Paderewski: Nocturne in B flat Op. 16 No. 4

“The placement of the various works on this album was intended to create a seamless flow of musical ideas, a kind of tonal stream of consciousness which transcends composer, time and place. This is my personal tribute to the genius of Chopin – a composer whose unique musical sonorities have resonated across the globe over the last 200 years, inspiring and giving life to the works of countless composers” Kevin Kenner

Virtually all the pieces in this recital were written by pianist-composers rather than composer-pianists, the majority prominent at the turn of the century. And they are somehow part and parcel of a 19th-century tradition, a love of encores, of the teasing and delectable. They could also be considered an overspill from several great pianist’s careers, lavishly extending both style and technique.

"The most perfect piano playing conceivable" The Guardian

"A virtuoso who begins where others leave off" Washington Post

Paderewski was perhaps the most famous, and certainly the most highly paid, pianist who ever lived. In the years between 1890 and the First World War his fame reached levels now only reserved for the biggest pop stars and when he became prime-minister of Poland after the end of the war his deification was complete. He resumed his career in the 1920’s and continued to perform until his death. Unfortunately most of his recordings were made later in life and do not capture his playing in its prime, a fact which has somewhat damaged his posthumous reputation, so it is particularly important that these earliest recordings, which can redress the balance, are made available complete for the first time. This is playing very different in style from what we are used to today, but aside from its historic importance, taken on its own terms it is quite clear what a great communicator Padereswki was. And it’s good to be reminded in works like Liszt’s La Leggierezza study that at this point in his career there was nothing lacking in technique either.

Several titles included are taken from Paderewski’s own test pressings of unissued discs held at the International Piano Archive, University of Maryland, and this is their first release. A must for collectors!