This page lists all recordings of The Almond Trees, by John Ireland (1879-1962) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
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John Ireland’s piano music, some of the most appealing British piano music of the twentieth century, reflects the composer’s many interests: his love of literature, his interest in paganism and Celtic mysticism, as well as the bitter-sweet regret of the passing of love. irelanThis recording includes Ireland’s Piano Sonata, whose third movement is associated with Chanctonbury Ring on the Sussex South Downs, and the four Preludes, the third of which, The Holy Boy, written on Christmas Day 1913, is one of Ireland’s most popular and touching melodies. | 
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| |  | John Ireland
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| |  | Off the beaten trackPiano Rarities
Bartók: | Pe loc (No 3 from Romanian Folk Dances) | Cui: | Causerie (Etude), Op. 40 No. 6 | Driver: | Doll's Lullaby (from Seven Blakemore Poems) First recording Sarabande First recording | Fauré: | Aprčs un ręve, Op. 7 No. 1 arr. Grainger | Gličre: | Prelude in C minor, Op. 16, No. 1 Aux Champs, Op. 34, No. 7 Prelude in E flat (from 12 Children's Pieces, Op. 31) | Grieg: | Jeg Elsker Deg, Op. 41 No. 3 | Griffes: | The White Peacock | Ireland: | The Almond Trees | Lecuona: | Suite Andalucía: Córdoba | Liadov: | Berceuse, Op. 24, No. 2 Prelude in B flat minor, Op. 31, No. 2 Prelude in B minor, Op. 11, No. 1 | Rachmaninov: | Elegie, Op. 3 No. 1 | Schubert: | Moments Musicaux, D780: No. 3 in F minor arr. Godowsky | Scriabin: | Étude Op. 2 No. 1 in C sharp minor Mazurka in E minor, Op. 3 No. 7 Mazurka in C sharp minor, Op. 3, No. 6 Mazurka in E minor, Op. 25 No. 3 Etrangeté, Op. 63 No. 2 Masque, Op. 63, No. 1 | Shostakovich: | Prelude in A flat, Op. 34, No. 17 | Strauss, R: | Träumerei (No 4 from Stimmungsbilder, Op. 9) | Tchaikovsky: | Waltz in A flat, Op. 40 No. 8 | Vaughan Williams: | The Lake in the Mountains | Villa-Lobos: | O Polichinelo (from Prole do Bebę, Book 1) |
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| |  | John Ireland Piano Music
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| |  | John Ireland - The Piano Music
"How can the critics begin to understand my music if they have never read Machen?" This was a question heard to fall on more than one occasion from John Ireland’s lips. Ireland came of a literary family, and literature and literary people played a natural part in the formation of his personality. Most influential of all were the works of Arthur Machen the Welsh writer, who was to Ireland almost what Yeats was to Bax. Ireland had dreamt in fire - after his first encounter with Machen it was only a matter of time before he worked in fire also. In the wake of The House of Souls and The Hill of Dreams a smouldering coal flared gloriously into flame. For Machen loved all memoried things and places, things with a past behind them - and the more remote the past the greater he felt able to partake of them. He hailed from a forgotten country in the West, a land of dark and ancient woods and streams and deep sunken lanes, the ancient Welsh kingdom of Gwent … | | | In stock - usually despatched within 1 working day. |
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