All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | In The Settings And At The Times Of Tosca
Conceived and Produced by ANDREA ANDERMANN Director GIUSEPPE PATRONI GRIFFI Cinematography VITTORIO STORARO Directed for video by BRIAN LARGE Recorded live in July 1992 - REMASTERED IN HIGH DEFINITION FROM THE ORIGINAL MASTER TAPE. Contemporary Rome is the setting for this unique and highly innovative version of Puccini’s Tosca, performed in the Roman locations – and at the same times of day – as Puccini had written into his score. Thus the action opens in the beautiful 16th-century church of Sant’Andrea della Valle at noon, where Cavaradossi (Domingo) meets the fugitive Angelotti, moves to the Farnese Palace that evening where Tosca (Catherine Malfitano) dramatically makes a pact with the lustful Scarpia (Ruggero Raimondi), and finally to the battlements of the Castel Sant’Angelo at dawn the following day where the final drama is played out. COLOUR REGION CODE: ALL REGIONS NTSC 4:3 • 114 MINS • L-PCM STEREO SUBTITLES: ENGLISH / FRENCH / GERMAN / ITALIAN | 
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| |  | In The Settings And At The Times Of Tosca
Conceived and Produced by ANDREA ANDERMANN Director GIUSEPPE PATRONI GRIFFI Cinematography VITTORIO STORARO Directed for video by BRIAN LARGE Recorded live in July 1992 - REMASTERED IN HIGH DEFINITION FROM THE ORIGINAL MASTER TAPE. Contemporary Rome is the setting for this unique and highly innovative version of Puccini’s Tosca, performed in the Roman locations – and at the same times of day – as Puccini had written into his score. Thus the action opens in the beautiful 16th-century church of Sant’Andrea della Valle at noon, where Cavaradossi (Domingo) meets the fugitive Angelotti, moves to the Farnese Palace that evening where Tosca (Catherine Malfitano) dramatically makes a pact with the lustful Scarpia (Ruggero Raimondi), and finally to the battlements of the Castel Sant’Angelo at dawn the following day where the final drama is played out. COLOUR REGION CODE: ALL REGIONS NTSC 4:3 • 114 MINS • L-PCM STEREO SUBTITLES: ENGLISH / FRENCH / GERMAN /ITALIAN | 
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It is no exaggeration to say that the two performances of Tosca at the Royal Opera House in July 2011 - with Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel as the leads - were opera history in the making and by far the hottest tickets in town. For the majority of us who weren’t lucky enough to be there, it has been captured on this DVD, exclusively released by EMI. Subtitles in Italian, English, German, Japanese, French & Spanish “Gheorghiu makes a credible character out of Tosca...her voice keeps its beauty at all but the most high-pressure moments...Kaufmann scores a complete success as Cavaradossi...What he lacks in Italianate open tone, he makes up in brooding, dark colours...Neither of them would be likely to get the better of Bryn Terfel's bully of a Scarpia...The other dominant personality is Antonio Pappano, whose Puccini has never sounded better” Gramophone Magazine, January 2013 “Pappano's mastery of Puccinian pace and phrasing intensifies this turbulent score's onward surge, but he's also noticeable attentive to his singers...[Kaufmann's] cries of 'Vittoria!' are thrilling...and his acting never slackens...Tosca's mercurial character seems to resonate with [Gheorghiu] naturally...There are some decent Toscas on DVD already, but I'd start here.” BBC Music Magazine, February 2013 ***** | | | In stock - usually despatched within 1 working day. |
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It is no exaggeration to say that the two performances of Tosca at the Royal Opera House in July 2011 - with Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel as the leads - were opera history in the making and by far the hottest tickets in town. For the majority of us who weren’t lucky enough to be there, it has been captured on this DVD, exclusively released by EMI. Subtitles in Italian, English, German, Japanese, French & Spanish “Gheorghiu makes a credible character out of Tosca...her voice keeps its beauty at all but the most high-pressure moments...Kaufmann scores a complete success as Cavaradossi...What he lacks in Italianate open tone, he makes up in brooding, dark colours...Neither of them would be likely to get the better of Bryn Terfel's bully of a Scarpia...The other dominant personality is Antonio Pappano, whose Puccini has never sounded better” Gramophone Magazine, January 2013 “Pappano's mastery of Puccinian pace and phrasing intensifies this turbulent score's onward surge, but he's also noticeable attentive to his singers...[Kaufmann's] cries of 'Vittoria!' are thrilling...and his acting never slackens...Tosca's mercurial character seems to resonate with [Gheorghiu] naturally...There are some decent Toscas on DVD already, but I'd start here.” BBC Music Magazine, February 2013 ***** | | | EMI - 4040649 (Blu-ray) Normally: $27.00 Special: $24.30 |
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Tosca, in Luc Bondy’s headline-making production, opened the New York Metropolitan’s 2009-10 season. The charismatic Karita Mattila takes the title role with Marcelo Álvarez, a classic Latin tenor, as her lover, Cavaradossi. This production of Tosca opened the Metropolitan Opera’s 2009-10 season, the first to be programmed entirely by the house’s General Manager Peter Gelb, who, as the New York Times explains “has been on a campaign to make the house a place for theatrically daring productions with dramatically compelling casts”. The work of Swiss-born Luc Bondy, named by Opera News as “one of the opera world's most respected stage directors”, this production – igniting Tosca‘s potent mix of sex, politics, music and religion – contrasts starkly with its predecessor at the Met, a traditional spectacular first staged by Franco Zeffirelli in 1985. According to the Los Angeles Times: “Bondy updated the story of a diva, her lover and the lecherous chief of the secret police from 1800 to a decadent Rome in the early 20th century. Cavaradossi paints a topless, fetching Mary Magdalene, which Tosca in a fit of jealousy slashes with a knife, in a cathedral that looks more like a grand Fascist assembly room.” The title role is taken by Karita Mattila, “an artist defined by her ability to take risks – emotionally, vocally, temperamentally” (Opera News). The striking blue-eyed blonde from Finland became a sultry dark-eyed Roman brunette and brought “shimmering power, incisive attack, pliant lyricism and emotional honesty to her performance. … In Act III, when she tells Cavaradossi of having stabbed Scarpia to death, she leapt to a high C of ferocious intensity, then plunged down two octaves, mimicking the thrust of the knife into the villain’s gut.” The New York Times went on to praise her Cavaradossi, Marcelo Álvarez as “a true Puccini tenor, with warm, throbbing, supple phrasing and some triumphant top notes, including a defiant high A sharp when he sang “Vittoria” at the news of Napoleon’s victory at the Battle of Marengo”. “A very accomplished and dark Scarpia” (The Guardian), Georgian baritone George Gagnidze completed a cast which, as the New York Times reported, “received enormous ovations”. Conducting this performance, and replacing an indisposed James Levine, was American maestro Joseph Colaneri, who has regularly taken charge of Italian repertoire at the Met since 2000. As Opera News said: “The combined effect of the Met chorus and orchestra remains a thing of wonder.” The Met’s high-definition video broadcasts of opera now regularly draw audiences to more than 1000 cinemas in over 40 countries, and – beyond their compelling technical quality – capture the full drama of the performance with sophisticated shooting techniques inspired by Hollywood. “[Mattila's] extraordinary sense of theatre makes her compelling to watch, whether she's sexually teasing Marcelo Álvarez's fervent Cavaradossi in church, or attacking George Gagnidze's perverted Scarpia with a violence that borders on the pathological. Bondy keeps Puccini's specified period (1800), but also views the work as prophetic of 20th and 21st-century political violence.” The Guardian, 9th December 2010 *** “This performance is of the new production by Luc Bondy, the most striking feature of which is the austerity of the designs...the production is pretty self-explanatory: the pervasiveness of pain, primarily physical but also psychological, is underlined throughout...[Gagnidze] is an extraordinarily repulsive Scarpia, surrounded by even more repellent sidekicks” BBC Music Magazine, January 2011 *** “The Finnish diva is such a 150 per cent communicator that you forget her limitations and succumb to her stage temperament: this DVD is well worth watching just for her hysterical (both senses) performance...Luc Bondy’s staging upset some New Yorkers by poking gentle fun at Tosca convention...but it gets my vote by skirting most of the clichés.” Financial Times, 7th January 2011 **** “At full force, [Gagnidze's] voice thunders out in an interpretation that shows the thuggish side of Scarpia...Alvarez brings strength of voice to his role...[Mattila] creates a multi-hued Tosca, with touches of humour displayed once or twice, and shows the vulnerability of the woman...[Levine's] replacement Joseph Colineri holds it together well” International Record Review, January 2011 “Karita Mattila makes a compelling Tosca...Marcelo Alvarez is a passionate Cavaradossi and George Gagnidze booms meatily as Scarpia.” Classic FM Magazine, February 2011 ** | | | In stock - usually despatched within 1 working day. |
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| |  | Stage Production and Set Design - Franco Zeffirelli
recorded live from the MET in March 1985 “Domingo’s Cavaradossi is a gorgeous piece of singing” New York Magazine | | | In stock - usually despatched within 1 working day. |
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“this DG set is unsurpassed...The singers mime to their parts and the lip-sync.is generally impressive...With superb singing and fine acting from all concerned, and equally impressive conducting from Bartoletti, who has the New Phlharmonia on top form, this is all pretty irresistable.” Penguin Guide, 2010 edition **** | | | In stock - usually despatched within 1 working day. |
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| |  | Live Recording from The Teatro Carlo Felice, Genoa 2010
Daniela Dessì (Tosca), Fabio Armiliato (Mario Cavaradossi) & Claudio Sgura (Scarpia) Teatro Carlo Felice, Marco Boemi (conductor) & Renzo Giacchieri (stage director) Set Design by ADOLF HOHENSTEIN This production from the historic Teatro Carlo Felice in Genova, Italy, stars the opera world’s power couple, Daniela Dessì and Fabio Armiliato, as lovers Tosca and Cavaradossi. A tragic tale of doomed love interlaced with the age-old themes of jealousy, lust and intrigue, has ensured Tosca its place in the top ten of opera favourites. The task of putting Tosca on the stage in a way that is credible and timeless is both straightforward and difficult. For the three main roles – the unscrupulous police chief Vitellio Scarpia and the painter Mario Cavaradossi, who provide a framework for Floria Tosca, “a famous singer” (both on stage and in real life), all you need is star performers of the required virtuosity, although they do need to display a certain enjoyment in performing – something one has never been able to take for granted in music theatre. It should be made clear from the outset that the 2010 production at the Teatro Carlo Felice zu Genua, with its stage set based on Adolf Hohenstein’s original design for the work’s premiere, ticks all the boxes. Probably the best contemporary soprano-tenor combination (a couple in real life, too) – Daniela Dessì and Fabio Armiliato – are ranged against a worthy opponent in the form of Claudio Sgura as Baron Scarpia. Sound Format: PCM Stereo, dts-HD Master Audio 5.1 Picture Format: 16:9 Resolution: 1080i FULL HD Subtitle Languages: IT (Original Language), GB, DE, FR, ES, JP, Korean Running Time: 140 mins Blu-ray Disc: 25 GB (Single Layer) FSK: 0 “This is a good, conventionally designed Tosca, well sung and played and with a satisfying theatrical flair.” MusicWeb International, August 2012 | | | Usually despatched in 2 - 3 working days. |
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| |  | Live Recording from The Teatro Carlo Felice, Genoa 2010
Daniela Dessì (Tosca), Fabio Armiliato (Mario Cavaradossi) & Claudio Sgura (Scarpia) Teatro Carlo Felice, Marco Boemi (conductor) & Renzo Giacchieri (stage director) Set Design by ADOLF HOHENSTEIN This production from the historic Teatro Carlo Felice in Genova, Italy, stars the opera world’s power couple, Daniela Dessì and Fabio Armiliato, as lovers Tosca and Cavaradossi. A tragic tale of doomed love interlaced with the age-old themes of jealousy, lust and intrigue, has ensured Tosca its place in the top ten of opera favourites. The task of putting Tosca on the stage in a way that is credible and timeless is both straightforward and difficult. For the three main roles – the unscrupulous police chief Vitellio Scarpia and the painter Mario Cavaradossi, who provide a framework for Floria Tosca, “a famous singer” (both on stage and in real life), all you need is star performers of the required virtuosity, although they do need to display a certain enjoyment in performing – something one has never been able to take for granted in music theatre. It should be made clear from the outset that the 2010 production at the Teatro Carlo Felice zu Genua, with its stage set based on Adolf Hohenstein’s original design for the work’s premiere, ticks all the boxes. Probably the best contemporary soprano-tenor combination (a couple in real life, too) – Daniela Dessì and Fabio Armiliato – are ranged against a worthy opponent in the form of Claudio Sgura as Baron Scarpia. Sound Format: PCM Stereo, DD 5.1 Picture Format: 16:9 DVD Format: DVD 9, NTSC Subtitle Languages: IT (Original Language), GB, DE, FR, ES, JP, Korean Running Time: 140 mins FSK: 0 “One can praise both [Dessi and Armiliato]for vierting from tradition by actually singing many phrases that most other singers deliver parlando...[Sgura possesses a timbre rather warmer than usual for Scarpia - it's nice to hear 'Va, Tosca' sung rather than roared...The conductor, Marco Boemi, has the idiom solidly in hand and extracts full-blooded, sumptuous sound from the Genoa players” International Record Review, March 2012 | | | Usually despatched in 2 - 3 working days. |
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Tosca: it is opera, it is Italy. It is desire, passion and murder…. Featuring opera superstars Angela Gheorghiu, Roberto Alagna and Ruggero Raimondi, with musical direction by the world-renowned Antonio Pappano. Prestige of official selection at Venice Film Festival, a comprehensive and successful commercial run in cinemas and outstanding critical acclaim. 10th anniversary special edition, with exclusive DVD bonus features including a new 10th anniversary interview with soprano Angela Gheorghiu, a collector’s booklet and a “Costume Design” featurette plus original 2001 interviews with Angela Gheorghiu on her role as Tosca, director Benoît Jacquot on creating Tosca as film and Antonio Pappano on Puccini’s music for the opera. “brings this opera vividly to life… this is a classic of the future” The Guardian “gripping and very well sung” Opera Now “superb” Gramophone Magazine "Gheorghiu gives a performance that cuts to the core of Puccini's tragedy... Pappano's conducting; a rich reading that conjures the ideal mixture of syrup and bitterness" Independent on Sunday Audio: Dolby Stereo & Optional 5.1 Aspect Ratio: 1.85:1 Feature Running Time: 120 mins Italian with optional English subtitles Bonus Features Running Time: 41 mins Region: 0, PAL Territory: Worldwide (excluding Japan, North America, France and Germany) | | | Usually despatched in 2 - 3 working days. |
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