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See Terms & Conditions for p&p rates. | |  | Schumann, Schubert & Beethoven - Lieder
Wunderlich was one of the most unusual and captivating tenors of the last fifty years. In his tragically short career, he displayed an extraordinary musical versatility. This recording was made with his longtime friend and accompanist Hubert Giesen and includes Schumann’s Dichterliebe and Schubert 6 Songs. | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Beethoven: | Zärtliche Liebe 'Ich liebe dich', WoO 123 Adelaide, Op. 46 Resignation, WoO 149 Der Kuss, Op. 128 | Schubert: | An Sylvia, D891 Lied eines Schiffers an die Dioskuren D360 (Mayrhofer) Liebhaber in allen Gestalten, D558 Der Einsame, D800 Im Abendrot, D799 Ständchen 'Leise flehen meine Lieder', D957 No. 4 An die Laute D905 Der Musensohn, D764 (Goethe) An die Musik D547 | Schumann: | Dichterliebe, Op. 48 |
“Few tenors have matched the young Wunderlich in the freshness and golden bloom of the voice. The open manner could not be more appealing here in glowing performances” Penguin Guide, 2010 edition *** | | | In stock - usually despatched within 1 working day. |
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| |  | Daniel Behle - Lieder
German tenor Daniel Behle has won several prizes at international singing competitions, notably First prize in the International Robert Stolz Competition 2004, First prize in the Queen Sonja Competition 2005 in Oslo and second prize in the International Competition - Cologne 2002. On his first recording for Phoenix Edition he sings a collection of songs by Schubert, Beethoven, Grieg, Britten and Trojahn, beautifully accompanied by Oliver Schnyder. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Beethoven: Lieder und Gesänge
Beethoven: | Lieder (6), Op. 75 Lieder von Gellert (6), Op. 48 Quatre ariettes italiennes, Op. 82 An die Geliebte, WoO 140 (2 versions) Sehnsucht (Nur wer die Sehnsucht kennt), WoO 134 (4 versions) Das Geheimnis, WoO 145 Als die Geliebte sich trennen wollte, WoO 132 Der Kuss, Op. 128 Sehnsucht (Die stille Nacht undunkelt), WoO 146 Der Mann von Wort, Op. 99 Seufzer eines Ungeliebten und Gegenliebe, WoO118 In questa tomba oscura, WoO.133 Lieder (8), Op. 52 |
The first in a two part set of Beethoven's Lieder und Gesänge (the second part is SIGCD145). Beethoven himself was not a keen song writer, yet despite this almost half of his total works call for a voice. This disc includes some of the best of those compositions. “…the wonderful Roderick Williams… animates and energises everything he does. He sings with relish, makes the most of the words… and infectiously communicates a pleasure that it can’t always have been easy to feel…” BBC Music Magazine, January 2009 **** “Two thirds of the numbers on this pair of CDs go to Roderick Williams, whose clean, mellifluous timbre, firm legato and expressive diction are well nigh ideal.” Gramophone Magazine, February 2009 | | | Usually despatched in 3 - 4 working days. |
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| |  | Great Performances from the Library of Congress, Vol. 24
| | Lead Me To the Water Spiritual I'm Seekin' For a City Spiritual I'm Goin' to tell God All My Troubles Spiritual Ride On, Jesus Spiritual Ev'ry Time I Feel the Spirit Spiritual Were You There Spiritual | Beethoven: | Adelaide, Op. 46 Der Kuss, Op. 128 | Bizet: | Adieux de l'hotesse Arabe | Brahms: | Meine Liebe ist grün, Op. 63 No. 5 | Charpentier, G: | Depuis le jour (from Louise) | Cohen, C: | Epitaph for a Poet | Coleridge-Taylor: | She Rested By the Broken Brook Thou Art Risen, My Belovéd | Debussy: | Beau Soir | Dett: | My Day | Grovlez: | Guitares et mandolines | Handel: | Semele: O, Sleep Why Dost Thou Leave Me? | Schubert: | Ave Maria, D839 | Schumann: | Du bist wie eine Blume, Op. 25 No. 24 | Strauss, R: | Wiegenlied, Op. 41 No. 1 Wie sollten wir geheim sie halten, Op. 19 No. 4 |
Historian Rosalyn M. Story writes, "In the history of American singers, Dorothy Maynor stands out as an artist endowed with the power to exalt, to transport the hearer above the realm of the ordinary and beyond the limits of normal expectation." | | | Usually despatched in 2 - 3 working days. |
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| |  | Lotte Lehmann Sings Lieder & Orchestral Songs 1941 - 1950Radio Broadcasts and Live in Concert
Beethoven: | Andenken, WoO 136 Wonne der Wehmut, Op. 83 No. 1 Die Trommel geruhret Der Kuss, Op. 128 | Brahms: | Die Mainacht, Op. 43 No. 2 Ständchen, Op. 106 No. 1 Wiegenlied, Op. 49 No. 4 (Lullaby) O liebliche Wangen, Op. 47 No. 4 | Mendelssohn: | Auf Flügeln des Gesanges, Op. 34 No. 2 Neue Liebe, Op. 19a No. 4 Venetianisches Gondellied, Op. 57 No. 5 'Wenn durch die Piazetta' | Mozart: | Abendempfindung an Laura, K523 Das Veilchen, K476 Warnung 'Männer suchen stehts zu naschen', K433 Sehnsucht nach dem Frühlinge, K596 Sei du mein Trost, K391 Dans un bois solitaire, K308 | Schubert: | An die Musik D547 Ständchen 'Leise flehen meine Lieder', D957 No. 4 Erlkönig, D328 Gute Nacht (No. 1 from Winterreise, D911) Frühlingstraum (No. 11 from Winterreise, D911) Der Leiermann (No. 24 from Winterreise, D911) Der Doppelgänger D957 No. 13 | Schumann: | In der Fremde (No. 1 from Liederkreis, Op. 39) Ich grolle nicht (No. 7 from Dichterliebe, Op. 48) Der Nussbaum, Op. 25 No. 3 Aufträge, Op. 77 No. 5 Die Lotosblume, Op. 25 No. 7 | Strauss, R: | Zueignung, Op. 10 No. 1 Morgen, Op. 27 No. 4 Traum durch die Dämmerung, Op. 29 No. 1 Allerseelen, Op. 10 No. 8 Ständchen, Op. 17 No. 2 | Wagner: | Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Tristan und Isolde: Prelude to Act 1 Im Treibhaus (No. 3 from Wesendonck-Lieder) Träume (No. 5 from Wesendonck-Lieder) Schmerzen (No. 4 from Wesendonck-Lieder) | Wolf, H: | Gesang Weylas (No. 46 from Mörike-Lieder) Verborgenheit (No. 12 from Mörike-Lieder) Wer tat deinem Füßlein weh? (No. 30 from Spanisches Liederbuch: Weltliche Lieder) |
and traditional German Christmas carols
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| |  | Beethoven: Christus am Ölberge
Erna Spoorenberg (soprano), Fritz Wunderlich (tenor), Hermann Schey (bass-baritone) | | | Usually despatched in 2 - 3 working days. |
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| |  | Sir Thomas Allen & Malcolm MartineauSongs by Beethoven, Wolf, Butterworth & Vaughan-Williams
“As always, Allen was a supremely intelligent recitalist, matching sound with sense, probing the meaning of a text without fracturing the focal line” The Guardian “This recital had no name; but it is pungent with Intimations of Mortality. Allen's noble baritone now incarnates this awareness superbly, whether in the numb grief of Hugo Wolf's 'Harper' songs from Goethe's Wilhelm Meister, in his lightly-breathed 'Anakreons Grab' or in the pathos-tinted Beethoven songs at the start.” BBC Music Magazine, September 2005 **** “Allen at 60 sings with a beauty of tone and production which would be remarkable in a man half his age. …it seems to me that the warmth of feeling and the play of imagination have been enriched in him during the past five or six years, so that I'd be unlikely to find any comparable singer achieving a more satisfying balance between the vocal and expressive aspects of his art.” Gramophone Magazine, December 2005 | | | Usually despatched in 3 - 4 working days. |
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| |  | Beethoven: An die ferne Geliebte
Beethoven: | An die ferne Geliebte (To the distant beloved), Op. 98 Adelaide, Op. 46 Zärtliche Liebe 'Ich liebe dich', WoO 123 Che fa il mio ben? (L'amante impaziente, Op. 82 No. 3) Che fa il mio ben? (L'amante impaziente, Op. 82 No. 4) Der Kuss, Op. 128 In questa tomba oscura, WoO.133 Die Ehre Gottes aus der Natur ('Die Himmel rühmen des Ewigen Ehre'), Op. 48 No. 4 Maigesang, Op. 52 No. 4 Marmotte, Op. 52 No. 7 Seufzer eines Ungeliebten und Gegenliebe, WoO118 Andenken, WoO 136 Der Wachtelschlag, WoO 129 Mephistos Flohlied, Op. 75, 3 Wonne der Wehmut, Op. 83 No. 1 Sehnsucht, Op. 83, 2 Mit einem gemalten Band Op. 83, No. 3 An die Hoffnung, Op. 94 Lied aus der Ferne, WoO 137 Der Jüngling in der Fremde, WoO 138 Der Liebende, WoO 139 Abendlied unter'm gestirten Himmel, WoO 150 |
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| |  | Of ladies and love ...
Beethoven: | Adelaide, Op. 46 Wonne der Wehmut, Op. 83 No. 1 Der Kuss, Op. 128 | Fauré: | Nell, Op. 18 No. 1 Adieu, Op. 21 No. 3, from Poème d'un jour Sylvie, Op. 6 No. 3 Lydia, Op. 4 No. 2 Fleur jetée, Op. 39 No. 2 | Liszt: | Sonetti di Petrarca (3) for voice & piano, S270 | Ravel: | Cinq mélodies populaires grecques | Schubert: | Trost: An Elisa, D97 Laura am Klavier, D388 An Sylvia, D891 Der Jüngling an der Quelle, D300 (Salis-Seewis) | Strauss, R: | Cäcilie, Op. 27 No. 2 Zueignung, Op. 10 No. 1 Nichts, Op. 10 No. 2 Morgen, Op. 27 No. 4 |
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