Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Bartok: Suite No. 1 & Two Pieces
The op. 3 Suite is the last of Bartók’s works composed in the creative élan that followed the success of the Kossuth Symphony. Composed in 1910, Bartók’s Two Pictures for orchestra, draws on Debussy and folk music. Indeed, the title itself is a reference to Debussy’s famous piano cycle, Images. Dances of Transylvania is the orchestral version of Sonatina (1915). Its direct forerunner was very probably André Gertler’s transcription of the piece for violin and piano; at least Bartók’s legacy included a copy of Gertler’s transcription with Bartók’s revision and notes referring to orchestration. Finally, there is a powerful version of Bartok’s Hungarian Peasant Songs for Orchestra. “Zoltán Kocsis has referred to his ongoing Bartók orchestral series as resembling a critical edition in CD format. He has a point, not least regarding the gorgeously idiomatic contribution of this fine Hungarian orchestra...The playing [in the Peasant Songs] scintillates” BBC Music Magazine, June 2010 **** | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Bartók: Viola Concerto
“Xiao and the Budapest Philharmonic Orchestra give a lively and exciting performance” The Strad | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
|
|
| |  | Bartók: Romanian Dances
Recorded in the Haydnsaal, Esterházy Palace, Eisenstadt, Austria,1990 | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Bartok For Orchestra
Bartók: | The Wooden Prince Suite Two Portraits Op. 5 Music for Strings, Percussion & Celesta, BB 114, Sz. 106 Divertimento for Strings, Sz. 113 Violin Concerto No. 1, BB48a, Sz 36 Violin Concerto No. 2, Sz 112 Romanian Folk Dances for orchestra, Sz. 68, BB 76 Dance Suite, BB 86, Sz. 77 Hungarian Sketches, BB 103, Sz. 97 Two Pictures, (Op.10) Sz. 46 Romanian Dance, Sz. 43, BB 56: No. 1 - Allegro vivace Concerto for Orchestra, BB 123, Sz.116 The Miraculous Mandarin, Op. 19, Sz. 73 (suite) | Kodály: | Háry János Suite Dances of Galanta Variations on a Hungarian Folksong 'The Peacock' |
Recorded at the Haydnsaal, Eisenstadt, Austria | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Boulez conducts Bartók
Bartók: | Four Orchestral Pieces Op. 12 (Sz 51) Chicago Symphony Orchestra Concerto for Orchestra, BB 123, Sz.116 Chicago Symphony Orchestra Dance Suite, BB 86, Sz. 77 Chicago Symphony Orchestra Two Pictures, (Op.10) Sz. 46 Chicago Symphony Orchestra Hungarian Sketches, BB 103, Sz. 97 Chicago Symphony Orchestra Divertimento for Strings, Sz. 113 Chicago Symphony Orchestra Piano Concerto No. 1, BB 91, Sz. 83 Krystian Zimerman (piano) Chicago Symphony Orchestra Piano Concerto No. 2, BB 101, Sz. 95 Leif Ove Andsnes (piano) Berlner Philharmoniker Piano Concerto No. 3, BB 127, Sz. 119 Hélène Grimaud (piano) London Symphony Orchestra Concerto for 2 pianos, percussion & orchestra, BB 121, Sz. 115 Tamara Stefanovich, Pierre-Laurent Aimard, Nigel Thomas & Neil Percy London Symphony Orchestra Violin Concerto No. 1, BB48a, Sz 36 Gidon Kremer (violin) Berliner Philharmoniker Viola Concerto, BB 128, Sz. 120 Yuri Bashmet (viola) Berliner Philharmoniker Violin Concerto No. 2, Sz 112 Gil Shaham (violin) Chicago Symphony Orchestra Rhapsody for Violin & Orchestra No. 1, BB 94b, Sz. 87 Gil Shaham (violin) Chicago Symphony Orchestra Rhapsody for Violin & Orchestra No. 2, BB 96b, Sz. 90 Gil Shaham (violin) Chicago Symphony Orchestra Bluebeard's Castle, Sz. 48, Op. 11 Jessye Norman (Judith), Láslá Polgár (Bluebeard) & Nicholas Simon (Prologue) Chicago Symphony Orchestra Cantata Profana 'The Nine Enchanted Stags', BB 100, Sz. 94 John Aler (tenor) & John Tomlinson (baritone) Chicago Symphony Orchestra & Chorus The Wooden Prince John Aler (tenor) & John Tomlinson (baritone) Chicago Symphony Orchestra & Chorus The Miraculous Mandarin, Op. 19, Sz. 73 (suite) Chicago Symphony Orchestra & Chorus Music for Strings, Percussion & Celesta, BB 114, Sz. 106 Chicago Symphony Orchestra & Chorus |
The 2009 Kyoto Prize for Music, bestowed once every four years since 1985 by the Inamori Foundation, has been awarded to Pierre Boulez. This great distinction, similar in intent to the Nobel Prize, recognizes outstanding achievement in the fields of philosophy, arts, science, and technology. Awards are to leaders in their respective fields as well as individuals whose work has contributed significantly to humanity. In honouring Pierre Boulez as a leader “in the world of Western music since World War II”, the Inamori Foundation has referred to his all-embracing and path-breaking activities as composer, conductor, writer, teacher, lecturer, and founder/director of musical institutions as well as to the creative stimulus and influence he has exerted and continues to exert in each of these aspects of his extraordinary career. Congratulations to Maestro Boulez on the receipt of this singular honour! "As composer and conductor, Boulez has done more than any other person alive to define the idea of what modern music is, and how it should sound.” The Guardian Over the past 18 years Pierre Boulez has made a series of critically acclaimed recordings (including two Grammys) for Deutsche Grammophon of Bartók’s major orchestral works (principally with the Chicago Symphony Orchestra), the complete concertos with leading international soloists and complete stage works. Here is the entire collection on eight CDs, gathered together in a single specially-priced box for the first time The major orchestral works, complete concertos, complete stage works. Soloists: Gil Shaham, Gidon Kremer, Yuri Bashmet, Krystian Zimerman, Leif Ove Andsnes, Hélène Grimaud, Pierre-Laurent Aimard, Tamara Stefanovich & Jessye Norman in Bluebeard’s Castle. | | | In stock - usually despatched within 1 working day. |
|
|
| |
|