Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Smetana: Piano Works Volume 1
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| |  | Great Pianists - Women at the Piano Volume 4
Albéniz: | Sevilla (from Suite Española, Op. 47) Lilly Dymont (piano) | Beethoven: | Variations (32) on an Original Theme in C minor, WoO 80 Constance Keene (piano) | Brahms: | Rhapsody in G minor, Op. 79 No. 2 Reine Gianoli (piano) | Chopin: | Scherzo No. 3 in C sharp minor, Op. 39 Rosa Tamarkina (piano) | Falla: | El sombrero de tres picos: Danza del molinero (farruca) Marcelle Meyer (piano) | Fauré: | Barcarolle No. 3 in G flat major Op. 42 Marie-Thérèse Fourneau (piano) | Liszt: | Hungarian Rhapsody, S244 No. 12 in C sharp minor rev Saint-Saëns Gina Bachauer (piano) | Marescotti: | Fantasque Lottie Morel (piano) | Mompou: | Suburbis: El carrer, el guitarrista i el vell cavall Magda Tagliaferro (piano) | Rosenthal, Moritz: | Papillons Winifred Christie (piano) | Roussel: | 3 Pieces, Op. 49 Yvonne Lefébure (piano) | Schubert: | Evenings in Vienna No. 6 in A arr Liszt Bärbel Andreae (piano) | Smetana: | Fantasy on Czech Songs Liza Fuchsova (piano) | Strauss, J, II: | Schatz-Walzer, Op. 418 arr Dohnányi Edith Farnadi (piano) |
There is a great variety of performers, traditions, and composers represented in volume 4 of this pioneering series. The pianists comprise the well known, the undeservedly neglected, and the tragic. One such is Rosa Tamarkina, a prodigiously talented musician, who died at 30. There is Liza Fuchsova, a brilliant Czech, who can be heard in a rare 1944 HMV disc. Lilly Dymont was recorded in Berlin in 1930, Marie-Thérèse Fourneau in wartime Paris, and Winifred Christie in London in 1921. Of volume 3 (8111217) Gramophone wrote: ‘a fascinating series… and brilliant assembly, which makes you look forward to volume 4.’ | | | (also available to download from $8.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Smetana - DreamsKathryn Stott plays Smetana
The key work on this recording is the cycle of six Dreams. Composed after the on-set of deafness; Smetana had had to stop conducting and turn his attentions back to piano composition. ‘Extinguished Happiness’ has something of the Lisztian virtuosity of earlier works, but the brilliance is tinged with reflective melancholy. ‘Consolation’ which follows owes little to Liszt, rather its restless central section looks forward to the more agitated last symphonic poem of My Country. ‘In the salon’, seems to be looking back to youthful contentment while, ‘Before the Castle’ gazes back much further to an image of the nation’s heroic past. The concluding ‘Festivity of Czech country folk’ encompasses both an affectionate glimpse at rural goings on as well as a certain wry humour. The cycle is an excellent example of the extremes of Smetana’s composing style, and an excellent introduction to his piano music. The transcription of Schubert’s song ‘Der Neugierige’ is a brilliant and heartfelt transformation of Schubert’s work. In the same year, and again very much with Liszt’s example in mind, Smetana composed the Etude in C major; a big-boned work; its energy and the extreme demands of its virtuoso writing single it out as one of his most exciting works for piano. Completing the recording are the four Polkas composed in 1877 that comprise Smetana’s first set of Czech Dances and bring to a climax his lifelong association with this popular dance. “Stott's approach is… measured…poetic. In her hands, the showers of notes garlanding the melody in On the Seashore have irresistible beauty, while the Czech dance entitled 'Hulán' ('lancer') has an extraordinary tenderness.” BBC Music Magazine, Proms 2007 ***** | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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