This page lists all recordings of Ah crudel! (from Rinaldo), by George Frideric Handel (1685-1759) on CD, SACD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Bach & Handel - Solo Cantatas & Arias
Bach, J S: | Cantata BWV82 'Ich habe genug' Cantata BWV169 'Gott soll allein mein Herze haben' Christmas Oratorio, BWV248: Bereite dich, Zion Cantata BWV190 'Singet dem Herrn ein neues Lied': Lobe Zion deinen Gott Gelobet sei mein Gott from Cantata 129 Cantata BWV34 'O ewiges Feuer, O Ursprung der Liebe' Magnificat in D major, BWV243: Et exsultavit Ach bleibe doch from Cantata No.11, BWV11 Bist du bei mir, BWV508 (attrib. J. S. Bach BWV508 from the notebook of Anna Magdalena) St John Passion, BWV245: Es ist vollbracht Hochgelobter Gottesohn from Cantata No.6, BWV6 Cantata BWV161 'Komm, du süsse Todesstunde' Saget saget mir geschwinde from Easter Oratorio BWV249 | Handel: | Ah crudel! (from Rinaldo) Armida abbandonata, HWV 105 |
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| |  | ArmidaArias by Gluck, Jommelli, Haydn and Handel
Gluck: | Ah! Si la liberté me doit être ravie from Armide La chaine de l'Hymen m'etonne (from Armide) Ah! Quelle cruauté de lui ravir le jour! (from Armide) Venez, secondez mes désirs from Armide Venez, venez haine implacable (from Armide) Chaconne | Handel: | Ah crudel! (from Rinaldo) Armida abbandonata, HWV 105: aria 'Ah! crudel, e pur ten vei' Armida abbandonata: In tanti affanni miei | Haydn: | Partì Rinaldo - Se pietade avete, oh Numi (Armida) Ah, non ferir, t'arresta (from Armida) | Jommelli: | Armida Abbandonata: Sinfonia Ah! Ti sento, mio povero core (from Armida Abbandonata) Miser’Armida...Odio, furor, dispetto (from Armida Abbandonata) |
Annette Dasch (soprano) Bayerische Kammerphilharmonie, David Syrus The story of the infidel Saracen princess Armida, who falls in love with the Christian knight Rinaldo, has been a frequent source of inspiration for opera composers. For her début CD on the Sony Classical label, Berlin-born soprano Annette Dasch has selected Armida arias from four different operas, plus a cantata “Annette Dasch copes admirably with the high tessitura of "Ah! Ti sento", and there is some exciting coloratura in the Rinaldo aria and in "Se pietade avete" from Haydn's last opera for Eszterháza. David Syrus and the orchestra are first-rate: indeed, the Gluck Chaconne and the Jommelli Sinfonia are, so to speak, worth hearing in their own right.” Gramophone Magazine, December 2007 | | | In stock - usually despatched within 1 working day. |
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| |  | Handel - Operatic Arias
“Bell ... is, quite simply, one of the most beautiful things you will ever hear” The Guardian “Emma Bell gets better and better. This sparkling recording confirms her reputation as one of the most exciting of the younger generation of Handelians. It's the suppleness of the voice that excites, with trills that really trill and scales that effortlessly climb the heights above the stave. Richard Egarr directs a Scottish Chamber Orchestra on its very best behaviour with fine string playing throughout and a magnificently angry trumpet obbligato in the aria from Amadigi.” BBC Music Magazine, October 2005 “Here is a voice of glowing quality - bright yet creamy in texture, weighty yet pure - which is matched by fine musical imagination and a masterly control of technique. …Bell's ability in lyrical arias to float the most exposed high notes with no hint of an upward slide makes for ravishing results.” Gramophone Magazine, December 2005  BBC Music Magazine
Opera Choice - October 2005 |
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| |  | Great Operatic Arias 12 - Yvonne Kenny Volume 2Sung in English
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| |  | Edda Moser: Complete Lieder & Arias
Beethoven: | Abscheulicher! Wo eilst du hin? (from Fidelio) | Brahms: | Es träumte mir (No. 3 from Acht Lieder und Gesänge, Op. 57) Die Mainacht, Op. 43 No. 2 Ständchen, Op. 106 No. 1 Von ewiger Liebe, Op. 43 No. 1 | Gluck: | Divinités du Styx (from Alceste) | Handel: | Ah crudel! (from Rinaldo) | Mozart: | Ecco il punto...Non più di fiori vaghe catene (from La clemenza di Tito) O zittre nicht (from Die Zauberflöte) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Martern aller Arten (from Die Entführung aus dem Serail) Non mi dir (from Don Giovanni) Tutte nel cor vi sento (from Idomeneo) Popoli di Tessaglia! - Io non chiedo, eterni Dei, K316 Ma che vi fece, o stelle...Sperai vicino il lido, K368 Agnus Dei (from Coronation Mass) Vesperae Solennes de Confessore, K339: Laudate Dominum | Pfitzner: | An die Mark, Op. 15, No. 3 Venus Mater, Op. 11 No. 4 Verrat 'Die Wasserlilie kirchert leis' ', Op. 2 No. 7 Unter den Linden, Op. 24 No. 1 Ich und du, Op. 11 No. 1 Sonst, Op. 15, No. 4 | Schumann: | Frauenliebe und -leben, Op. 42 Spanische Liebeslieder Op. 138 (selection) Spanisches Liederspiel, Op. 74 Sologesänge aus Friedrich Rückerts Minnespiel, Op. 101 | Strauss, R: | Brentano Lieder Op. 68, Nos. 1-6 Die Nacht, Op. 10 No. 3 Vier Lieder Op. 27 Es gibt ein Reich (from Ariadne auf Naxos) | Wagner: | Dich, teure Halle (from Tannhauser) | Weber: | Ozean, du Ungeheuer (from Oberon) | Wolf, H: | Mignon I 'Heiß mich nicht reden' (No. 5 from Goethe-Lieder) Mignon II 'Nur wer die Sehnsucht kennt' (No. 6 from Goethe-Lieder) Mignon III 'So lasst mich scheinen' (No. 7 from Goethe-Lieder) Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) |
Edda Moser and EMI-Electrola – a special chapter in the history of recorded music.Two passions mark this longstanding cooperation: a love of opera – especially of Mozart–, and of the intimate art of Lieder singing. Talking to Thomas Voigt and Holger Wemhoff, Edda Moser recalls these “moments of musical bliss” in the recording studio and on the stage. With the two interviews, Edda Moser’s tribute to Mozart and the CD premières of five Lieder albums plus her aria recital, this edition paints a many-faceted and personal portrait of the great soprano. | 
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Gramophone Magazine
