantasie and Fugue in D minor |
Tom Daun has been working with early harp music for a long time and has also performed his own compositions. Here he performs on an “arpa doppia” and a much smaller gothic harp. The collection includes works by Dowland, Weiss, Reusner, Bach and Neusidler. | | | Usually despatched in 2 - 3 working days. |
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| |  | Renaissance Lute Music
Vladimir Vavilov, Sandor Kallos (lutes) Vavilov and Kallos are accompanied by other musicians and perform works by Milano, Galilei, Neusidler Gaultier and others. They write 'Lutenists from Poland, Hungary, Czech Republic and other European countries left a great heritage. These works are waiting for their turn to be deciphered and to be performed by musicians who would revive the beautiful samples of old music for present day listeners.' | | | Usually despatched in 2 - 3 working days. |
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| |  | Dowland - Lute Edition Volume 4The Queen's Galliard
Dowland: | Queen Elizabeth, her Galliard The Queen’s Galliard, P. 97 Dowland’s First Galliard John Dowland’s Galliard, P. 21 Complaint Frog Galliard Aloe Walsingham Galliard on Walsingham Coranto, P100 Galliard, P. 27 Come away, come, sweet love new version by Nigel North Sir John Souch’s Galliard The King of Denmark, His Galliard Awake, sweet love Awake, sweet love new version by Nigel North What If A Day My Lord Willoughby's Welcome Home Can she excuse my wrongs? (First Booke of Songes, 1597) Robin Fortune my foe Go From My Window, P. 64 Loth to Depart, P. 69 |
Nigel North’s Dowland Lute Edition has gained him a garland of critical accolades. On this fourth and final volume, North presents a selection of dances and songs by the composer celebrated as the ‘English Orpheus’ “The variations on 'Loth to depart' are teased out with a supple plenitude going straight to the heart of Dowland's sumptuous melancholy, while no two galliards ever sound alike (North one minute full of regal insouciance, the next sonorous and declamatory).” BBC Music Magazine, May 2009 ***** “…North is unhurried yet radiantly flowing both in terms of his ideas and their execution. …listen for example, to the precision and delicacy of Complaint and Aloe or to the crisp, lightly skipping phrases of the Coranto.” Gramophone Magazine, August 2009 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Matthew Wadsworth - Knight of the LuteMusic from The Varierie of Lute Lessons, 1610
Matthew Wadsworth: I used to spend hours in the basement of the library, listening to recordings of one of my great idols, Julian Bream – deciding which piece to write out and learn next. Since then, it has always been a burning ambition of mine to one day record the Varietie of Lute Lessons, and some 15 years after my initial forays into this stunning repertoire, it felt right to finally commit the pieces to disc.My choice of pieces for this recording was largely instinctive. It wasn’t possible to record all 42 pieces, so I chose the ones which spoke to me the most at the time, with a view to representing all styles and genres of the book. Matthew Wadsworth, lutenist, is in great demand as a soloist, continuo player and chamber musician. He has appeared at major festivals in the UK, Europe and North America and can frequently be heard on radio, both in live performance and on disc.Wadsworth was recently made an Associate of the Royal Academy of Music and was nominated by The Independent as a “Rising Star for 2005”. “Wadsworth's… playing… is stolid and deliberate yet strangely luminous - no light but rather darkness visible. In his hands Anthony Holborne, Thomas Morley and Daniel Batchelar's dark, sophisticated pavins… almost take on the character of late Beethoven.” Gramophone Magazine, August 2009 | | | Usually despatched in 4 - 5 working days. |
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| |  | Julian Bream plays Dowland and Bach
Bach, J S: | Partita for solo violin No. 2 in D minor, BWV1004: Chaconne Prelude for Lute in C minor, BWV999 played in D minor Lute Suite No. 1 in E minor, BWV996: Sarabande Lute Suite No. 1 in E minor, BWV996: Bourrée Prelude from Lute Suite No. 2 in C minor, BWV997 played in A minor Fugue from Lute Suite No. 2 in C minor, BWV997 played in A minor Prelude, Fugue & Allegro for Lute in E flat major, BWV998 played in D major | Dowland: | The most sacred Queene Elizabeth her Galliard Lachrimae Antiquae Mrs White's Nothing, P. 56 Mrs Vaux's Jig, P. 57 A Fancy Orlando Sleepeth Fantasia P72 The King of Denmark, His Galliard Melancholy Galliard Lady Hunsdon's Puffe Semper Dowland Semper Dolens Almain Sir Henry Umpton's Funeral Forlorn Hope Fancy (Fantasie No. 2) Ayres for 4 voices Humour say what mak’st thou here Can she excuse my wrongs? (First Booke of Songes, 1597) The First Booke of Songes: His golden locks time hath to silver turned Stay time awhile thy flying The lowest trees have tops Unquiet thoughts Praise blindness, eyes, for seeing is deceit My heart and tongue were twins |
Julian Bream (lute & guitar), Edith Steinbauer (treble viol), Beatrice Reichert (alto & tenor viol), Frieda Litschauer (tenor viol), Ernst Knava (bass viol) & Elizabeth Osborn (soprano) The Golden Age Singers, Margaret Field-Hyde The set comprises Bream’s solo Dowland LP (1954) – which was his debüt solo recording, played on lute - and his solo Bach LP (1956), both originally recorded on the Westminster label and justly celebrated at the time. Here they are brought together with a wide selection of Dowland ayres, sung by The Golden Age Singers with Bream’s lute accompaniment. The CD booklet has a newly commissioned note by Tully Potter, a personal friend of Julian Bream, and includes reproductions of the original LP covers, LP labels and photos of the artists. “…Bream's genius transcends all. Whether it's in the astonishing intensity of Dowland's Melancholy Galliard and Forlorn Hope Fancy or in the finely proportioned sense of pace and drama in Bach's Chaconne, the impression is ultimately of a meeting of equals.” Gramophone Magazine, October 2008 | | (Sorry, download not available in your country) | |
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| |  | Semper Dowland Semper DolensMusic for lute
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| |  | Such Sweet SorrowLute Pieces by John Dowland
John Paul (lute, harpsichord) | |
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