Handel: Concerto grosso, Op. 6 No. 1 in G major, HWV319

The partnership of Neville Marriner and the Academy of St. Martin in the Fields is possibly the most recorded of all partnerships in recorded classical music. This collection brings together three of their very first recordings: A RECITAL, A SECOND RECITAL and ITALIAN CONCERTOS, the three LPs receiving their first complete release on CD. The first two were called ‘Recitals’ in the manner of concert programs, mixing concerti grossi with solo concertos, with the Academy’s principals as soloists. Crispness of ensemble, stylish delivery, flexible and febrile performances, and rich-toned recordings were their hallmarks. This pioneering 2CD set is issued in celebration of the Academy’s 50th anniversary this year and these recordings form part of a series of Marriner reissues on Eloquence.

Three of Marriner’s earliest recordings with the Academy of St. Martin in the Fields, including his very first, reissued on CD for the first time.

Forms part of a series of recordings with Marriner and the Academy.

The Australian Brandenburg Orchestra is Australia’s finest period-instrument ensemble. Under their inspiring musical director Paul Dyer, their vibrant concerts and recordings combine historical integrity with electrifying virtuosity and a passion for beauty. Petroc Trelawney has already featured this on BBC Radio 3’s In Tune.

Considered among the finest examples of Baroque orchestral music, Handel’s Concerti Grossi, Op.6, completed in 1739 over a mere four weeks, surpass the work of other outstanding composers of the form, such as Vivaldi, Scarlatti, and Corelli. Conceived as a grand cycle rather than as individual compositions, these 12 pieces demonstrate Handel’s facility blending a variety of styles and devices with seemingly endless melodic beauty.

Andrew Manze leads The Academy of Ancient Music in a vivid and vibrant performance.

This double hybrid SACD set is the second recording by Al Ayre Español and its conductor Eduardo López Banzo for Challenge Classics, and features a selection of six of Handel’s Twelve Grand Concertos, opus 6, otherwise known as Concerti grossi. Last year their debut release for the label was a highly-regarded disc of sacred cantatas by José de Nebra.

The musical director Eduardo López Banzo was born in Zaragoza in 1961. In the operatic field he is considered to be one of the most important specialists as regards Handel’s music for theatre. Eduardo López Banzo founded Al Ayre Español in 1988, and was awarded the Spanish National Music Prize in 2004, thanks to more than twenty years of musicological rigueur and performance excellence.

Handel’s Concerti grossi, Op.6 or Twelve Grand Concertos, HWV 319-330 were first published in London by John Walsh in 1739. Taking the older concerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material, and are amongst the finest examples of the baroque concerto grosso.

After their first Etcetera recording, “Belgian finest Baroque” ensemble B’rock was hailed as the best kept secret of the world of Baroque music. The orchestra was founded in 2005 from a desire for renewal and rejuvenation in the world of early music.

This marvellous live recording by the Academy of Ancient Music was captured at Wigmore Hall and broadcast on BBC Radio 3.

The Academy of Ancient Music is Britain’s leading period ensemble and this superb recording does everything to justify this status. The recital includes brilliant performances by soloists Pavlo Beznosiuk, Rachel Podger and Frank de Bruine.