Schubert: Im Abendrot, D799

This page lists all recordings of Im Abendrot, D799, by Franz Peter Schubert (1797-1828) on CD, SACD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Songs by Schubert 3

Songs by Schubert 3

Recorded live at Wigmore Hall, London, on 15 September 2014


Schubert:

Das Heimweh, D456 (Winkler)

Sehnsucht D879

Im Freien D880

Bei dir allein, D866/2

Der Wanderer an den Mond D870 (Seidl)

Das Zugenglocklein D871 (Seidl)

Die Perle, D466 (Jacobi)

Freiwilliges Versinken D700 (Mayrhofer)

Der Zurnenden Diana D707 (Mayrhofer)

2nd version

Lied des gefangenen Jägers D843 (1825) (Scott/Storck)

Normans Gesang D846 (Scott, Storck)

Der Wanderer, D489

Hippolits Lied D890 (Gerstenberg)

An die Laute D905

An mein Klavier D342 (Schubart)

Der Jüngling an der Quelle, D300 (Salis-Seewis)

Wie Ulfru fischt, D525 (Mayrhofer)

Schlaflied D527 (Mayrhofer)

An die Freunde, D654 (Mayrhofer)

Das Lied im Grünen, D917

Der Einsame, D800

Im Abendrot, D799

Klage an den Mond, D436

encore


Ian Bostridge (tenor) & Julius Drake (piano)

Ian Bostridge, one of the outstanding tenors of our time, earning widespread praise for his intelligent and nuanced performances, resumes his partnership with Julius Drake for their latest disc of Schubert Lieder. From Schubert’s joyful tribute to the natural world in ‘Der Einsame’ to the desolation of ‘Der Wanderer an den Mond’, this delicately shaped programme explores the theme of longing in various guises. This release, the third volume in this Wigmore Hall Live series, captures some of the most exquisitely crafted songs of the 19th century.

Released or re-released in last 6 months

Wigmore Hall Live - WHLIVE0088

(CD)

$9.75

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Schubert: Benjamin Appl & Graham Johnson

Schubert: Benjamin Appl & Graham Johnson

Recorded live at Wigmore Hall, London, on 27 March 2015


Schubert:

Am Bach im Fruhling, D361

Der Wanderer an den Mond D870 (Seidl)

Im Freien D880

Geheimes, D719 (Goethe)

Das Lied im Grünen, D917

Fischerweise, D881 (Schlechta)

Verklarung D59 (Herder, after Pope)

An den Tod D518 (Schubart)

Der Zwerg, D771 (Collin)

An die Leier, D737 (Bruchmann)

Gruppe aus dem Tartarus, second version, D583 (Schiller)

Memnon, D541 (Mayrhofer)

Alinde, D904

Der Kampf D594 (Schiller)

Die Gebüsche, D646

Im Abendrot, D799

Wiedersehn D855 (A W von Schlegel)

Die Taubenpost, D965A (D957 No. 14)


Benjamin Appl (baritone) & Graham Johnson (piano)

Outstanding German baritone Benjamin Appl joins forces with Graham Johnson, one of the world’s leading Schubertians, for an exciting recital. Through the course of this programme we explore the full expressive gamut of some of Schubert’s finest Lieder, recorded live in concert at Wigmore Hall. From the tenderness of ‘Am Bach im Frühling’ to the dramatic story-telling in ‘Der Zwerg’ and the tranquility of ‘Im Abendrot’, Schubert’s unparalleled depiction of human emotion is captured in unique clarity.

Benjamin Appl graduated from the Guildhall School of Music and Drama, and now continues his studies with Rudolf Piernay. He had the great fortune to be mentored by Dietrich Fischer-Dieskau. Appl joined the BBC New Generation Artists scheme from 2014 until 2016, and was an ECHO Rising Stars artist for the 2015/16 season. Recital appearances include Graham Johnson’s ‘Young Songmakers Almanac’ in London and his debut at Carnegie Hall 2014. Benjamin’s many appearances with the Schubertiade Festival include a ‘Liederabend’, accompanied by Helmut Deutsch, and performances of 'Die schöne Müllerin' with Martin Stadtfeld and Graham Johnson. He made his first appearances at the BBC Proms in 2015 with the Brahms Triumphlied and Carmina Burana.

“Appl is already and an accomplished Schubertian … Appl’s is a noble baritone and, with the purling pianism of Johnson, he creates a love-song of cool ecstasy to both poet and composer in ‘Am Bach im Frühling’… there is much to admire in Appl’s and Johnson’s thoughtful and chilling account of ‘Der Zwerg’.” BBC Music Magazine, August 2016 ****

“Appl possesses both penetrating insight and an enviable control of tone and colour, both laid squarely at the service of the music: the sense of line in Am Bach im Fruhling, for example, is remarkable. Der Zwerg is terrifying, an opera in miniature…Johnson is a stylish, eloquent partner” Classical Music, August 2016 *****

“well recorded and sympathetically accompanied by Graham Johnson … Appl is expressive and personable.” Financial Times, 28th May 2016

“His instinctive feel for these songs is immediately striking and manifests itself in the sort of artlessness that distinguishes the finest Lieder singers: a lack of tension, an easy relationship with the poetry, a confidence in the words and Schubert’s melodies to communicate with nothing but the gentlest helping interpretative hand.” Gramophone Magazine, July 2016

Presto Discs of 2016

Finalist

GGramophone Magazine

Editor's Choice - July 2016

Wigmore Hall Live - WHLIVE0082

(CD)

$9.75

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Dietrich Fischer-Dieskau: Schubert & Schumann Recitals

Dietrich Fischer-Dieskau: Schubert & Schumann Recitals

Two Films by Bruno Monsaingeon


Schubert:

An Schwager Kronos, D369

Hoffnung, D637

Auf der Donau, D553 (Mayrhofer)

Der Strom, D565 (poet unknown)

Der Wanderer, D489

Die Gotter Griechenlands D677 (Schiller)

Freiwilliges Versinken D700 (Mayrhofer)

Der Zwerg, D771 (Collin)

Wehmut, D825

Totengräbers Heimwehe D842 (Craigher)

Auf der Bruck, D853

Des Sängers Habe D832 (Schiechta)

Am Fenster, D878

Fischerweise, D881 (Schlechta)

Das Zugenglocklein D871 (Seidl)

Der Kreuzzug D932 (Leitner)

Des Fischers Liebesgluck, D933 (Leitner)

Die Sterne, D939 (Leitner)

Der Einsame, D800

Aus 'Heliopolis' - II D754 (Mayrhofer)

Geheimes, D719 (Goethe)

Im Abendrot, D799

Abschied D475 (Mayrhofer)

Schumann:

Mein Wagen rollet langsam, Op. 142 No. 4

Es leuchtet meine Liebe, Op. 127 No. 3

Abends am Strand, Op. 45 No. 3

Liederkreis, Op. 24

Dichterliebe, Op. 48

Du bist wie eine Blume, Op. 25 No. 24

Der Kontrabandiste, Op. 74 No. 10

Erstes Grün, Op. 35 No. 4

Schöne Fremde (No. 6 from Liederkreis, Op. 39)

Sitz'ich allein, Op. 25, No. 1

SCHUBERT RECITAL (1992)

SCHUMANN RECITAL (1991)


Dietrich Fischer-Dieskau (baritone), Hartmut Höll (piano)

This DVD release celebrates the life of Dietrich Fischer-Dieskau, German lyric baritone and one of the most acclaimed Lieder performers of the late 20th century. Elisabeth Schwarzkopf called him ‘a born god who has it all’. He performed and recorded a great many operatic roles and dominated both the opera and concert platform for over thirty years, being regarded as one of the finest lyrical vocalists of his generation.

In these two concerts from the Opera Theatre of Nuremberg, recorded in 1991 and 1992, Fischer-Dieskau performs beautiful and dramatic Lieder by Franz Schubert and Robert Schumann.

157 MINS • ALL REGIONS • NTSC 4:3 • COLOUR • L-PCM STEREO

DVD Video

Region: 0

Format: NTSC

Warner Classics - 2564656461

(DVD Video)

$14.75

In stock - usually despatched within 1 working day.

Schubert Lieder Volume 7: Erlkönig

Schubert Lieder Volume 7: Erlkönig


Schubert:

Im Abendrot, D799

Der Wanderer, D493

Nachtviolen D752 (Mayrhofer)

Im Walde D834

Normans Gesang D846 (Scott, Storck)

Der Geistertanz D116 (Matthisson)

Schatzgräbers Begehr D761 (Schober)

An den Mond, D259 (Goethe)

Erlkönig, D328

Am See, D746 (Bruchmann)

Alinde, D904

Widerschein, D949

Die Forelle, D550

Der Fluss, D693

Abendröte, D690

Klage D415 (Matthisson)

Der Strom, D565 (poet unknown)

Fischerweise, D881 (Schlechta)

Auf der Bruck, D853


Matthias Goerne (baritone) & Andreas Haefliger (piano)

Matthias Goerne presents the seventh volume of his hm Schubert survey, which has confirmed him as one of the most gifted exponents of lieder repertoire and programming. Andreas Haefliger joins Matthias in music he has been singing for most of his career.

“Sometimes in the more agitated reveries Goerne seems to be musing with himself rather than singing to an audience. However, cloudy intonation usually vanishes when the songs are calm and gentle. The prayerful ecstasy of Im Abendrot is an absolute wonder. Klage, another nature song, isn’t far behind, each word shaped and pitched with the sort of delicacy” The Times, 8th February 2013 ****

“This is a most interesting and instructive Schubert recital, performed throughout with tact and great musical intelligence” International Record Review, February 2013

“Goerne’s latest Schubert recital, mostly comprised of little-known songs, is one of the baritone’s most accomplished...German baritone animates [Erlkönig] with a wonderful range of voices and inflections: his timbre has lost none of its wraparound warmth and depth but is equally capable of tenurial lightness.” Financial Times, 15th February 2013 ****

“With his dark, nutty baritone and powers of characterisation, he is a near-ideal interpreter of Erlkönig; with the sublime Haefliger as his pianist, he revels in the gentler panoramas, too.” Sunday Times, 24th February 2013

“Though often idiosyncratic, his readings are never less than thoughtful – and his original takes on well-known (and less well-known) songs frequently offer intelligent and bold new insight...Goerne and Haefliger rarely seem to break a sweat, an attitude that can sometimes come over as lack of effort...But their refined style demonstrates its own supreme skill, and there is no shortage of illumination and pleasure to be had” Graham Rogers, bbc.co.uk, 13th February 2013

“His darkly mellow baritone, soft-grained yet with reserves of power, is a perfect instrument for the pantheistic reveries and barcarolles on this new disc...even doubters might have to concede that no singer cares more than Goerne for the beauty and eloquence of Schubert's melodies” Gramophone Magazine, March 2013

“The narrative songs are perhaps the most convincing of all. Erlkönig crackles with excitement: the thrill of the chase rumbles through the piano while Goerne imbues the narrative with passion and intensity, depicting the three characters with admirably individualistic sound colours...It’s a joy that Goerne and Haefliger have given us a recital that shows off so many facets of his artistry in such an admirably skilful way.” MusicWeb International, March 2013

“This is a wonderful recital, in almost all respects. The first thing to grab my attention was the mesmerisinly lovely playing Andreas Haefliger, one of the greatest living pianists...[in Erlkönig] Haefliger's accompaniment is so vivid that I'd enjoy it by itself; Goerne doesn't characterise the three persons as much as many singers, but he still packs a stunning punch...I would rank this among the finest discs I have ever heard.” BBC Music Magazine, April 2013 *****

GGramophone Magazine

Editor's Choice - March 2013

Harmonia Mundi - up to 30% off

Harmonia Mundi Matthias Goerne Schubert Edition - HMC902141

(CD)

Normally: $13.25

Special: $10.60

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Schubert - Lieder

Schubert - Lieder


Schubert:

Bei dir allein, D866/2

Abendbilder, D650

Himmelsfunken, D651

Dass sie hier gewesen! D775 (Rückert)

Drang in die Ferne, D770

Am Fenster, D878

Auf der Bruck, D853

Des Fischers Liebesgluck, D933 (Leitner)

Der Winterabend (Es ist so still), D938

Das Zugenglocklein D871 (Seidl)

Alinde, D904

Fischerweise, D881 (Schlechta)

Im Abendrot, D799

Der Musensohn, D764 (Goethe)

Du bist die Ruh D776 (Rückert)

Greisengesang, D778

Willkommen und Abschied, D767


Christian Gerhaher (baritone) & Gerold Huber (piano)

“Christian Gerhaher is one of the most exciting German baritones on the Lieder scene at the moment, with his outstanding natural voice, immaculately groomed to enable a powerful musical sculpting of all he sings. …Gerhaher and Huber are at their riveting and rhythmic best in the trotting gait of 'Drang in die Ferne', the canter of 'Auf de Bruck' and the break-neck gallop of 'Wilkommen und Abschied'.” BBC Music Magazine, August 2006 ****

“Eschewing the eccentricities and exaggerations of some of his contemporaries, Gerhaher wonderfully exhibits the verities of Schubert interpretation in this well-planned and absorbing programme. Everything he does evolves from the song in hand and so accords with all that is needed in performing some of the composer's greatest Lieder.
The title, 'Abendbilder', is interpreted freely but almost all the pieces have some relevance to the dreams and moods of evening. Gerhaher enters into these nocturnal moods with unerring artistry where line, tone and word-painting are concerned. He is at his very best in the three settings of Rückert. That quirky, equivocal piece Dass sie hier gewesen, prophesying the style and harmony of Hugo Wolf, is sung with a full understanding of its inner meaning. Du bist dieRuh is delivered with the fine line and intense concentration such a great song deserves, and the thoughts of an elderly man in Greisengesang are as meaningful as they should be.
Highly appealing throughout is the mellifluousness and breath control, a feature prominent throughout the recital, of the quietly contemplative Im Abendrot, and the appropriate dreaminess brought to the hypnotic barcarolle that is Des Fischers Liebesglück. As a nice contrast, Gerhaher brings virile energy to the fierce riding of Auf der Bruck – and here Gerold Huber deserves as much praise as his partner for portraying the insistent beat of horse's hooves in the piano part so vividly – and the familiar Der Musensohn has just the right verve as does another Goethe setting, the ecstatic Willkommen und Abschied, that brings a rewarding recital to an exhilarating close with Huber – as throughout – seconding the singer with his discerning contribution. The recording is ideally balanced.”
Gramophone Classical Music Guide, 2010

“Gerhaher enters into these nocturnal moods with unerring artistry where line, tone and word-painting are concerned. He is at his very best in the three settings of Rückert. Du bist die Ruh is delivered with the fine line and intense concentration such a great song deserves, and the thoughts of an elderly man in Greisengesang are as meaningful as they should be. ...Gerhaher brings virile energy to the fierce riding of Auf der Bruck - and here Gerold Huber deserves as much praise as his partner for portraying the insistent beat of horse's hooves in the piano part so vividly and the familiar Der Musensohn has just the right verve as does another Goethe setting, the ecstatic Willkommen and Abschied, that brings a rewarding recital to an exhilarating close with Huber - as throughout - seconding the singer with his discerning contribution.” Gramophone Magazine, July 2006

GGramophone Awards 2006

Record of the Year Finalist

GGramophone Awards 2006

Winner - Vocal

GGramophone Magazine

Editor's Choice - July 2006

RCA - 82876777162

(CD)

$9.00

(also available to download from $10.00)

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Schumann: Dichterliebe

Schumann: Dichterliebe


Beethoven:

Zärtliche Liebe 'Ich liebe dich', WoO 123

Adelaide, Op. 46

Resignation, WoO 149

Der Kuss, Op. 128

Schubert:

An Sylvia, D891

Lied eines Schiffers an die Dioskuren D360 (Mayrhofer)

Liebhaber in allen Gestalten, D558

Der Einsame, D800

Im Abendrot, D799

Ständchen 'Leise flehen meine Lieder', D957 No. 4

An die Laute D905

Der Musensohn, D764 (Goethe)

An die Musik D547

Schumann:

Dichterliebe, Op. 48


Fritz Wunderlich (tenor), Hubert Giesen (piano)

“Few tenors have matched the young Wunderlich in the freshness and golden bloom of the voice. The open manner could not be more appealing here in glowing performances” Penguin Guide, 2010 edition ***

DG Originals - 4497472

(CD)

$9.50

(also available to download from $10.00)

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The Hyperion Schubert Edition - Complete Songs Volume 31

The Hyperion Schubert Edition - Complete Songs Volume 31


Schubert:

Hagars Klage, D5

Dem Unendlichen, D291 (Klopstock)

Himmelsfunken, D651

Des Mädchens Klage

Im Abendrot, D799

Die Gestirne, D444

Psalm 13 'Ach, Herr! wie lange willst du mein so ganz vergessen', D663

Mirjams Siegesgesang, D942

Die Allmacht, D852

Psalm 23 'Gott ist mein Hirt', D706

Psalm 92 D953


Christine Brewer (soprano), Graham Johnson (piano)

Hyperion Schubert Song Edition - CDJ33031

(CD)

$14.25

In stock - usually despatched within 1 working day.

Gundula Janowitz - The Last Recital (In Memoriam Maria Callas)

Gundula Janowitz - The Last Recital (In Memoriam Maria Callas)

Recorded Live at the Herodes Atticus Odeon, Athens, Greece, 16 September, 1999


Schubert:

Die Gotter Griechenlands D677 (Schiller)

Iphigenia, D573 (Mayrhofer)

An die Leier, D737 (Bruchmann)

Raste Krieger, Krieg ist aus (Ellens Gesang I), D837

Fischerweise, D881 (Schlechta)

Der Fluss, D693

Im Abendrot, D799

Der Lindenbaum (No. 5 from Winterreise, D911)

Das Lied im Grünen, D917

Die Forelle, D550

Schumann:

Lied der Suleika, Op. 25 No. 9

Schneeglöckchen, Op. 79 No. 26

Die Lotosblume, Op. 25 No. 7

Meine Rose, Op. 90 No. 2

Der Nussbaum, Op. 25 No. 3

Strauss, R:

Lob des Leidens, Op. 15 No. 3

Allerseelen, Op. 10 No. 8

Morgen, Op. 27 No. 4

Nachtgang Op. 29 No. 3

Befreit, Op. 39 No. 4


Gundula Janowitz (soprano), Charles Spencer (piano)

Released in UK on Gundula Janowitz’s 80th birthday. 2017 is also the 40th anniversary of Maria Callas’ death. Brigitte Fassbaender said: ‘Gundula Janowitz possesses one of those voices where you have only to hear a couple of notes and you immediately know who it is. Her elegant timbre and unmistakably instrumental way of forming the phrases is unique.’ Few singers have voices that approach the purity of Janowitz’s: with its very fast vibrato and ‘white’ production, the focused sound can soar, swoop and dip with astonishing ease and control, the vocal line becoming almost liquefied into a seemingly endless melisma. Janowitz’s recorded catalogue, tends to misrepresent the focus of her career because it downplays her work as a recitalist. Of course, she did tape all of Schubert’s songs for high voice but apart from a couple of late song recitals and a disc of Hindemith’s Das Marienleben, that is all we have to remember her by as a performer of song. So this album will be a welcome addition to her discography. For her Athens recital, Janowitz chose two composers absolutely at the centre of her song repertoire, Franz Schubert and Richard Strauss, with a third, Robert Schumann, forming a bridge between the two.

“[Janowitz] is in remarkably fresh voice throughout. There’s a certain loss of bloom, inevitably, and an occasional brittleness of intonation, but the unique sound is unmistakable, the delivery still clear and confident...here are songs with a certain valedictory potential that is brought out by the occasion as well as by an interpretative approach from Janowitz that is non-interventionist and leisurely.” Gramophone Magazine, September 2017

GGramophone Magazine

Re-issue of the Month - September 2017

Released or re-released in last 6 months

First Hand - FHR56

(CD)

$13.50

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

Schubert: Lieder

Schubert: Lieder


Schubert:

An Schwager Kronos, D369

An Sylvia, D891

Auf dem Wasser zu singen, D774

Der Einsame, D800

Der König in Thule, D367

Der Musensohn, D764 (Goethe)

Der Wanderer, D493

Die Forelle, D550

Du bist die Ruh D776 (Rückert)

Erlkönig, D328

Heidenröslein, D257

Im Abendrot, D799

Jägers Abendlied, Second Setting, D368

Lachen und Weinen, D777

Rastlose Liebe, D138

Ständchen 'Leise flehen meine Lieder', D957 No. 4

Sei mir gegrüsst! D741 (Rückert)

Seligkeit D433 (Holty)

Ständchen 'Horch! Horch! die Lerch!', D889

Wandrers Nachtlied I 'Der du von dem Himmel bist', D224

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

Der Lindenbaum (No. 5 from Winterreise, D911)


DG Virtuoso - 4830394

(CD)

$7.25

Usually despatched in 2 - 3 working days.

Schone Welt...

Schone Welt...

Songs by Schubert, Schreker & Korngold


Korngold:

3 Lieder Op. 22

Schreker:

Lieder (5), Op. 3

Schubert:

Die Gotter Griechenlands D677 (Schiller)

Ellen 1-3, Op. 52

Das Mädchen D652 (Schlegel)

Die junge Nonne, D828

Schwestergruss, D762 (Bruchmann)

Der Tod und das Mädchen, D531

An den Mond, D296

An den Mond, D193

Im Abendrot, D799


Anne Schwanewilms (soprano), Charles Spencer (piano)

“Franz Schubert's personality was a mix of emotional extremes, which made it difficult for him to portray a world of perfection and beauty in his songs. Instead, his compositions approached any appearance of beauty with touches of subtlety and sensuality. In contrast, Franz Schreker never experienced any difficulty in creating a wonderfully idyllic world in his compositions. On occasion, he was even more successful as a composer than Richard Strauss, much to the latter's chagrin. But then the Nazis came. Beautiful world, where did you go? The Jewish composer Erich Wolfgang Korngold fled to a "beautiful new world", namely America, where he achieved great fame with his film scores - but the silver screen presents only (fine) illusions.” Anne Schwanewilms

Capriccio - C5233

(CD)

$14.25

(also available to download from $10.00)

Usually despatched in 2 - 3 working days. (Available now to download.)

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