This page lists all recordings of Porgy and Bess (highlights), by George Gershwin (1898-1937) on CD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Gershwin: Porgy and Bess (highlights)
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| |  | Gershwin: Porgy and Bess (highlights)arr. A. Litton
Damon Evans (tenor), Cynthia Haymon (soprano), Gordon Hawkins (baritone), Jan K. Hacke (mezzo-soprano), Kevin Beall (bass), Cynthia Clarey (alto) Dallas Symphony Orchestra, Dallas Symphony Chorus, Andrew Litton | |
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| |  | Gershwin: American in Paris
Dorothy Lewis-Griffith (piano) This is a sequel to Lewis-Griffith’s 1994 Gershwin album (KTC1176). This collection includes favourites such as Summertime, and excerpts from Porgy and Bess, as well as interesting rarities. The artist has been able to complete the Manuscript of Novelette in Fourths by listening to piano roll performance by Gershwin himself and performs the work here together with Melody No.17 & Sleepless Night. | | | Usually despatched in 2 - 3 working days. |
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| |  | Waldbühne: American NightLive Recording from The Waldbühne Berlin, 1995
At the Berlin Waldbühne in 1995 Sir Simon Rattle conducted an ‚American Night‘ at the Berliner Philharmoniker‘s annual summer concert with works by Leonard Bernstein and George Gershwin. What is the essence of American music? Bernstein gave his opinion at one of his ‚Concerts for young people‘:‚I don‘t think there is anyone in the whole world who wouldn‘t know immediately that Gershwin‘s music is American. It sounds American, smells of America, and when you listen to it you feel American.‘ With his ‚Rhapsody in Blue‘ Gershwin succeeded in devising a blend between swinging themes, blues and symphonic elements - ‚symphonic jazz‘. The first performance was given at New York‘s Carnegie Hall on 12 February 1924. Gershwin was at the piano. It was a sensational success and induced many composers to follow similar stylistic paths, ultimately without any notable results. One exception is perhaps Leonard Bernstein, whose music often reveals jazz elements in his fondness for syncopations. George Gershwin‘s genius was at its most creative in the opera ‚Porgy and Bess‘. Spirituals, gospel, jazz, songs but also love duets in conventional operatic style alternate with one another. Although European orchestras performing outside the US at first found it difficult to adjust to jazz, this American folk opera rapidly became a success world-wide and to this day has not lost its fascination. Sir Simon Rattle was the ideal interpreter of this music for the musicians of the Berliner Philharmoniker. Together with them and an ensemble of first class soloists he earned enthusiastic applause at the Berlin Waldbühne. Sound Format: PCM Stereo, DD 5.1 Picture Format: 4:3 DVD Format: DVD 9, PAL Running Time: 85 mins FSK: 0 | | | Usually despatched in 2 - 3 working days. |
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| |  | Opera Fantasies
Natasha Korsakova (violin), Kira Ratner (piano) | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Passion
Angèle Dubeau (violin) La Pietà | | | Usually despatched in 2 - 3 working days. |
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| |  | Gershwin: Porgy and Bess (highlights)
Original cast and other early recordings, 1935-42 | | | (also available to download from $16.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Main Street USA
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| |  | Empire Brass
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In honor of the Gershwin centennial year, conductor Erich Kunzel worked in cooperation with Gershwin scholar Edward Jablonski, the Music Division of the Library of Congress, and John Andrew Johnson at Harvard University to create his own performing edition of the one-act opera Blue Monday, heard here for the first time with its original orchestration by Will H. Vodery. Kunzel's sources included the original piano sketches by Gershwin, the Vodery orchestration, and the original Buddy De Sylva text, all of which are housed in the Library of Congress. The recording of legendary performer Cab Calloway singing "It Ain't Necessarily So," was made about one year before he died. This is the only available performance on disc of him singing a selection from his signature role. Maestro Kunzel also discovered, at the Library of Congress, previously unrecorded dialogue from Act III, Scene I of Porgy and Bess, which leads into the duet between Bess and Serena, "Lonely Boy," also never before recorded. Gershwin discarded the duet for reasons of length (and thus never orchestrated it), substituting the aria, "Summertime," sung here by radiant soprano Harolyn Blackwell, making her Telarc debut. The duet is heard in an orchestration provided by Steven Reinke. | | | Usually despatched in 4 - 5 working days. |
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