All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Gabriel Jackson: Requiem
While the unifying thread which links these works is that of loss, the underlying focus is an uplifting celebration of life and love. Gabriel Jackson’s Requiem combines traditional solemnity with poems which embrace wide-ranging spirituality, resulting in images of light and radiant optimism. Contrasting poignancy of expression is heard in personal tributes from John Tavener and Francis Pott, while Bob Chilcott uses Pachelbel’s famous Canon to set Oscar Wilde’s Requiescat. Vasari Singers’ Great British Anthems (8572504) was described as ‘essential listening’ by Gramophone. With superbly moving performances of works by four of the foremost names in choral music, this disc cannot fail to thrill choral and British music aficionados everywhere. “While personal loss lies at the heart of this new collection from the ever admirable Vasari Singers, it is predominantly a superb celebration of life and love...Always ready to commission and perform new work, this choir grows in stature with each new recording.” The Observer, 7th October 2012 “Pott's music is further evidence of this composer's vivid and unusual aural imagination, as well as his dramatic sense. This is the first recording of this beautiful work...On a disc where the solo singing is uniformly excellent, it is unfair to cite an individual, but Matthew Wood's singing [in the Jackson] is a marvellous blend of of implacable poise and vocal beauty.” International Record Review, October 2012 “Soft, consolatory, warmly glowing: that's the atmosphere created by Gabriel Jackson in the opening movement of his Requiem...The Vasari Singers grip [the Pott] with evident relish and commitment, producing the CD's most potently arresting performance.” BBC Music Magazine, December 2012 **** “The music feels as spontaneously descriptive as Eric Whitacre's, though without the quick onset of diminishing returns...Performances under Jeremy Backhouse meet the formidable challenges without audible strain, never shrinking away from the music's intense emotional content.” Gramophone Magazine, December 2012 | | | (also available to download from $6.00) | In stock - usually despatched within 1 working day. |
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“If John Tavener's reputation were to rest solely on his unaccompanied choral music and nothing else, then his stature as one of the most striking and original composers working today would be just as high. Much of Tavener's creativity is founded on the traditions of his Orthodox faith and of Orthodox chant, and yet curiously, intentionally or unintentionally, he has also, through works such as those presented here, extended the tradition of English choral music. Through their popularity The Lamb, The Tiger and Songfor Athene have become immovably imbedded in our choral tradition, but one need only listen to the splendid Magnificat and Nunc dimittis, for instance, to find a unique symbiosis of Eastern and Western traditions at work. Many of the works presented on this CD have enjoyed wide circulation on numerous Taveneronly and compilation discs, but the performances here from the Choir of St John's College, Cambridge, under the direction of Christopher Robinson, have much to recommend them and the super-budget price makes this issue especially desirable for those seeking a survey of Tavener's choral music for the first time. Svyati for solo cello and choir, with echoes of The Protecting Veil, opens a window on Tavener's more overtly Eastern/ Orthodox-inspired music. Tim Hugh's serenely beautiful account of the solo cello part is a winner from beginning to end. The recording, made in St John's College Chapel, is resplendently atmospheric.” Gramophone Classical Music Guide, 2010 “The Christmas Proclamation, God is with Us, is the striking first item in this collection of John Tavener's shorter choral pieces. It was inspired, like so many of Tavener's works, by Greek Orthodox liturgy, rising in a thrilling crescendo and punctuated at the end by fortissimo organ chords. The Song for Athene, well-remembered from the funeral, of Princess Diana, is here presented as an anthem rather than a processional, with the other works, including most of the favourite Tavener items, also superbly sung and atmospherically recorded” Edward Greenfield, The Guardian, December 8, 2000 “John Tavener's choral music is inspired by his Orthodox faith, and on this disc the choir…. eloquently communicate the music's timeless spirituality…[and] the composer's richly coloured blend of Eastern and Western liturgical traditions” The Telegraph | | | (also available to download from $6.00) | In stock - usually despatched within 1 working day. |
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| |  | 20th-Century Choral Masterpieces
Barber, S: | God’s Grandeur Joyful Company of Singers, Peter Broadbent Heaven-Haven: A Nun Takes the Veil Op. 13, No. 1 Joyful Company of Singers, Peter Broadbent Agnus Dei Joyful Company of Singers, Peter Broadbent | Duruflé: | Quatre Motets sur des thèmes grégoriens, Op. 10 Choir of St. John's College, Cambridge, George Guest | Gorecki: | Totus Tuus, Op. 60 Gabrieli Consort, Paul McCreesh | Leighton: | God's Grandeur Joyful Company of Singers, Peter Broadbent | Ligeti: | Lux aeterna Chor des Norddeutschen Rundfunks, Helmut Franz | Messiaen: | O sacrum convivium Coro dell'Accademia Nazionale Di Santa Cecilia, Myung-Whun Chung | Pärt: | De profundis The Sixteen, Harry Christophers The Woman With The Alabaster Box The Sixteen, Harry Christophers | Tavener: | The Lamb The Choir of the Temple Church, Stephen Layton Song for Athene Gabrieli Consort & Players, Paul McCreesh |
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| |  | 50 Best Smooth Classics
Albinoni: | Concerto Op. 9 No. 3 for two oboes & strings in F major: Adagio | Allegri: | Miserere mei, Deus | Bach, J S: | Concerto for Two Violins in D minor, BWV1043: Largo ma non tanto Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String') | Barber, S: | Adagio for Strings, Op. 11 | Beethoven: | Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight': Adagio sostenuto | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) (arr. P. Nagy) | Canteloube: | Songs of the Auvergne: Baïlèro | Chopin: | Prelude Op. 28 No. 15 in D flat major ‘Raindrop' (two versions) | Debussy: | Claire de lune (song) Prélude à l'après-midi d'un faune Arabesque No. 1 | Delibes: | Coppelia - Waltz of the Doll Lakmé: Dôme épais (Flower Duet) | Dvorak: | Symphony No. 9 in E minor, Op. 95 'From the New World' - Largo | Elgar: | Nimrod (from Enigma Variations) Serenade for Strings in E minor, Op. 20 - Allegretto | Fauré: | Pavane, Op. 50 Requiem: Pie Jesu Dolly Suite, Op. 56: No. 5, Tendresse (orch. H. Rabaud) | Finzi: | Eclogue, Op. 10 | Giazotto: | The Albinoni Adagio | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits | Grieg: | Våren, elegiac melody for strings, Op. 34 No. 2 Peer Gynt: Morning | Handel: | Ombra mai fu (from Serse) | Holst: | Venus, the Bringer of Peace (The Planets) | Howells: | Salvator mundi | Lauridsen: | O magnum mysterium | Mahler: | Symphony No. 5 in C sharp minor - Adagietto | Mascagni: | Cavalleria Rusticana: Intermezzo | Mendelssohn: | A Midsummer Night's Dream: Nocturne | Mozart: | Flute & Harp Concerto in C major, K299 - Andantino Ave verum corpus, K618 | Puccini: | Humming Chorus (from Madama Butterfly) | Rachmaninov: | Rhapsody on a Theme of Paganini - Variation 18 Bogorodice Devo Piano Concerto No. 2 in C minor, Op. 18: 2 - Adagio sostenuto | Saint-Saëns: | Le carnaval des animaux: Le Cygne | Satie: | Gymnopédie No. 1 (version for guitar and orchestra) | Shostakovich: | Romance (from The Gadfly) Piano Concerto No. 2 in F major, Op. 102 - Andante | Stanford: | The Blue Bird, Op. 119 No. 3 | Tárrega: | Recuerdos de la Alhambra | Tavener: | Song for Athene | Tchaikovsky: | Symphony No. 6 in B minor, Op. 74 'Pathétique' - Allegro con grazia | Vaughan Williams: | The Lark Ascending Fantasia on a Theme by Thomas Tallis | Whitacre: | Sleep |
Francois-Joel Thiollier (piano), Takako Nishizaki (violin), Alexander Jablokov (violin), Adriana Kohutkova (soprano), Denisa Slepkovska (mezzo-soprano), Bernd Glemser (piano), Peter Nagy (piano), Veronique Gens (soprano), Mats Bergstrom (guitar), Anthony Camden (oboe), Peter Donohoe (piano), Irina Zaritzkaya (piano), Klara Kormendi (piano), Idil Biret (piano), David Greed (violin), Jeno Jando (piano), Lisa Beckley (soprano), Colm Carey (organ), Carys-Anne Lane (soprano), Jiri Valek (flute), Hana Mullerova (harp), Michael Houstoun (piano), Jozef Cejka (oboe), Gerald Garcia (guitar) Slovak Radio Symphony Orchestra, Baltimore Symphony Orchestra, St. John's College Choir, Cambridge, Capella Istropolitana, Polish National Radio Symphony Orchestra, London Symphony Orchestra, Lille National Orchestra, London Virtuosi, Northern Sinfonia, F, Andrew Mogrelia, Marin Alsop, Christopher Robinson, Oliver Dohnanyi, Johannes Wildner, Gyorgy Lehel, James DePreist, Jean-Claude Casadesus, Richard Edlinger, Keith Clark, John Georgiadis, Howard Griffiths, Eric-Olof Soderstrom, Anthony Bramall, Alexander | |
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| |  | Tavener: Choral Ikons
The Choir, James Whitbourn John Tavener describes his music as resembling ‘ikons in sound’ – a window on to the Divine world. The British conductor and composer James Whitbourn conducts the London-based ensemble The Choir in a programme of Tavener’s hauntingly beautiful unaccompanied choral music in performances described as “impressive and spiritual”. ‘The power of the performances is overwhelming and the credit goes to James Whitbourn and his vocal ensemble The Choir’ The Organ “James Whitbourn's singers, seasoned yet still young, robustly engage with compositions that many groups treat with bloodless reverence...Those who like their Tavener pure and ethereal should not be deterred from tasting The Choir's more muscular approach to the composer's work. The tonal weight and emotional conviction of their performance opens fresh perspectives on familiar works.” Classic FM Magazine, May 2011 **** “The clue is not to over-dramatise the musical content - after all, Tavener is projecting a musical image, not telling a story - and The Choir thrive on the more expansive and extended images, such as Song for Athene and The Hymn of the Unwaning Light.” Gramophone Magazine, July 2011 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Voices 1900/2000A Choral Journey Through the Twentieth Century
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | English Choral Music
Berkeley, L: | The Lord is my Shepherd, Op. 91 No. 1 Crux fidelis, Op. 43 No. 1 Look up, sweet babe, Op. 43 No. 2 | Britten: | A Hymn to the Virgin Jubilate Deo in C major (1961) Hymn to St Cecilia, Op. 27 | Elgar: | Ave verum corpus, Op. 2 No. 1 Give unto the Lord (Psalm XXIX), Op. 74 | Finzi: | Welcome Sweet and Sacred Feast, Op. 27 No. 3 God is gone up, Op. 27 No. 2 | Howells: | Magnificat & Nunc dimittis (St Paul's, 1951) Paean Take him, earth, for cherishing | Hurford: | Litany to the Holy Spirit | Leighton: | Magnificat & Nunc Dimittis (Collegium Magdalenae Oxonienses) An Easter Sequence: Sortie | Rubbra: | Tenebrae Motets - Third Nocturn Magnificat in A flat | Stanford: | Evening Service (Magnificat & Nunc dimittis) in G major, Op. 81 Justorum animae, Op. 38 No. 1 | Tavener: | The Lamb The Lord's Prayer Song for Athene | Vaughan Williams: | The Call | Walton: | Set me as a seal upon thine heart Coronation Te Deum Gloria from Missa Brevis |
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| |  | Radiant LightSongs for the Millenium
Boston Trinity Church Choir, Brian Jones | |
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| |  | The King's Collection
Choir of King's College Cambridge, Stephen Cleobury | | (Sorry, download not available in your country) | |
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