Chopin: Nocturne No. 8 in D flat major, Op. 27 No. 2

Arthur Rubinstein (1887–1982) was one of the greatest pianists of the twentieth century. After brief studies with Paderewski in Switzerland in 1903, Rubinstein moved to Paris, where he met Ravel and Dukas, and played Saint-Saëns’s G minor Concerto to the composer’s approval. He made his debuts in the USA in 1906 and London in 1912. He was a superb performer of Chopin and his 1960s recordings of nearly all Chopin’s solo piano music have been considered essential to any record collection since their release.

He was also a formidable interpreter of Spanish music.

Rubinstein became a naturalised American citizen in 1946, but he maintained residences in California, New York, Paris and Geneva. After the Second World War, he refused to perform in Germany, in response to the Nazi extermination of his Polish family. Rubinstein became a strong supporter of Israel with an international piano competition named after him in 1974. His honours included the Gold Medal of the Royal Philharmonic Society of London, the US Medal of Freedom (1976), and membership of the French Legion of Honour.

This is a rare live recording of Rubinstein made by the BBC in 1963. It has only recently been discovered in the National Sound Archives.

It has never been issued before in any format.

The recital contains repertoire by composers that were closely associated with the pianist: Chopin, Ravel and Beethoven. Rubinstein’s temperament had sufficient fire for Beethoven but enough poetry for Chopin; his tempos and dynamics were always flexible, but never distorted.

Rubinstein’s recording of Brahms’s Piano Concerto No.2 on ICA Classics (ICAC5003) was a Gramophone ‘Editor’s Choice’, with Rubinstein’s playing praised for its ‘legendary charisma and indelible individuality’.

Master pianist Maurizio Pollini turned 70 on January 5th, 2012 and DG are celebrating this milestone birthday with a new album of breath-taking Chopin. Pollini’s Chopin recordings are his best-sellers – the complete Nocturnes, released in 2005, have sold more than 100,000 CDs to date.

Chopin: Preludes is a birthday programme of newly recorded solo works: Preludes op.28, four Mazurkas op.30, two Nocturnes op.27, and the Scherzo no.2 op.31. Pollini often feature Chopin’s works in his solo recitals – The Guardian raved, “... he still plays Chopin with the ease that floored even Rubinstein more than 50 years ago ...”

Born in Kiev, Ukraine, Valentina began playing the piano at the age of three and performed her first solo recital just one year later. She has won prestigious awards for her playing internationally, including the Murray Dranoff Two Piano Competition (together with her husband Alexei Kuznetsoff).

Valentina Lisitsa has already performed at major international venues including Carnegie Hall and Avery Fisher Hall in New York and the Vienna Musikverein, and in countries as far apart as the Netherlands and Brazil. She has played with renowned orchestras including Chicago Symphony, Seattle Symphony, San Francisco Symphony and the Pittsburgh Symphony, collaborating with conductors Manfred Honeck, Yannick Nézet-Séguin, and Jukka-Pekka Saraste, among others. Upcoming performances are confirmed with the Rotterdam Philharmonic, Philharmonie im Gasteig, Munich with Münchner Symphoniker and recitals at the Victoria Hall in Geneva and Philharmonie in Berlin.

With more than 43 million views and over 52,000 subscribers to her YouTube channel, the young pianist is not only one of the fastest-rising stars of the international concert scene but probably the single most-watched classical musician, having rapidly overtaken long-established giants of the piano world in terms of global online viewing figures.

The legendary Paul Badura-Skoda pays tribute to the Romanian pianist Dinu Lipatti, who sixty years ago gave his last recital in the Kursaal of Besançon. Here, Badura-Skoda performs the programme of this historic concert.

Two releases on Deutsche Grammophon will be devoted to Chopin: a solo recital recorded in Warsaw, with deeply-felt Waltzes, a Polonaise, a Fantasia, a Nocturne and the B flat minor Sonata, as well as Chopin’s two piano concertos, accompanied by the Staatskapelle Berlin under Andris Nelsons, captured live at the Ruhr Piano Festival in July 2010.

Arthur Rubinstein (1887-1982), born in Poland, requires no introduction – he was one of the greatest and most distinguished pianists of the 20th century with a large discography.

These performances have never been issued before.

They have an historical importance in that after 1914, Rubinstein never played in Germany again and therefore to have him with a German orchestra (KRSO) in Zurich in 1966 was a very rare event.

The fill-up containing performances from Nijmegen in the Netherlands, on the German border, from 1963, was also similarly aimed at a German audience.

Rubinstein caught live in 1966 rather than in the studio brings a much greater spontaneity in the Brahms, which is beautifully and excitingly played without any technical problems associated with live concerts. The orchestra under its then Music Director, Christoph von Dohnányi, on tour in Switzerland, brings a close collaboration to the partnership.

The recital is the completion of the Nijmegen concert, the other part being issued on Medici Masters (MM029) to great critical acclaim.

All these WDR-sourced tapes have been excellently preserved and remastered to the highest standards.