Pergolesi: Stabat Mater

Dominus Illuminatio Mea - The motto of the University of Oxford provides the inspiration for this album of a cappella choral classics performed by one of the greatest choirs in a city of great choirs. Includes a brand new arrangement of the famous Inspector Morse theme tune by Barrington Pheloung in this 25th Anniversary year of Oxford’s most famous fictional detective.

Pergolesi completed his Stabat Mater a few days before his death, on 17 March 1736, prompting comparisons with another mythical figure, Mozart composing his Requiem. It is framed here by three more masterpieces of the pianto genre in a similar spirit of bittersweet sadness. Born in Buenos Aires to Slovenian parents, Bernarda Fink studied at the Instituto Superior de Arte del Teatro Colón. Today her repertoire ranges from the Baroque to the twentieth century, and she appears regularly with such great international orchestras as the Vienna Philharmonic and Berlin Philharmonic and with celebrated Baroque ensembles. Among the conductors with whom she works are Nikolaus Harnoncourt, René Jacobs, Mariss Jansons and Riccardo Muti. Since the start of her career, Bernarda Fink has been applauded in the leading concert halls of Europe and Argentina. She was recently heard in the role of Irene (Theodora) under the direction of Ivor Bolton at the Salzburg Festival and as Idamante in Luc Bondy’s production of Idomeneo conducted by Jesús López-Cobos at the Teatro Real in Madrid; she has also recorded the latter role for harmonia mundi with René Jacobs. She gives song recitals in the principal European and American musical centres. Bernarda Fink has taken part in more than 50 recordings.

Anna Prohaska studied at the Hanns Eisler Hochschule für Musik Berlin with Norma Sharp, Brenda Mitchell and Wolfram Rieger. She has a close association with the Staatsoper Berlin where her roles have included Blonde, Oscar, Tebaldo, Poppea (Agrippina), and Anne Trulove, with such conductors as Daniel Barenboim, Philippe Jordan, Ingo Metzmacher, and René Jacobs. Her work at the Salzburg festivals includes concerts with the Berlin Philharmonic and the Cleveland Orchestra as well as Don Giovanni (Zerlina) and Luigi Nono’s Al gran sole carico d’amore. She has also appeared at the Lucerne and Aix-en-Provence Festivals and in concert with Claudio Abbado (Berlin Philharmonic and Orquesta Sinfónica Simón Bolivar), Sir Simon Rattle (Berlin Philharmonic and Vienna Philharmonic), and Pierre Boulez (Symphonieorchester des Bayerischen Rund-funks). In recital she can be heard with Eric Schneider, with whom she recorded her first solo recital album.

A new release from a very recently formed ensemble which gave its first performance in October 2009.

Pergolesi Year 2010 celebrates the birth 300 years ago of a first rank composer whose death at 26 robbed music of a singular voice.

Autumn’s 2009 release of this first volume of a three album all-Pergolesi project, featuring Orchestra Mozart conducted by Claudio Abbado, whets the appetite for succeeding volumes while creating buzz for the commemoration year itself.

25 years after recording the Stabat Mater, Pergolesi’s most popular piece, Maestro Abbado unveils his new vision of this sublime score with a cast of splendid singers.

Playing a priceless Guarneri Giuliano Carmignola, winner of Germany’s Echo award and the French Diapason d’or, records Pergolesi’s Violin Concerto for the first time.

"Harnoncourt is … "attentive to every possible detail … there is much to enjoy." Gramophone

A classic of Baroque music, the Stabat Mater by Pergolesi (he wrote it when he was twenty-four and he died two years later) is a constant source of emotion. This superb recording by Rinaldo Alessandrini brings out all the beauty and expression of this work.