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See Terms & Conditions for p&p rates. | |  | Beethoven Songs
Beethoven: | An die Hoffnung, Op. 94 Maigesang, Op. 52 No. 4 Adelaide, Op. 46 Der Liebende, WoO 139 Klage, WoO 113 Neue Liebe, Neues Leben, Op. 75, 2 Lieder von Gellert (6), Op. 48 Aus Goethes Faust Wonne der Wehmut, Op. 83 No. 1 Sehnsucht, Op. 83, 2 Das Liedchen von der Ruhe, Op. 52 No. 3 An die Geliebte, WoO 140 An die ferne Geliebte (To the distant beloved), Op. 98 |
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| |  | Liederabende Salzburger Festspiele Live 1957-1965, Vol. V
Beethoven: | Lieder von Gellert (6), Op. 48 In questa tomba oscura, WoO.133 An die Hoffnung, Op. 94 Der Wachtelschlag, WoO 129 An die ferne Geliebte (To the distant beloved), Op. 98 Adelaide, Op. 46 Wonne der Wehmut, Op. 83 No. 1 Maigesang, Op. 52 No. 4 Sehnsucht, Op. 83, 2 Neue Liebe, Neues Leben, Op. 75, 2 Mephistos Flohlied, Op. 75, 3 |
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| |  | Of Eternal Love - Lieder
Beethoven: | An die Hoffnung, Op. 94 Zärtliche Liebe 'Ich liebe dich', WoO 123 | Brahms: | Dein blaues Auge, (No. 8 from Acht Lieder und Gesänge, Op. 59) Liebestreu, Op. 3 No. 1 Wenn du nur Zuweilen lächelst (No. 2 from Acht Lieder und Gesänge, Op. 57) Der Tod, das ist die kühle Nacht, Op. 96 No. 1 An ein Veilchen, Op. 49 No. 2 (Text: L.C.H. Hölty) Von ewiger Liebe, Op. 43 No. 1 | Haydn: | Geistliches Lied, Hob. XXVIa:17 | Schubert: | Am See, D746 (Bruchmann) Schwanengesang D744 (Senn) Gretchen am Spinnrade, D118 Wehmut, D772 (Collin) Seligkeit D433 (Holty) | Schumann: | Lied der Suleika, Op. 25 No. 9 Was will die einsame Träne, Op. 25 No. 21 Jemand Zwei Venetianische Lieder, Op. 25 Nos. 17 & 18 | Strauss, R: | Die Nacht, Op. 10 No. 3 Meinem Kinde, Op. 37 No. 3 Befreit, Op. 39 No. 4 Allerseelen, Op. 10 No. 8 |
For her first Lieder recital, respectes soprano Anja Harteros has made a personal choice, spanning a wide arc from Haydn to Strauss. “Anja Harteros is a tall, dark beauty whose smoldering emotions erupt into cascades of gorgeously produced tone, all right on the mark and thrilling to hear.” New York Magazine. “The most beautiful soprano voice to emerge in the last decade shows us how affectingly she can scale down from Verdi and lighter Wagner. From Haydn's little prayer, its introduction telling us what kind of hallowed support to expect from pianist Wolfram Rieger, to Beethoven's 'An die Hoffnung' we move into the shadows and back. ...Harteros nobly underlines two very special centres of gravity: Schubert's 'Wehmut', lightened by its vivacious successor, and Brahms's 'Die Tod, das ist die kühle Nacht', inflected with all the luminous and darker tones she is capable of conjuring. An enchanted hour.” BBC Music Magazine, March 2010 ***** “…Brahms's "Von ewiger Liebe" is included as the recital's "title-song" and suits well her sumptuous tone and strong sense of dramatic phrasing. She is especially responsive to Strauss's soprano-flattering lines. The lullaby "Meinem Kinde" is charmingly done, as especially is "Allerseelen", suggesting the manner of the Four Last Songs... Rieger is an eloquent partner in this highly coloured songs.” Gramophone Magazine, December 2009 | | | Usually despatched in 4 - 5 working days. |
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| |  | Beethoven - Lieder und Gesänge
Beethoven: | Resignation, WoO 149 Abendlied unter'm gestirten Himmel, WoO 150 Andenken, WoO 136 La Tiranna, WoO 125 An die Hoffnung, Op 32 Ruf vom Berge, WoO 147 Klage, WoO 113 Selbstgesprach, WoO 114 Adelaide, Op. 46 Gesang aus der Ferne Die laute Klage, WoO 135 Lebensglück Der Wachtelschlag, WoO 129 An die Hoffnung, Op. 94 An die ferne Geliebte (To the distant beloved), Op. 98 Songs (3) , Op. 83 |
Following the November 2008 Signum release of Beethoven songs with Ann Murray and Roderick Williams, this companion disc features the talents of prolific British tenor John Mark Ainsley. | | | Usually despatched in 3 - 4 working days. |
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| |  | Edition Fischer-Dieskau Vol. 4 - Beethoven & Brahms Lieder
Beethoven: | Maigesang, Op. 52 No. 4 Marmotte, Op. 52 No. 7 Zärtliche Liebe 'Ich liebe dich', WoO 123 In questa tomba oscura, WoO.133 Andenken, WoO 136 Neue Liebe, Neues Leben, Op. 75, 2 Mephistos Flohlied, Op. 75, 3 Wonne der Wehmut, Op. 83 No. 1 Sehnsucht, Op. 83, 2 An die Hoffnung, Op. 94 | Brahms: | Heimkehr, Op. 7 No. 6 Ein Sonett, Op. 14 No. 4 (Herder) Wie rafft' ich mich auf Op. 32,1 (v.Platen) Botschaft, Op. 47 No. 1 Abenddämmerung, Op. 49 No. 5 Es träumte mir (No. 3 from Acht Lieder und Gesänge, Op. 57) Eine gute, gute Nacht (No. 6 from Acht Lieder und Gesänge, Op. 59) Dein blaues Auge, (No. 8 from Acht Lieder und Gesänge, Op. 59) Sommerabend, Op. 85 No. 1 Mondenschein, Op. 85 No. 2 Ständchen, Op. 106 No. 1 |
Hans Mayer wrote “He knew exactly what he wanted to sing and how to go about it. The word ‘magnetism’ – so frequently misappropriated for all types of advertising – fully applied in his case.” Beginning in the late 1940s “FiDi,” as he was already known in his Berlin years, elevated lied singing to an unparalleled level associated with his mellifluous baritone, superb vocal technique, and the credibility of his interpretations. Fortunately the persuasive powers of his early years are attested to not only by ear witnesses but by many radio recordings. These two sets of lieder by Johannes Brahms and Ludwig van Beethoven are taken from two recording sessions held at Berlin’s RIAS broadcasting company in 1951/52. Beethoven’s lieder did not belong to the standard repertoire at the time, and it was Fischer-Dieskau who first popularized them. | | | Usually despatched in 3 - 4 working days. |
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| |  | Kirsten Flagstad: Ein LiederabendWorks by Wagner, Beethoven, Strauss & Sinding
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| |  | Beethoven: An die ferne Geliebte
Beethoven: | An die ferne Geliebte (To the distant beloved), Op. 98 Adelaide, Op. 46 Zärtliche Liebe 'Ich liebe dich', WoO 123 Che fa il mio ben? (L'amante impaziente, Op. 82 No. 3) Che fa il mio ben? (L'amante impaziente, Op. 82 No. 4) Der Kuss, Op. 128 In questa tomba oscura, WoO.133 Die Ehre Gottes aus der Natur ('Die Himmel rühmen des Ewigen Ehre'), Op. 48 No. 4 Maigesang, Op. 52 No. 4 Marmotte, Op. 52 No. 7 Seufzer eines Ungeliebten und Gegenliebe, WoO118 Andenken, WoO 136 Der Wachtelschlag, WoO 129 Mephistos Flohlied, Op. 75, 3 Wonne der Wehmut, Op. 83 No. 1 Sehnsucht, Op. 83, 2 Mit einem gemalten Band Op. 83, No. 3 An die Hoffnung, Op. 94 Lied aus der Ferne, WoO 137 Der Jüngling in der Fremde, WoO 138 Der Liebende, WoO 139 Abendlied unter'm gestirten Himmel, WoO 150 |
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| |  | Dietrich Fischer-Dieskau
Beethoven: | Lieder von Gellert (6), Op. 48 Goethe-Lieder (7) Abendlied unter'm gestirten Himmel, WoO 150 Adelaide, Op. 46 Andenken, WoO 136 Der Zufriedene, Op. 75 No. 6 Lied aus der Ferne, WoO 137 Die Sehnsucht Der Wachtelschlag, WoO 129 An die Hoffnung, Op. 94 Der Kuss, Op. 128 Die Liebe, Op. 52 No. 6 Das Liedchen von der Ruhe, Op. 52 No. 3 Resignation, WoO 149 Zärtliche Liebe 'Ich liebe dich', WoO 123 In questa tomba oscura, WoO.133 |
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| |  | Beethoven: Complete Songs for Voice and Piano
Beethoven: | Adelaide, Op. 46 An die ferne Geliebte (To the distant beloved), Op. 98 An die Geliebte, WoO 140 An die Hoffnung, Op. 94 Der Gesang der Nachtigall, WoO 141 Der Jüngling in der Fremde, WoO 138 Der Kuss, Op. 128 Lieder (6), Op. 75 Hochzeitslied, WoO105 La Tiranna, WoO 125 Songs (3) , Op. 83 Lieder (8), Op. 52 Lieder von Gellert (6), Op. 48 Lobkowitz-Kantate, WoO 106 Sehnsucht (Die stille Nacht undunkelt), WoO 146 |
Hermann Prey (baritone), Pamela Coburn (soprano) & Leonard Hokanson (piano) This is a re-release of Beethoven’s Complete Songs for Voice and Piano, sung by Hermann Prey and Pamela Coburn. It was one of the best-selling CDs from the Capriccio back catalogue but is now released at a very special price along with a complete booklet with original song texts. Includes rarities 8 Lieder op.52, Lobkowitz-Cantata and Der Jüngling in der Fremde. | | | (also available to download from $17.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Dietrich Fischer Dieskau: Recordings from the Archives
Beethoven: | La Gondoleta, WoO 157/12 Yehudi Menuhin (violin), Heinrich Schiff (cello) Feuerfarb' Op. 52 No. 2 Maigesang, Op. 52 No. 4 Die Liebe, Op. 52 No. 6 Marmotte, Op. 52 No. 7 Das Liedchen von der Ruhe, Op. 52 No. 3 Das Blümchen Wunderhold, Op. 52 No. 8 Seufzer eines Ungeliebten und Gegenliebe, WoO118 Opferlied Op. 121b Ecco quel fiero istante! (La partenza WoO.124) Adelaide, Op. 46 Zärtliche Liebe 'Ich liebe dich', WoO 123 Der Kuss, Op. 128 Mephistos Flohlied, Op. 75, 3 Lieder von Gellert (6), Op. 48 Der Wachtelschlag, WoO 129 Gedenke mein!, WoO 130 An die Hoffnung, Op 32 Als die Geliebte sich trennen wollte, WoO 132 In questa tomba oscura, WoO.133 Die laute Klage, WoO 135 Andenken, WoO 136 Lied aus der Ferne, WoO 137 Der Jüngling in der Fremde, WoO 138 Der Liebende, WoO 139 Neue Liebe, Neues Leben, Op. 75, 2 Der Zufriedene, Op. 75 No. 6 Dimmi, ben mio (Hoffnung, Op. 82 No. 1) T'intendo, si, mio cor (Liebes Klage, Op. 82 No. 2) Che fa il mio ben? (L'amante impaziente, Op. 82 No. 3) Che fa il mio ben? (L'amante impaziente, Op. 82 No. 4) Wonne der Wehmut, Op. 83 No. 1 Sehnsucht, Op. 83, 2 Mit einem gemalten Band Op. 83, No. 3 An die Geliebte, WoO 140 Der Bardengeist, WoO 142 An die Hoffnung, Op. 94 Das Geheimnis, WoO 145 Sehnsucht (Nur wer die Sehnsucht kennt), WoO 134 An die ferne Geliebte (To the distant beloved), Op. 98 Ruf vom Berge, WoO 147 Resignation, WoO 149 Abendlied unter'm gestirten Himmel, WoO 150 The Parting Kiss Good Night, WoO 155 No. 26 The Return to Ulster, WoO 152 No. 1 Once More I Hail Thee, WoO 152 No. 3 The Morning Air Plays on my Face, WoO 152 No. 4 The Soldier's Dream O Harp of Erin, WoO 154 No. 2 The Pulse of an Irishman Sunset, Op. 108 No. 2 Oh! Sweet were the hours, Op. 108 No. 3 Bonny Laddie, Highland Laddie, Op. 108 No. 7 O, Had My Fate Been Joined With Thine, WoO 108 No. 12 Come fill, fill, my good fellow!, Op. 108 No. 13 Could this ill world, Op. 108 No. 16 Faithfu' Johnie, Op. 108 No. 20 Selbstgesprach, WoO 114 Hartmut Holl (piano) | Berg: | Wo der Goldregen steht, Op. 2 No. 2 Abschied, Op. 2 No. 4 Grenzen der Menschheit, Op. 3 Aribert Reimann (piano) | Haydn: | Eine sehr gewöhnliche Geschichte Der Gleichsinn Die zu späte Ankunft der Mutter Gegenliebe Geistliches Lied, Hob. XXVIa:17 Auch die Sprödeste der Schönen Zufriedenheit Das Leben ist ein Traum, Hob. XXVIa:21 Lob der Faulheit, Hob. XXVIa:22 Recollection, Hob. XXVIa:26 Fidelity, Hob. XXVIa:30 Sailor's Song, Hob. XXVIa:31 The Wanderer, Hob. XXVIa:32 She Never Told Her Love, Hob. XXVIa:34 Piercing Eyes, Hob. XXVIa:35 The Spirit's Song, Hob. XXV1a:41 Gott erhalte den Kaiser! Abschiedslied Gerald Moore (piano) | Mozart: | An die Hoffnung, K390 Wie unglücklich bin ich nit K147 Lobegesang auf die feierliche Johannisloge, K 148 (125h) Die grossmütige Gelassenheit, K149 Geheime Liebe K150 Die Zufriedenheit im niedrigen Stande, K151 Lied zur Gesellenreise, K468 Die Zufriedenheit, K473 Die betrogene Welt, K474 Das Veilchen, K476 Lied der Freiheit, K506 Das Lied der Trennung, K519 Abendempfindung an Laura, K523 An Chloë, K524 Das Traumbild, K.530 Die ihr des unermeßlichen Weltfalls - Kantate, K619 Daniel Barenboim (piano) | Schoenberg: | Dank, Op. 1 No. 1 Abschied, Op. 1 No. 2 Aribert Reimann (piano) |
“This album...brings into the light items that have lain out of view, out of mind, for long enough...in these Mozart recordings Fischer-Dieskau combines his finest subtlety of response with the most scrupulous legato where appropriate and beauty of tone at all times...The Haydn recordings have Gerald Moore for pianist, and how one appreciates afresh the sense of presence he brings.” Gramophone Magazine, June 2010 | | | In stock - usually despatched within 1 working day. |
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Building a Library
