Dowland: Come again, sweet love doth now invite

When the Palatinate Prince-Elector Friedrich V married the English Princess Elizabeth Stuart on Valentine's Day 1613, the whole world spoke of the "marriage between the Rhine and the Thames". The Calvinist Electoral Palatinate led the union of the Protestant German princes at this time and the Palatinate politicians saw in Anglican England a powerful ally against the Catholic Habsburgs. Thus this marriage was, of course, politically motivated; but there is considerable evidence that the two young people were actually fond of each other.

In London, the wedding was initially postponed due to the state mourning at the sudden death of the brother of the bride, and of the English heir to the throne, Price Henry, but it later took place on 14 February 1613 following hasty preparations.

After the arrival of the newlyweds in the Electoral Palatinate, the festivities were resumed at Heidelberg Castle. The Ensemble I Ciarlatani has reconstructed the many musical highlights with the help of historical reports, and presents the "marriage between the Rhine and the Thames" as an exciting musical story enabling us to witness the events of those times.

Dowland dedicated his song From Silent Night “To my loving countryman, Mr. John Forster the younger, merchant of Dublin, in Ireland”, revealing his possible Irish origins. Working closely with the American tenor Michael Slattery, La Nef gives Dowland’s Ayres a simple celtic flavour. “…a talented and serious artist.” Gramophone.

Since her early success in Glyndebourne’s now famous production of Handel’s Giulio Cesare, Danielle de Niese has become most closely associated with the music of the Baroque. The New York Times commented: “A voice seductive enough to woo gods as well as mortals”.

With her third solo album, Danielle de Niese embodies the Beauty of the Baroque with an album of arias from the English, German, and Italian traditions, accompanied by the leading European Baroque orchestra, The English Concert, under Harry Bicket. Many popular arias feature, including Handel’s, ‘Ombra mai fu’, and highlights from JS Bach’s Cantatas are contrasted with much loved solo songs by Purcell and Dowland.

Decca’s star countertenor Andreas Scholl joins Danielle de Niese for duets including the ravishing duet “Pur ti miro” from Monteverdi’s L’Incoronazione di Poppea.

One of David Daniels’ great passions is to explore repertoire not necessarily associated with the countertenor voice. He also really likes to sing with guitar. The result is a delightful program of songs that David performs regularly in recital, ranging from gems by Dowland and Purcell to American classics like Beautiful Dreamer and the title song, John Kander’s A Quiet Thing. Leading Australian guitarist Craig Ogden has made the arrangements and accompanies David in a collection designed to be ‘very intimate, and full of beautiful words and melodies’.

Daniel Taylor is one of the most sought-after countertenors in the world today. This album represents a compilation taken from the almost twenty recordings Taylor has made for the ATMA label since 1997, and includes music by Bach, Handel, Purcell, Dowland and Buxtehude, among others. Taylor is heard performing solo, as well as with such singers as Suzie LeBlanc and Jan Kobow, in what promises to be the definitive portrait of this gifted artist.

Alpha is particularly pleased to present this first disc devoted to the lutenist Thomas Dunford.

The programme combines lute pieces by Dowland with lute songs for several voices. These songs are certainly among the most frequently recorded works of the Elizabethan era. However, the four-part polyphonic texture is generally reduced to a single voice with lute accompaniment.

The approach adopted on this disc has been to realise the songs in several voices, thus reverting to the practice, widespread at the time, of an intimate ‘chamber’ performance of these pieces.

Thus the inspired playing of Thomas Dunford is answered by exceptionally rich polyphony, with the combination of the two offering a Dowland of unprecedented colour and energy.

Johann Adolph Hasse: Reloaded (OC830 featuring Valer Barna-Sabadus) was enthusiastically reviewed by critics and was included on the German Record Critics’ ‘Best List’.

This title was recorded in September 2012 and features an all English programme of songs, beautifully sung and recorded in the Himmelfahrtskirche in Munich.

"Beer and the viola da gamba both arrived in England in the space of a year, in the reign of King Henry VII”, wrote Henry Peacham. And yet it was not until the following reign, that of Henry VIII, that the latter instrument gained its noble status. The high point, however, occurred in the long reign of Elizabeth I (1558-1603).

The consort song had its origin partly in the theatre, partly in madrigals inspired by the Italians, then very much in vogue. Fashionable English composers write songs, airs and dance pieces that would embody this uniquely English phenomenon; among them John Dowland and Anthony Holborne, who feature prominently on this disc, both leading figures in Elizabethan music. With his ensemble Musicall Humors, Julien Léonard has managed to create a viol consort of astonishing homogeneity, offset by the delicate presence at times of a lute, at times of a cittern, a harpsichord, the virginals or organ. The sonorities are round, warm, velvety, and for her first solo disc, the voice of Eugénie Warnier lies with unforced delicacy upon this instrumental duvet.

Shakespeare – Come again sweet love is a haunting collection of songs and madrigals by some of the great masters of the Renaissance period, including Purcell, Dowland and Gibbons. The theme of the album is “love” in all its many forms, expressed through the poetry of the Shakespearian Era and the music it inspired.

Daniel Taylor is joined on the album by the Theatre of Early Music (founded and conducted by Daniel Taylor) and famous soloists Dame Emma Kirkby, Carolyn Sampson, Michael Chance and Charles Daniels.

Daniel and the Theatre of Early Music appear in some 30 concerts every year. The ensemble consists of a choir and orchestra that are dedicated to sustain the heritage of magnificent yet neglected choral and instrumental repertoire from four centuries. Their recent performance could be seen on stages in France, England, Argentina, Brazil and China.

Daniel Taylor is a prolific recording artist who has worked on numerous albums including Sakamoto’s pop-opera Life with the Dalai Lama and Salman Rushdie, Renaissance duets with actor Ralph Fiennes, and Bach recitals with the Theatre of Early Music to name only a few.