Schütz: Magnificat Anima Mea Dominum, SWV468

“That [Schuster] is an instrumentalist rather than a singer is clear in the way he achieves such total integration of voices and instruments in these performances, and in is deep appreciation of the many-layered textures in Schütz's writing....Schütz is served uncommonly well by these particular performers on this excellent disc.” International Record Review, May 2011

“It would be a shame if the lack of English translations of the sung texts put potential investigators off hearing this enjoyable survey of Schütz's richly expressive music. The sonorous acoustic of the convent where the disc was recorded is ideal for the warm yet stylishly sprung performances.
Directed by tenor Benoît Haller, the singers deliver gutsy, assured performances.
When all the players and choir combine, with all the stops out, the effect is magnificent: two cornetts and three sackbuts make a tremendous noise when let loose, reinforcing the opulent conclusion to Herr, der du bist vormals genädiggewest. But there is also subtly evocative music here, such as the lush continuo configurations in the soprano solo motet O misericordissime Jesu or the solemn brass and tenor solo texture in Erbarm dich mein, o Herre Gott.
Most recordings of this quality concentrate on one of Schütz's major collections but La Chapelle Rhénane instead pick and mix from Symphoniasacrae, Cantiones sacrae and the Kleinegeistliche Konzerte, and throw in a few obscurities, too. The result is a refreshing manifesto from musicians who zealously believe in the music they have chosen to perform. La Chapelle Rhénane's biography claims that the group are 'able to provide original interpretations that are sparkling and flavoursome, in a vision brimming with sensuality and sincerity'. This is one of the rare occasions when we can believe the hype.” Gramophone Classical Music Guide, 2010