Handel: Coronation Anthem No. 1, HWV258 'Zadok the Priest' - download (MP3 & FLAC)

The potential of music as a means of adding dignity and grandeur to state occasions has surely been lost on a few rulers in history. Portraits of antique kings and queens are more often admired (or the reverse) for their artistic qualities, as opposed to the enhancement in the status of their subjects they were originally intended to confer. Similarly, the appeal of ceremonial music from former ages is for modern listeners primarily aesthetic.

This 75-minute collection brings together music heard at a staggering variety of British royal occasions. Zadok the Priest has been included in every coronation service held in that building ever since the coronation of King George II and Queen Caroline in Westminster Abbey on 11 October 1727. There is music for the coronation of King James II in 1685 (Purcell’s I was glad), and a later setting of the same verses by Parry for the coronation of Edward VII in Westminster Abbey on 9 August 1902.

Of course, there’s music for Queen Elizabeth II – Walton’s Coronation Te Deum and Orb and Sceptre for the coronation on 2 June 1953 and Bliss’s march Welcome the Queen, which commemorated the return of the monarch from her Commonwealth tour in 1954.

The British national anthem hardly needs an introduction. Benjamin Britten’s distinctive arrangement was first performed in Leeds on 7 October 1961 and has been heard countless times since.

These discs present a rich and varied flavour of Britain’s capital city. Offering a diverse and wide-ranging taste of music spanning over three centuries, the pieces on this compilation are evocative of London in all its glory, whether that be light musical cameos of famous locations, to the archetypal Coronation Anthems of Handel and the eponymous symphonies of Haydn and Vaughan Williams. This 2-CD set contains music by some of Britain’s most popular native and adopted composers. The first disc on this compilation offers a nostalgic trip back through British light music, easily recognized for its emphasis on instantly accessible and catchy melodies. Tracks include the popular Yeoman of the Guard overture by Arthur Sullivan, as well as extracts from the London Suites by Dam Busters composer Eric Coates and Dankworth’s Rediffusion London Call Sign. The second disc comprises more traditional pieces, ranging from delicate lute arrangements of Henry VIII’s attributed ditty Greensleeves to Walton’s joyous coronation march Crown Imperial.

This stunning program of Baroque choral masterpieces comprises the best-loved moments from Handel’s oratorios and anthems, including ‘Zadok the Priest’ and the Hallelujah chorus. Solos from Alexander’s Feast and Athalia are sung by renowned Handel specialists Carolyn Sampson and Robin Blaze. The Bach Choir (which gave performances in Australia in 2008) is an institution in the golden British oratorio tradition, its musical directors including Ralph Vaughan Williams, Sir David Willcocks, and now David Hill, who conducts on this recording.

“the Bach Choir sing with appropriate vigour and spirit under David Hill’s enthusiastic direction…producing the obligatory tingle down the spine.” Gramophone

The four Coronation Anthems, written for the coronation of King George II in 1727, were Handel’s first commission as a naturalised British citizen. Handel always matched his music to the occasion and the building for which it was written, and no occasion could be grander than a coronation. The music of these ceremonial anthems is quite straightforward, the real joy of these pieces stemming from the development of layer upon layer of texture through which Handel shows off his musical pyrotechnics. Zadok the Priest is in particular practically unbeaten in dramatic impact with its initial intensity building towards the ecstasy of the climactic choral entry.