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See Terms & Conditions for p&p rates. | |  | Arias for Guadagnithe first modern castrato
Arne: | Vengeance, O come inspire me! (from Alfred) | Bach, C P E: | Symphony No. 1 in D major, Wq 183/1 | Gluck: | Ah! Non turbi il mio riposo Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits Ahimè! Dove trascorsi? (from Orfeo) Che faro' senza Euridice? (from Orfeo ed Euridice) | Guadagni: | Pensa a serbarmi, o cara | Handel: | Saul: O Lord, whose mercies numberless The raptur'd soul (from Theodora) The Choice of Hercules: Yet can I hear that dulcet lay Destructive War, thy limits know (from Belshazzar) | Hasse, J A: | Ah che dissi, infelice! (from Didone Abbandonata) Se resto sul lido (from Didone Abbandonata) Odi colà la frigia tromba? (from Didone Abbandonata) A trionfar mi chiama (from Didone Abbandonata) | Smith, J C: | Say, lovely Dream! (from The Fairies) |
British countertenor Iestyn Davies is one of the fastest rising stars on the concert and opera circuit. Following his highly acclaimed recording of Porpora cantatas, he returns for a second solo album with Hyperion, a selection of arias written for Gaetano Guadagni. Italian-born Guadagni was the first ‘modern’ castrato, famed all over Europe for the lyric purity of his voice and his powerful, naturalistic acting style. Not only did he enjoy a close artistic relationship with Handel, who nurtured Guadagni’s voice to fit the alto roles in his English oratorios, but he effectively created the role of Orpheus in Gluck’s Orfeo ed Euridice, an opera he thoroughly made his own. Here, Iestyn Davies is joined again by the renowned period-instrument band Arcangelo, directed by Jonathan Cohen. “Davies sings them superlatively well.” Sunday Times, 27th May 2012 “Davies includes some of the showstoppers written for [Guadagni] by Handel and Arne, delivering them with wonderful finesse and flawless tone. Orfeo itself, however, lies awkwardly for a counter-tenor, and Davies is occasionally forced to sacrifice intensity for the sake of integrity of line. The orchestral playing, from Arcangelo under Jonathan Cohen, is exquisite.” The Guardian, 7th June 2012 **** “I think that if I had to nominate a CD to represent Iestyn Davies this one would be my choice.” International Record Review, July/August 2012 “Through his effortless line, countertenor Iestyn Davies revivifies Guadagni's Orphic powers...Whether drawing out sustained notes or knitting together filigreed coloratura, he is a paragon of gallant taste: poised, cool, elegant...Jonathan Cohen and his ensemble Arcangelo capture the rapid, unexpected twists of the younger Bach's radical imagination...this [is] a refreshingly ambitious and superbly realised recording.” BBC Music Magazine, August 2012 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Handel: English Arias
A comprehensive programme of arias from such famous English oratorios as Esther, Saul, Belshazzar, Theodora, Judas Maccabaeus and Solomon. These oratorios contain a wealth of arias, duets and splendid overtures, of which one overture, eleven arias, and two beautiful duets are included here. The world-famous countertenor James Bowman is joined by The King’s Consort and the renowned soprano Susan Gritton. “Arias from the oratorios are sung with the distinctive vocal timbre and panache for which Bowman is well-known. Twice joined by Susan Gritton this recital finds both artists on engaging form.” BBC Music Magazine, April 2013 **** “A noble and dignified recital” Fanfare “This beautiful collection of songs and duets from Handel oratorios finds the 52-year-old English countertenor in quite amazing form … his voice remains phenomenally agile. Unmissable” Sunday Times | 
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Gramophone Awards 2012
Gramophone Magazine