Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Beethoven: The Birth of a Master
Le Cercle de l'Harmonie, Jérémie Rhorer This recording of a live performance of music by the young Beethoven – his first operatic, symphonic and concert masterpieces – features one of the best of the newer ensembles on the international scene, Le Cercle de L’Harmonie under its conductor Jérémie Rhorer. The lively and innovative programme includes the early dramatic scene “Ah Perfido”, the concert aria “No non turbati”, “O wär’ ich schon mit dir verein” (an aria from the first version of Fidelio, which was titled “Leonore”), as well as his First Symphony, and the first of the two Romances for violin and orchestra. Formed in April 2005 in Deauville by Jeremy Rhorer and Julien Chauvin (first violin), le Cercle de l’Harmonie soon established itself as a significant force in the performance of great symphonic and operatic repertoires of the late eighteenth and early nineteenth century. The ensemble is now invited to appear at major venues – including London’s Barbican Hall in June – and with artists such as Diana Damrau and Philippe Jaroussky, with whom it has recorded two CDs for Virgin Classics. This, the first in a series of productions for Ambroisie, presents Jérémie Rhorer’s first recording of works by Beethoven. Today the music of Beethoven is regarded as a remarkable link in the chain of evolution of Western music, a judgement that is based mainly on the pieces he composed after 1800. However there was in his artistic development a transitional period, around the turn of the century, when the works he composed appear to belong to the Classical tradition while presenting ideas that were to be developed later. This recording features the major works of that period, the Symphony No. 1 in C major, and the Romance for violin and orchestra in F major, op. 50. There are also three vocal works on the disc, the aria “O wär’ ich schon mit dir verein” from “Leonore”, the first version of Beethoven’s only opera “Fidelio”, the dramatic scene “Ah Perfido”, and the concert aria “No non turbati”. “Rhorer's textures are skull-crackingly hard coated and rhythmically assertive: the tempo change in the first movement, Adagio to Allegro, jolts the music out of its comfort zone, while the second movement Andante is lingering rather than sentimental...[His] Beethoven is intelligent, probing and makes a genuine attempt to reclaim the 'sound' of Beethoven from 'music' we've heard maybe once too often” Classic FM Magazine, November 2011 ***** | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Dame Janet Baker sings Opera Arias & Lieder
Beethoven: | Die Trommel geruhret Freudvoll und leidvoll from Egmont No, non turbati Ah! Perfido, Op. 65 | Mozart: | Parto, parto, ma tu ben mio (from La Clemenza di Tito) Deh, per questo istante solo (from La Clemenza di Tito) Abendempfindung an Laura, K523 Das Veilchen, K476 | Schubert: | Ständchen 'Zögernd leise', D920/921 Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n' Lazarus, D689: 'So schlummert auf Rosen' Konnt' ich ewig hier verweilen |
Remastered Quadro Recording (RQR) | | | Usually despatched in 2 - 3 working days. |
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| |  | Angelica Tuccari: Soprano in Concert
anon.: | Pauvre Jacques Giorgio Favaretto (piano) | Beethoven: | No, non turbati Orchestra Sinfonico di Torino della RAI, Pierre Dervaux | Bloch, E: | Psaume 114 Orchestra Sinfonico di Roma della RAI, Ferruccio Scaglia | Campra: | Accourrez, hâtez vous (from Les fêtes vénitiennes) Ferruccio Vignanelli (harpsichord) | Dalayrac: | J'aimerai toute ma vie (from Roméo et Juliette) Ferruccio Vignanelli (harpsichord) | Franz, R: | Widmung Weisst du noch Denk ich dein Genesung Wie des Mondes Abbild Fûr einen Er ist gekommen Für Musik Tanzlied im Mai, Op. 1 No. 6 Rate Furlan (piano) | Gluck: | Voici la charmante retraite (from Armide) Ferruccio Vignanelli (harpsichord) | Gretry: | Ma barque légère (from La Rosière de Salency) Tandis que tout sommeille (from L'Amant Jaloux) Ferruccio Vignanelli (harpsichord) | Haydn: | Solo e pensoso (Hob. XXIVb:20) La moglie quando è buona, Hob.XXIVb/18 Infelice sventurata, Hob.XXIVb/15 Sono Alcina, e sono ancora (insertion aria for Gazzaniga's 'L'Isola di Alcina') Vada adagio Orchestra A. Scarlatti di Napoli della RAI, Massimo Pradella | Jadin, L: | Colas sois moi fidèle Ferruccio Vignanelli (harpsichord) | Lully: | Bois épais (from Amadis) Ferruccio Vignanelli (harpsichord) | Matho: | Aimable solitude Ferruccio Vignanelli (harpsichord) | Mortari: | Variations sur le 'Carnaval de Venise': Variation II Variations sur le 'Carnaval de Venise': Variation IV Orchestra Sinfonico di Torino della RAI, Armando la Rosa Parodi | Mozart: | Ch'io mi scordi di te?... Non temer, amato bene, K505 Orchestra A. Scarlatti di Napoli della RAI, Adriano Lualdi | Pasquini, B: | Perduto ho il core Ferruccio Vignanelli (harpsichord) | Philidor, F-A: | Il fallait le voir au village (from Sancho Pança) Ferruccio Vignanelli (harpsichord) | Pizzetti: | I Pastori Orchestra Sinfonico di Roma della RAI, Ranco Caracciolo | Roze: | Voici le printemps Ferruccio Vignanelli (harpsichord) | Rutini: | Ombra che pallida Orchestra A. Scarlatti di Napoli della RAI, Massimo Pradella | Schumann: | Gedichte der Königin Maria Stuart, Op. 135 Giorgio Favaretto (piano) | trad.: | Rondinella Oellegrina La Livornese L'addio del giusti Giulia Gentil Mario Gangi (guitar) | Vivaldi: | O qui coeli terraeque serenitas, RV631 Orchestra A. Scarlatti di Napoli della RAI, Bruno Maderna |
Angelica Tuccari (soprano) | | | Usually despatched in 4 - 5 working days. |
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