Purcell: Rejoice in the Lord alway ('The Bell Anthem'), Z49

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British Music Collection - Henry Purcell

British Music Collection - Henry Purcell

Music for the funeral of Queen Mary


Purcell:

Music for the Funeral of Queen Mary, 1695: March

Canzona

Music for the Funeral of Queen Mary: Thou knowest, Lord

Man that is born of a woman, Z27

In the midst of life, Z 17a

Rejoice in the Lord alway ('The Bell Anthem'), Z49

Remember not, O Lord, our offences, Z50

Voluntary in C major, Z717

Give sentence with me, O God, Z12

Jehova, quam multi sunt hostes mei, Z135

O, I'm sick of life, Z140

A double verse in G

My beloved spake, Z28

Hear my prayer, O Lord, Z15

O God, thou art my god, Z35


Christopher Robson (alto), William Kendall (tenor), Stephen Roberts (bass), Donald Sweeney (bass), Geraint Watkins (treble), Tomothy Pride (alto), Julian Podger (tenor), Peter Butterfield (tenor)

Brandenburg Consort, Baroque Brass of London

Presto CD

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Decca British Music Collection - 4750502

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Music for Pleasure and Devotion

Music for Pleasure and Devotion


Purcell:

A Suite of Theatre Music

If music be the food of love, Z379

Three Parts upon a Ground

Close thine eyes and sleep secure, Z184

Ground in Gamut

Rejoice in the Lord alway ('The Bell Anthem'), Z49

Voluntary in D minor, Z718

Funeral Sentances

Fantazia VIII

Of all the instruments that are, Z263

The Fairy Queen: Masque of the Four Seasons

Te Deum & Jubilate Deo in D, Z232

In guilty night (Saul and the Witch of Endor), Z134

Pavans Nos. 1, 2, 3 & 4

Jehova, quam multi sunt hostes mei, Z135

When on my sick bed I languish, Z144

Beati omnes qui timent Dominum, Z131

My beloved spake, Z28


Taverner Choir & Players, Andrew Parrott

was_Virgin - was_5621642

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Purcell: Anthems & Hymns

Purcell: Anthems & Hymns


Locke:

Melothesia - Seven Voluntaries for Organ

Purcell:

Rejoice in the Lord alway ('The Bell Anthem'), Z49

Praise the Lord, O Jerusalem, Z46

Awake, and with attention hear, Z181

O praise God in his holiness, Z42

Thou wakeful shepherd that dost Israel keep (A Morning Hymn), Z198

An Evening Hymn 'Now that the sun hath veiled his light', Z193

My beloved spake, Z28

In thee, O Lord, do I put my trust, Z16


Tölzer Knabenchor, Period Instrument Ensemble, Gustav Leonhardt

Sony - G010001415830G

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Anthems From Salisbury

Anthems From Salisbury


Bach, J S:

Cantata BWV147 'Herz und Mund und Tat und Leben': Jesu, bleibet meine Freude

Bossi, M E:

Entree Pontificale, Op. 104 No. 1

Brahms:

How lovely are Thy dwellings

Byrd:

Ave verum Corpus

Mendelssohn:

Hear My Prayer

Mozart:

Ave verum corpus, K618

Parry:

I was glad

Purcell:

Rejoice in the Lord alway ('The Bell Anthem'), Z49

Wesley, S S:

Blessed be the God and Father


Colin Walsh (organ)

Choir of Salisbury Cathedral, Richard Seal

Meridian - CDE84025

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Purcell - Funeral Sentences

Purcell - Funeral Sentences


Purcell:

Music for the Funeral of Queen Mary, 1695: Funeral Sentences

March and Canzona in C minor

Te Deum & Jubilate Deo in D, Z232

Rejoice in the Lord alway ('The Bell Anthem'), Z49

Blow up the trumpet in Sion, Z10

Hear my prayer, O Lord, Z15

My heart is inditing, Z30

O Lord God of hosts, Z37


Harmonia Mundi - HMC901462

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Purcell - Verse Anthems

Purcell - Verse Anthems


Purcell:

My heart is inditing, Z30

O sing unto the Lord, Z44

Rejoice in the Lord alway ('The Bell Anthem'), Z49

Voluntary in D minor, Z719

Praise the Lord, O Jerusalem, Z46

My beloved spake, Z28


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Purcell: Anthems

Purcell: Anthems


Purcell:

Rejoice in the Lord alway ('The Bell Anthem'), Z49

Blow up the trumpet in Sion, Z10

O God, thou art my god, Z35

Chacony in G minor - for Two Violins, Viola and Bass Z730

O God, thou hast cast us out, Z36

My heart is inditing, Z30

Remember not, O Lord, our offences, Z50


Leonhardt-Consort, Gustav Leonhardt

Apex - 2564608212

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Purcell Edition, Vol. 3 – Anthems, Odes & Instrumental Music

Purcell Edition, Vol. 3 – Anthems, Odes & Instrumental Music


Purcell:

Hail! Bright Cecilia (Ode for St Cecilia's Day 1692), Z328

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

Come ye sons of art (Ode for Queen Mary's birthday, 1694), Z 323

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

Welcome, vicegerent of the mighty king, Z340

Tragicomedia, Stephen Stubbs and Erin Headley (directors)

O dive custos Auriacae domus, Z504

Tragicomedia, Stephen Stubbs and Erin Headley (directors)

Raise, raise the voice (for St Cecilia's Day, c1685)

Tragicomedia, Stephen Stubbs and Erin Headley (directors)

Incassum Lesbia, incassum rogas ('The Queen's Epicedium'), Z383

Tragicomedia, Stephen Stubbs and Erin Headley (directors)

Young Thirsis' fate, Z473

Tragicomedia, Stephen Stubbs and Erin Headley (directors)

Why, why are all the Muses mute?, Z343

Tragicomedia, Stephen Stubbs and Erin Headley (directors)

Rejoice in the Lord alway ('The Bell Anthem'), Z49

Kings’ College Choir & Leonhardt-Consort, Gustav Leonhardt

Blow up the trumpet in Sion, Z10

Kings’ College Choir & Leonhardt-Consort, Gustav Leonhardt

O God, thou art my god, Z35

Kings’ College Choir & Leonhardt-Consort, Gustav Leonhardt

My heart is inditing, Z30

Kings’ College Choir & Leonhardt-Consort, Gustav Leonhardt

Remember not, O Lord, our offences, Z50

Kings’ College Choir & Leonhardt-Consort, Gustav Leonhardt

I was glad when they said unto me, Z19

Chanticleer & Capriccio Stravagante, Skip Sempe

O Lord, rebuke me not, Z40

Chanticleer & Capriccio Stravagante, Skip Sempe

Praise the Lord, O my soul, O Lord my God, Z48

Chanticleer & Capriccio Stravagante, Skip Sempe

An Evening Hymn 'Now that the sun hath veiled his light', Z193

Chanticleer & Capriccio Stravagante, Skip Sempe

Jehova, quam multi sunt hostes mei, Z135

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

My beloved spake, Z28

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

O God, thou hast cast us out, Z36

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

Hear my prayer, O Lord, Z15

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

Music for the Funeral of Queen Mary, 1695

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

In guilty night (Saul and the Witch of Endor), Z134

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

Close thine eyes and sleep secure, Z184

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

Lord, what is man?, Z192

Dawn Upshaw (soprano), Myron Lutzke (cello) & Arthur Haas (harpsichord)

Tell me, some pitying angel (The Blessed Virgin's Expostulation), Z196

Dawn Upshaw (soprano), Myron Lutzke (cello) & Arthur Haas (harpsichord)


“Come ye Sons of Art is splendidly paired here with the unforgettable funeral music… With the Monteverdi Choir at its most incisive and understanding the performances are exemplary…” Penguin Guide 08 *** Key recording

Early Music - up to 30% off

Warner Classics Purcell Edition - 2564691407

(CD - 4 discs)

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The Restoration And Georgian Anthem

The Restoration And Georgian Anthem


Attwood, T:

Come, Holy Ghost, our souls inspire

Battishill:

Call to remembrance

O Lord, look down from heaven

Boyce:

O where shall wisdom be found?

Wherewithal shall a young man

I have surely built thee an house

Voluntary IV

O praise the Lord

Turn thee unto me

O give thanks

Voluntary I

By the waters of Babylon

The Lord is King

Voluntary VII

Croft:

O Lord God Of My Salvation

We Will Rejoice In Thy Salvation

O Lord I Will Praise Thee

Voluntary in A minor for Double Organ

Hear My Prayer

God Is Gone Up With A Merry Noise

I Will Sing Unto The Lord

Organ Voluntary in D major

We Wait For Thy Loving Kindness

O Lord Rebuke Me Not

Crotch:

How dear are thy counsels

The Lord, even the most mighty God

Greene, M:

Lord, Let Me Know Mine End

The King Shall Rejoice

How Long Wilt Thou Forget Me, O Lord?

Voluntary 1 in G major

God Is Our Hope & Strength

Have Mercy Upon Me, O God

Voluntary 11 in B minor

Let God Arise

O Clap Your Hands Together

Thou Visitest The Earth

Purcell:

My heart is inditing, Z30

O sing unto the Lord, Z44

Rejoice in the Lord alway ('The Bell Anthem'), Z49

Praise the Lord, O Jerusalem, Z46

Organ Voluntary In D minor

My beloved spake, Z28

Walmisley:

Remember, O Lord, what is come upon us

Evening Service in D minor

Wesley, S:

Exultate Deo

Constitues eos principes

All go unto one place


CRD - CRD5009

(CD - 5 discs)

$34.00

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Music of Henry Purcell

Music of Henry Purcell

The Complete Vanguard Recordings Volume 2


Including:

Blow:

Ode on the Death of Mr Henry Purcell

Alfred Deller (counter-tenor), John Whitworth (counter-tenor), Christopher Taylor (recorder), Richard Taylor (recorder), Anne Shuttleworth (cello) Walter Bergmann (harpsichord)

Purcell:

Dido and Aeneas

Mary Thomas (soprano), Honor Sheppard (soprano), Ellen Dales (soprano), Helen Watts (contralto), Robert Tear (tenor), Maurice Bevan (baritone)

Oriana Concert Choir and Orchestra, Alfred Deller

Hail! Bright Cecilia (Ode for St Cecilia's Day 1692), Z328

April Cantelo (soprano), Alfred Deller (counter-tenor), Peter Salmon (counter-tenor), Wilfred Brown (tenor), Maurice Bevan (baritone), John Frost (bass), George Eskdale (solo trumpet), Leonard Friedman (violin), Eli Goren (violin), Richard Taylor (treble recorder), Stanley Taylor (treble recorder), Peter Graeme (oboe), Edward Selwyn (oboe), Philip Jones (trumpet), Denis Clift (trumpet), Alan Taylor (tympani), Anna Shuttleworth (cello and basso continuo), Francis Baines (cello and basso continuo), Denis Vaughan (harpsichord)

Ambrosian Singers / Kalmar Chamber Orchestra of London, Sir Michael Tippett

Welcome to all the pleasures (from Ode for St Cecilia's Day 1683), Z339

Alfred Deller (counter-tenor), April Cantelo (soprano), Eileen McLoughlin (soprano), Gerald English (tenor), Owen Grundy (baritone), Maurice Bevan (baritone)

Kalmar Chamber Orchestra, Alfred Deller

Come ye sons of art (Ode for Queen Mary's birthday, 1694), Z 323

Alfred Deller (counter-tenor), Mark Deller (counter-tenor), Mary Thomas (soprano), Maurice Bevan (baritone)

Oriana Concert Choir and Orchestra, Alfred Deller

My beloved spake, Z28

Alfred Deller (counter-tenor), April Cantelo (soprano), Gerald English (tenor), Maurice Bevan (baritone)

Kalmar Orchestra of London, Alfred Deller

Rejoice in the Lord alway ('The Bell Anthem'), Z49

Alfred Deller (counter-tenor), Mary Thomas (soprano), Honor Sheppard (soprano), Max Worthley (tenor), Robert Tear (tenor), Maurice Bevan (baritone)

Oriana Concert Orchestra, Alfred Deller


The Deller Consort, Alfred Deller

Musical Concepts is pleased to announce the second release in one of the most ambitious early music reissue projects of all time — Alfred Deller: The Complete Vanguard Recordings. The series brings together every recording made by Alfred Deller – as solo countertenor, ensemble member of the Deller Consort, and conductor – for the legendary, enterprising Vanguard record label. These recordings created a sensation with their initial release, and have influenced and inspired three generations of music lovers, from casual listeners to the top tiers of performing artists and scholars.

Music of England's greatest composer was a speciality of Alfred Deller. His artistry was particularly welll suited to Purcell and Deller's role in establishing the greatness of this music cannot be exaggerated.

This collection includes iconic performances of solo vocal works with groundbreaking recordings of operas, sacred music and theatical works which Deller performs and conducts. Being at the forefront of the re-birth of the early music movement, he naturally attracted many of the other supreme artists of the time, all of whom went on to become great figures in their own right.

“This second volume of Vanguard's reissued recordings of Alfred Deller and his consort comprises works by Purcell, the composer most closely associated with Deller, and consists of six CDs, well packaged and with a CD-Rom giving access to more detailed information. The first two present a mixed programme of songs, duets and instrumental pieces. The third has a complete performance of Dido and Aeneas conducted by Deller and recorded in 1965. The remaining discs include the Odes to St Cecilia, Come, ye Sonsof Art and music for the Masque in Dioclesian, the whole collection ending with Blow's Ode on theDeath of Mr Henry Purcell.
In his middle and later years Deller habitually lightened notes above the centre of his range, so that his style became somewhat predictable and the evenness of his production somewhat impaired. That accounts for main differences between these later performances of such 'signature' pieces as 'Music for a While' and 'Sweeter than Roses': the purity of tone, the extraordinary resonance of lower and middle notes, the technical skill and sensitivity of his singing all remain. As a conductor, he had difficulties, and it cannot be claimed that the Dido is a success.
Some stodgy speeds and sluggish rhythms, a pantomime coven of witches, a Dido lacking nobility of tone and an Aeneas out of oratorio make it hard for other contributions (most notably Helen Watts's sorceress) to have their due effect. Still, no doubt the best way of avoiding disappointment is to be prepared for it.
That Deller could conduct well, holding his place along with the highly professional Harnoncourt in his Dioclesian and the very personally involved Tippett in Hail, bright Cecilia, is evident in the Odes. Stylish playing by George Malcolm and other instrumentalists (including the young violinist Neville Marriner) gives further pleasure. The album celebrated not only Deller himself but his generation who did so much to bring Purcell out of the text books, the full range of his genius revealed.”
Gramophone Classical Music Guide, 2010

Vanguard Classics - MC194

(CD - 6 discs)

$31.00

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