Verdi: La traviata: Prelude to Act 1

During the 1950s, 60s and 70s, Decca recorded a number of albums with some of its key conductors of Overtures. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ items, many of the original LPs exchange hands at high prices. And most of these reissues, in Decca Eloquence’s ‘Romantic Overtures’ series appear in CD, in part or whole, for the first time.

Romantic Overtures – Volume 2 showcases the artistry of Piero Gamba, who conducted showpieces for Decca and partnered, among others, Ruggiero Ricci as well as Julius Katchen in his magnificent cycle of the Beethoven Concertos. This 2CD set includes his very first recording for Decca, of Rossini Overtures (1955). Five years later recorded another LP of Rossini Overtures, the only common item being William Tell (the stereo recording is truly thrilling, the record as a whole one of Decca’s best kept secrets!). Both recordings are included here (and both recordings of William Tell). The Egmont Overture was originally coupled with Katchen’s recording of Beethoven’s Fifth Piano Concerto; and also included is all of the LP entitled ‘Adventures in Sound’ which included overtures and intermezzi by Verdi, Mascagni, Mancinelli, Martucci and Ponchielli. A real rarity is Stanley Black’s Overture to a Costume Comedy, recorded at the 1957 ‘Adventures in Sound’ sessions, but only included on a 45rpm EP in mono. This is its first release on CD and in stereo.

Winner of the 2012 ECHO Award for “Conductor of the Year” and one of the world’s most respected maestros, Riccardo Chailly celebrates Verdi’s bicentenary year – and his own 60th birthday – in 2013 with a disc of overtures, preludes and ballet movements from some of the composer’s best-loved operas.

Adding that extra touch of authenticity, the works are performed by the Filarmonica della Scala – the opera house with which Verdi himself was most closely associated and where Chailly launched his own conducting career, based in the city where Verdi died and Chailly was born.

Long associated with the Filarmonica della Scala, Chailly has previously recorded four Decca albums with them (including discs of Rossini overtures and cantatas), while his Verdi recordings for Decca include the Messa solenne and other rare sacred works, a disc of Verdi Discoveries and a complete Rigoletto starring the late Luciano Pavarotti.

Bringing together a trio of Italian greats – a world-famous composer, a fine orchestra and a first-class conductor – this set will be one of the highlights of Decca’s new releases for the Verdi bicentenary year.

With his questing spirit, Verdi took an often innovative approach to the choral and orchestral components of his operas. In Nabucco, his first great success, the chorus of Hebrew slaves became a protagonist – and its ‘Va, pensiero’ became Italy’s honorary national anthem – while his overtures range from atmospheric introductions, for instance the haunting prelude to La traviata, to full-blown orchestral showpieces, such as the splendid sinfonia that opens La forza del destino.

A superb collection of Verdi overtures, marvellously performed by the one-and-only Vienna Philharmonic in sumptuous readings by the late Giuseppe Sinopoli.

A thrilling collection of Overtures and Preludes (with some popular orchestral pieces thrown in for good measure) from Zubin Mehta. As a showman of the best variety, his recordings remains one of the Decca catalogue's richest legacies, and more than half of this collection is being released on CD for the first time.

Leading tenor, Rolando Villazon, has personally selected 34 great Verdi tracks, sung by the great names of the present and past, both to celebrate Verdi at 200 and to inspire a new generation with the composer’s great arias, powerful choruses and popular tunes.

The tracklist is framed by two stirring overtures, it includes famous numbers by all the leading singers on DG and Decca (as well as a couple from EMI), including Roberto Alagna, Carlo Bergonzi, Grace Bumbry, Joseph Calleja, José Carreras, Plácido Domingo, Renée Fleming, Anna Netrebko, Luciano Pavorotti, Katia Ricciarelli, Joan Sutherland and BrynTerfel. There are rousing choruses and several extracts from the Requiem too. It’s a splendid 150-minute collection.

The striking cover includes one of Rolando’s inimitable Verdi sketches, and will include a sticker incorporating a photo of the artist. The all-colour booklet has an article by journalist Richard Lawrence which also takes in some quotes from the artist in a recent interview for this release.

Villazón is confident that every excerpt on these discs will make the listener want to hear the complete work. “No other composer creates such an immediate link with the audience. Go to see La traviata: you hear those rhythms, those melodies, that dramatic force, and you are drawn into his world. It doesn’t matter whether you love opera or know nothing about it: it just captures you, it grabs you.” Listening to the numbers from La traviata here, you have to agree.