This page lists all recordings of Come again, sweet love doth now invite, by John Dowland (1563-1626) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
Ex. VAT prices will be applied automatically for non-EU delivery addresses. See Terms & Conditions for p&p rates. | |  | The John Dowland CollectionWith new booklet article, Dowland timeline, and sung texts in English
Dowland: | Lachrimae Antiquae If my complaints could passions move Can she excuse my wrongs? (First Booke of Songes, 1597) Come away, come, sweet love My Lady Hudson's Allmande A Piece without title The Shoemaker's Wife Come again, sweet love doth now invite Come heavy sleep Mr. Dowland's Midnight Sir John Smith, His Almain Semper Dowland Semper Dolens Lachrimae Gementes I saw my Lady weepe Flow my teares (Lacrimæ) Fine knacks for ladies Shall I sue? Lachrimae Tristes Me, me, and none but me Forlorn Hope Fancy (Fantasie No. 2) Weepe you no more, sad fountaines Lachrimae Coactae Go, nightly cares The Right Honourable Ferdinando The most sacred Queene Elizabeth her Galliard Tell me, true Love Lachrimae Amantis In darkness let me dwell A Fantasie My Lord Chamberlaine his Galliard Far from triumphing Court I shame at mine unworthiness Lachrimae Verae |
Barbara Bonney, Anne Sofie von Otter, Nigel Rogers, Andreas Scholl & Göran Söllsche The Consort of Musicke Whether gay or sad, simple or complex, John Dowland’s music has the power to move us four centuries after its composition. This wide-ranging anthology explores all aspects of the work of England’s greatest songwriter and lutenist, performed by leading exponents of his art today. | DG - 4776548 (CD - 2 discs) £12.49 (£10.63 ex. VAT) |
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| |  | Love Bade Me WelcomeSongs and poetry from the Renaissance
James Bowman, Daniel Taylor (counter-tenors), Frances Kelly (harp), Elizabeth Kenny (lute), Mark Levy (gamba), Ralph Fiennes (recitation) This programme has been devised by Daniel Taylor and the Theatre of Early Music to present the idea of love as painted by poets and composers between 1560-1630. The musicians are joined by critically acclaimed Shakespearean actor Ralph Fiennes who recites poems by Shakespeare, Sir Walter Raleigh, Ben Jonson, Thomas Campion and others. These poems intersperse a collection of songs, duets and instrumental pieces by Dowland, Robert Jones and Robert Johnson. | | | Usually despatched in 2 - 3 working days. |
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| |  | MuseVocal and instrumental works
Blow: | So ceas'd the rival crew | Cutting: | The Galliard to Mrs. Anne Markham's Pavan | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) Come again, sweet love doth now invite Go From My Window, Loth to Depart I saw my lady weepe Lachrimae Amantis Lachrimae Antiquae Sorrow, come Time stands still | Hume, T: | My hope is revived | Purcell: | An Evening Hymn 'Now that the sun hath veiled his light', Z193 Fairest Isle Here the deities approve, Z.339 Music for a while, Z583 O solitude, my sweetest choice, Z406 Sonatas 3, 6, 9 & 12, Z 804, 807, 798 & 801 |
Daniel Taylor (counter-tenor), Andreas Martin (lute) Da Sonar & Les Voix Humaines 2CD for 1, combining two earlier releases - "Tears of the Muse" and "On the Muse’s Isle". | | | Usually despatched in 8 - 10 working days. |
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| |  | John Dowland - Ayres
Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) If that a sinner's sigh From silent night Come again, sweet love doth now invite Flow my teares (Lacrimæ) Come away, come, sweet love Come again, sweet love doth now invite In darkness Thou mighty God Go Crystal tears Fine knacks for ladies Clear or cloudy Shall I strive with wordes to move? Come heavy sleep Sorrow, come Prelude for lute If my complaints could passions move In this trembling shadow cast Lasso vita mia Tell me, true Love Now, o now, I needs must part Awake, sweet love |
Gérard Lesne (alto) Ensemble Orlando Gibbons | | | Usually despatched in 2 - 3 working days. |
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| |  | Elisa is the fayrest Quene
Bassano, A: | Pavana Galiarda | Bull, J: | Chromatic Pavan Chromatic Galliard | Byrd: | Fantasia 'A Lesson of Voluntaire' | Coprario: | Fantasia | Cutting: | Divisions on 'Walsingham' | Dowland: | Come again, sweet love doth now invite Come away, come, sweet love | Gervaise/Byrd: | Suite of Almands | Holborne: | Pavan Galliard, Lullabie Almaine, The Honey-Suckle | Johnson, E: | Elisa is the fayrest Quene Come againe, sweet Nature's treasure | Parsons, R: | In nomine | Wilbye: | Sweet Love, if thou wilt gaine a Monarches glory |
Stephen Wallace, Timothy Massa (counter-tenors), Julian Podger (tenor), Robert McDonald (bass), Elizabeth Pallett (lute), Raf Mizraki (percussion) QuintEssential Sackbut and Cornett Ensemble | | | Usually despatched in 2 - 3 working days. |
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| |  | The Radiant Voice of Barbara Bonney
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| |  | Dowland: Flow My Tears and other Lute Songs
Dorothy Linell (lute), Steven Rickards (counter-tenor) | | | Usually despatched in 2 - 3 working days. |
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| |  | John Dowland: Lute Songs
Andrew Dalton (Countertenor), Yasunori Imamura (Lute) | | | Usually despatched in 3 - 4 working days. |
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| |  | Dowland - Lute Songs
Dowland: | Flow my teares (Lacrimæ) Galliard Lady Laiton's Almain Fortune my foe Frogg Galliard Weepe you no more, sad fountaines Me, me, and none but me What if I never speed? Lasso vita mia The Shoemaker's Wife Can she excuse my wrongs? (First Booke of Songes, 1597) Mistress White's Thing Round Battle Galliard Wilt thou unkind thus reave me? Come away, come, sweet love Sorrow, stay If that a sinner's sigh Mr. Dowland's Midnight Say love if ever thou didst find Lachrimae Pavan Can she excuse my wrongs? (First Booke of Songes, 1597) If my complaints could passions move Katherine Darcy's Galliard Come again, sweet love doth now invite I saw my Lady weepe Orlando Sleepeth Tarleton's Riserrectione Sir John Smith, His Almain Mistress White's Nothing My Lord Chamberlaine his Galliard From silent night Flow not so fast, ye fountains My Lord Willoughby's Welcome Home Mrs. Winter's Jump Melancholy Galliard Lady Hunsdon's Puffe Shall I sue? In darkness let me dwell The First Galliard Can she excuse my wrongs? (First Booke of Songes, 1597) Come heavy sleep Captain Digorie Pipers Galliard Go, nightly cares |
Alfred Deller (counter-tenor), Robert Spencer (lute) Alfred Deller’s Dowland has become part of our history. The most legendary of English countertenors distilled the very essence of the melancholy of the 17th century English song in general and of the composer of the Lachrimae in particular. | | | Usually despatched in 2 - 3 working days. |
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| |  | Silken ShoesSongs with Harp
Rachel Ann Morgan (mezzo-soprano and harp) | | | Usually despatched in 3 - 4 working days. |
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