Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Nicolai Gedda sings Arias and Lieder
Adam: | Mes amis, écoutez l'histoire (from Le Postillon de Lonjumeau) SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour | Carnevali: | Stornelli capricciosi Erik Werba (piano) | Casella: | La storia della fanciulla rapita dal pirate Erik Werba (piano) | Debussy: | Beau Soir Erik Werba (piano) Mandoline (Verlaine) Erik Werba (piano) | Glinka: | A Life for the Tsar: Bratsï! V metel', v nevedomoy glushi sung in German as 'Bruder, im Sturm' SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour | Gluck: | Calchas, d'un trait mortel percé (from Iphigénie en Aulide) sung in German as 'Auf Kalchas falle diese Schwert' SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour Ô moments délicieux!...Bannis les craintes et les alarmes (from Alceste) sung in German as 'Welch Gefuhlt schwellt meine Brust' SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour | Mozart: | Fuor del mar ho un mar in seno (Idomeneo) SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour | Nin: | Granadina (from Cantos populares españoles) Erik Werba (piano) | Poulenc: | Metamorphoses: Paganini Werner Singer (piano) Airs chantés: Air Champêtre Werner Singer (piano) Airs chantés: Air grave Werner Singer (piano) | Pratella: | La strada bianca Erik Werba (piano) | Respighi: | Notte, P. 97 No. 1 Erik Werba (piano) Stornellatrice Erik Werba (piano) | Rimsky Korsakov: | The clouds begin to scatter (Elegy), Op. 42 No. 3 sung in German as 'Die fliegende Wolkenbank lichtet sich' Werner Singer (piano) Die Tanne und die Palme, Op. 3, No. 1 sung in Swedish as 'El i pal'ma' Werner Singer (piano) Plus sonore que le chant de l’alouette, Op.43, No.1 sung in German as 'Klingender ist das Lied der Lerche' Werner Singer (piano) In der Stille der Nacht, Op. 4 No. 3 Werner Singer (piano) Fragment von A. de Musset, Op. 21 No. 6 Werner Singer (piano) | Rossini: | Que les destins prospères (from Le Comte d'Ory) SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour | Schubert: | Im Frühling, D882 Werner Singer (piano) Die Liebe hat gelogen D751 (Platen) Werner Singer (piano) Nacht und Träume, D827 Werner Singer (piano) Der Schiffer, D536 (Mayrhofer) Werner Singer (piano) |
These historical recordings date from 1954, 1957, 1960 and 1965. This latest release in Haenssler’s Historical Series features one of the most famous singers of the 20th century. The works included illustrate the full range of his interpretive genius, with works by Mozart, Rossini, Glinka, Schubert, Poulenc, Rimsky-Korsakov and others. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Mozart: An Italian Journey
The English tenor Jeremy Ovenden has established himself as being among the best Mozart tenors of his generation (notably in the role of Don Ottavio) and has become a familiar figure on the stages of the world's opera houses and concert halls and at major festivals. He is joined for this, his first solo recording, by the Orchestra of the Age of Enlightenment and conductor Jonathan Cohen in a fascinating musical journey through the Italian arias of Mozart, from Lucio Silla (composed when he was just 16) through to his final Italian opera La Clemenza di Tito. “A most imaginative idea: 13 tenor arias from Mozart’s Italian operas, arranged chronologically...Maybe Ovenden’s attractive, bright tenor is a little light for Idomeneo’s magnificent Fuor del mar, but his rhythm, diction and easy flexibility of voice are exemplary.” Sunday Times, 17th July 2011 *** “The fine tenor Jeremy Ovenden, who has sung most of the major Mozart roles all over Europe and is resident in la bella Italia, sings with an engaging commitment to these joyous creations...accompanied with customary style by Jonathan Cohen and the glorious Orchestra of the Age of Enlightenment. A delightful selection.” The Observer, 17th July 2011 “Ovenden has an attractive voice with bright, ringing overtones which in many ways is well suited to Mozart's music. His easy agility is ideal for the tricky semiquavers in Don Ottavio's 'Il mio tesoro', and neither his low notes nor upper register show the least strain.” Classic FM Magazine, October 2011 *** “It's a fiercely taxing selection...In technical terms, and particularly in his outstandingly idiomatic Italian enunciation, Ovenden proves complete master of his chosen repertory...For some tastes, his vibrant voice may lack traditional Mozartian mellifluousness. But for its artistic use, and for the close partnership Ovenden achieves with the OAE under Jonathan Cohen, I have only admiration.” BBC Music Magazine, October 2011 **** “Idomeneo's aria finds the tenor sailing through its testing scalework...Cohen and the OAE are well in the picture. Everything seems to proceed at a suitable tempo. The clear recording is welcome, as are the texts and translations.” International Record Review, September 2011 “Ovenden's singing and characterisations are always satisfying...The Viennese operas are represented by Ferrando's two most popular arias, which are sung lithely and played beautifully, especially by the OAE's uncredited woodwind...this recital is intelligent and refreshing.” Gramophone Magazine, Awards Issue 2011 | | | Usually despatched in 3 - 4 working days. |
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| |  | The Plácido Domingo Story
Albéniz: | Love moves by night (from Pepita Jiménez) | Alonso, F: | Agua que río abajo (from La calesera) | Bizet: | La fleur que tu m'avais jetée (from Carmen) | Cardillo: | Core 'ngrato | Curtis, E: | Non ti scordar di me | Domingo: | La coscienza Quarant'anni | Franck, C: | Panis Angelicus | Gardel: | Mi Buenos Aires Querido El dia que me quieras | Giordano, U: | Amor ti vieta (from Fedora) | Lara, Augustin: | Granada | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) | Leoncavallo: | Recitar!...Vesti la giubba (from I Pagliacci) No, de l'antica Grecia (from I Medici) C'è nel tuo sguardo | Lloyd Webber, A: | Requiem: Hosanna | Mascagni: | O Lola, ch'ai di latti la cammisa (from Cavalleria Rusticana) | Massenet: | Toute mon âme - Pourquoi me réveiller (from Werther) | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) | Morales, J M: | Falsa moneda | Mozart: | Fuor del mar ho un mar in seno (Idomeneo) | Offenbach: | Va pour Kleinzach...Il était une fois à la cour (from Les Contes d'Hoffmann) | Penella: | Senó, q'e no me farte er való Hasta cuando? | Puccini: | Nessun dorma (from Turandot) Recondita armonia (from Tosca) Orgia, Chimera Dall'occhio Vitreo (from Edgar) | Rossini: | Largo al factotum (from Il barbiere di Siviglia) | Saint-Saëns: | Arrêtez, ô mes Frères (from Samson et Dalila) | Soutullo: | Quiero desterrar de tu pecho el temor (from La del soto del Parral) | Strauss, R: | Falke, Falke...Stille, o weh (from Die Frau ohne Schatten) | Torroba: | Luche la fe por el triunfo (from Luisa Fernanda) | Verdi: | Io la vidi e al suo sorriso (from Don Carlo) La donna è mobile (from Rigoletto) Se quel guerrier io fossi!…Celeste Aida (from Aida) Di quella pira (from Il trovatore) Quando le sere al placido (from Luisa Miller) Esultate! (from Otello) Dio, mi potevi scagliar tutti i mali (from Otello) | Wagner: | Morgenlich leuchtend im rosigen Schein 'Prize Song' (from Die Meistersinger von Nürnberg) In fernem Land (from Lohengrin) Hör' an, Wolfram! … Inbrunst im Herzen (from Tannhauser) | Weber: | Vater! Hör' mich flehn zu dir! (from Oberon) |
Plácido Domingo has been synonymous with the world of opera for nearly fifty years. In a career that has seen him perform 3,500 times, taking on more than 130 major tenor roles, encompassing music from Handel and Gluck to Menotti, Tan Dun and Daniel Catán, Domingo’s career has been unparalleled. On 23 January 2011 Domingo celebrates his 70th birthday. To celebrate, we are planning a raft of releases, both new and old, with many incredible recordings drawn from his amazingly rich DG and Decca catalogue. In chronological order, a fascinating 3-CD set celebrating four decades of Deutsche Grammophon and Decca recordings. Two CDs dedicated to Opera - One CD of Latin American music, Viennese operetta, zarzuela, pop repertoire and religious music. Limited, PRESTIGE edition. 152-page colour hardcover book. Previously unreleased and rare tracks - Giordano's "Amor ti vieta" from his first recording (1968) and an unreleased aria from a Decca Don Carlo recording with Karajan and the Vienna Philharmonic from 1975. Complete full-colour discography. A new essay by critic Harvey Sachs. “generally it's well planned...It also includes two previously unreleased items, Don Carlo's 'Io la vidi' under Karajan (1975) and an aria from Francisco Alonso's zarzuela La calesera (2010) that Domingo completists will certainly want to acquire.” BBC Music Magazine, April 2011 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Viva Domingo!4CD + BOOK
Bellini: | Svanir le voci! (from Norma) | Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) Thomas Hampson (baritone) | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Il se fait tard ! Adieu ! (from Faust) Mirella Freni (soprano) | Handel: | Svegliatevi nel core (from Giulio Cesare) | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Dein ist mein ganzes Herz (from Das Land des Lächelns) | Mascagni: | Suzel, buon di 'Cherry Duet' (from L'amico Fritz) Veronica Villarroel (soprano) | Massenet: | Ah! Tout est bien fini... O souverain (from Le Cid) | Meyerbeer: | Pays merveilleux... Ô paradis (from L'Africaine) | Mozart: | Fuor del mar ho un mar in seno (Idomeneo) Ah, se fosse intorno al trono (from La Clemenza di Tito) Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) Il mio tesoro intanto (from Don Giovanni) Un'aura amorosa del nostro tesoro (from Così fan tutte) La ci darem la mano (from Don Giovanni) Susan Graham (mezzo) | Ponchielli: | Cielo e mar! (from La Gioconda) | Puccini: | Donna non vidi mai (from Manon Lescaut) Recondita armonia (from Tosca) Ch'ella mi creda libero e lontano (from La Fanciulla del West) E lucevan le stelle (from Tosca) Mario! Mario! Mario! ...Son qui! ... Mia gelosa! (from Tosca) Renata Scotto (soprano) Oh, sarò la più bella...Tu, tu, amore? (from Manon Lescaut) Montserrat Caballé (soprano) | Saint-Saëns: | Arrêtez, ô mes Frères (from Samson et Dalila) | Spontini: | Ohime! Che veggo io mai?...Ah! No, s'io vivo ancora (from La Vestale) | Strauss, J, II: | Eine Nacht in Venedig: Komm in die Gondel | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) | Thomas, Ambroise: | Adieu, Mignon! Courage! (Mignon) Elle ne croyait pas, dans sa candeur naïve (from Mignon) | Verdi: | Se quel guerrier io fossi!…Celeste Aida (from Aida) O figli … Ah, la paterna mano (from Macbeth) Il Re!…Sotto una quercia (from Giovanna d'Arco) Niun mi tema (from Otello) Io la vidi e al suo sorriso (from Don Carlo) Ma se m'è forza perderti (from Un ballo in maschera) O tu che in seno agli angeli (from La Forza del Destino) Dio, che nell'alma infondere (from Don Carlo) Sherrill Milnes (baritone) Solenne in quest'ora (from La Forza del Destino) Giorgio Zancanaro (baritone) Giá nella notte densa (from Otello) Cheryl Studer (soprano) | Wagner: | Allmächt'ger Vater, blick herab! (from Rienzi) Nothung! Nothung! Neidliches Schwert! (from Siegfried) O sink hernieder, Nacht der Liebe (from Tristan und Isolde) Deborah Voigt (soprano) |
plus excerpts from zarzuela and a disc of Latin Songs
This 4 CD/luxury set is a portrait of probably the greatest tenor of this or any other age: Plácido Domingo. Born in Spain in 1941, Domingo spent his early life in Mexico where his parents, both singers, ran a company that presented zarzuelas (Spanish light operas) and other musical shows. His career as a tenor has spanned the entire world in a wide range of operas in which he has sung over 120 roles, and in 1990 he made history when, with José Carreras and Luciano Pavarotti, he first appeared in Rome as one of the The Three Tenors, whose subsequent concerts and recordings broke all records for television viewing and record sales. He has subsequently shown great talent as a conductor and has very recently begun to sing baritone roles to wide acclaim, beginning with Verdi’s Simon Boccanegra. Today, he is the General Director of both the Washington National Opera and of the Los Angeles Opera and also runs the highly successful ‘Operalia’ competition to help young artists further their careers. The four CDs are held in trays inside the front and back rigid covers of a long digibook, and the 72 pages include an extensive collection of session photos and portraits relating to the recordings and Domingo’s EMI career as well as an informative note in English, French, German and Spanish. The four CDs are themed as follows: The Heroic Domingo shows Domingo in a wide selection of operatic roles. Each one is a hero, such as the brave Egyptian soldier Radamès in Verdi’s Aida, the Roman Proconsul Pollione in Bellini’s Norma and the Hebrew warrior Samson in Samson et Dalila by Saint-Saëns. All these arias give Domingo the opportunity to show his skills as a vocal actor and to bring to life the different characters he is portraying. The Romantic Domingo reveals a completely different side of Domingo and presents him in a gallery of romantic parts like the painter Cavarodossi in Puccini’s Tosca, the idealistic Spanish Infante Don Carlos in Verdi’s great masterpiece Don Carlo and the ill-fated young poet Lensky in Tchaikovsky’s Eugene Onegin. Again, Domingo uses his glorious voice to conjure up the various romantic moods in the different arias. In The Great Duets, Domingo is joined by some of his illustrious fellow operatic stars for a programme of duets, including the famous love duets from Tristan und Isolde (with Deborah Voigt), Otello (with Cheryl Studer and Manon Lescaut (with Montserrat Caballé), as well as the friendship duets from Don Carlo (with Sherrill Milnes), La forza del destino (with Giorgio Zancanaro) and the so-called ‘Temple Duet’ from Les Pêcheurs de perles (with Thomas Hampson). In complete contrast, Latin Songs gives Domingo the chance to enjoy performing some of the most famous popular songs from Spain, Mexico, Cuba and the rest of Latin America in lively modern arrangements. The programme includes many songs that have been international hits, both in their original form and in local translations, such as ‘Quiéreme mucho’ (known in English as ‘Yours’) ‘Maria Elena’, ‘La Paloma’ and ‘Guantanamera’. The programme concludes with an exciting performance of ‘Granada’ recorded live in front of a huge and wildly enthusiastic audience that fully appreciates the unique talent of this great singer. | | | In stock - usually despatched within 1 working day. |
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| |  | Peter Schreier - Legendary Recordings
Albert, H: | Du mein einzig Licht | Albert, M: | Feelings Sung in German | anon.: | Weiss mir ein Blumlein blaue | Bach, J S: | St John Passion, BWV245: Es ist vollbracht Mass in B minor, BWV232: Agnus Dei Es kostet viel, ein Christ zu sein, BWV459 Ich halte treulich still und liebe, BWV466 O wie selig seid ihr doch, ihr Frommen, BWV495 Cantata BWV134 'Ein Herz, das seinen Jesum lebend weiss' Cantata BWV36 'Schwingt freudig euch empor' Frohe Hirten, eilt, ach eilet (from Christmas Oratorio) Ich will nur dir zu Ehren leben (from Christmas Oratorio) Lobe den Herren, den machtigen Konig der Ehren, BWV137: Lobe den Herren, der deinen Stand Cantata BWV21 'Ich hatte viel Bekümmernis': Bäche von gesalznen Zähren Wie schon leuchtet der Morgenstern, BWV1: Unser Mund und Ton der Saiten | Becker, R: | Fruhlingszeit, Op. 3 No. 3 | Beethoven: | Maigesang, Op. 52 No. 4 Resignation, WoO 149 Der Wachtelschlag, WoO 129 Neue Liebe, Neues Leben, Op. 75, 2 Zärtliche Liebe 'Ich liebe dich', WoO 123 Fruhlingslied (No. 3 from 6 Gesange, Op. 34) Gruss (No. 5 from 6 Gesange, Op. 19a) Hexenlied (No. 8 from 12 Gesange, Op. 8) | Bohm, C: | Still as the Night Sung in German | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) arr. Mauersberger | Brandt, J: | Mir ist ein feins brauns Maidelein | Cornelius: | The Three Kings Simeon (No. 4 from Weihnachtslieder, Op. 8) | Fesca: | An der saale hellem Strande | Giordani, G: | Caro mio ben | Glück , F: | Das zerbrochene Ringlein | Grieg: | Hjertets Melodier af H. C.Andersen, Op. 5 No. 3 'Jeg elsker Dig' Våren, Op. 33 No. 2 | Handel: | Con l'ali di costanza (from Ariodante) Sung in German Judas Maccabaeus: So rapid thy course is Sung in German Judas Maccabaeus: Wise men, flattering, may deceive you Sung in German Jephtha: Virtue shall still my soul embrace Sung in German Jephtha: Waft her, angels, through the skies Sung in German | Haydn: | In vollem Glanze (Die Schöpfung) Mit Würd und Hoheit angetan (Die Schöpfung) | Kalman: | Gruss mir die sussen, die reizenden Frauen (from Gräfin Mariza) | Kattnigg: | Leise erklingen Glocken vom Campanile (from Balkanliebe) | Liszt: | Es muss ein Wunderbares sein, S. 314 | Lortzing: | Lied: Vater, Mutter, Schestern, Bruder (from Undine) | Love: | Das Alte Lied (from The Third Man) | Mauersberger, R: | Geistlichen Sommermusik: Er wartet alles auf dich Dresdner Requiem, RMWV 10: Aus der Tiefe rufe ich zu dir Geistlichen Sommermusik: Lasst uns beten Tag und Ewigkeit: Ein Sonntag Erzgebirge: Ich hort eine Amsel schlagen Erzgebirge: Zugvogele | Melichar: | In mir klingt ein Lied (after Chopin, Etude No. 3 in E major, Op. 10 No. 3) | Mendelssohn: | Auf Flügeln des Gesanges, Op. 34 No. 2 Reiselied 'Der Herbstwind', Op. 34 No. 6 | Monteverdi: | Ecco pur ch'a voi ritorno (from L'Orfeo) | Mozart: | Un'aura amorosa del nostro tesoro (from Così fan tutte) Konstanze, Konstanze...O wie ängstlich (from Die Entführung aus dem Serail) Nelle guerre d'amore (from La Finta Semplice, K51) Dalla sua pace (from Don Giovanni) Fuor del mar ho un mar in seno (Idomeneo) Del più sublime soglio (from La Clemenza di Tito) E tollerare io posso si temerari oltraggi? (from Lucio Silla) Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) | Nicolai, C O: | Horch, die Lerche singt im Hain! 'Romance' (from Die lustigen Weiber von Windsor) | Perez-Freire: | Schlaf ein, mein Blond Engelein | Praetorius, M: | Nach gruner Farb mein Herz verlangt | Radecke, R: | Aus der Jugendzeit arr. Mauersberger | Raymond: | Schau einer schonen Frau nie zu tief in die Augen (from Maske in Blau) | Reichardt, J F: | Wenn ich ein Voglein war' | Rhau: | Herzlich tut es mich erfreuen | Rossini: | Ecco, ridente in cielo (from Il Barbiere di Siviglia) | Schubert: | Der Musensohn, D764 (Goethe) Das Wandern (No. 1 from Die schöne Müllerin, D795) Wohin? (No. 2 from Die schöne Müllerin, D795) Du bist die Ruh D776 (Rückert) Ständchen 'Leise flehen meine Lieder', D957 No. 4 Heidenröslein, D257 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 Das Fischermädchen D957 No. 10 Sei mir gegrüsst! D741 (Rückert) Der Lindenbaum (No. 5 from Winterreise, D911) | Schulz, J A P: | Der Mond ist aufgegangen | Schumann: | Widmung, Op. 25 No. 1 Mondnacht (No. 5 from Liederkreis, Op. 39) Wanderlied (No. 3 from 12 Gedichte, Op. 35) Du bist wie eine Blume, Op. 25 No. 24 Die Lotosblume, Op. 25 No. 7 Frühlingsgruss Op. 79/4 | Schütz: | Kleiner geistlichen Concerten: Eins bitte ich vom Herren, SWV294 Was hast du verwirket SWV 307 | Silcher: | Das Lieben bringt gross Freud Im schonsten Wiesengrunde Loreley Wenn alle Brunnlein fliessen | Spoliansky: | Voice in the Night Sung in German | Stolz, R: | Eine wie du war immer mein Traum (from Venus in Seide) | Strauss, R: | Kein andres, das mir so im Herzen loht (from Capriccio) | Suder: | Es fiel ein Reif in der Fruhlingsnacht | Tauber: | You are the world to me from Der singende Traum Sung in German | trad.: | Der weisse Hirsch Nun sei willkommen, Herre Christ Es flog ein kleins waldvogelein Sie gleicht wohl einem Rosenstock Im Krug zum grünen Kranze Wonne des Liebenden Verstohlen Geht Der Mond Auf All mein Gedanken ‘Minnelied’ Nachtigall | Werner, H: | Heidenroslein | Winkler, G: | Chianti-Lied - Ja ja der Chiantiwein | Youmans: | Without a Song Sung in German | Zuccalmaglio: | Mein Madel hat einen Rosenmund |
Peter Schreier (tenor, boy alto) Berlin Chamber Orchestra, Berlin Radio Symphony Orchestra, Berlin Staatskapelle Orchestra, Dresden Philharmonic Orchestra, Dresden Staatskapelle, Jürgen-Erbe Choir, Leipzig Radio Symphony Orchestra, New Bach Collegium Musicum Leipzig, Martin Flämig, Robert Hanell, Herbert Kegel, Bernhard Klee, Helmut Koch
Siegfried Kurz, Hans-Joachim Rotzsch,Otmar Suitner | |
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