Schubert: String Quartet No. 14 in D minor, D810 'Death and the Maiden' (Der Tod und das Mädchen)

“The superlative technical skills of these young Russian-Israelis, and a tendency to squeeze out every drop of expression, can actually obstruct the music they play so brilliantly. Thus, the natural sweetness of the D minor andante’s major-key variation is so overemphasised as almost to negate its purpose. That, however, is the obverse of their great virtues. Death and the Maiden is a haunted work, and the way they seize on the tiniest detail to increase the tension - a pianissimo tremolo, a brief, explosive forte - is often thrilling. They need only relax a little to be genuinely outstanding.” Sunday Times, 25th May 2008 ***

“[The Jerusalem Quartet's] recording of Schubert's Death and the Maiden quartet finds them at their most uncompromising, with an epic, angry interpretation of a work usually considered elegiac and consolatory. From the furiously articulated opening chords, this is first and foremost a howl of rage against encroaching mortality. The integrity of the performance is never in doubt, and the playing is often breathtaking in its commitment and fire, but the unremitting bleakness of it all can be as forbidding as it is impressive. Its companion piece, the C Minor Quartetsatz, is similarly interpreted in the starkest of colours, with the dialogues between the first violin (Andrei Pavlovsky) and cello (Kyril Zlotnikov) sounding not so much like duets as duels. An admirable disc, though one that's also hard to like.” The Guardian, 9th May 2008 ***

“Passion and a feverish energy characterise this young Israeli quartet. First up is Schubert’s magnificent Quartettsatz, and the temperature continues for Death and the Maiden. Yet they’re never undisciplined – the cellist even keeps his head playing Jacqueline du Pré’s cello (loaned by Daniel Barenboim). Other groups get closer to Schubert’s tender side, but for racing blood, go to Jerusalem.” The Times, 9th May 2008 ****

"The Melos Quartet… seem to have all the answers to these four masterpieces by Schubert." – CD Review

“There’s no denying that both these performances exude class… Virtually ideal intonation, matching of timbres and solidity of tone are the hallmarks of the Borodin’s Death and the Maiden… Recording quality is outstanding: rich, yet clear and believable.” Gramophone Magazine