This page lists all recordings of Prendi l'anel ti dono (from La Sonnambula), by Vincenzo Bellini (1801-35) on CD & DVD. Generally, more recent releases are listed first, but with priority given to those that are in stock. |
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See Terms & Conditions for p&p rates. | |  | The Very Best of Nicolai Gedda
Adam: | Mes amis, écoutez l'histoire (from Le Postillon de Lonjumeau) | Beethoven: | Adelaide, Op. 46 | Bellini: | Prendi l'anel ti dono (from La Sonnambula) | Berlioz: | La gloire etait ma seule idole (from Benvenuto Cellini) | Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) La fleur que tu m'avais jetée (from Carmen) | Donizetti: | Quanto è bella, quanto è cara! (from L'Elisir d'amore) Una furtiva lagrima (from L'elisir d'amore) Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) | Flotow: | Ach, so fromm (from Martha) | Glinka: | Souvenir | Goldmark: | Magische Töne, berauschender Duft (from Die Königin von Saba) | Gounod: | L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Dein ist mein ganzes Herz (from Das Land des Lächelns) | Massenet: | Pourquoi me reveiller (from Werther) Instant charmant … En fermant les yeux (from Manon) | Mozart: | Il mio tesoro intanto (from Don Giovanni) Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) | Mussorgsky: | Boris Godunov: Dmitry! Tsarevich | Offenbach: | Va pour Kleinzach...Il était une fois à la cour (from Les Contes d'Hoffmann) | Puccini: | Donna non vidi mai (from Manon Lescaut) | Rachmaninov: | Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4 How fair this spot, Op. 21 No. 7 | Rossini: | Asile héréditaire (from Guillaume Tell) | Strauss, J, II: | Ja, das alles auf Ehr' (from Der Zigeunerbaron) | Strauss, R: | Heimliche Aufforderung, Op. 27 No. 3 Ständchen, Op. 17 No. 2 | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) In this moonlight, Op.73, No.3 Sred' shumnogo bala (Amid the din of the ball), Op. 38 No. 3 Serenada Don-Zhuana (Don Juan's Serenade), Op. 38 No. 1 | Thomas, Ambroise: | Elle ne croyait pas, dans sa candeur naïve (from Mignon) | Verdi: | Di' tu se fedele (from Un ballo in maschera) La donna è mobile (from Rigoletto) | Wagner: | In fernem Land (from Lohengrin) |
Nicolai Gedda, the most recorded tenor in history, is an exceptionally versatile artist who has excelled in a wide variety of operatic roles as well as in the art song. With a magnificent lyric tenor voice and extraordinary range, Gedda makes the notorious top D at the end of ‘Mes amis, écoutez l’histoire’ sound positively effortless. This collection offers a wealth of repertoire that has helped to cement Gedda’s reputation as one of the greatest tenors of his generation. | 
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| |  | Bel Canto
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| |  | Gala Concert
live from Sydney Opera House
PICTURE FORMAT: 4:3
LENGTH: 126 Mins
SOUND: STEREO
SUBTITLES: EN
“...Sutherland was superb, singing with that breathtaking assurance and jewel-like brilliance that has made her so outstanding in the world of opera today.” Canberra Times “[Pavarotti] proved...that this is truly one of the most phenomenal voices of our era, used with genuine musicality and artistry” The Australian | | | Usually despatched in 2 - 3 working days. |
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| |  | Akiko Nakajima - Female Portraits
“Akiko Nakajima has a light voice, capable of growth, with an able technique and imaginative expressiveness. Her 'Ah, non credea mirarti' (La sonnambula) is especially lovely. With Schmunk she gives a most winning performance of the L'amico Fritz duet, enchanting in its quiet passages. ...these are singers to be noted and the disc is a valuable record of their still youthful prime.” Gramophone Magazine, September 2006 | | | Usually despatched in 2 - 3 working days. |
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| |  | Nino Ederle & Luigi Fort: Opera Arias
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| |  | Nicolai Gedda: Lyric Poet of the Tenor Voice85th Birthday
Adam: | Mes amis, écoutez l'histoire (from Le Postillon de Lonjumeau) | Auber: | Du pauvre seul ami fidèle (from La Muette de Portici) | Bach, J S: | Cantata BWV189 'Meine Seele ruhmt und preist' Cantata BWV55 'Ich armer Mensch, ich Sündenknecht' Cantata BWV160 'Ich weiß, daß mein Erloeser lebt' St Matthew Passion, BWV244: Geduld, Geduld Mass in B minor: Benedictus | Beethoven: | Christus am Ölberge: Jehova, du mein Vater...Meine Seele ist erschüttert Adelaide, Op. 46 An die ferne Geliebte (To the distant beloved), Op. 98 | Bellini: | Prendi l'anel ti dono (from La Sonnambula) | Berlioz: | Une heure encore (from Benvenuto Cellini) Seul pour lutter, seul avec mon courage (from Benvenuto Cellini) | Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) A cette voix quel trouble… Je crois entendre encore (from Les Pêcheurs de Perles) La fleur que tu m'avais jetée (from Carmen) | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) | Delibes: | Lakmé! Lakmé! Ah! Viens dans la forêt profonde (from Lakmé) | Donizetti: | Quanto è bella, quanto è cara! (from L'Elisir d'amore) Una furtiva lagrima (from L'elisir d'amore) Tombe degl'avi miei … Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) Povero Ernesto...cercherò lontano terra (from Don Pasquale) Com'é gentil…Tornami a dir (from Don Pasquale) Spirto gentil ne' sogni miei (from La Favorita) | Flotow: | Jungfrau Maria (from Alessandro Stradella) Ach, so fromm (from Martha) | Glinka: | A Life for the Tsar: Bratsï! V metel', v nevedomoy glushi | Gluck: | Alceste : Air d'Admete 'Bannis la crainte et les alarmes Unis des la plus tendre enfance (from Iphigénie en Tauride) Divinité des grandes âmes (from Iphigénie en Tauride) Che puro ciel (Orfeo ed Euridice) French version J'ai perdu mon Eurydice (from Orphée et Eurydice) | Goldmark: | Magische Töne, berauschender Duft (from Die Königin von Saba) | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Mon cœur est plein d'un noir soucis... Anges du Paradis (from Mireille) L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) | Kalman: | Tanzen Möcht' ich (from Die Csárdásfürstin) Wenn es Abendd … Grüß mir mein Wien (from Gräfin Mariza) Auch ich war einst ein feiner Csárdákavalier … Komm, Zigan (from Gräfin Mariza) Heut' Nacht hab' ich geträumt von Dir (from Das Veilchen von Montmartre) | Lalo: | Vainement, ma bien-aimée (from Le roi d’Ys) | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Allein, wieder allein (from Der Zarewitsch) Dein ist mein ganzes Herz (from Das Land des Lächelns) O Mädchen, mein Mädchen (from Friederike) | Lortzing: | Lebe wohl, mein flandrisch Mädchen (from Zar und Zimmermann) | Massenet: | Instant charmant … En fermant les yeux (from Manon) Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Un autre est son époux! Traduire! (from Werther) | Mendelssohn: | Elijah: Ye people, rend your hearts Elijah: If with all your hearts | Meyerbeer: | Beauté Divine (from Les Huguenots) Ô Paradis (from L'Africaine) | Millöcker: | Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) | Mozart: | Konstanze, Konstanze...O wie ängstlich (from Die Entführung aus dem Serail) In Mohrenland gefangen war (from Die Entführung aus dem Serail) Un'aura amorosa del nostro tesoro (from Così fan tutte) Se all' Impero (from La Clemenza di Tito) Per pieta, non ricercate KV 420 Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) Dalla sua pace (from Don Giovanni) Il mio tesoro intanto (from Don Giovanni) | Mussorgsky: | At midnight, in the garden, by the fountain (from Boris Godunov) That wily Jesuit has firmly seized me (from Boris Godunov) Why my sad heart? (from Sorochinsky Fair) | Nicolai, C O: | Horch, die Lerche singt im Hain! 'Romance' (from Die lustigen Weiber von Windsor) | Offenbach: | Va pour Kleinzach...Il était une fois à la cour (from Les Contes d'Hoffmann) | Ponchielli: | Cielo e mar! (from La Gioconda) | Puccini: | Donna non vidi mai (from Manon Lescaut) Che gelida manina (from La Bohème) Recondita armonia (from Tosca) E lucevan le stelle (from Tosca) Bimba dagli occhi pieni di malia (from Madama Butterfly) Nessun dorma (from Turandot) | Rimsky Korsakov: | Solynshko nizko, vecher uzh blisko (The sun is low, the evening is approaching) (from May Night) Kak tikho, kak prokhladno tut! (How peaceful, how fresh it is here!) (from May Night) Song of the Hindu Guest (from Sadko) | Rossini: | Asile héréditaire (from Guillaume Tell) Ecco, ridente in cielo (from Il Barbiere di Siviglia) | Rousseau, J-J: | Je vais revoir ma charmante maîtresse... Quand on sait (from Le Devin du Village) | Schubert: | Die schöne Müllerin, D795 | Straus, O: | Ich hab' mit Freuden angehört (from Ein Walzertraum) | Strauss, J, II: | Eine Nacht in Venedig: Komm in die Gondel Als flotter Geist (from Der Zigeunerbaron) | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) Forgive me, loveliest of creatures (from Pique Dame) What is our life? A game! (from Pique Dame) | Thomas, Ambroise: | Adieu, Mignon! Courage! (Mignon) | Verdi: | Ella mi fu rapita! (from Rigoletto) Parmi veder le lagrime (from Rigoletto) La donna è mobile (from Rigoletto) Di' tu se fedele (from Un ballo in maschera) Forse la soglia attinse (from Un ballo in maschera) Se quel guerrier io fossi!…Celeste Aida (from Aida) Ingemisco (from Requiem) | Wagner: | In fernem Land (from Lohengrin) Mein lieber Schwan (from Lohengrin) | Weber: | Nein! länger trag' ich nicht die Qualen…Durch die Wälder (from Der Freischütz) Von Jugend auf in dem Kampfgefild (from Oberon) Vater! Hör' mich flehn zu dir! (from Oberon) |
and lieder by Faure, Poulenc, Debussy, Hahn, Mendelssohn, Strauss, Grieg, Alfven, Peterson-Berger, Sjöberg, Sibelius, Rachmaninoff, Veracini, Respighi, Turina, Curtis, Bixio, Rotter, Tauber, Stolz,
“Gedda's standard of vocalisation and his grasp of many styles are uniformly excellent...his humour is always special, as is the technique which sees quite a light voice safely through "Nessun Dorma" and the Butterfly duet.” Gramophone Magazine, June 2010 | | | In stock - usually despatched within 1 working day. |
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