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See Terms & Conditions for p&p rates. | |  | A Mother’s LoveMusic For Mary
“Despite undoubted stylistic variety in the choice of music, the homogeneity of the sentiment here can be a little stifling. The Sixteen's performances are, however, irreproachably sympathetic.” BBC Music Magazine, November 2007 **** “…the programme is perceptively chosen to show how much wonderful music the image of the Virgin Mary has inspired over five centuries. Performances throughout show this marvellous choir at their most eloquent, beautifully balanced and blended. Highly recommended for sheer pleasure, but also as a way of exploring a wide range of repertoire.” Gramophone Magazine, November 2007 “With its sentimental title, this collection is clearly aimed at the wider market–place. But the programme is perceptively chosen to show how much wonderful music the image of the Virgin Mary has inspired over five centuries. Grieg's opening Ave maris stella is immediately inviting: it has a ravishing simplicity but is passionate too and it is followed by rich, lively music by Cornysh and Josquin laced with the special harmonic character of its period. Next comes expansive Bruckner with a thundering organ and then a delightful surprise, Saint–Saëns's delicious Ave Maria – a real hit.
The simple beauty of Britten's A Hymn to theVirgin captivates the ear, while Mendelssohn's readily melodic and characteristically ambitious Ave Maria moves forward with great fervour, splendidly climaxed by Christophers. Other highlights include Margaret Rizza's richly plangent Ave generosa, eloquently set to words by Hildegard of Bingen, and the romantically soaring Fauré Ave Maria, again using the organ to add background colour, followed by the gentle contrast of Palestrina's Sicut lilium.
Liszt wrote his Ave maris stella while awaiting ordination as Abbé in the Vatican: its hint of austerity is not entirely banished by a natural exuberance which intensifies the plea 'Loosen the chains of the guilty' with which Liszt no doubt closely identified. The programme ends with the dedicated, passionate serenity of Lassus's Salve regina, a most satisfying coda.
Performances throughout show this marvellous choir at their most eloquent, beautifully balanced and blended. Highly recommended for sheer pleasure, but also as a way of exploring a wide range of repertoire.” Gramophone Classical Music Guide, 2010 | | | Usually despatched in 2 - 3 working days. |
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| |  | Liszt Complete Music for Solo Piano 25: The Canticle of the Sun
Liszt: | San Francesco – Preludio per il Cantico del Sol, S498d Cantico del Sol di San Francesco d'Assisi, S499 Von Der Wiege Bis Zum Grabe / Du Berceau Jusqu'a La Tombe, S512 O sacrum convivium, S674a Salve regina, S669/1 Ave maris stella, S669/2 Gebet, S265 Ora pro nobis - Litanei, S262 O sacrum convivium, S674a Resignazione - Ergebung, S187b Il m'aimait tant, S533 Romance 'O pourquoi donc', S169 Die Zelle in Nonnenwerth, S534 Ich liebe dich, S542a |
“As choice as anything he's yet given us and the same goes for the recording” Gramophone Magazine | | | Usually despatched in 2 - 3 working days. |
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| |  | Liszt: Complete Piano Music Volume 9
Liszt: | Benedictus from the Hungarian Coronation Mass, S501/R192 Offertorium from the Hungarian Coronation Mass, S501/R192 Urbi et orbi - benediction papale, S184/R69 Ave maris stella, S669/2 Baini - O Roma nobilis, S54/R514 Weihnachtslied, S502 In domum Domini ibimus (Zum Haus des Herren ziehen wir), S671/R395 In festo transfigurationis Domini nostri Jesu Christi, S188/R74 L'hymne du pape, S530/R190, "Inno del papa, Der Papsthymnus" Stabat Mater, S579/3 11 alte deutsche geistliche Weisen, S50/R72 Sancta Dorothea, S187/R73 Arcadelt - Alleluja, S183/R68 |
“Philip Thomson brings a wide dynamic range and a fund of keyboard colour to this repertoire.” Penguin Guide | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Liszt: Master and Magician
Liszt: | Piano Concerto No. 1 in E flat major, S124 Arthur Rubinstein (piano) RCA Victor Orchestra, Alfred Wallenstein Piano Concerto No. 2 in A major, S125 Van Cliburn (piano) Philadelphia Orchestra, Eugene Ormandy Totentanz, S126 for piano & orchestra Byron Janis (piano) Chicago Symphony Orchestra, Fritz Reiner Fantasy on Hungarian Folk-tunes, S123 Philippe Entremont (piano) New Philharmonia Orchestra, Seiji Ozawa Transcendental Studies, S139 Nos. 1-12 Yukio Yokoyama (piano) Études d'exécution transcendante d'après Paganini (6), S.140 Gary Graffman (piano) Grandes Études de Paganini (6), S. 141 Stanislaw Drzewiecki (piano) Un Lamento from 3 Concert Studies, S144 No. 1 Kathryn Stott (piano) La leggierezza - Étude de concert No. 2, S144 Evgeny Kissin (piano) Un Sospiro from 3 Concert Studies, S144 No. 3 Jorge Bolet (piano) Au bord d'une source (Années de pèlerinage I, S. 160 No. 4) John Ogdon (piano) Vallée d'Obermann (Années de pèlerinage I, S. 160 No. 6) Vladimir Horowitz (piano) Années de pèlerinage, 2ème année, Italie (7 pieces), S. 161 Angela Brownridge (piano) Les jeux d'eaux à la Villa d'Este (Années de pèlerinage III, S. 163 No. 4) Michie Koyama (piano) Two Concert Studies, S145/R6: Gnomenreigen; Waldesrauschen Jorge Bolet (piano) Funérailles (Harmonies poétiques et religieuses, S. 173 No. 7) Jorge Bolet (piano) Ballade No. 2 in B minor, S171/R16 Vladimir Horowitz (piano) Consolation, S. 172 No. 1 Gerhard Oppitz (piano) Consolation, S. 172 No. 2 in E major Vladimir Horowitz (piano) Consolation, S. 172 No. 3 in D flat major Van Cliburn (piano) Consolation, S. 172 No. 4 in D flat major Gerhard Oppitz (piano) Consolation, S. 172 No. 5 in E major Van Cliburn (piano) Consolation, S. 172 No. 6 in E major Sviatoslav Richter (piano) Scherzo and March, S. 177 Vladimir Horowitz (piano) Piano Sonata in B minor, S178 Vladimir Horowitz (piano) Prelude after Bach's cantata 'Weinen Klagen Sorgen Zagen', S179 Vladimir Horowitz (piano) ZWEITE ELEGIE S197 (1877) Barry Douglas (piano) Nuages gris, S199 Barry Douglas (piano) La Lugubre Gondola II, S200 No. 2 Arcadi Volodos (piano) Richard Wagner - Venezia, S201 Gerhard Oppitz (piano) Am Grabe Richard Wagners, S202 (1883) Gerhard Oppitz (piano) Schlaflos Frage und Antwort, S203 Barry Douglas (piano) Valse-Impromptu, S.213 Arthur Rubinstein (piano) Valse oubliée No. 1, S.215/1 Arthur Rubinstein (piano) BAGATELLE SANS TONALITE, S216a c1885 Arcadi Volodos (piano) Grand galop chromatique, S219 Jorge Bolet (piano) Hungarian Rhapsody, S244 No. 6 in D flat major Ivan Davis (piano) Hungarian Rhapsody, S244 No. 7 in D minor Alexander Brailowsky (piano) Hungarian Rhapsody, S244 No. 8 in F sharp minor Claudio Arrau (piano) Hungarian Rhapsody, S244 No. 9 in E flat major 'Pesther Carneval' Claudio Arrau (piano) Hungarian Rhapsody, S244 No. 10 in E major 'Preludio' Charles Rosen (piano) Hungarian Rhapsody, S244 No. 11 in A minor Gary Graffman (piano) Hungarian Rhapsody, S244 No. 13 in A minor Arcadi Volodos (piano) Hungarian Rhapsody, S244 No. 15 in A minor 'Rákóczy Marsch' Arcadi Volodos (piano) Hungarian Rhapsody, S244 No. 17 in D minor Sviatoslav Richter (piano) Hungarian Rhapsody, S244 No. 19 in D minor Vladimir Horowitz (piano) Rhapsodie espagnole, S254 Evgeny Kissin (piano) Hexaméron, S392 Raymond Lewenthal (piano) Soirées de Vienne: valse-caprice No. 6 (after Schubert), D427 No. 6 Evgeny Kissin (piano) Réminiscences de "Don Juan" (after Mozart), S. 418 Charles Rosen (piano) Ernani '[Deuxième] Paraphrase de Concert', S432 Michel Dalberto (piano) Miserere du Trovatore, S433 Michel Dalberto (piano) Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Stefan Vladar (piano) Aida Di Verdi - Danza Sacra e Duetto Finale S436 Emanuel Ax (piano) Réminiscences de Simone Boccanegra, S.438 Original finale by Franz Liszt and (attacca) second finale by Michel Dalberto & Philip Traugott Michel Dalberto (piano) Ouvertüre zu R Wagners Tannhäuser S442 Jorge Bolet (piano) O du, mein holder Abendstern - Rezitativ und Romanze aus Tannhäuser S444 Michel Dalberto (piano) Isolde's Liebestod (after Wagner), S447 Vladimir Horowitz (piano) Feierlicher Marsch zum heiligen Gral aus Parsifal S450 Gerhard Oppitz (piano) Liebesträume, S541 Nos. 1-3 Kathryn Stott (piano) Symphony No.6 in F Op.68 ‘Pastorale’ from S464 Glenn Gould (piano) Prelude and Fugue in a minor, BWV 543 (J.S. Bach), S. 462/1 Gyorgy Sandor (piano) Fantasy & Fugue in G minor (J S Bach BWV542) for piano, S463 Gyorgy Sandor (piano) Symphony No.6 in F Op.68 ‘Pastorale’ from S464 Glenn Gould (piano) Symphony No. 7 in A major, S463d: Allegro Juan Jose Chuquisengo (piano) Polish Songs S480 No. 5 'Mein Freuden' (Moja pieszczotka, My Joys)' (after Chopin) Alexander Brailowsky (piano) Polish Songs S480 No. 1 "Maiden's Wish" (after Chopin) Alexander Brailowsky (piano) Soirées de Vienne: valse-caprice No. 6 (after Schubert), D427 No. 6 Vladimir Horowitz (piano) Mephisto Waltz No. 1 Evgeny Kissin (piano) Liebestraum, S541 No. 3 (Nocturne in A flat major) Evgeny Kissin (piano) Danse macabre (after Saint-Saëns), S555/F240 Vladimir Horowitz (piano) Auf dem Wasser zu singen, S558 No. 2 (from Schubert D774) Murray Perahia (piano) Erlkönig, S558 No. 4 (after Schubert D328) Evgeny Kissin (piano) Gretchen am Spinnrade, S558 No. 8 (after Schubert D118) Lazar Berman (piano) Ständchen, D.889 Emanuel Ax (piano) Liebesbotschaft (No. 10 from Schwanengesang, S560, after Schubert) Arcadi Volodos (piano) Ständchen - Leise flehen meine Lieder (No. 7a from Schwanengesang, S560, after Schubert) Evgeny Kissin (piano) Aufenthalt (No. 3 from Schwanengesang, S560, after Schubert) Evgeny Kissin (piano) In der Ferne (No. 6 from Schwanengesang, S560, after Schubert) Murray Perahia (piano) Die Forelle, S564 Evgeny Kissin (piano) Das Wandern (No. 1 from Müllerlieder von Franz Schubert, S565) Evgeny Kissin (piano) Wohin? (No. 2 from Müllerlieder von Franz Schubert, S565) Evgeny Kissin (piano) Der Müller und der Bach (No. 2 from Müllerlieder von Franz Schubert, S565) Arcadi Volodos (piano) Widmung S566 after Schumann (Liebeslied) Evgeny Kissin (piano) Litanei - Andante Religioso (No. 1 from Vier Geistliche Lieder, S562, after Schubert) Arcadi Volodos (piano) Festpolonaise, S230a Roberto Szidon, Richard Metzler (piano) Weihnachtsbaum, for piano 4 hands, S. 613 Roberto Szidon, Richard Metzler (piano duet) Grand galop chromatique, S219 Roberto Szidon, Richard Metzler (piano duet) Auf dem Wasser zu singen, S558 No. 2 (from Schubert D774) arr. for four hands by Martina & Kristina Bauer Marina & Kristina Bauer (piano duet) Réminiscences de Don Juan (W.A. Mozart) for two pianos, S. 656 Marina & Kristina Bauer (piano duet) Hamlet, symphonic poem No. 10, S104 Berliner Philharmoniker, Zubin Mehta Tasso, Lamento e trionfo, symphonic poem No. 2, S96 SWF-Sinfonieorchester Baden-Baden, Zoltan Pesko Les Préludes, symphonic poem No. 3, S97 New York Philharmonic, Leonard Bernstein Orpheus, symphonic poem No. 4, S98 Berliner Philharmoniker, Zubin Mehta Prometheus, symphonic poem No. 5, S99 Berliner Philharmoniker, Claudio Abbado Mazeppa, symphonic poem No. 6, S100 Berliner Philharmoniker, Zubin Mehta Hunnenschlacht, symphonic poem No. 11, S105 Berliner Philharmoniker, Zubin Mehta Mephisto Waltz No. 1 Chicago Symphony Orchestra, Fritz Reiner Rakoczi March, S242a/1 (first version, 1839/40) Boston Pops Orchestra, Arther Fiedler A Faust Symphony, S108 Charles Bressler (tenor) New York Philharmonic, Choral Art Society, Leonard Bernstein Hungarian Rhapsody, S359 No. 1 in F minor New York Philharmonic, Leonard Bernstein Hungarian Rhapsody, S359 No. 2 in D minor RCA Victor Orchestra, Leopold Stokowski Hungarian Rhapsody, S359 No. 3 in D major Israel Philharmonic Orchestra, Zubin Mehta Hungarian Rhapsody, S359 No. 4 in D minor New York Philharmonic, Leonard Bernstein Hungarian Rhapsody, S359 No. 5 in E minor Israel Philharmonic Orchestra, Zubin Mehta Hungarian Rhapsody, S359 No. 6 in D major Israel Philharmonic Orchestra, Zubin Mehta Sonetti di Petrarca (3) for voice & piano, S270 Ben Heppner (tenor), Craig Rutenberg (piano) O quand je dors (Hugo), S282 Beverly Sills (soprano) Columbia Symphony Orchestra, Andre Kostelanetz Erlkönig, S375 (after Schubert D328) Hermann Prey (baritone) Munchner Philharmoniker, Gary Bertini Es muss ein Wunderbares sein, S. 314 Fritz Wunderlich (tenor) Berliner Symphoniker, Gerhard Becker Elegie No. 1, S130 Steven Isserlis (cello, Stephen Hough (piano) Elegie No. 2, S131 Steven Isserlis (cello, Stephen Hough (piano) Romance oubliée, for viola/cello/violin & piano, S. 132 Steven Isserlis (cello, Stephen Hough (piano) La Lugubre Gondola for cello & piano, S134 Steven Isserlis (cello, Stephen Hough (piano) Die Zelle in Nonnenwerth, S382 Steven Isserlis (cello, Stephen Hough (piano) Missa Solemnis (Gran Festival Mass), S. 9 Anne-Marguerite Werster (soprano), Lilia Bizineche-Eisinger (mezzo), Guy Flechter (tenor), Johannes Schmidt (baritone) Choir and Orchestra Paris-Sorbonne, Jacques Grimbert Beethoven-Cantata Diana Damrau (soprano), Jorg Demuller (tenor), Georg Zeppenfeld (bass) Cappella Coloniensis des WDR, Kolner Kantorei, Bruno Weil Requiem for the Organ (1883), R. 385, S. 266 Regina coeli laetare, S633 Ave verum corpus de Mozart, K618 (1791), S461a Messa di Requiem: Agnus Dei S437 Kirchliche Fest-Overture uber den Choral 'Ein Feste Burg ist unser Gott', S675 Prelude & Fugue on B-A-C-H, S260 Adagio from Violin Sonata No. 4 (Bach, BWV1017), S661 Andante from 'Aus tiefer Noth schrei ich zu Dir' (Bach, BWV 38), S660/2 Introduction and Fugue from 'Ich hatte viel Bekummernis' (Bach, BWV 21), S660/1 Ave maris stella, S669/2 Introitus, S268 No. 1 Missa pro organo (1879) R. 384, S. 264 Variations on a theme from 'Weinen, Klagen, Sorgen, Zagen' (J S Bach) for organ, S673 Stefan Johannes Bleicher (organ) Consolation, S. 172 No. 3 in D flat major Arthur Rubinstein (piano) Hungarian Rhapsody, S244 No. 12 in C sharp minor Arthur Rubinstein (piano) Piano Concerto No. 2 in A major, S125 Robert Casadesus (piano) The Cleveland Orchestra, George Szell Funérailles (Harmonies poétiques et religieuses, S. 173 No. 7) Vladimir Horowitz (piano) Valse oubliée No. 1, S.215/1 Vladimir Horowitz (piano) Sonetto 104 del Petrarca (Années de pèlerinage II, S. 161 No. 5) William Kapell (piano) Mephisto Waltz No. 1 William Kapell (piano) Liebestraum, S541 No. 3 (Nocturne in A flat major) Alexander Brailowsky (piano) Grande Étude de Paganini, S. 141 No. 3 'La Campanella' Alexander Brailowsky (piano) Ständchen - Leise flehen meine Lieder (No. 7a from Schwanengesang, S560, after Schubert) Sergei Rachmaninoff (piano) Soirées de Vienne: valse-caprice No. 6 (after Schubert), D427 No. 6 DVD - 'Horowitz in Moscow' Vladimir Horowitz (piano) Sonetto 104 del Petrarca (Années de pèlerinage II, S. 161 No. 5) DVD - 'Horowitz in Moscow' Vladimir Horowitz (piano) Consolation, S. 172 No. 3 in D flat major DVD - 'Horowitz in Vienna' Vladimir Horowitz (piano) |
25 CD + 1 DVD 2011 marks the 200th anniversary of Franz Liszt (1811-1886), whose multi-faceted career as pianist, composer, teacher, and conductor made him one of the most inspiring figures in music history. Sony Classical, home to some of the world’s greatest Liszt interpreters, marks this special occasion with the ultimate collection of piano and symphonic masterworks alongside essential chamber music, choral works, and music for organ. Artists include Claudio Arrau, Emanuel Ax, Jorge Bolet, Alexander Brailowsky, Robert Casadesus, Van Cliburn, Barry Douglas, Philippe Entremont, Gary Graffman, Glenn Gould, Vladimir Horowitz, William Kapell, Evgeny Kissin, Yu Kosuge, Murray Perahia, Gerhard Oppitz, Sergei Rachmaninov, Sviatoslav Richter, Arthur Rubinstein, György Sandor, Arcadi Volodos, Yukio Yokoyama, Steven Isserlis, Leonard Bernstein, Zubin Mehta, Eugene Ormandy, Fritz Reiner, Leopold Stokowski, and many more. Also included is the bonus DVD "Horowitz Plays Liszt," with electrifying performances of “Soirées de Vienne,” "Valse Caprice No. 6 in A Major," "Sonetto del Petrarca No. 104 in E Major," and "Consolation No. 3 in D-flat." | | | In stock - usually despatched within 1 working day. |
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| |  | Liszt: The Complete Piano Music (99 CD boxset)
Borodin: | Polka Hélène in D minor for piano 4 hands arranged Liszt with Philip Moore (piano) | Liszt: | Années de pèlerinage, 2ème année, Italie (7 pieces), S. 161 Venezia e Napoli (3 pieces), S. 162 Au bord d'une source (Années de pèlerinage I, S. 160 No. 4) Symphony No. 5 in C minor, S463a Adelaïde de Beethoven, S466i Cadenza for the 1st movement of Beethoven's Piano Concerto No. 3, S389a Marche funèbre de la Symphonie heroïque de L. van Beethoven – Partition de piano, S463e Symphony No. 6 in F major 'Pastoral', S463b Adélaïde de Beethoven, S466ii Symphony No. 6 in F major 'Pastoral', S463c Symphony No. 7 in A major, S463d Capriccio alla turca sur des motifs de Beethoven: Ruines d'Athenes S388 (1846) Symphonie Fantastique, S470 (from Berlioz, Op. 14) Paralipomènes à la Divina Commedia Dante Sonata 1st version Prolégomènes à la Divian Commedia Dante Sonata 2nd version Sposalizio, S. 157a 1st version Grand Solo de concert 1st version Élégie pour piano seul Romance oubliée, for piano, S. 527bis (short draft) Fantasia & Fugue on B-A-C-H, S529 1st version Weihnachtsbaum, S. 185a À la chapelle Sixtine, for piano, S. 461 1st version UNGARISCHE NATIONALMELODIEN, S243 (c1840) Après Une Lecture Du Dante, Fantasia Quasi Sonata, S. 158c 3rd version Piano Concerto No. 1 in E flat major, S124 Fantasia on a theme from Beethoven's 'Ruins of Athens', S122 Totentanz, S126 for piano & orchestra final version Grande fantaisie symphonique on themes from Berlioz's ‘Lelio', S120 Malédiction, S121 Op. 452 Piano Concerto No. 3 in E flat major, S125a, Op. post. Grand Solo de concert Hexaméron, S392 Polonaise brillante, S367 Hexaméron – Morceau de concert 'Grandes Variations de bravoure sur la marche des "Puritains" de Bellini', S365a Un Sospiro from 3 Concert Studies, S144 No. 3 Eglogue (Années de pèlerinage I, S. 160 No. 7) La regata veneziana – Notturno from
Soirées musicales de Rossini, S424 Feuilles d'Album in A flat major, S165/R62 Consolation, S. 172 No. 5 in E major Die Lorelei (Second version), S532 (1861) Puszta Wehmuth (A Puszta Keserve) S246 (published 1885) Magyar Dalok & Magyar Rapszódiák, S242, No. 2 in C major Ungarisch (Liszt's fantasy on the theme of No. 19) from Bunte Reihe, S484 Teleki László from Historische ungarische Bildnisse, S205 Ungarischer Romanzero, S241a, No. 10 in G minor Csárdás obstinée, S. 225 No. 2 Hungarian Rhapsody, S244 No. 2 in C sharp minor Douze Grandes Etudes, S137 (1837), No. 2 in A minor I puritani - introduction & polonaise (Bellini), S. 391 Valse oubliée No. 4, S.215/4 Grand galop chromatique, S219 Gnomenreigen, S145 No. 2 Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Legende S.175 No. 2, St. Francis of Paola walking on the waves Die Zelle in Nonnenwerth, S534bis (2nd version, 1844) Die Ehre Gottes aus der Natur, Op, 48 No. 4 from
Beethovens geistliche Lieder von Gellert, S467 Litanei - Andante Religioso (No. 1 from Vier Geistliche Lieder, S562, after Schubert) O Traurigkeit from Choräle, S506a L'hymne du pape, S530/R190, "Inno del papa, Der Papsthymnus" Widmung S566 after Schumann (Liebeslied) Impromptu, S191ii Aus der Musik von Eduard Lassen zu Hebbels Nibelungen und Goethes Faust, S496 (1878/9) Part 1 'Nibelungen'. No. 2: Bechlarn Mes joies – Nocturne d'après un chant polonais de Fr. Chopin, S480/5bis Ehemals! from Weihnachtsbaum, S186 Liebestraum, S541 No. 3 (Nocturne in A flat major) Bagatelle Sans Tonalite, S216a c1885 Nuages gris, S199 Schlaflos Frage und Antwort, S203 En rêve - Nocturne S207 Toccata, S197a (c1875-81) Carrousel De Madame P-N, S214a (c1875-81) Petite Valse 'Nachspiel zu den drei vergessenen Walzer', S695e Totentanz – Paraphrase über "Dies irae", S126ii Préludes et Harmonies poétiques et religieuses S171d Concerto sans orchestre S524a Album-Leaf: Magyar in B flat minor S164e/2 Ungarischer Marsch in B flat major S229a Pensées ‘Nocturne' S168b Album-Leaf in D major, S164h O lieb, so lang du lieben kannst!, S540b arr. Leslie Howard Album-Leaf 'Preludio', S164j Album-Leaf in A flat major, S166l Album-Leaf, S167h Zigeuner-Epos S695b Célèbre mélodie hongroise S243a Postludium – Nachspiel – Sursum corda!, S162f La Lugubre Gondola (draft), S199a Album-Leaf in F sharp minor, S163a/1 Album-Leaf in A major 'Friska', S166k Album-Leaf in G major 'Dante-Symphony progression', S167f Sunt lacrymae rerum, S162d Aux anges gardiens 'Den Schütz-Engeln', S162a/1bis Krakowiak, S166m/4 Mazurek, S166m/3 Lilie, S166m/1 Album-Leaf 'Freudvoll und leidvoll', S166n Hyrc, S166m/2 Ungarischer Romanzero S241a (1853) Deux marches dans le genre hongrois S693 (cl840?) Tanzmomente (Rerbeck), S492 Löse, Himmel, meine Seele (Lassen) (first version), S494i Dantes Sonett 'Tanto gentile e tanto onesta' (Bülow), S479 Élégie sur des motifs du Prince Louis Ferdinand de Prusse, S. 168 Drei Lieder Aus Julius Wolffs Tannhäuser (Lessmann), S498 Löse, Himmel, meine Seele (Lassen) (second version), S494ii Ich weil' in tiefer Einsamkeit (Lassen), S495 Tanzmomente No. 4 in A major (alternative text), S492/4bis Zigeuner-Polka (Conradi), S481 Les Préludes, symphonic poem No. 3, S97 (first recording) Three Concert Studies, S144/R5: Un lamento; La leggierezza; Un sospiro Two Concert Studies, S145/R6: Gnomenreigen; Waldesrauschen Episoden (2) aus Lenaus Faust S100 Ab Irato, S143 Années de pèlerinage, 1ère année, Suisse (9 pieces), S. 160 Trois Morceaux Suisses, S156a Gaudeamus igitur - Paraphrase, S240 Una stella amica - Valzer [Pezzini], S551 La marche pour le Sultan Abdul Médjid-Khan [Giuseppe Donizetti], S403 Seconda Mazurka di Tirindelli, variata da F. Liszt, S573a Seconde Marche hongroise - Ungarischer Sturmmarsch (first version), S232 Nocturne (Impromptu, first version), S190a Festmarsch zur Säkularfeier von Goethes Geburtstag (first version), S227 Solovei - Le Rossignol - Air russe [Alyabiev] (first version), S250a Galop russe [Bulhakov] (first version), S478i Lyubila ya [Wieihorsky] (first version), S577i Gaudeamus igitur - Humoreske, S509 Ballade No. 2 (first version) S170a Lenore S346 Ballad by Gottfried August Bürger Wolf Kahler (reciter) Der traurige Mönch ('The Sad Monk') S348 Ballad by Nicolaus Lenau Wolf Kahler (reciter) Helge's Treue ('Helge's Loyalty') S686 Ballad by Moritz Graf Strachwitz. Music adapted from Felix Draeseke Wolf Kahler (reciter) A holt költö szerelme ('The Dead Poet's Love') S349 Ballad by Mór Jókai Sandor Eles (reciter) Slyepoi ('The Blind Man') S350 Ballad by Alexey Tolstoy Yuri Stepanov (reciter) Grosse Concert-Phantasie über spanische Weisen S253 (1845) La romanesca (first version) S252a (c1840) Rhapsodie espagnole, S254 La romanesca (second version) S252b (c1852) Feuille morte - Élégie d'après Soriano S428 (c1845) Rondeau fantastique sur un thème espagnol 'El contrabandista' S252 (1836) Harmonies poétiques et religieuses, the 1847 cycle, S. 172a Prière d'un enfant à son réveil, S171c Préludes et Harmonies poétiques et religieuses S171d Litanies de Marie, S171e Grandes Études de Paganini (6), S. 141 Études d'exécution transcendante d'après Paganini (6), S.140 Mazeppa (intermediate version) S138 (1840) Sprünge mit der Tremolo-Begleitung (No 62 of Technische Studien, S146) (c1868) Valse oubliée No. 2, S.215/2 Mephisto Waltz No. 2 Valse oubliée No. 3, S.215/3 Mephisto Waltz No. 3 Valse oubliée No. 4, S.215/4 Mephisto Waltz No. 4 Landler In A Flat, S211 1843 Album Leaf In Waltz Form, S166 1842 Valse-Impromptu, S.213 Valse Melancolique, S214 No. 2 1839/1850 Valse De Bravoure, S214 No. 1 C1835/C1850 Bagatelle Sans Tonalite, S216a C1885 Valse oubliée No. 1, S.215/1 Mephisto Waltz No. 1 Excelsior! - Preludio [to The Bells of Strasburg Cathedral], S500 (1874) Die Zelle in Nonnenwerth, S534bis (2nd version, 1844) Consolations (6), first series (6), S171a Die Zelle in Nonnenwerth, S534bis (2nd version, alternative text, 1844) Geharnischte Lieder, S511 (published 1861) Rosario, S670 (1879) Schlummerlied im Grabe (Première Élégie, 1st version), S195a (1874) Entwurf der Ramanra-Elegie (Zweite Elegie, 1st draft), S196a (1877) Weimars Volkslied (No 2 in F major), S542a (1873) National Hymne: Kaiser Wilhelm!, S197b (1876) Fanfare zur Enthüllung des Carl-Augusts Monument, S542b (1875) Weimars Volkslied (No 1 in C major), S542 (1857) Deux Melodies Russes - Arabesques S250 (1842) Lyubila ya – Romance – Autrefois, S577ii Tarentella (Dargomizhsky) S.483 (piano transcription) Galop russe [Bulhakov] (first version), S478i Mazurka par un amateur de St Pétersbourg, S384 Prélude à la Polka de Borodine, S207a Tarantella (Cui), S. 482 Rákóczi-Marsch {version populaire}, S244c Virag dál 'Chant des fleurs', S383a Spanisches Ständchen – Mélodie von Grafen Leo Festetics, S487 Revive Szegedin! – Marche hongroise de Szabadi, orchestrée par Massenet, S572 Valse d'Adèle pour la main gauche seul par Géza Zichy {Transcription brillant 2 mains par F. Liszt}, S456 Valse de concert d'après la "Suite en forme de valse" de J. de Végh, S430 Bevezetés és magyar induló {Introduction and Hungarian March}, S573 Douze Grandes Etudes, S137 (1837) Morceau de salon, étude de perfectionnement, S142/R4a (first recording) Szozat und Ungarischer Hymnus, S486 (c1873) God Save the Queen, S235 (1841) Canzone napolitana, S248 (first version, 1842) (first recording) Ungarische Nationalmelodien, S243 (C1840) (first recording) Canzone napolitana - Notturno, S248a (second version, 1842) (first recording) Hussitenlied, S234 (1840) Glanes de Woronince, S249 (1847/8) Vive Henri IV, S239 (c1870-80?) La cloche sonne, S238 (c1850?) Rakoczi March, S242a/1 (first version, 1839/40) (first recording) Liebesträume, S541 Nos. 1-3 Buch der Lieder für Piano allein, vol. 1 '6 Poésies', S. 531 Buch der Lieder für Piano allein, vol. 2 '6 Poésies Iyriques pour piano seul', S. 535-540 Die Lorelei (Second Version), S532 (1861) Marche des Ruines d'Athenes, S388a (1846) from Beethoven's Die Ruinen von Athen (Kotzebue), op 113 (1812) Pastorale - Schnitter-Chor aus dem Entfesselten Prometheus, S508 (1861) from Liszt's Chore zu Herders Entfesseltem Prometheus (Choruses to Herder's Prometheus Bound), S69 (1850-55) Einsam bin ich, nicht alleine aus der Oper Preciosa, S453 ( 1848) from Weber's incidental music to Preciosa (P A Wolff), J279 (1820) A Midsummer Night’s Dream: Wedding March & Dance of the Fairies (after Mendelssohn), S410 from Mendelssohn's A Midsummer Night's Dream (Shakespeare), op 61 (1842) Fantasie über Motive aus Beethovens Ruinen von Athen, S389 (cl852) Symphonisches Zwischenspiel (Intermezzo) zu Calderons Schauspiel Über allen Zauber Liebe, S497 (c1882-3) from Lassen's music to Above all Magic, Love (Calderon de la Barca) Aus der Musik von Eduard Lassen zu Hebbels Nibelungen und Goethes Faust, S496 (1878/9) - I Nibelungen Capriccio alla turca sur des motifs de Beethoven: Ruines d'Athenes S388 (1846) Bunte Reihe, S484 Piano transcriptions of Ferdinand David's Bunte Reihe ('A Miscellany'), op 30. 24 character pieces for violin aud piano through all the keys. Drei Lieder aus Julius Wolffs Tannhäuser (Lessmann), S498 Christus, S498c: Two Pieces Deux Polonaises de l'oratorio St. Stanislas, S519 Salve Polonia – Interludium aus dem Oratorium Stanislaus, S518 Five Hungarian Folksongs S245 1872 Historische ungarische Bildnisse, S. 205 / S. 205a Puszta Wehmuth (A Puszta Keserve) S246 (Published 1885) Ungarns Gott Transcribed For The Left Hand S543a 1881 Années de pèlerinage, 3ème année (7 pieces), S. 163 Schlaflos Frage und Antwort, S203 Nuages gris, S199 Receuillement, S204 Toccata, S197a (C1875-81) Resignazione, S187a (C1877) Wiegenlied (Chant du berceau), S198 Unstern: sinistre disastro S208 Carrousel De Madame P-N, S214a (C1875-81) Sospiri! (No. 5 from Fünf Klavierstücke), S192/5 (1879) Schlaflos! [alternative Version], S203 (1883) Klavierstuck In F Sharp Major, S193 (After 1860) Piano Piece in E major (No. 1 from Fünf Klavierstücke), S192/1 (1865) Piano Piece in A flat major (No. 2 from Fünf Klavierstücke), S192/2 (1865) En rêve - Nocturne S207 Piano Piece in F sharp major (No. 3 from Fünf Klavierstücke), S192/3 (1873) Romance oubliée, for piano, S. 527 Piano Piece in F sharp major (No. 4 from Fünf Klavierstücke), S192/4 (1876) La Lugubre Gondola I, S200 No. 1 La Lugubre Gondola II, S200 No. 2 Richard Wagner - Venezia, S201 Am Grabe Richard Wagners, S202 (1883) Abschied - Russisches Volkslied, S251 (1885) Slyepoi (Der Blinde Sänger), S542a (1878) UNGARNS GOTT transcribed for the left hand S543a 1881 Ungarisches Konigslied, S544 (1883) Epithalam - Zu Eduard Remenyis Vermahlungsfeier, S526 (1872) Mosonyis Grabgeleit 'Mosonyi's Funeral Procession' S194 Dem Andenren Petofis (Petofi Szellemenek), S195 (1877) Trauer-Vorspiel und Trauermarsch, S206 (1885) Hexaméron, S392 Morceau de Concert - Grandes Variations de Bravoure pour Piano sur la Marche des Puritains de Bellini, composees pour le Concert de Mme la Princesse Belgiojoso au Benefice des pauvres - by Liszt, with Sigismond Thalberg (1812-1871), Johann Peter Pixis (17 Un Portrait En Musique De La Marquise De Blocqueville S190 (1869) by Liszt, incorporating earlier album-leaves by Henri Herz and Francis Plante (1839-1934) Symphonie Fantastique, S470 (from Berlioz, Op. 14) from Symphonie Fantastique: Episode de la vie d'un artiste, op 14 (1830) by Louis-Hector Berlioz (1803-1869) Piano Sonata in B minor, S178 (Sketched 1851, composed 1852-3, published 1854) Premiere Elegie S196 (1874) Zweite Elegie S197 (1877) Consolations, Six Pensées poétiques, S. 172 Gretchen aus Faust-Symphonie, S513 (Symphony composed 1854-7, piano version of second movement by 1867, published 1876) Totentanz, S525 for solo piano Weihnachtsbaum, S. 186 Christmas Tree / Arbre de Noel / L'albero del Natale
(First sketched 1866, completed 1876, published 1882) Weihnachtslied, S502 Via Crucis S504a (1878-9) Choräle S504b [from S50, Nos. 2-12] (C1878-9) Transcendental Studies, S139 Nos. 1-12 Valse de Marie, S212a (first recording) Adagio in C, S158d (first recording) Élégie sur des motifs du Prince Louis Ferdinand de Prusse, S. 168 Danse macabre (after Saint-Saëns), S555/F240 from Danse Macabre, op 40, by Saint-Saens (1874) Chants Polonais after Chopin (6), S480 from Seventeen Polish Songs, op 74, by Chopin (1829-47) L'idee Fixe S395 (1846) Andante amoroso d'apres une melodie de Berlioz Ouverture Des Francs-Juges S471 (1833) from Les Francs-Juges, op 3, by Berlioz (1826) Marche Des Pelerins: Chantant La Priere Du Soir S473 (1862) from Harold en Italie, op 16, by Berlioz (1834) Valse Des Sylphes S475 (C1860) from La Damnation de Faust, op 24, by Berlioz (1828-46) Ouverture Du Roi Lear S474 (1833) from Roi Lear, op 4, by Berlioz (1831) Fantasia & Fugue on B-A-C-H, S529 Prelude after Bach's cantata 'Weinen Klagen Sorgen Zagen', S179 Variations on a theme from 'Weinen, Klagen, Sorgen, Zagen' (J S Bach) for piano, S180 Grosses Konzertsolo, S176 Les Morts 'Oraison', S516 La notte, S516a Le Triomphe funèbre du Tasse, S517 Ballade No. 2 in B minor, S171/R16 Legendes (2) for piano, S. 175 Berceuse S174 1854/1863 (second version) Impromptu S191 1872 Klavierstuck A flat major, S189 1866 (first recording) Deux Polonaises, S223/R44 Ballade No. 1 in D flat major S170 ('Le chant du croisé') Harold en Italie, transcription for viola & piano (after Berlioz), S. 472 with Paul Coletti (viola) Romance oubliée, for viola/cello/violin & piano, S. 132 with Paul Coletti (viola) Hymne A Sainte Cecile (Gounod, 1865), S491 (1866) (first recording) Le Moine (Meyerbeer, c1839), S416 (1841) Festmarsch zu Schillers 100jähriger Geburtsfeier (Meyerbeer, 1859), S549 (1860) Réminiscences des "Puritains" – Grande fantaisie sur des thèmes de l'opéra de Bellini, S390i Salve Maria! de l'opéra de Verdi: "Jérusalem" {I Lombardi}, S431i Finale de "Don Carlos" de Verdi – Coro di festa e marcia funebre, S435 Chœur des pèlerins {Chor der älteren Pilger} aus der Oper "Tannhäuser" von Richard Wagner, S443ii Am stillen Herd – Lied aus Richard Wagners "Meistersinger", S448 Réminiscences de Lucrezia Borgia. Grande fantaisie S400 Réminiscences des "Huguenots" – Grande fantaisie dramatique sur des thèmes de l'opéra de Meyerbeer, S412iii Andante finale und Marsch aus der Oper "König Alfred" von Joachim Raff, S421 Lied der zwei geharnischten Männer aus Mozarts Oper "Die Zauberflöte" [Song of the Two Armed Men] 'Der, welcher wandelt diese Straße', S634a Tyrolean Melody from the opera "La fiancée" by Auber, S385a Tarantelle di bravura dàprès la Tarantelle de La Muette de Portici, S. 386 Salve Maria de l'opéra de Verdi "Jérusalem", S431ii I puritani - introduction & polonaise (Bellini), S. 391 Grande fantaisie sur des motifs favoris de l'opéra La sonnambula de Bellini, S393iii Responsorien und Antiphonen, S30 Réminiscences des Huguenots S412i (first version, 1836) Souvenir de La Fiancée S385iii Einzug der Gäste auf der Wartburg S445/1 Réminiscences de La juive - Fantaisie brillante S409a Grande fantaisie sur des thèmes de l'opéra Niobe S419 Festspiel und Brautlied (Aus Richard Wagners Lohengrin - I) S446/1i Fantaisie sur des motifs favoris de l'opéra La sonnambula de Bellini, S393ii Ouverture de l'opéra Guillaume Tell (Rossini) S552 Fantaisie sur des motifs de l'opéra 'Lucrezia Borgia' de G. Donizetti S399a Illustrations du Prophete S414 Fantasia and Fugue on ‘Ad nos, ad salutarem undam' for piano duet, S624 Spirto gentil S400a Marche funebre de Dom Sebastien S402 Die Rose - Romance S571 Spinnerlied aus Der fliegende Holländer S440 Ballade aus Der fliegende Holländer S441 Pilgerchor aus Tannhäuser S443 O du, mein holder Abendstern - Rezitativ und Romanze aus Tannhäuser S444 Walhall aus Der Ring des Nibelungen S449 Feierlicher Marsch zum heiligen Gral aus Parsifal S450 Les Sabéennes, berceuse de l'opéra La Reine de Saba, S. 408 Fantasie sur l'opera hongrois Szep Ilonka S417 Fantaisie romantique sur deux melodies suisses, S157 Album d'un Voyageur (19 pieces), S. 156 Faribolo pastour - Chanson tiree du poeme de Franconetto de Jasmin, S236/1 Chanson du Bearn, S236/2 Soirees Musicales (Rossini-Liszt) S424 Soirees Italiennes - Six Amusements (Mercadante-Liszt), S411 Nuits D'ete A Pausilippe ('soirees Italiennes' Nos. 7-9) (Donizetti-Liszt), S399 Sonetti di Petrarca (3) for piano, S. 158 Venezia E Napoli (First Set), S159 (C1840) La serenata e L'orgia – Grande fantaisie sur des motifs de Soirées musicales, S422ii 'La serenata' e 'L'orgia' (Rossini), S422 (1835-6) (second edition) La pastorella dell'Alpi e Li marinari – Deuxième fantaisie sur des motifs des Soirées musicales, S423 'La pastorella dell'Alpi' e 'Li marinari' (Rossini), S423 (1835-6) Variation on a Waltz by Diabelli, S147 Waltz in A major, S208a (c1823 Fünf Variationen über die Romanze aus der Oper "Joseph" von Méhul, S747a (attributed to Liszt, but by Franz Xaver Mozart (1791-1844), opus 23 (pub 1820) Eight Variations on an original theme, Op. 1, S148 Seven Brilliant Variations on a theme by Rossini, Op. 2, S149 (c1824) lmpromptu brillant on themes by Rossini and Spontini, Op. 3, S150 (c1824) Allegro di Bravura, Op. 4 No. I, S151 (1824) Rondo di Bravura, Op. 4 No. 2, S152 (1824) Twelve Etudes, Op. 6, S136 (Etude En Douze Exercices) (1826) Scherzo in G minor, S153 (1827) Two Hungarian Recruiting Dances by László Fáy and János Bihari 'Zum Andenken', S241 Waltz, S209a Marche hongroise, S233b Klavierstück aus der Bonn Beethoven-Kantate, S507 Klavierstück, S189b Klavierstück, S189a Gestorben war ich, S540a Berceuse S174 (first version) Albumblatt No. 1 in E major, S164/R64, No. 1 Feuille d'album No. 2, S167 Feuilles d'Album in A flat major, S165/R62 Apparitions, S155 (1834) Scherzo and March, S. 177 Petite valse favorite, S212ii Mazurka brillante, S221 Grand galop chromatique, S219 Galop, S218 Festpolonaise, S230a Csárdás (2), S. 225 Csárdás macabre, S. 224 Mephisto Polka, S217 Festvorspiel, S. 226 Heroischer Marsch im ungarischem Stil, S231 Ungarischer Sturmmarsch, S524 Goethe-Festmarsch, S521 Zweite Festmarsch nach Motiven von E H z S-C-G, S522 Marche héroïque, S510 Huldigungsmarsch, S228ii Ungarischer Marsch zur Krönungsfeier in Ofen-Pest, S523 Siegesmarsch, S233a Ungarischer Geschwindmarsch, S233 Vom Fels zum Meer!, S229 Bülow-Marsch, S230 Künstlerfestzug, S520ii Rákóczi-Marsch nach der Orchesterbearbeitung, S244a Magyar Dalok & Magyar Rapszódiák, S242 Overture zu Oberon, S574 Fantasy on Themes from Mozart's Marriage of Figaro and Don Giovanni, S697 Ernani '[Deuxième] Paraphrase de Concert', S432 Miserere du Trovatore, S433 Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Réminiscences de Simone Boccanegra, S.438 Valse de concert sur deux motifs de Lucia et Parisina (Donizetti) Grande fantaisie sur des themes de Les Huguenots by Meyerbeer,S412/R211, Reminiscences des Huguenots Les Adieux, rêverie sur un motif de l'opéra Romeo et Juliette, S. 409 Schwanengesang und Marsch aus Hunyadi László, S405 Elsa’s Bridal Procession (from Lohengrin), S445, No.2 Aus Richard Wagners Lohengrin, S446 Phantasiestück über Motive aus Rienzi (Wagner), S. 439 Beethovens Septett Op. 20, S. 465 Grand Septuor in E flat major, opus 20 (1799-1800), S465 (1841) Zwei Transcriptionen über Themen aus Mozarts Requiem, S550 Ave verum corpus de Mozart, K618 (1791), S461a Deux Transcriptions d'apres Rossini S553 Liebesszene und Fortunas Kugel aus 'Die sieben Todsünden', S490 Wasserfahrt und der Jäger Abschied (Mendelssohn, opp 50/4 & 2, c1839/40, S548) Schlummerlied mit Arabesken (Weber, J285, 1822), S454 Leyer und Schwert - Heroide (Weber, J169/173/168, 1814), S452 Grosses Septett (No. 1 in D minor) Op. 74 von J N Hummel (c1816), S493 Ave Maria für die grosse Klavierschule von Lebert und Stark, S182/R67, "Die Glocken von Rom" Ave maris stella, S. 506 Hymne du matin, S. 172a No. 3 Hymne de la nuit, S. 172a No. 4 Harmonies poétiques et réligieuses, S. 154 Harmonies poétiques et religieuses (10), S. 173 Alleluia, S. 183 No. 1 Ave Maria d'Arcadelt, S. 183 No. 2 In domum Domini ibimus, S. 505 O Roma nobilis, S506b Slavino slavno slaveni! S. 503 Ave Maria, S504i L'hymne du pape, S530/R190, "Inno del papa, Der Papsthymnus" In festo transfigurationis Domini nostri Jesu Christi, S188/R74 Sancta Dorothea, S187/R73 Ave Maria IV in G major, S545/R194 Benedictus from the Hungarian Coronation Mass, S501/R192 Offertorium from the Hungarian Coronation Mass, S501/R192 Stabat mater, S172b Urbi et orbi - benediction papale, S184/R69 Vexilla regis prodeunt, S. 185 Ave Maria, S504ii Harmonies poétiques et religieuses, the 1847 cycle, S. 172a Grande fantaisie sur la tyrolienne de La fiancée first version, S385i Ernani - Première paraphrase de concert S431a Réminiscences des Huguenots second version, S412ii Fantaisie sur des motifs favoris de l'opéra La sonnambula de Bellini, S393i Tscherkessenmarsch from Glink's Ruslan & Ludmilla, for piano solo, S406 1st version Valse à capriccio sur deux motifs de Lucia et Parisina first version, S401 Ouvertüre zu R Wagners Tannhäuser S442 Réminiscences des Puritains second version, S390ii Fantasie über Themen aus Webers Der Freischütz S451 Réminiscences de La Scala S458 Hungarian Rhapsodies, S244 Nos. 1-19 Ouverture Aus Der Oper Der Freischutz S575 Halloh! - Jagdchor Und Steyrer Aus Der Oper Tony S404 Marche Funebre Et Cavatine De Lucia De Lammermoor S398 Reminiscences de Lucia di Lammermoor, S397 Isolde's Liebestod (after Wagner), S447 Valse De L'opera Faust S407 Benediction Et Serment - Deux Motifs De Benvenuto Cellini S396 Sarabande Und Chaconne Aus Dem Singspiel Almlra S181 Tscherkessenmarsch from Glink's Ruslan & Ludmilla, for piano solo, S406 2nd version Polonaise Aus Tschaikowskys Oper Jewgeny Onegin S429 Aida Di Verdi - Danza Sacra e Duetto Finale S436 Réminiscences de "Don Juan" (after Mozart), S. 418 Illustrations De L'opera L'africaine S415 Klavierstück über ein fremdes Thema, S387a Réminiscences de Norma, S394 À la chapelle Sixtine, for piano, S. 461 2nd version Six Preludes And Fugues for the organ by J S Bach, transcribed for the piano, S462 Fantasy & Fugue in G minor (J S Bach BWV542) for piano, S463 Beethoven Adelaide Op. 46 S466 Beethoven Sechs Gistliche Lieder Von Gellert Op. 48 Beethoven An Die Ferne Geliebte - Liederkreis, Op. 98 S469 Beethoven Sechs Lieder Von Goethe S468 Mendelssohn Sieben Lieder S547 Dessauer Drei Lieder S485 Er ist gekommen in Sturm und Regen (nach Robert Franz, Op. 4 No. 7), S488 Zwölf Lieder von Robert Franz, S489 Rubinstein O! Wenn Es Doch Immer So Bliebe Op. 34 No. 9 S554/1 Rubinstein Der Asra Op. 32 No. 6 Schumann Zehn Lieder Von Robert Und Clara Schumann S569 Schumann Provencalisches Minnelied Op. 139 No. 4 S570 Schumann An Den Sonnenschein Op. 36 No. 4 Und Rotes Röslein Op. 27 No. 2, Combined By Liszt, S567 Frühlingsnacht (after Schumann, Op. 39 No. 12), S568 Widmung S566 after Schumann (Liebeslied) Beethoven Symphonies 1-9 for solo piano San Francesco – Preludio per il Cantico del Sol, S498d Cantico del Sol di San Francesco d'Assisi, S499 Von Der Wiege Bis Zum Grabe / Du Berceau Jusqu'a La Tombe, S512 O sacrum convivium, S674a Salve regina, S669/1 Ave maris stella, S669/2 Gebet, S265 Ora pro nobis - Litanei, S262 O sacrum convivium, S674a Resignazione - Ergebung, S187b Il m'aimait tant, S533 Romance 'O pourquoi donc', S169 Die Zelle in Nonnenwerth, S534 Ich liebe dich, S542a Soirées de Vienne, 9 valses-caprices (after Schubert), S427 Melodies Hongroises D'apres Fr. Schubert, S425 Die Rose, S556i Der Gondelfahrer - Manner-Quartett Von F. Schubert, S559 Soirées de Vienne: valse-caprice No. 6 (after Schubert), D427 No. 6 Franz Schubert's Märsche für das Pianoforte übertragen, S426 Marche Militaire - Grand paraphrase de concert, S426a Marche Hongroise, S425/2ii Ave Maria (Ellens Dritter Gesang), S557d Ständchen - Leise flehen meine Lieder (S559a, after Schubert) Erlkonig, S557a Vier Geistliche Lieder, S562 Schuberts Ungarischer Melodien - Aus Dem Ungarischen Divertissement Zu Vier Handen, S425a Müllerlieder Von Franz Schubert, S565bis Meeresstille, S557b Die Forelle, S564 Ständchen - Leise flehen meine Lieder (No. 7a from Schwanengesang, S560, after Schubert) Schwanengesang - Vierzehn Lieder Von Franz Schubert, S560 Fruhlingsglaube, S557c Marche Hongroise, S425/2v Zwolf Lieder Von Franz Schubert - [aus] Winterreise, S561 Marche Hongroise, S425/2iii Sechs Melodien von Franz Schubert, S563 Zwolf Lieder Von Fr. Schubert, S558 Müllerlieder Von Franz Schubert, S565bis Die Nebensonnen [albumblatt], S561/2a Schwanengesang - Vierzehn Lieder Von Franz Schubert, S560 alternative texts provided for all fourteen songs Die Gestirne, S562/3bis Meeresstille, S557b/Bis Die Forelle, S563/6bis Die Rose S556ii Zwei Lieder Von Franz Schubert Lob der Tränen, S557 Zwölf Lieder Von Fr. Schubert, S558bis Meeresstille, S558/5bis Zwölf Lieder Von Franz Schubert - [aus] Winterreise, S561bis alternative texts provided for five of the twelve songs Marche Hongroise, S425/2vi 'Troisieme Edition' Soirées de Vienne: valse-caprice No. 6 (after Schubert), D427 No. 6 3rd version Piano Concerto No. 2 in A major, S125 De profundis – Psaume instrumental pour orchestre et piano principal, S121a score prepared from manuscript sources by Jay Rosenblatt; further preparation and completion of the work - the last six bars (901-6) Wandererfantasie (Schubert), S366 arranged for piano and orchestra by Liszt S366 Concerto pathétique for Piano and Orchestra, S365a Carl Maria Von Weber Konzertstück In F Minor (Op 79, 1821) with Liszt's version of the solo part, S367a Totentanz, S126 for piano & orchestra Fantasy on Hungarian Folk-tunes, S123 Sophie Menter S714 Grande Fantaisie di bravura sur La Clochette de Paganini S420 Den Schutz-Engeln Angelus! first draft S162a/1 Petite valse favorite first version S212i Valse mélancolique first version S210 Mélodie polonaise short draft S249a Légende No. 2: St François de Paule marchant sur les flots simplified version S175/2bis Vierter Mephisto-Walzer first version S216b Valse-Impromptu (with later additions), S213a Valse mélancolique intermediate version S210a Le lac de Wallenstadt intermediate version S156/2a/bis Angelus! second draft S162a/2 Den Cypressen der Villa d'Este - Thrénodie II first draft S162b Variations sur Le Carnaval de Venise (Paganini) S700a Hungaria (Poème symphonique No. 9) S511e Rákóczi-Marsch simplified transcription of the orchestral version S244b Sunt lacrymae rerum first version S162c Zwei Stücke aus der heiligen Elisabeth S693a Troisième Valse oubliée with alternative conclusion S215/3a Grand galop chromatique, simplified version, S219bis Huldigungsmarsch first version S228i Grande Fantaisie (Variations) sur des thèmes de Paganini La Clochette et Le Carnaval de Venise first version S700i Angelus! Prière à l'ange gardien third draft S162a/3 Historische ungarische Bildnisse, S. 205 / S. 205a Angelus! Prière à l'ange gardien fourth draft S162a/4 Grande Fantaisie (Variations) sur des thèmes de Paganini second version S700ii Orpheus – Poème symphonique No. 4, S511b Orgel-Fantasie und Fuge in g-moll von J. S. Bach, S463i Mes joies – Nocturne d'après un chant polonais de Fr. Chopin, S480/5bis Widmung S566 after Schumann (Liebeslied) La marche pour le Sultan Abdul Médjid-Khan [Giuseppe Donizetti], S403 Caritas nach Rossini, S552a Il penseroso, S157b Canzonetta del Salvator Rosa, S157c En mémoire de Maximilien I – Marche funèbre, S162d Album-Leaf in A flat 'Portugal', S166b Album-Leaf 'Première Consolation', S171b Schnitterchor [Pastorale – Schnitterchor aus Prometheus], S507a Künstlerfestzug, S520i Festklänge – Poème symphonique No. 7, S511d La caritá, S552b La serenata e l'orgia – Grande fantaisie sur des motifs des Soirées musicales de Rossini 'Première grande fantaisie', S422i Introduction des Variations sur une marche du Siège de Corinthe, S421a Morceau en fa majeur, S695 Fantasie über englische Themen, S694 Anfang einer Jugendsonate, S692b Album-Leaf 'Andantino in E flat major', S163a/2 incomplete Album-Leaf 'Ah, vous dirai-je, maman', S163b Album-Leaf in C minor 'Pressburg', S163c Album-Leaf in E major 'Vienna', S164a Album-Leaf in E flat 'Leipzig', S164b Album-Leaf 'Exeter Preludio', S164c Album-Leaf in E major 'Detmold', S164d Album-Leaf 'Magyar', S164e/1 Album-Leaf in A minor 'Rákóczi-Marsch', S164f Album-Leaf in E major, S166a Album-Leaf in A flat, S166c Album-Leaf 'Lyon Prélude', S166d/1 Album-Leaf 'Prélude omnitonique', S166e Album-Leaf in E major 'Leipzig', S163d Album-Leaf 'Berlin Preludio', S164g Album-Leaf 'Braunschweig Preludio', S166f/1 Album-Leaf 'Serenade', S166g Album-Leaf 'Andante religioso', S166h Mazurka in F minor, S221a Gaudeamus igitur – Paraphrase, S240ii Rapsodie hongroise II, S244/2bis Rapsodie hongroise X, S244/10bis Rapsodie hongroise XV, S244/15bis Magyar Rapszódia 'Rapsodie hongroise XVI', S244/16i Rapsodie hongroise XVIII, S244/18i Mephisto-Polka, S217ii Rapsodie hongroise XVIII, S244/18ii Un Sospiro from 3 Concert Studies, S144 No. 3 two further cadenzas Album-Leaf 'Agnus Dei of the Missa Solemnis', S167c Album-Leaf 'Orpheus', S167d Album-Leaf 'Die Ideale', S167e St. Stanislaus fragment, S688a Winzerchor 'Prometheus', S692e La Mandragore 'Ballade de l'opéra Jean de Nivelle', S698 Glasgow fragment, S701f Operatic aria and sketched variation, S701h/1 Valse infernale, S701h/2 Allegro maestoso 'Étude in F sharp major?', S692c Rákóczi-Marsch, S692d Harmonie nach Rossini's Carità, S701j Marie-Poème, S701b Andante sensibilissimo, S701c Melodie in Dorische Tonart, S701d Dante fragment, S701e Polnisch, S701g Korrekturblatt 'La lugubre gondola', S701k Mazeppa – Poème symphonique No. 6, S511c Valse in A major, S210b Ländler in D major, S211a Dumka, S249b Air cosaque, S249c Marche funèbre, S226a Magyar tempo, S241b Pásztor Lakodalmas – Mélodies hongroises, S405a Einleitung und Coda zu Raffs Walzer in Des-Dur, Op. 51 No. 1, S551a Einleitung und Coda zu Rubinsteins Étude in C-dur 'sur des notes fausses', S554a Einleitung und Coda zu Smetanas Polka, S570a Einleitung und Schlußtakte zu Tausigs 3. Valse-Caprice, S571a Troisième Valse oubliée with alternative conclusion S215/3a Petite Valse 'Nachspiel zu den drei vergessenen Walzer', S695e Grande Valse di bravura 'Le bal de Berne', S209 Romancero espagnol, S695c Christus, S498c: Two Pieces Magnificat, S182a Trois Chansons, S510a Album-Leaf 'Andantino in A flat major', S166p Album-Leaf in G major, S166q Variations 'Tiszántuli szép léany', S384a Lyubila ya [Wieihorsky] (first version), S577i Schlummerlied, S186/7a Valse-Impromptu, S213bis Marche Des Pelerins: Chantant la priere du soir S473 (1862) Einzug der Gäste auf der Wartburg S445/1 Adagio non troppo, S151a Album-Leaf 'Andantino in E flat major', S163a/2 Album-Leaf 'Andante in E flat major', S167r Album-Leaf in C major 'Lyon', S167s Album-Leaf 'Quasi mazurek in C major', S163e Album-Leaf 'Adagio – religioso in C major', S164l Album-Leaf 'Agitato in G major', S167l Album-Leaf 'Andante religiosamente in G major', S166j Album-Leaf 'Tempo di marcia in E flat major', S167o Album-Leaf 'Fugue chromatique' – Allegro in G minor, S167j Album-Leaf in E flat major, S167k Album-Leaf in G minor, S166l/2 Album-Leaf 'Langsam in C sharp minor', S166o Album-Leaf 'Moderato in D flat major', S164k Album-Leaf 'Vivace ma non troppo in D flat major', S167g Album-Leaf 'Larghetto in D flat major', S167p Album-Leaf 'Schlusschor des entfesselten Prometheus' – Andante solenne in D flat major, S167q Album-Leaf 'Magyar in D flat major', S164e/3 Prozinsky Fragment for piano, S701v Album-Leaf 'Allegretto in A major', S167n Album-Leaf in A major, S166a Album-Leaf in E major, S167t Album-Leaf 'Andantino in E major', S163d/ii Album-Leaf 'Purgatorio' – Andante in B minor, S166r/1 Album-Leaf 'Aus dem Purgatorio des Dante Sinfonie' – Lamentoso in B minor, S166r/2 Album-Leaf 'Introduction to the Grande Étude de Paganini No 6', S141/6bis Cadenza, S695f Album-Leaf 'Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust' – Der Tanz in der Dorfschenke, S167m Wilde Jagd – Scherzo, S176a | Rouget de Lisle: | La Marseillaise (transcribed for piano by Liszt, S237) | Schubert: | Fantasie in C major, D760 'Wanderer' arranged as Grosse Fantasie in C-dur, S565a (c1868) Impromptu in E flat major, D899 No. 2 (Liszt S565b No. 1) Impromptu in G flat major, D899 No. 3 (Liszt S565b No. 2) Die Rose, D745 (Liszt S556i/bis (c1837) intermediate version - first recording) | Weber: | Jubel-Ouvertüre, J245 (Op. 59) arr. Franz Liszt Konzertstück, S576a (c1868) arr. Franz Liszt Polonaise brillante, S455 (c1851) arr. Franz Liszt |
Leslie Howard’s recordings of Liszt’s complete piano music, on 99 CDs, is one of the monumental achievements in the history of recorded music. Remarkable as much for its musicological research and scholarly rigour as for Howard’s Herculean piano playing, this survey remains invaluable to serious lovers of Liszt. Every known note of Liszt’s piano music has been recorded and is included here: Leslie Howard’s 57 original volumes plus the further 3 supplements. GUINNESS WORLD RECORD for the world’s largest recording series by a solo artist.
Extra postage costs:
As this set is very heavy (around 3.5kg) we unfortunately need to charge some extra postage costs to certain countries.
UK and most of Western Europe: No extra charges - Normal rates apply.
Rest of World: Varies by country. Please contact us for further details.“Liszt, one of music's greatest innovators, tends to be known by a tiny fraction of his work. Here's a chance to see the fuller picture.” The Observer, 6th February 2011 “Almost any way you choose to look at it, this is a staggering achievement...Howard is particularly convincing in those works where Liszt focuses on a particular technical problem...The grand scope of this project gives us the chance, as listeners, to experience the almost incomprehensible breadth and depth of Liszt's imagination.” International Record Review, May 2011 | | | Usually despatched in 2 - 3 working days. |
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Gramophone Magazine