All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Wagner: Orchestral Excerpts Volume 3
Themes of love and passion dominate these orchestral excerpts from Wagner’s music dramas. The legend of Tannhäuser contrasts the sensual allure of Venus with the ideals of courtly love and religious devotion. Die Meistersinger von Nürnberg pits an inspired but rash young singer against the traditions of the old masters in a song competition, with a beautiful girl as the prize. Tristan und Isolde, based on one of the world’s great love stories, is considered Wagner’s most revolutionary work, seamlessly blending themes of love and death into a shattering apotheosis. Gerard Schwarz’s other selections of Wagner excerpts can be found on 8572767 and 8572768. “Marc is an excellent singer, thankfully free of the gusty tone production which afflicts too many Wagnerian sopranos today. She sings with expressiveness, delicacy and a real feeling for the text” MusicWeb International, October 2012 | | | (also available to download from $6.00) | In stock - usually despatched within 1 working day. |
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| |  | Wagner: Orchestral Music and Arias
This double-CD set brings together for the first time two of Claudio Abbado’s Wagner recordings, the first of orchestral music, the second a selection of vocal works with Bryn Terfel, the leading Wagner baritone of our day. “Terfel brings a wide palette of tone to peer into the Dutchman's soul and express Wolfram's evening thoughts, where his legato and half-voice are admirable” (Gramophone) | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Leopold Stokowski conducts
This historical recording has been remastered from the original tapes and illustrates Stokowski’s advocacy for “New Music.” “Adroit advocacy for new music on Disc 1 coupled with performances of 19th-century works that are so elaborately inflected and hyper-glamorous as to leave the German orchestra in near disarray.” BBC Music Magazine, December 2009 | | | (also available to download from $21.00) | In stock - usually despatched within 1 working day. |
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| |  | Wagner - Overtures & Preludes
Böhm, Kubelik, Gerdes, Jochum & Karajan | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Wagner: Heavy Classix
Wagner: | Die Walküre: Ride of the Valkyries Berliner Philharmoniker, Herbert von Karajan Tristan und Isolde: Prelude & Liebestod Birgit Nilsson (soprano) Orchester der Bayreuther Festspiele, Karl Böhm Parsifal: Prelude to Act 1 Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum Parsifal: Good Friday Music Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum Gotterdammerung: Dawn, Siegfried's Rhine Journey & Funeral March Berliner Philharmoniker, Herbert von Karajan Starke Scheite schichtet mir dort 'Brünnhilde's Immolation Scene' (from Götterdämmerung) Berliner Philharmoniker, Herbert von Karajan Der fliegende Holländer: Overture Orchester der Bayreuther Festspiele, Karl Böhm Lohengrin: Preludes to Acts 1 & 3 Symphonieorchester des Bayerischen Rundfunks, Bavarian Radio Chorus, Rafael Kubelik Bridal Chorus 'Treulich geführt' (from Lohengrin) Symphonieorchester des Bayerischen Rundfunks, Bavarian Radio Chorus, Rafael Kubelik Siegfried Idyll Berliner Philharmoniker, Rafael Kubelik Tannhäuser: Overture Orchester der Deutschen Oper Berlin, Otto Gerdes Die Meistersinger von Nürnberg: Overture Berliner Philharmoniker, Rafael Kubelik Zur Burg führt die Brücke (from Das Rheingold) Donald Grobe Berliner Philharmoniker, Herbert von Karajan Abendlich strahlt der Sonne Auge (from Das Rheingold) Edda Moser, Helen Donath, Josephine Veasey, Anna Reynolds, Dietrich Fischer-Dieskau, Donald Grobe, Gerhard Stolze Berliner Philharmoniker, Herbert von Karajan |
CD 1 rolls off with The Ride of the Valkyries, CD 2 with The Flying Dutchman Overture – there’s over 150 minutes of Wagner on this star compilation. Of course, Wagner also wrote big ballads as well, so there’s the Siegfried Idyll, the Tristan Prelude and Liebestod and the ethereal Prelude to Lohengrin The big names are there, above all Karajan, Böhm, Kubelik and Jochum. It’s a mainly orchestral set, with just the Lohengrin Bridal Chorus and two extracts from The Ring (conducted by Karajan) to remind you that Wagner was writing operas. The perfect Wagner starter-set! | 
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| |  | Toscanini Conducts Wagner (1946-1952)
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| |  | Sir Georg Solti & Birgit Nilsson
This CD brings together two superstars of the last 50 years, Sir Georg Solti and the great Swedish soprano Birgit Nilsson. The release was originally timed to coincide with the 10th anniversary (2007) of Solti's death and his 10 years spent at the Royal Opera House, Covent Garden – but was delayed a year due to contractual negotiations - both the Wagner tracks are with the Covent Garden Orchestra, as it was known then, at the Proms in 1963. Solti's Beethoven is well known for its robust energy but this version of the 'Eroica' with the LSO is quite relaxed yet powerful and extremely beautiful. It comes from the same concert as the Tchaikovsky Piano Concerto No.1 with Cherkassky (BBCL 4160-2). Solti and Nilsson were linked both on stage and particularly in the recording studio by Richard Strauss and Wagner. Solti's famous Wagner's 'Ring' cycle for Decca has been one of the monuments of the classical recording industry for many years and Nilsson's Brunnhilde is one of the phenomenon's of that celebrated set. She is here recorded live with a passionate accompaniment driven by Solti in the great Prelude & Liebestod from Wagner's Tristan und Isolde where Nilsson's voice is so powerful that it dominates the ROH Orchestra even in the greatest climaxes! Wagner's Siegfried's Rhine Journey gives us a flavour of Solti in Wagner's 'Ring' providing tremendous attack and excitement. The CD has been recorded in excellent stereo sound and transferred with exceptional care by Paul Baily. “…Solti treated Beethoven's Eroica as a broad-based epic, the first movement measured and expressive in the Bruno Walter style, the Funeral March slow of gait and solemn of visage. …the two final movements were drawn into the concept making for a reading that was powerful, concentrated, entire unto itself. The playing in Siegfried's Rhine Journey is terrific...” Gramophone Magazine, December 2008 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Mahler & Wagner - LiederTranscribed for chamber ensemble by Christian Favre
“Her performance of the Leibestod is an object lesson in engagement with the text, sensuality and controlled power.” Gramophone Magazine, July 2008 “What a revelation this disc actually turns out to be. Lott's voice brings wonderful subtlety and intensity to the music, Isolde's death scene in particular.” Classic FM Magazine “The Schumann Quartet's pianist, Christian Favre, has made these clear, practical transcriptions (rather than arrangements, the bookletnote stresses) inspired by Chausson's Chansonperpetuelle, and with a view to adding to the chamber music literature from the Romantic world of song. So expect a scaled-down report on the works concerned rather than Schoenberg's interventionist way with Johann Strauss or Brahms, or the risk-taking panache of Liszt's operatic adaptations. Not the least virtue of the exercise is that we get Dame Felicity Lott in repertoire she might otherwise not have attempted. Her performance of the Liebestod – or 'Verklärung' as we should call it – is such an object lesson in engagement with the text, sensuality and controlled power that one might imagine the late Carlos Kleiber (whose favourite Marschallin she was) contemplating a further recording of the opera with her. The Wesendoncks have a similar sensual (and lean) intelligence, devoid of the stuffy Victorian abstractions that Mathilde's dreadful poetry can often produce in performance. And, if this is not the ideal-est voice for the darker corners of the Rückert-Lieder, you'll need to hear what Lott makes of the poems. The Tristan Prelude is fine too; it's just that it doesn't have a voice part. Good recordings, and 100 per cent worth it for the singing.” Gramophone Classical Music Guide, 2010 | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Great Conductors - Furtwängler
Recorded 1938 | | | (also available to download from $9.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Wagner HighlightsArrangements for two pianos by Max Reger
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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