This is Vol. 1 of a planned cycle of all the piano music by John Ireland. 1879 was an auspicious
year for English music. It saw the births of Frank Bridge and Cyril Scott as well as John Ireland.
Having scored huge critical acclaim and public acclamation for his recent recordings of music by
Bax, Lambert and Elgar, pianist Mark Bebbington is nothing less than spectacular in these
stunning piano pieces. A very welcome release from Somm. Not to be missed!
“Bebbington’s approach fulfils with prescient fluidity the composer’s textural ambitions, yet resists tossing off the flourishes with undue slickness or abandoning the chaste lyrical imperative that, as with all Ireland’s music, binds together the considerable pianistic accoutrements…. The continuing wave of enthusiasm for John Ireland’s music is certainly to be warmly embraced and I look forward with eagerness to Mark Bebbington’s second instalment.” International Record Review, June 2008
“…..Bebbington’s programme provides a pretty much ideal introduction, containing two of Ireland’s most popular and durable achievements, namely Decorations and London Pieces – both given with such winning
aplomb, scrupulous care and heartwarming sense of new discovery that I found myself falling in love with them all over again…” Gramophone Magazine, October 2008
“For first-timers, however, Bebbington's programme provides a pretty much ideal introduction, containing two of Ireland's most popular and durable achievements, namely Decorations and London Pieces - both given with such winning aplomb, scrupulous care and heartwarming sense of new discovery that I found myself falling in love with them all over again...” Gramophone Magazine, October 2008
“Mark Bebbington's… approach to the brooding and combative Piano Sonata is to give the harmony time enough to breathe, in order to go more intensely into its emotional life. The depressive aspects of 'Chelsea Reach' and the mystical ones of the three Channel Island pieces collected as Decorations have seldom been more sensitively brought out.” BBC Music Magazine, October 2008 *****