Vitali, G: Ciaconna

In their survey of the trio sonata, London Baroque has already visited France, England and Germany and now arrives at the birthplace of the genre – Italy in the 17th Century.

In this period, instrumental music was becoming important in its own right, and soon the violin was recognized as the ideal vehicle for this new style.

London Baroque has here selected sixteen works which chart the development of the genre, from its origins to its ‘coming of age’ with Arcangelo Corelli in the 1680s and provides much-needed and expert guidance.

An Excess of Pleasure / The Winged Lion brings together the music of 17th century Venice and the albums that launched the Palladian Ensemble onto the international music scene. “An Excess of Pleasure” was awarded Gramophone "Editor's Choice" and both albums were awarded the Diapason d’Or

The Palladian Ensemble (originally Rachel Podger, Pamela Thorby, Joanna Levine and William Carter) was a double-award winning group even before they released their first album, and made their Wigmore Hall debut in 1993. Gamba player Susanne Heinrich and the prize-winning violinist Rodolfo Richter replaced Joanna Levine and Rachel Podger, but the Palladian Ensemble continued to tour extensively throughout the UK enjoying consistent popularity with audiences and critics.

The Palladian Ensemble were five times winners of the prestigious Diapason d'Or Award, (1993, 1994, 1998, 1999 and 2000) and twice had albums named Gramophone "Editor's Choice".

The reissue of this unique collection of chamber music masterpieces, ranging from Baroque to 20-century, played by the legendary David Oistrakh, with his luminous, sonorous and deeply moving tone.

Partners include Sviatoslav Richter, Lev Oborin, Alexander Goldenweiser and Vladimir Yampolski. With his supreme technique, enormous precision in rhythm as well as extensive variety in sound, David Oistrakh is one of the most celebrated violinists of the 20th century.

This 10-CD release details some of his best chamber music recordings and is filled to the brim with first-rate performances. The compilation effectively documents the development of violin music, simultaneously revealing Oistrakh’s mastering of an extensive repertoire.

Beginning with J.S. Bach, who was one of the first composers to write for the instrument independently and whose works are given an overtly romantic appraisal by the Russian maestro, it also traverses a series of Classical compositions – including Mozart’s Sonata No.3 K306 and Beethoven’s ‘Kreutzer’ Sonata Op.47. Most of the collection’s space, however, is taken up by a large assortment of 19th- and 20th-century music; this is undoubtedly where Oistrakh’s heart lies, and the violinist shows a strong commitment to pieces from his native country.

What is particularly evident from this release is that no matter how big or small, famous or little-known, each work is treated as a masterpiece. With largely forgotten names such as Catoire and Vladigerov sitting alongside some of the greatest composers in musical history, the compilation represents a musical feast that is not to be passed up.