Handel: Concerti Grossi Op. 3 Nos. 1-6, HWV312-317

“String textures are bright and transparent, with the lightest possible sonority, and the continuo comes through intimately. With brisk allegros that are always alert and vivacious, the effect here is of hearing a completely new series of concertos.” (Penguin Guide)

‘Listening now to these searching, unceasingly imaginative performances of Handel’s finest instrumental music, I can’t help feeling Harnoncourt was (as he has been so often) simply ahead of his time – ferocious creativity in every bar’ (Gramophone)

“For those of us who have always secretly preferred the colourful, unruly and slightly raffish qualities of Op.3 to the staid perfection of Op.6 this magnificent recording is both a vindication and an unfailing delight.” International Record Review

"Handel's six Op. 3 concertos never have suffered from overexposure in the CD catalog, and indeed the considerably greater attention given the later Op. 6 masterpieces is understandable and justified. Except for the concerto No. 4 in F, these are rather ordinary examples of Handel's facility as a technician and melodist, showing moments of brilliance among the merely sub-genius passages. Don't get me wrong; this isn't second rate music, but merely less than first rate Handel. Unlike the later works in the genre, most of these give a dominant solo role to the oboe (or oboes) and, not unusual for Handel, sometimes recycle material used elsewhere. The concerto No. 4 is the one work in this group that really stands out--far out--from the others, right from the French-overture opening. Here we get a taste not just of the work of a technically accomplished master but of a composer at the peak of his craft, from the originality of ideas to the tautness of structure and the natural flow from one thematic scheme to the next. In all of this England's Northern Sinfonia proves fully engaged stylistically... It's certainly pleasant listening--and you can't go wrong for the price--and the performances stand up to most of the others in the short list of worthy competitors... The disc's sound--clear, detailed, open, resonant, well balanced--is a real asset and helps confirm this recording as a good choice for a basic library." - ClassicsToday.com (David Vernier) June 2, 2001

"Marriner's [Argo] set remains fully competitive for musical scholarship and, what is even more to the point, for musical expressiveness and spontaneity ... the Academy was in peak form when this recording was made and the sound is very well balanced and vivid [opus 3]"The Penguin Guide to Conmpact Discs