Delius: Piano Concerto in C minor

Of the works performed here by the Royal Scottish National Orchestra under the prominent Delius interpreter Sir Andrew Davis, the first three (Paris, the Piano Concerto, and Idylle de printemps) offer a fascinating insight into the early years of the development of Delius as a composer, when he was slowly and painstakingly honing his craft, and assuming the characteristic personal voice that is evident in more mature works such as Brigg Fair.

Paris, sub-titled ‘The Song of a Great City’, is strongly inspired by the composer’s many years of living and working in Paris. With large-scale orchestral forces, Delius paints opulent pictures of a city that he obviously loved. The slow opening portrays the still darkness falling over Paris; then the music changes pace and takes us through the teeming and intoxicating nightlife of the city, with impressions of exuberant dance music coming from the many cafés and music-halls. The opening material returns, culminating in the sounds of the awakening streets.

Until recently Delius’s Piano Concerto has been know exclusively in its final, one-movement form, which was first performed in London in 1907. The version recorded here, however, represents the composer’s earlier thoughts, from 1897. Performed by Howard Shelley, the work is brimming with full-bodied romanticism while showing the influences of Grieg and Liszt throughout.

The airy mood of Idylle de printemps points to later depictions of nature in Delius’s music, as in Brigg Fair, which Delius categorised as ‘An English Rhapsody’. Cecil Gray, the Scottish music critic and composer, described the opening of Brigg Fair as ‘evoking the atmosphere of an early summer morning in the English countryside’. The work is based on a folk-tune which came to light in a competition instigated by Percy Grainger in 1905 to find ‘the best unpublished old Lincolnshire folk song or plough song’. Grainger was immediately taken with the folk-tune, and having arranged it himself for solo tenor and chorus, he approached Delius to write orchestral variations on it – urging him on as the only composer worthy of the task. Delius was soon persuaded, and Brigg Fair became one of his best-loved works.

To mark the 150th Anniversary of the birth of Delius, Heritage is thrilled to announce the re-release of ‘The Delius Collection’, a 7 CD slim-line wallet box of benchmark Delius recordings which originally appeared on the Unicorn Kanchana label. At the heart of this set are the recordings made by Eric Fenby and the RPO – interpretations of those works that Fenby took down or edited whilst working with the composer in the capacity of amanuensis. Further recordings from the Delius oeuvre are conducted by two luminaries of English music, Norman Del Mar and Vernon Handley with contributions from Anthony Rolfe Johnson, Sarah Walker, Felicity Lott, Thomas Allen, Julian Lloyd Webber and Ralph Holmes amongst others. Extensive liner notes are provided by Robert Matthew Walker as well as a ‘Foreword’ by Delius and Fenby authority, Stephen Lloyd. Full texts are included in the commemorative 28 page booklet.

Marking the 150th Anniversary of Delius’ birth date in 1862, Decca Classics releases the ‘Delius Edition’ - the most comprehensive Collection of Delius’ music ever put together on 8CD and featuring noted Delius conductor Sir Charles Mackerras.

Containing all of Delius’s major work, this cap-box set combines the major orchestra & choral works of Brigg Fair, Sea Drift, In a Summer Garden, Florida Suite, The Walk to the Paradise Garden, Piano Concerto, Violin Concerto & Paris: Song of a Great City along with the major chamber music, such as the Cello Sonata, String Quartet and 4 Part Songs. The set culminates in Delius’s masterpiece, his opera, A Village Romeo and Juliet.

Featuring a cast of great artists and performers, including Thomas Hampson, Julian Lloyd Webber, the Fitzwilliam Quartet, the London Symphony Orchestra, the Academy of St Martin in the Fields, Sir Neville Marriner & Sir Charles Mackerras.