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See Terms & Conditions for p&p rates. | |  | Zarzuela Arias and Duets
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| |  | Elîna Garanča: Habanera
Balfe: | I Dreamt I Dwelt in Marble Halls (from The Bohemian Girl) arr. Chicon | Barbieri, F: | Canción de Paloma (from El Barberillo de Lavapiés) | Bernstein: | I Am Easily Assimilated 'Old Lady's Tango' (from Candide) | Bizet: | Près des remparts de Séville (Séguedille) (from Carmen) Roberto Alagna (tenor) Les tringles des sistres tintaient (from Carmen) Cristina Antoaneta Pasaroiu (soprano), Giuseppina Bridelli (mezzo) L'amour est un oiseau rebelle 'Habanera' (from Carmen) L'amour est un enfant Bohème (first version of Habanera from Carmen) | Chapí: | Cunado está tan honda 'Romanza de Socorro' (from El Barquillero) | Falla: | Canción del amor dolido (from El amor brujo) Nana (No. 5 from Siete canciones populares españolas) arr. del Rey Jota (No. 4 from Siete canciones populares españolas) arr. del Rey José Maria Gallardo del Rey | Lehár: | Hör' ich Zymbalklänge (from Zigeunerliebe) | Luna, P: | El Niño Judío: De España vengo | Montsalvatge: | Canción negra No. 4, Cancion de cuna para dormir a un negrito | Obradors: | El Vito (from Canciones clásicas españolas) arr. Cuello | Ravel: | Vocalise-étude en forme de habanera arr. Hoerée | Rey, J: | Canción del amor Alberto Barletta, Enrico Maria Baroni, José Maria Gallardo del Rey, Geri Brown, Massimo Macri, Cesare Maghenzani, Roberto Vozmediano | Serrano: | Cancion de la gitana (from Le alegria del battallon) |
Elîna Garanča (mezzo) Orchestra Sinfonica Nazionale della RAI, Coro Filarmonico del Regio di Torino, Karel Mark Chichon Elîna Garanča’s supple, seductive mezzo is aflame with the neon hues and rhythmic dash of Romany in excerpts from beguiling Gypsy roles in opera and operetta. Stand alone numbers add to the panache of Habanera. With gorgeous pieces eliciting every gift Elîna Garanca boasts as a musician, Habanera's instrumental accompaniments – whether RAI’s full orchestra, small ensemble or guitar – add to the sultry atmosphere. Conductor Karel Mark Chichon contributes taut yet elastic leadership that enhances the charm and variety of Elîna Garanca’s selections. On this album, the ‘dialects’ derived from Gypsy musical language include Bizet’s Carmen, Chueca’s Tango de la Ermenegilda, Bernstein’s Candide, Lehar’s Hör ich Zymbalklänge and unknown gems like Obradors’ El vito (see the exceptional music video) making for a musically enlightening and delightful program. Every generation has its “must see” Carmen. In 2010, the list of definitive gypsy seductresses – glittering with names like Baltsa, Bumbry, Calvé, Farrar, and Stevens – is enriched by the addition of Elīna Garanča. After her triumphant success as Carmen in Riga, London, and Munich, Elīna Garanča, “the Carmen of our day” (News, Austria), has taken the NY Metropolitan Opera by storm in January 2010. This production was filmed live and the 2 DVD Set in 5.1 DTS surround sound will be released simultaneously. The Wiener Zeitung said it all when it observed of Garanča’s Carmen that “the role and the singer are perfectly matched”. “Smoochy, smoky, with lambent top notes” The Times, 28th August 2010 “Garanča's voice has been described as "creamy", "silken" and "lustrous" (her chest register is superbly produced) but it also has a surprisingly rounded maturity. What sets her apart, however, is the unteachable ability to send shivers down the spine and make grown men salivate.” Gramophone Magazine, October 2010 “Her voice impresses, though one notices that the sound has brightened of late, and that a newly found ease at the top has come...The shift allows her to interpolate a showy, but thrilling top B into Carmen's Seguidilla, and to tackle De España Vengo, the big soprano number from Luna's El Niño Judío, with abandoned ease.” The Guardian, 9th September 2010 *** “Garanča may be Lithuanian but her mezzo-soprano has Mediterranean sensuality and warmth.” The Telegraph, 13th September 2010 **** “Garanča gorgeous voice comes as a fantastic package: it caresses the ear with its velvety warmth, tingles the spine with its ringing bright overtones, and impresses the imagination with its well-supported evenness from top to bottom.” Classic FM Magazine, November 2010 *** “Garanča's is a medium-scale mezzo approach, elegant and devoid of ugly lurches into chest voice.” BBC Music Magazine, December 2010 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Spanish Love Songs
Spanish Love Songs takes a whirlwind tour of Iberian culture, from the mystically introspective to the opulently romantic. Decades before Spain had its own repertoire of classical songs, French and German musicians mined Spanish themes and folklore for their newly burgeoning canon of art songs. On Spanish Love Songs we hear the great masters Robert Schumann, Hugo Wolf and Maurice Ravel, fascinated by the beauty of Spanish culture, along side the music of Spain's greatest composers of song. “The Bridge CD is a live performance from the 2004 Caramoor Festival. Its star, without a doubt, is the great mezzo Lorraine Hunt Lieberson, who died less than two years later. ...Hunt Lieberson is utterly memorable.” BBC Music Magazine, March 2008 **** “Lieberson's continually finding that extra gear of emotion that makes a song a three-dimensional staging rather than a platform recital. Her partner, is the fresh, versatile tenor of Joseph Kaiser… Tight, well works accompaniments… complete a little gem of an issue.” Gramophone Magazine, March 2008 | | | Usually despatched in 2 - 3 working days. |
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| |  | Soprano Songs and Arias
“Her voice has the typical ring and timbre of a Latin singer - she hails originally from Puerto Rico - and she has the spirited delivery that goes with the Latin temperament. …best of all are the two songs from zarzuelas, with the popular 'Violettes impériales' the jewel in the recital's crown.” Gramophone Magazine, March 2006 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Victoria de los Ángeles: The Voice of an Angel
Bach, J C: | Ah! lamenta, oh bella Irene | Barbieri, F: | Canción de Paloma (from El Barberillo de Lavapiés) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Barrera Saavedra: | Adiós Granada (from Emigrantes) arr. de los Angeles Victoria de los Angeles (guitar) | Beethoven: | Oh! would I were but that sweet linnet, WoO. 154 No. 9 Eduard Drolc (violin), Irmgard Poppen (cello) He promised me at parting, WoO. 154 No. 12 They bid me slight my Dermot dear, WoO. 152 No. 8 Eduard Drolc (violin), Irmgard Poppen (cello), Gerald Moore (piano) | Bizet: | Carmen (highlights) Nicolai Gedda (Don Jose), Denise Monteil (Micaela), Marcelle Croisier (Frasquita), Monique Linval (Mercédès) Chœurs et Orchestre National da la Radiodiffusion Française, Sir Thomas Beecham | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) Dein blaues Auge, (No. 8 from Acht Lieder und Gesänge, Op. 59) Vergebliches Ständchen, Op. 84 No. 4 Gerald Moore (piano) Sapphische Ode, Op. 94 No. 4 Gerald Moore (piano) | Caballero: | Romanza de Pilar (from Gigantes y cabezudos) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Canteloube: | Songs of the Auvergne Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat | Catalani: | Ebben? Ne andrò lontana (from La Wally) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli | Chapí: | Canción de Pastora (from La patria chica) Rafael Frühbeck de Burgos Canción de la gitana (from La chavala) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos Carceleras from Las hijas de Zebedeo Sinfonia of London, Rafael Frühbeck de Burgos | Chueca: | La gran vía: Tango de la menegilda Rafael Frühbeck de Burgos La gran vía: Chotís del eliseo madrilène Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Debussy: | Fêtes galantes - Set 1 Gonzalo Soriano (piano) | Delibes: | Les filles de Cadix | Duparc: | L'Invitation au voyage Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | Dvorak: | Als die alte Mutter (No. 4 from Zigeunermelodien, op. 55) Moglichkeit Der Apfel, Op. 38 No. 2 Gerald Moore (piano) | Falla: | La vida breve: ‘Vivan los que rien!' Alli está! Riyendo (from La vida breve) Philharmonia Orchestra, Stanford Robinson El sombrero de tres picos: Overture Philharmonia Orchestra with Chorus, Rafael Frühbeck de Burgos El Amor Brujo: excerpts Philharmonia Orchestra, Carlo Maria Giulini Siete Canciones populares españolas Gonzalo Soriano (piano) | Fauré: | Tristesse, Op. 6 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Les roses d'Ispahan Op. 39 No. 4 Toujours!, Op. 21 No. 2 Gonzalo Soriano (piano) | Gounod: | Ah! Je ris de me voir (from Faust) Il se fait tard ! Adieu ! (from Faust) Nicolai Gedda (Faust), Boris Christoff (Mephistopheles) Orchestre du Théâtre National de l’Opéra, André Cluytens | Granados: | Tonadillas: No. 2, Callejeo Tonadillas: No. 11, El tra la la y el punteado Gerald Moore (piano) Goyescas: Quejas ó La Maja y el Ruiseñor New Philharmonia Orchestra, Rafael Frühbeck de Burgos Iban al pinar Gracia mía Alicia de Larrocha (piano) | Grieg: | Ich liebe Dich, Op. 5 No. 3 | Guridi Bidaola: | Jota (from Six canciones castellanas) Gerald Moore (piano) | Hahn, R: | L'Enamourée Trois jours de vendange Le rossignol des lilas Gonzalo Soriano (piano) | Handel: | Joshua: Oh! had I Jubal's lyre Gerald Moore (piano) | Haydn: | Schlaf in deiner engen Kammer Eduard Drolc (violin), Irmgard Poppen (cello) | Leoncavallo: | Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci) RCA Victor Orchestra, Renato Cellini | Lleó Balbastre: | Couplets babilónicos (from La corte del Faraón) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Lorca: | Canciónes (13) españolas antiguas: Anda, jaleo Canciónes (13) españolas antiguas: Los cuatro muleros Canciónes (13) españolas antiguas: Las tres hojas Canciónes (13) españolas antiguas: Los mozos de Monleón Canciónes (13) españolas antiguas: Las morillas de Jaén Canciónes (13) españolas antiguas: Sevillanas del Siglo XVIII Miguel Zanetti (piano) | Luna, P: | El Niño Judío: De España vengo Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Martini, J P: | Plaisir d'amour | Mascagni: | Voi lo sapete o mamma (from Cavalleria rusticana) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli | Massenet: | Allons! Il le faut pour lui-même!... Adieu, notre petite table (from Manon) Je marche sur tous les chemins (from Manon) Chœurs et Orchestre du Théâtre National de l’Opéra-Comique, Pierre Monteux Werther! Werther!…Je vous écris de ma petite chambre (from Werther) Va! Laisse couler mes larmes (from Werther) Orchestre de Paris, Georges Prêtre | Mendelssohn: | Auf Flügeln des Gesanges, Op. 34 No. 2 | Montsalvatge: | Canciones negras (5) Orchestre de la Société des Concerts du Conservatoire, Rafael Frühbeck de Burgos | Mozart: | Porgi amor (from Le nozze di Figaro) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli Ecco quel fiero istante, K346 Elisabeth Schwarzkopf (soprano), Dietrich Fischer Dieskau (baritone), Gerald Moore (piano) | Nin: | Granadina (from Cantos populares españoles) Gerald Moore (piano) | Offenbach: | Elle a fui, la tourterelle (from Les Contes d' Hoffmann) Orchestre de la Société des Concerts du Conservatoire, André Cluytens | Ovalle: | Azulao Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Puccini: | Si, mi chiamano Mimi (from La Bohème) O soave fanciulla (from La Bohème) Donde lieta usci (from La Bohème) Jussi Björling (Rodolfo), Robert Merrill (Marcello) RCA Victor Orchestra, Sir Thomas Beecham O mio babbino caro (from Gianni Schicchi) Orchestra del Teatro dell Opera di Roma, Tullio Serafin Ancora un passo…Spira sul mare (from Madama Butterfly) Jussi Björling (Pinkerton), Mario Sereni (Sharpless) Bimba dagli occhi pieni di malia (from Madama Butterfly) Jussi Björling (Pinkerton) Un bel di vedremo (from Madama Butterfly) Con onor muore (from Madama Butterfly) Coro e Orchestra del Theatro dell’Opera di Roma, Gabriele Santini | Purcell: | Let us Wander not Unseen (from The Indian Queen, Z630) Lost is my quiet for ever, Z502 Gerald Moore (piano) | Ravel: | La Flûte enchantée (Shéhérazade No. 2) Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | Rossini: | Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola) Giuseppe Morelli Una voce poco fa (from Il barbiere di Siviglia) Royal Philharmonic Orchestra, Vittorio Gui | Sadero: | Era la vo Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Scarlatti, A: | Le violette Gerald Moore (piano) | Schubert: | Der Tod und das Mädchen, D531 Wohin? (No. 2 from Die schöne Müllerin, D795) An die Musik D547 Gerald Moore (piano) | Serrano: | Cancion de la gitana (from Le alegria del battallon) Rafael Frühbeck de Burgos Escena lírica (Los claveles) Rafael Frühbeck de Burgos Romanza de Gloria (Los de Aragón) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Stanford: | An Irish Lullaby | Tchaikovsky: | Schottische Ballade, Op. 46 No. 2 Gerald Moore (piano), Dietrich-Fischer Dieskau (baritone) | Toldrá: | Cançó de grumet (A l’ombra del Leidoner) Gonzalo Soriano (piano) | Turina: | Saeta en forme de Salve a la Virgen de la Esperanza, Op. 60 Poema en forma de canciones, Op. 19: No. 3, 'Cantares' Philharmonia Orchestra, Walter Susskind | Valls Gorina: | Canciones Sefarditas Jean-Claude Gérard (flute), Oscar Ghiglia (guitar) | Valverde: | Clavelitos Gerald Moore (piano) | Verdi: | Surta è la notte...Ernani! Ernani, involami (from Ernani) Era più calmo? (from Otello) Mia madre aveva...Piangea cantando...Ave Maria (from Otello) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli Come in quest'ora bruna (from Simon Boccanegra) Orchestra del Teatro dell’Opera di Roma, Gabriele Santini Libiamo, ne' lieti calici (from La Traviata) È strano! è strano!...Ah! fors è lui (from La traviata) Teneste la promessa...Addio, del passato (from La Traviata) Carlo del Monte (Alfredo) Coro e Orchestra del Teatro dell’Opera di Roma, Tullio Serafin | Villa-Lobos: | Bachianas Brasileiras No. 5: Aria (Cantilena) Bachianas brasileiras no 5 ; Dança (martelo) Orchestre National de la Radiodiffusion Française, Heitor Villa-Lobos | Wagner: | Dich, teure Halle (from Tannhauser) Einsam in trüben Tagen (from Lohengrin) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli | Yradier: | La Paloma Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos |
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| |  | Plácido Domingo: The Album Collection
Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) Sherrill Milnes (baritone) London Symphony Orchestra, Anton Guadagno A cette voix quel trouble… Je crois entendre encore (from Les Pêcheurs de Perles) New Philharmonia Orchestra, Nello Santi Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) Sherrill Milnes (baritone) New Philharmonia Orchestra, Plácido Domingo La fleur que tu m'avais jetée (from Carmen) Plácido Domingo (tenor) New Philharmonia Orchestra, Sherrill Milnes | Boito: | Giunto sul passo estremo (from Mefistofele) Sherrill Milnes (baritone) New Philharmonia Orchestra, Plácido Domingo | Bretón: | Di que es verdad que me llamas (from La Dolores) ORF-Symphonieorchester, Garcia Navarro | Caballero: | El dúo de la africana: Duo & Jota (with reprise) ORF-Symphonieorchester, Garcia Navarro | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) London Symphony Orchestra, Nello Santi L'anima ho stanca (from Adriana Lecouvreur) New Philharmonia Orchestra, Nello Santi | Donizetti: | Inosservato, penetrava … Angelo casto e bel (from Il Duca d'Alba) Una furtiva lagrima (from L'elisir d'amore) Una furtiva lagrima (from L'elisir d'amore) London Symphony Orchestra, Nello Santi | Flotow: | M'appari (from Martha) London Symphony Orchestra, Nello Santi | Giménez: | La boda de Luis Alonso: Intermedio ORF-Symphonieorchester, Garcia Navarro | Giordano, U: | Come un bel dì di maggio (from Andrea Chénier) Plácido Domingo (tenor) New Philharmonia Orchestra, Sherrill Milnes Nemico della patria (from Andrea Chénier) Plácido Domingo (tenor) New Philharmonia Orchestra, Sherrill Milnes È lui! È lui! Andate! (from Fedora) Renata Scotto (soprano), Placido Domingo (tenor) National Philharmonic Orchestra, Kurt Herbert Adler | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) New Philharmonia Orchestra, Nello Santi L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) New Philharmonia Orchestra, Nello Santi O sainte médaille... Avant de quitter (from Faust) Sherrill Milnes (baritone) New Philharmonia Orchestra, Plácido Domingo Va, je t’ai pardonné…Anges du ciel (from Roméo et Juliette) Renata Scotto (soprano), Placido Domingo (tenor) National Philharmonic Orchestra, Kurt Herbert Adler | Halévy: | Rachel, quand du Seigneur (from La Juive) | Handel: | Svegliatevi nel core (from Giulio Cesare) | Lecuona: | Siboney Royal Philharmonic Orchestra, Lee Holdridge Noche Azul Royal Philharmonic Orchestra, Lee Holdridge Suite Andalucía: Andalucía Royal Philharmonic Orchestra, Lee Holdridge Por eso te quiero Royal Philharmonic Orchestra, Lee Holdridge Siempre en mi corazón Royal Philharmonic Orchestra, Lee Holdridge María la O Royal Philharmonic Orchestra, Lee Holdridge Canto Karabali Royal Philharmonic Orchestra, Lee Holdridge Juventud Royal Philharmonic Orchestra, Lee Holdridge Malagueña Royal Philharmonic Orchestra, Lee Holdridge Damisela encantadora Royal Philharmonic Orchestra, Lee Holdridge La comparsa Royal Philharmonic Orchestra, Lee Holdridge | Leoncavallo: | Recitar!...Vesti la giubba (from I Pagliacci) Musetta! O gioia della mia dimora!...Testa adorata from La bohème Recitar!...Vesti la giubba (from I Pagliacci) London Symphony Orchestra, Nello Santi Musetta! O gioia della mia dimora!...Testa adorata from La bohème London Symphony Orchestra, Nello Santi | Luna, P: | El Niño Judío: De España vengo ORF-Symphonieorchester, Garcia Navarro | Mascagni: | Apri la tua finestra (from Iris) Intanto amici…Viva il vino spumeggiante (Brindisi) Georgetta Psaros (mezzo) New Philharmonia Orchestra, John Alldis Choir, Nello Santi Il cavallo scalpita (from Cavalleria rusticana) Sherrill Milnes (baritone) New Philharmonia Orchestra, Plácido Domingo Giorgio si batte (from I Rantzau) Renata Scotto (soprano), Placido Domingo (tenor) National Philharmonic Orchestra, Kurt Herbert Adler | Massenet: | Pourquoi me reveiller (from Werther) Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Je suis seul, seul enfin... Ah fuyez douce image (from Manon) London Symphony Orchestra, Nello Santi Ah! Tout est bien fini... O souverain (from Le Cid) London Symphony Orchestra, Nello Santi Vision fugitive (from Hérodiade) Sherrill Milnes (baritone) New Philharmonia Orchestra, Plácido Domingo Toi ! Vous ! Oui ! Je fus cruelle… N’est-ce plus ma main (from Manon) Renata Scotto (soprano), Placido Domingo (tenor) National Philharmonic Orchestra, Kurt Herbert Adler | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) London Symphony Orchestra, Nello Santi | Mozart: | Il mio tesoro intanto (from Don Giovanni) | Ponchielli: | Enzo Grimaldo, Principe di Santafior! (from La Gioconda) Sherrill Milnes (baritone) London Symphony Orchestra, Anton Guadagno | Puccini: | Ecco la Casa...Torna ai felici di (from Le Villi) In un Coupe?...O Mimi, tu piu non torni (from La Bohème) Sherrill Milnes (baritone) London Symphony Orchestra, Anton Guadagno Ch'ella mi creda libero e lontano (from La Fanciulla del West) London Symphony Orchestra, Nello Santi Non piangere, Liù! (from Turandot) New Philharmonia Orchestra, Nello Santi Una parola sola! … Or son sei mesi (from La Fanciulla del West) New Philharmonia Orchestra, Nello Santi Avete torto! (from Gianni Schicchi) New Philharmonia Orchestra, Nello Santi Tu, tu, amore tu (from Manon Lescaut) Leontyne Price (soprano), Placido Domingo (tenor) New Philharmonia Orchestra, Nello Santi Bimba, bimba, non piangere (from Madama Butterfly) Leontyne Price (soprano), Placido Domingo (tenor) New Philharmonia Orchestra, Nello Santi Viene la sera (from Madama Butterfly) Katia Ricciarelli (soprano), Placido Domingo (tenor) Orchestra dell'Accademia Nazionale di Santa Cecilia,, Gianandrea Gavazzeni A te Vexilla for men's chorus and organ Justin Diaz (bass-baritone), Julius Rudel (organ) Salve Regina Julius Rudel (piano) Ad una morta Menti All'avviso Storiella D'amore Avanti Urania Inno a Diana E l'uccellino Terra e mare Canto d'anime Casa mia, casa mia Morire Inno a Roma, for chorus and organ and orchestra Sole e Amore | Serrano: | La roca fria del Calvario - Romanze (from La Dolorosa) ORF-Symphonieorchester, Garcia Navarro Te quiero moreno from El Trust de los Tenorios ORF-Symphonieorchester, Garcia Navarro | Soutullo: | La del soto del parral: Amor mir raza sabe conquistar ORF-Symphonieorchester, Garcia Navarro | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) | Torroba: | De este apacible rincón (from Luisa Fernanda) ORF-Symphonieorchester, Garcia Navarro Caballero del alto plumero (from Luisa Fernanda) ORF-Symphonieorchester, Garcia Navarro | Verdi: | Oh! fede negar potessi (from Luisa Miller) O inferno!...Sento avvampar nell'anima (from Simon Boccanegra) Solenne in quest'ora (from La Forza del Destino) Sherrill Milnes (baritone) London Symphony Orchestra, Anton Guadagno Sogno, o son desto? (from I Vespri Siciliani) Sherrill Milnes (baritone) London Symphony Orchestra, Anton Guadagno Dio, che nell'alma infondere (from Don Carlo) Sherrill Milnes (baritone) London Symphony Orchestra, Anton Guadagno Ah! Mille vite gli donasse iddio (from Otello) Sherrill Milnes (baritone) London Symphony Orchestra, Anton Guadagno Invano Alvaro ... Le minaccie, I fieri accenti (from La forza del destino) Sherrill Milnes (baritone) London Symphony Orchestra, Anton Guadagno La donna è mobile (from Rigoletto) London Symphony Orchestra, Nello Santi Questa o quella (from Rigoletto) New Philharmonia Orchestra, Nello Santi La vita è inferno … O tu che in seno (from La Forza del Destino) John McCaw (clarinet) New Philharmonia Orchestra, Nello Santi Di' tu se fedele (from Un ballo in maschera) Wendy Eathorne (soprano), Brian Etheridge (bass), Franklyn Whitely (bass) New Philharmonia Orchestra, John Alldis Choir, Nello Santi Ella mi fu rapita! (from Rigoletto) Plácido Domingo (tenor) New Philharmonia Orchestra, Sherrill Milnes Lunge da lei…De’ miei bollenti spiriti (from La Traviata) Plácido Domingo (tenor) New Philharmonia Orchestra, Sherrill Milnes Giá nella notte densa (from Otello) Leontyne Price (soprano), Placido Domingo (tenor) New Philharmonia Orchestra, Nello Santi Teco io sto (from Un ballo in maschera) Leontyne Price (soprano), Placido Domingo (tenor) New Philharmonia Orchestra, Nello Santi Giá nella notte densa (from Otello) Katia Ricciarelli (soprano), Placido Domingo (tenor) Orchestra dell'Accademia Nazionale di Santa Cecilia,, Gianandrea Gavazzeni | Wagner: | In fernem Land (from Lohengrin) | Zandonai: | Benvenuto, signore mio cognato (from Francesca da Rimini) Katia Ricciarelli (soprano), Placido Domingo (tenor) Orchestra dell'Accademia Nazionale di Santa Cecilia,, Gianandrea Gavazzeni |
and Mexican Songs: 1. Adoro 2. Un Viejo Amor 3. Serenata Tapatia 4. Adios, Mariquita Linda 5. La Negra Noche 6. Las Mananitas A La Virgen 7. El Triste 8. Rayando El Sol 9. Noche Plateada 10. China 11. Maria Bonita
To celebrate Placido Domingo's 70th birthday, Sony Classical release this budget priced x12 CD boxset. Each disc is packaged in vinyl replica sleeve, with original album artwork & comes in a sturdy outer box. The x12 disc set covers recital & duet recordings from 1969-1989, including some of his finest works. | | | In stock - usually despatched within 1 working day. |
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Gramophone Magazine
