Mozart: Piano Concerto No. 26 in D major, K537 'Coronation'

This CD showcases Backhaus’s great virtuosity.

Ronald Brautigam returns with the third instalment in his series of Mozart’s piano concertos and is joined again by Die Kölner Akademie conducted by Michael Alexander Willens.

The present disc includes Piano Concerto No.26 in D major, K 537, nicknamed the ‘Coronation Concerto’. Although the title page stated the work was ‘performed by the composer at Frankfurt-am-Main on the occasion of the Coronation of Emperor Leopold II’, the concert took place a week after the actual coronation, and was not part of the official festivities.

It is here preceded by Piano Concerto No.17 in G major, K 453, one of the rare concertos that Mozart composed with another soloist than himself in mind – in this case his student Barbara Ployer.

This release completes Christian Zacharias’ prizewinning complete recording of Mozart’s piano concertos. The Orchestre de Chambre de Lausanne and Zacharias have generated enchanting perfomances through their intimate dialogue.

Friedrich Gulda has become something of a cult figure in the music world. This 2CD set presents him in Mozart recordings – both concertos and solo works – largely for Decca, with one item, the Piano Concerto No. 17, recorded for Amadeo.

Born in Vienna in 1930, Gulda began formal lessons aged seven with Felix Pazofsky, and within five years had graduated to the Vienna Music Academy. The Viennese classics – especially Mozart and Beethoven – quickly established themselves at the heart of Gulda’s performing repertoire but he was also a remarkable jazz performer. It was while he was rapidly absorbing jazz into his musical bloodstream that Gulda cut his first Mozart concerto recordings for Decca, starting in 1954 with KV 449. His accompanists, as on the coupling of KV 505 and 537 recorded almost exactly a year later, were the New Symphony Orchestra of London, a studio ensemble of hand-picked players, and conductor-composer Anthony Collins, who during the same period recorded the first complete cycle of Sibelius’s symphonies with the London Symphony Orchestra. What strikes one in particular about these recordings is their surprisingly ‘modern’ approach, free of Romantic rhetoric, with speeds effortlessly maintained and rhythms kept buoyant and sparkling, matched by a beguiling textural clarity and staccato precision.

The more overtly affectionate Viennese recording of KV 453 dates from 1960 and features another ad-hoc group, this time selected by Gulda himself, under Paul Angerer, a Hans Swarowsky protégé who was then rapidly establishing his conducting credentials having spent the early part of his career playing viola in the Orchestre de la Suisse Romande and Vienna Symphony Orchestra.

Mozart’s piano sonatas are often treated as second-class citizens by comparison with the concertos, yet for Gulda they were an essential part of his creative output. ‘The sonatas are private preliminary conversations leading to the operas,’ he reasoned. Gulda’s first recordings for Decca were captured in 1947 and the following year he turned his hands to Chopin and Mozart’s KV 576 Sonata, a reading whose micro-inflected tonal purity and seamless cantabile is reminiscent of Dinu Lipatti.

Bringing Gulda’s lifelong devotion to Mozart full close, he once expressed a peculiar desire to die on Mozart’s birthday. Remarkably, on 27 January 2000, exactly 244 years after Mozart was born, Gulda passed away, aged 69.

A special 2-CD set comprising Mozart's late piano concertos in stylish and masterly interpretations from Alicia de Larrocha.

Released as a tribute to the great Spanish pianist Alicia de Larrocha who recorded for Decca for over twenty years from 1969, and who died on 25 September 2009.

Concertos 24 & 26 (recorded in March 1985) receive their first ever release and this has been made possible with the co-operation of both Alicia de Larrocha's family and the estate of Sir Georg Solti.

Concertos 25 & 27 (recorded in December 1977) receive their first international CD release.

CD booklet contains an appreciation of Alicia de Larrocha A Born Mozartian by piano expert Jeremy Siepmann.