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See Terms & Conditions for p&p rates. | |  | Schubert: 21 Lieder
Schubert: | An die Entfernte, D765 (Goethe) Auf dem Wasser zu singen, D774 Das Heimweh, D456 (Winkler) Das Lied im Grünen, D917 Das Zugenglocklein D871 (Seidl) Der Jüngling an der Quelle, D300 (Salis-Seewis) Der Jungling und der Tod, D545 (Spaun) Der Schiffer, D536 (Mayrhofer) Der Strom, D565 (poet unknown) Der Tod und das Mädchen, D531 Der Wanderer, D649 (Friedrich von Schlegel) Der Winterabend (Es ist so still), D938 Der zürnende Barde D785 (Bruchmann) Die Forelle, D550 Du bist die Ruh D776 (Rückert) Erlkönig, D328 Heidenröslein, D257 Litanei auf das Fest Allerseelen, D343 Nachtgesang D314 (Kosegarten) Sei mir gegrüsst! D741 (Rückert) Ständchen 'Horch! Horch! die Lerch!', D889 |
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| |  | Schubert: Darkness or LightSelected Schubert Lieder
Schubert: | Der Strom, D565 (poet unknown) Auf der Donau, D553 (Mayrhofer) Fahrt zum Hades, D526 (Mayrhofer) Grenzen der Menschheit, D716 Der Pilgrim, D794 (Schiller) Grablied fur die Mutter D616 (poet unknown) Hoffnung, D637 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 Die Mutter Erde, D788 (Stolberg) Der Jungling und der Tod, D545 (Spaun) An den Tod D518 (Schubart) Der Tod und das Mädchen, D531 Totengräberweiss D869 (Schlechta) Totengräberlied, D44 (Hölty) Das Grab D569 (Salis-Seewis) Totengräbers Heimwehe D842 (Craigher) Litanei auf das Fest Allerseelen, D343 |
Cornelius Hauptmann (bass) & Eric Schneider (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Felicity Lott sings Schubert Favourites
Schubert: | Die Forelle, D550 An Sylvia, D891 Heidenröslein, D257 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) An die Musik D547 Auf dem Wasser zu singen, D774 Sei mir gegrüsst! D741 (Rückert) Litanei auf das Fest Allerseelen, D343 Die junge Nonne, D828 Ave Maria, D839 Im Frühling, D882 Gretchen am Spinnrade, D118 Nacht und Träume, D827 Ganymed, D544 (Goethe) Nur wer die Sehnsucht kennt, D877/4 Schlachtgesang D443 (Klopstock) Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) with Michael Collins (clarinet) & Ian Brown (piano) |
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| |  | Ian Bostridge - Schubert Lieder
Schubert: | Die Forelle, D550 Ganymed, D544 (Goethe) Im Frühling, D882 An den Mond, D193 Geheimes, D719 (Goethe) Heidenröslein, D257 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 Erster Verlust, D226 (Goethe) Der Fischer, D225 (Goethe) Fischerweise, D881 (Schlechta) Nacht und Träume, D827 Der Zwerg, D771 (Collin) Wehmut, D772 (Collin) An die Musik D547 Du bist die Ruh D776 (Rückert) Auf dem Wasser zu singen, D774 An Sylvia, D891 Litanei auf das Fest Allerseelen, D343 Frühlingsglaube, D686 Sei mir gegrüsst! D741 (Rückert) Im Haine, D738 Der Musensohn, D764 (Goethe) Wandrers Nachtlied I 'Der du von dem Himmel bist', D224 Seligkeit D433 (Holty) Erlkönig, D328 |
Recorded 1996 & 2000 “Few discs of favourite Schubert songs match this for sheer beauty...[Bostridge] offers fresh revelation in even the best-known songs” Penguin Guide, 2010 edition **** “A voice more for Schöne Müllerin than Winterreise, Bostridge's fresh, buoyant, beautifully articulated tenor suits these Lieder perfectly. The literary and musical impulses are in perfect equilibrium, and Drake's rapport is absorbing.” BBC Music Magazine, January 2006 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Schubert: Lieder
Schubert: | Gretchen am Spinnrade, D118 Suleika I, D720 Suleika II, D717 Schwestergruss, D762 (Bruchmann) Schlaflied D527 (Mayrhofer) An die untergehende Sonne, D457 Heiss mich nicht reden, D877/2 So lasst mich scheinen, D877 No. 3 Nur wer die Sehnsucht kennt, D877/4 Kennst du das Land (Mignons Gesang), D321 Berthas Lied in der Nacht, D653 An Herrn Josef von Spaun, Assessor in Linz (Epistel), D749 (Collin) Raste Krieger, Krieg ist aus (Ellens Gesang I), D837 Jäger, ruhe von der Jagd (Ellens Gesang II), D838 Ave Maria, D839 Hin und wieder fliegen Pfeile, D239 No. 3 (Goethe) Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe) An die Nachtigall, D497 Wiegenlied, D498 Lied der Delphine, D857 No. 1 Wiegenlied D867 (Seidl) Die Männer sind méchant, D866 No. 3 Iphigenia, D573 (Mayrhofer) Das Mädchen D652 (Schlegel) Die junge Nonne, D828 Am Grabe Anselmo's D504 Abendstern, D806 Die Gotter Griechenlands D677 (Schiller) Gondelfahrer, D808 Auflösung, D807 Die Forelle, D550 Rastlose Liebe, D138 Auf dem Wasser zu singen, D774 Der Tod und das Mädchen, D531 An die Musik D547 Frühlingsglaube, D686 Der Musensohn, D764 (Goethe) An Sylvia, D891 Litanei auf das Fest Allerseelen, D343 Heidenröslein, D257 Nacht und Träume, D827 Du bist die Ruh D776 (Rückert) |
“With Gerald Moore (who returned to the studio out of retirement especially for the occasion) still at this finest, this is a hugely satisfying collection...There are no texts, but this remains an unmissable reissue.” Penguin Guide, 2011 edition **** | | | In stock - usually despatched within 1 working day. |
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| |  | Schubert: 15 Lieder
Schubert: | Die Allmacht, D852 Fischerweise, D881 (Schlechta) Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) An die Musik D547 Der Musensohn, D764 (Goethe) Ganymed, D544 (Goethe) Auf dem Wasser zu singen, D774 Ave Maria, D839 Die Forelle, D550 Gretchen am Spinnrade, D118 Frühlingsglaube, D686 Der Tod und das Mädchen, D531 Lachen und Weinen, D777 Litanei auf das Fest Allerseelen, D343 Erlkönig, D328 |
“Ludwig presents them with disarming dedication and to hear the hackneyed Ave Maria sung like this is to realise afresh the beauty which all too often is jellied over with sentiment. Gervase de Peyer provides an engaging clarinet obbligato...the bouncing jollity is unbounded” Penguin Guide, 2010 edition **** | | | In stock - usually despatched within 1 working day. |
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| |  | The Hyperion Schubert Edition - Complete Songs Volume 17Schubert in 1816
'Piano-playing, notes and recording all enhance the virtues of this rewarding disc, which will surely be a thing of joy for many years to come' (Gramophone) | | | In stock - usually despatched within 1 working day. |
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| |  | An Die MusikFamous songs by Franz Schubert
Schubert: | Der Musensohn, D764 (Goethe) Litanei auf das Fest Allerseelen, D343 Auf dem Wasser zu singen, D774 Das Rosenband, D280 (Klopstock) Harfenspieler I 'Wer sich der Einsamkeit ergibt', D478 Harfenspieler III 'Wer nie sein Brot mit Tränen ass', D480 Harfenspieler II 'An die Türen will ich schleichen, D479 Erlkönig, D328 An die Musik D547 An die Laute D905 Prometheus, D674 (Goethe) Heidenröslein, D257 Frühlingsglaube, D686 Die Forelle, D550 Du bist die Ruh D776 (Rückert) Der Tod und das Mädchen, D531 Schäfers Klagelied, D121 (Goethe) Lachen und Weinen, D777 Memnon, D541 (Mayrhofer) Rastlose Liebe, D138 Ständchen 'Leise flehen meine Lieder', D957 No. 4 |
Klaus Mertens (bass/baritone) & Tini Mathot (fortepiano) This recording of Schubert lieder features many of his most popular works in the genre including Die Forelle (The Trout), Erlkönig (The Earl King), Der Tod und das Mädchen (Death and the Maiden), and the title track An Die Musik (To Music). The bass-baritone soloist is the noted Bach specialist Klaus Mertens, and the fortepiano is played by Ton Koopman’s wife and regular musical partner Tini Mathot. The German bass-baritone Klaus Mertens has made a name for himself as one of the most prominent and sought-after interpreters of the Baroque oratorio, and has recorded the great vocal works of Johann Sebastian Bach with numerous conductors. A soloist on more than 140 CDs and DVDs, he was a regular collaborator on the critically-acclaimed complete recording of Bach Cantatas by Ton Koopman and the Amsterdam Baroque Orchestra & Choir. He has also recorded Schubert’s great song-cycle Wintereisse for Challenge. The keyboard player Tini Mathot enjoys a close collaboration with her husband and former teacher, Ton Koopman. Together they give recitals and perform in chamber music projects in the major concert halls of Europe, the United States and Japan. Tini Mathot regularly appears as a soloist together with Ton Koopman in concertos for two (or more) harpsichords and orchestra, and alongside him has recorded double concertos by J.S. Bach, C.P.E. Bach, J.F. Reichardt and C. Schaffrath with the Amsterdam Baroque Orchestra. | | | Usually despatched in 4 - 5 working days. |
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| |  | Mezzo MoonLieder & Songs
Brahms: | Nachtwandler, Op. 86 No. 3 | Mozart: | Abendempfindung an Laura, K523 | Nielsen: | Sænk kun dit Hoved, du Blomst, Op. 21 (FS 42), Book 2 No. 1 | Reger: | Schlichte Weisen, Op. 76 (selection) Des Kindes Gebet, Op. 76 No. 22 | Respighi: | Notte, P. 97 No. 1 | Schubert: | Litanei auf das Fest Allerseelen, D343 Nacht und Träume, D827 Ständchen 'Leise flehen meine Lieder', D957 No. 4 Wiegenlied, D498 | Schumann: | Mondnacht (No. 5 from Liederkreis, Op. 39) Du bist wie eine Blume, Op. 25 No. 24 | Strauss, R: | Die Nacht, Op. 10 No. 3 Morgen, Op. 27 No. 4 | Wagner: | Der Engel (No. 1 from Wesendonck-Lieder) Träume (No. 5 from Wesendonck-Lieder) | Weyse: | Natten er så stille from Prinsesse Isabella | Zemlinsky: | Süße, süße Sommernacht |
Pia Heise - a rare talent nurtured by world leading accompanist, Roger Vignoles, has her first CD released featuring a beautiful selection of music which has a theme of the night running through it. “Heise has an attractive voice and sings with appealing candour. Roger Vignoles is an attentive, vastly experienced accompanist. Yet it is hard to suppress the feeling that this debut recital is premature...In both [Danish] songs she sings with a confidence and a mezzo glow in the tone that can seem inhibited in the familiar German songs...As yet her characterisation is cautious, generalised, with no illumination of individual words and phrases.” Gramophone Magazine, Awards Issue 2012 | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Bei dir allein!Schubert Songs
Schubert: | Bei dir allein, D866/2 Lied der Delphine, D857 No. 1 Lied des Florio, D857 No. 2 Suleika I, D720 Suleika II, D717 An Sylvia, D891 Der Zwerg, D771 (Collin) Geheimes, D719 (Goethe) Heimliches Lieben D922 (Klenke) Gretchen am Spinnrade, D118 Frühlingsglaube, D686 Im Frühling, D882 Der Sänger am Felsen, D482 Totengräbers Heimwehe D842 (Craigher) Litanei auf das Fest Allerseelen, D343 |
The Swedish soprano Camilla Tilling here performs songs by Franz Schubert, accompanied by Paul Rivinius. The disc includes some of Schubert's best-known songs, such as the carefree An Silvia, the serene Litanei, and the first Suleika song. The programme features great changes in emotion: from the portrayals of the joy and despair of young love in Bei dir allein! and Lied des Florio, to the Gothic drama of Der Zwerg and the despondency of Totengräbers Heimweh. As well as having a highly successful opera career, Camilla Tilling has made a name for herself in concert and in recital. Her previous recording for BIS – the Strauss recital Rote Rosen (BISSACD1709) – was met with great critical acclaim. “Above all, Tilling is versatile and protean...Her soprano sounds peachier than ever, her diction is clear and her musical instincts are immaculate. This lovely singing is underpinned by Paul Rivinius’s outstanding playing of the equally important piano parts. A must for Schubertians.” Sunday Times, 8th April 2012 “Tilling is a Swedish singer whose enchanting soprano voice and acute musical intelligence are both admirably deployed in this well-chosen selection...The opening song of the recital is the lively, exhilarating 'Bei dir allein!'...Tilling negotiates it without strain and sings it with delightful spontaneity...This is a lovely disc, a treat for all lovers of Schubert's songs.” International Record Review, May 2012 “The al fresco exuberance of 'Bei dir allein' gets this recital off to a delectable start: Camilla Tilling's vernal tone is fresh and smiling, her phrasing both shapely and feurig, as Schubert demands, her response to mood and harmony vivid...Tilling's tonal radiance and free-soaring top notes are priceless assets...a Schubert recital of rare pedigree.” Gramophone Magazine, July 2012 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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Penguin Guide
Gramophone Magazine