Schubert: Ganymed, D544 (Goethe)

This page lists all recordings of Ganymed, D544 (Goethe), by Franz Peter Schubert (1797-1828) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Schubert Lieder Volume 8: Wanderer's Nachtlied

Schubert Lieder Volume 8: Wanderer's Nachtlied


Schubert:

An die untergehende Sonne, D457

with Helmut Deutsch (piano)

Der Tod und das Mädchen, D531

with Helmut Deutsch (piano)

Die Rose, D745

with Helmut Deutsch (piano)

Erinnerung (Totenopfer), D101 (Matthisson)

with Helmut Deutsch (piano)

Litanei auf das Fest Allerseelen, D343

with Helmut Deutsch (piano)

Auf dem Wasser zu singen, D774

with Helmut Deutsch (piano)

Abendbilder, D650

with Helmut Deutsch (piano)

Nach einem Gewitter D561 (Mayrhofer)

with Helmut Deutsch (piano)

Der Zwerg, D771 (Collin)

with Helmut Deutsch (piano)

Im Frühling, D882

with Helmut Deutsch (piano)

Die Blumensprache D519 (Platner)

with Helmut Deutsch (piano)

Viola, D786 (Schober)

with Helmut Deutsch (piano)

An die Entfernte, D765 (Goethe)

with Helmut Deutsch (piano)

Bei dir allein, D866/2

with Helmut Deutsch (piano)

Ganymed, D544 (Goethe)

with Helmut Deutsch (piano)

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

with Eric Schneider (piano)

Schäfers Klagelied, D121 (Goethe)

with Eric Schneider (piano)

Heidenröslein, D257

with Eric Schneider (piano)

Rastlose Liebe, D138

with Eric Schneider (piano)

An den Mond, D259 (Goethe)

with Eric Schneider (piano)

Trost in Tränen, D120

with Eric Schneider (piano)

Erster Verlust, D226 (Goethe)

with Eric Schneider (piano)

Der Musensohn, D764 (Goethe)

with Eric Schneider (piano)

Geheimes, D719 (Goethe)

with Eric Schneider (piano)

Versunken D715 (Goethe)

with Eric Schneider (piano)

An Schwager Kronos, D369

with Eric Schneider (piano)

Geisternähe D100 (Matthisson)

with Eric Schneider (piano)

Das war ich, D174 (Korner)

with Eric Schneider (piano)

Das Rosenband, D280 (Klopstock)

with Eric Schneider (piano)

Furcht der Geliebten ('An Cidli') D285 (Klopstock)

with Eric Schneider (piano)

An Sie D288 (Klopstock)

with Eric Schneider (piano)

Die Liebe hat gelogen D751 (Platen)

with Eric Schneider (piano)

Lachen und Weinen, D777

with Eric Schneider (piano)

Dass sie hier gewesen! D775 (Rückert)

with Eric Schneider (piano)

Der Einsame, D800

with Eric Schneider (piano)

Die Sterne, D684

with Eric Schneider (piano)


Matthias Goerne (baritone)

Not 'just another Schubert recording, but a major artistic achievement’ [Christian Girardin, harmonia mundi] Matthias Goerne is totally invested in the recording and editing process. Vol. 9 (the last one in the series) is due out towards the end of 2014. Future recordings will include Brahms with Christophe Eschenbach and Mahler (arr. Berio) Early Songs to be recorded in September 2014 with Josep Pons and the BBCSO.

“The virtues of this series are well enough known by now...Goerne is excellent in [Der Tod und das Mädchen and Wanderers Nachtlied] as playing to his strengths. He also shines in the more thoughtful songs, such as Litanei...Both accompanists are first-rate” MusicWeb International, 26th February 2014

“With his velvety, 'covered' timbre, and innate seriousness of manner, Goerne has never been a natural bringer of jollity...Yet if we accept that lightness and charm are not within Goerne's orbit, his singing is always scrupulous...At his finest, here and elsewhere, Goerne touches greatness as a Schubertian.” Gramophone Magazine, May 2014

“the entire first disc is beautifully shaped as darkness gives way to early spring light, exaltation and consolation...at times, I wished someone could have coaxed just a fleeting smile or moment of charm from the ever-earnest Goerne. But his deep seriousness never fails to come up with rare insight, and yields many unforgettable performances here.” BBC Music Magazine, June 2014 ****

“Goerne, particularly in the performance of Schubert’s songs, is perhaps the best of them all … This is a constantly interesting collection of songs, wonderfully performed, to set beside Goerne’s seven earlier Schubert recordings for harmonia mundi.” International Record Review, May 2014

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Harmonia Mundi Matthias Goerne Schubert Edition - HMC902109/10

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Schwarzkopf sings Schubert Lieder

Schwarzkopf sings Schubert Lieder


Beethoven:

Ah! Perfido, Op. 65

Herbert von Karajan

O wär' ich schon mit dir vereint (Marzelline)

Herbert von Karajan

Schubert:

An die Musik D547

An Sylvia, D891

Auf dem Wasser zu singen, D774

Das Lied im Grünen, D917

Der Musensohn, D764 (Goethe)

Die Forelle, D550

Die junge Nonne, D828

Ungeduld (No. 7 from Die schöne Müllerin, D795)

Ganymed, D544 (Goethe)

Gretchen am Spinnrade, D118

Im Frühling, D882

Litanei auf das Fest Allerseelen, D343

Nachtviolen D752 (Mayrhofer)

Nähe des Geliebten, D162

Seligkeit D433 (Holty)

Wehmut, D772 (Collin)


Elisabeth Schwarzkopf (soprano), Edwin Fischer, Gerald Moore & Karl Hudez (piano)

Elisabeth Schwarzkopf is accompanied by Edwin Fischer, Gerald Moore and Karl Hudez in a selection of Schubert lieder. Also featured is Marzelline's aria from Fidelio and the early Beethoven cantata Ah! Perfido conducted by Karajan. Super budget.

Regis - RRC1401

(CD)

$7.50

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Schubert: Die Schöne Müllerin & Favourite Goethe Lieder

Schubert: Die Schöne Müllerin & Favourite Goethe Lieder


Schubert:

Die schöne Müllerin, D795

with Gerald Moore (piano)

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

with Jörg Demus (piano)

Ganymed, D544 (Goethe)

with Jörg Demus (piano)

Prometheus, D674 (Goethe)

with Jörg Demus (piano)

An den Mond, D259 (Goethe)

with Jörg Demus (piano)

Der Musensohn, D764 (Goethe)

with Jörg Demus (piano)


“A landmark recording of Die schöne Müllerin...alive with the uniquely imaginative creative relationship Dietrich Fischer-Dieskau enjoyed with Jorg Demus.” BBC Music Magazine, July 2013 *****

“here is an ideal equilibrium between experience, diligent study and still undiminished inspiration. The freshness, both vocally and in attitude, is wholly compelling...the transfers are excellent and with almost 78 minutes playing time you get a lot of music for your money. No one will regret buying this disc.” MusicWeb International, April 2013

Alto - ALC1207

(CD)

$7.50

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Miah Persson sings Songs by Schubert, Sibelius & Grieg

Miah Persson sings Songs by Schubert, Sibelius & Grieg


Grieg:

Seks Sange, Op. 48

Hjertets Melodier af H. C.Andersen, Op. 5 No. 3 'Jeg elsker Dig'

encore

Schubert:

Suleika I, D720

Ganymed, D544 (Goethe)

Nur wer die Sehnsucht kennt, D877/4

Rastlose Liebe, D138

Du bist die Ruh D776 (Rückert)

Auf dem Wasser zu singen, D774

Gretchen am Spinnrade, D118

Der Hirt auf dem Felsen, D965 (Von Chezy / Muller)

Richard Hosford (clarinet)

Sibelius:

Våren flyktar hastigt, Op. 13 No. 4 (Text: Runeberg)

Den första kyssen, Op. 37 No. 1 (Text: J.L. Runeberg)

Var det en dröm? Op. 37 No. 4 (J.J. Wecksell)

Säf, säf, susa, Op. 36 No. 4 (Text: Gustav Fröding)

Flickan kom från sin älsklings möte, Op. 37, No. 5


Miah Persson (soprano) & Roger Vignoles (piano)

Famed for her highly intelligent performances and deep engagement with music, Swedish soprano Miah Persson is in great demand throughout the world. She returned to Wigmore Hall last February with internationally renowned accompanist Roger Vignoles to perform a wonderfully emotive and dramatic programme.

Opening with some of the most celebrated Schubert Lieder, Persson revealed a refined interpretation of each song, searching deep within the texts to convey emotions from agony to ecstasy. With great passion, Persson then entered the Scandinavian sound world to complete her programme with Grieg’s stormy Six Songs and a beautiful collection of Sibelius’s most evocative settings.

“'Gretchen am Spinnrade' is a model of how a middle-weight voice can scale the song's peaks thanks to an inner conviction and trusting how the notes and words can shoulder the dramatic weight...So beautiful is her enunciation in the Swedish-language Sibelius songs that you could take phonetic dictation...The Grieg songs show signs of vocal tiring...In 'Die verschwiegene Nachtigall', though, one can hardly imagine a more alluring nightingale song.” Gramophone Magazine, August 2012

“a lovely, beautifully balanced recital...In an opening Schubert set, Persson, for all the natural brightness of her voice, achieves the right aching heaviness in Lied der Mignon, and a beguiling sense of gentle repose in Du bist die Ruh.” Sunday Times, 15th July 2012

“Persson is beautiful and so is her voice, so she starts with a big advantage. But that is only the start...I did find...that there was a danger of monotony, undercharacterisation and reliance on sheer undeniable vocal beauty. Roger Vignoles is an ideal accompanist, setting the mood with a few notes or chords” BBC Music Magazine, September 2012 ***

“Persson clearly relishes the possibility of characterization particular songs...The voice is light and lyric throughout but there's power too when required, so the final lines of Du bist die Ruh are radiant...However - and this is possibly a subjective caveat - what Persson lacks is the kind of rounded warm tone and inner conviction that makes the best Schubert recitals so warmly satisfying...Hosford is the perfect partner up on the rock” International Record Review, September 2012

Wigmore Hall Live - WHLIVE0052

(CD)

$12.00

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Schubert: Lieder

Schubert: Lieder


Schubert:

An die Musik D547

Im Frühling, D882

Wehmut, D772 (Collin)

Ganymed, D544 (Goethe)

Das Lied im Grünen, D917

Gretchen am Spinnrade, D118

Nähe des Geliebten, D162

Die junge Nonne, D828

An Sylvia, D891

Auf dem Wasser zu singen, D774

Nachtviolen D752 (Mayrhofer)

Der Musensohn, D764 (Goethe)


“Schwarzkopf and Fischer make a magical partnership, with even the simplest of songs inspiring intensely subtle expression from singer and pianist alike. Fischer left few records more endearing than this, and Schwarzkopf’s colouring of word and tone is masterly.” Penguin Guide

EMI Masters - 6787512

(CD)

$11.00

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Schubert: Willkommen und Abschied

Schubert: Willkommen und Abschied


Schubert:

Heidenröslein, D257

Schlaflied D527 (Mayrhofer)

Wiegenlied D867 (Seidl)

Geheimes, D719 (Goethe)

Ganymed, D544 (Goethe)

Auf der Bruck, D853

Der Fischer, D225 (Goethe)

Dass sie hier gewesen! D775 (Rückert)

Bei dir allein, D866/2

Der Schiffer, D536 (Mayrhofer)

Willkommen und Abschied, D767

Der Wanderer, D493

Im Walde D834

Wandrers Nachtlied I 'Der du von dem Himmel bist', D224

Der Einsame, D800

Der Winterabend (Es ist so still), D938

Herbst, D945

Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n'

Nachtstück, D672 (Mayrhofer)


Werner Güra (tenor) & Christoph Berner (fortepiano Rönisch)

Born in Munich, Werner Güra has a reputation especially as an interpreter of lieder. His recordings for harmonia mundi, including the great cycles of Schubert, Schumann and Wolf and vocal ensembles by Brahms and Schumann, have all been widely acclaimed.

“It comprises 19 songs, all stylishly and beautifully sung by the tenor Werner Güra. The six Goethe settings include such familiar contrasts as Heidenröslein and Ganymed, while Willkommen und Abschied itself, more of a rarity, is heroically sung. The strength of Güra’s tone without any loss of quality has always been his strong point.” Sunday Telegraph, 29th January 2012

“His fresh lyric tenor combines well with Berner’s bright yet warm-toned fortepiano — he twinkles at Goethe’s ironic description of a water nymph as “eine feuchtes Weib”, literally a “damp woman” — while Berner brings drama to the piano parts of Auf der Bruck, Willkommen und Abschied and the haunting, yearning Herbst.” Sunday Times, 12th February 2012

“Berner, playing an 1872 Rönisch fortepiano, shows keen attention to every detail. Güra, outstanding in his unfussy, intense delivery, is a formidable, rousing guide.” The Observer, 26th February 2012

“Gura's strong, unaffected tenor voice is a pleasure to listen to, and Berner, who has an impressive keyboard freedom grounded in reliable technical skill, is a responsive accompanist: they perform as one, although too often their approach to a song somehow misses an essential quality of that particular piece of music.” International Record Review, March 2012 ****

“Gura and his fortepianist, Christoph Berner, have mapped out a trajectory of the Romantic view of human emotional life...At each stage, both musicians show perfect sympathy with Schubert's own engagement, ideal empathy with each other, and a shrewd sensitivity to musical and expressive scale.” BBC Music Magazine, May 2012 *****

“Gura is never dull. 'Der Wanderer' is intensely 'lived', the opening bleak and desiccated...One of the most eloquent performances of all is the last song, 'Nachtstuck'...Here, singer and pianist show an acute sensitivity to harmonic colour that characterises this whole rewarding recital.” Gramophone Magazine, May 2012

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Harmonia Mundi - HMC902112

(CD)

Normally: $16.00

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Felicity Lott sings Schubert Favourites

Felicity Lott sings Schubert Favourites


Schubert:

Die Forelle, D550

An Sylvia, D891

Heidenröslein, D257

Du bist die Ruh D776 (Rückert)

Der Musensohn, D764 (Goethe)

An die Musik D547

Auf dem Wasser zu singen, D774

Sei mir gegrüsst! D741 (Rückert)

Litanei auf das Fest Allerseelen, D343

Die junge Nonne, D828

Ave Maria, D839

Im Frühling, D882

Gretchen am Spinnrade, D118

Nacht und Träume, D827

Ganymed, D544 (Goethe)

Nur wer die Sehnsucht kennt, D877/4

Schlachtgesang D443 (Klopstock)

Der Hirt auf dem Felsen, D965 (Von Chezy / Muller)

with Michael Collins (clarinet) & Ian Brown (piano)


Felicity Lott (soprano) & Graham Johnson (piano)

Alto - ALC1092

(CD)

$7.50

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Schubert - Schwanengesang & Lieder

Schubert - Schwanengesang & Lieder


Schubert:

Prometheus, D674 (Goethe)

Ganymed, D544 (Goethe)

Freiwilliges Versinken D700 (Mayrhofer)

Gruppe aus dem Tartarus, second version, D583 (Schiller)

Elysium D584 (Schiller)

Schwanengesang, D957


Dietrich Henschel (baritone) & Fritz Schwinghammer (piano)

Dietrich Henschel, acknowledged as one of today’s foremost interpreters of the lied, records a stunning programme of Schubert lieder, including his posthumously issued collection of lieder known as ‘Schwanengesang’, accompanied by award-winning pianist, Fritz Schwinghammer. The recital touches on the very essence of the Romantic soul, somewhere between bitter dreams and heartrending sorrows.

Schwanengesang, a collection of 14 songs published shortly after his death, are considered some of Schubert’s most tragic songs, offering the listener an arresting concentration of the composer’s imaginative universe and his obsessions: departure, the death of the beloved, amorous reveries. The set of songs accompanying this great cycle, sees Schubert explore one of the prevailing features of early German Romanticism: a longing for a better world, one that is lost forever. In doing so, he draws on the mythological poems of Goethe, Schiller and Mayrhofer.

German baritone Dietrich Henschel is acknowledged as one of today’s foremost interpreters of the lied, and is invited all over the world with the pianists Fritz Schwinghammer, Helmut Deutsch and Michael Schäfer. His substantial discography features lieder and song cycles by Mahler, Wolf, Schubert, Korngold, and Beethoven, as well as Busoni’s Doktor Faust which won a Grammy Award.

“In this studio account of Schubert's final song collection...there is still an enormous amount to admire - in the way that Henschel colours every line individually and, unlike some celebrated lieder baritones of today, never applies a uniform expressivity to everything he sings, and in the fine-grained expressive nuances with which he weights the meaning and significance of every word.” The Guardian, 31st July 2009 ***

“[Henschel's] voice is as flexible as ever, rich and commanding one moment and drained of all colour the next. Henschel and Schwinghammer convince us that this is no mere random selection of songs gathered after Schubert's death, as some believe, but a dramatic narrative that demands our attention.” The Observer, 26th July 2009

“Dietrich Henschel studied with Dietrich Fischer-Dieskau and the latter’s stamp is clearly imprinted on his singing of Schubert’s last song-cycle. Henschel is never less than elegant, virile and intelligent.” The Telegraph, 11th August 2009 ***

“You couldn’t call Henschel’s bass-baritone voice suave, but his reedy tone can be very expressive when applied to songs of anguish. There are plenty of those in Schubert’s posthumous lieder collection.” The Times, 1st August 2009 ***

Ambroisie - AM138

(CD)

$17.50

(also available to download from $10.00)

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Schubert - Lieder

Schubert - Lieder


Schubert:

Die Gotter Griechenlands D677 (Schiller)

An die Musik D547

Ganymed, D544 (Goethe)

Nur wer die Sehnsucht kennt, D877/4

Gretchen am Spinnrade, D118

Wonne der Wehmut D260 (Goethe)

Rastlose Liebe, D138

Auf dem See, D543 (Goethe)

Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe)

An Sylvia, D891

An die Nachtigall, D196 (Holty)

An den Mond, D193

Nachtviolen D752 (Mayrhofer)

Schlaflied D527 (Mayrhofer)

Die Sternenwelten, D307 (Fellinger)

Romanze, D114 (Matthisson)

Die junge Nonne, D828

Auf der Riesenkoppe, D611

Im Frühling, D882

Sei mir gegrüsst! D741 (Rückert)

Dass sie hier gewesen! D775 (Rückert)

Du bist die Ruh D776 (Rückert)

Lachen und Weinen, D777

An die untergehende Sonne, D457

Im Abendrot, D799


Bernarda Fink (mezzo) & Gerold Huber (piano)

The pieces selected for this recording mark out the milestones of a brief, rich and critically important career as a song composer, ranging in time from 1814 to 1826.Alongside the classic Schubert themes found here, such as deliverance and night, death, flight from the world and hope, we also encounter poets who were more than merely fixed stars in the composer's cosmos, including Johann Wolfgang von Goethe, the writer he most often set, and Johann Baptist Mayrhofer.We can hear for ourselves a captivating, evocative musical language. It speaks of the constant struggle of an individual, his bitterness, his longing, and his desire for deliverance. Yet, however deeply Schubert bathed in this Romantic current, throughout his life art remained for him the only key that might perhaps lead to a 'better world'.And so, in 1817, he took up a text by his friend Franz von Schober to compose an ode to the all-placating 'blessed art' in An die Musik D547: music, which for Schubert, as he wrote to Schober in 1818, was nothing less than 'my beloved'. Bernarda Fink, has sung in numerous opera productions and has made over fifty recordings with a repertoire ranging from Monteverdi to Brahms and Bruckner, many for harmonia mundi and with René Jacobs. She has been flatteringly referred to as the natural successor to the late Lorraine Hunt Lieberson and to both [the living] Brigitte Fassbaender and Dame Janet Baker. Gerold Huber studied with Friedemann Berger and Helmut Deutsch in Munich, then attended Dietrich Fischer-Dieskau's lied class in Berlin. In addition to his regular appearances with Christian Gerhaher, he also performs with Ruth Ziesak, Cornelia Kallisch, Diana Damrau and Franz-Josef Selig and has also performed with the Artemis Quartet.

“One of the most versatile, as at ease in Baroque repertoire as in music from Handel and Mozart to Schumann, Fink's rich, warm voice boasts the perfect blend of colour and clarity.” The Observer

“[Fink's] Schubert springs directly from the eloquence of her diction, her understanding of the text and the velvet-like beauty of her exquisite mezzo-soprano. Nobody who loves Schubert should forgo the pleasures of this fine singing and playing. One of the records of the year, no doubt” Sunday Times, 24th August 2008 *****

“We're conscious throughout of a great voice superbly controlled, though [Fink] doesn't give nearly enough attention to words or expressive detail.” Tim Ashley, The Guardian, 12th September 2008 ***

“Supported by Huber's faultless articulation, Fink's tender tone and perfect diction relect every nuance of emotion in the modulations of 'Im Frühling' and 'Dass sie hier gewesen'” The Independent, 7th September 2008

“The clear, unfettered lyrical mezzo of Bernardo Fink makes this a winning new Schubert recital…” BBC Music Magazine, October 2008 ****

“This superlative disc, worthy of 10 stars establishes the mezzo Bernarda Fink as one of today’s great artists. The simplicity of her approach to Schubert is part of her magic. No arch mannerisms, no exaggerated emotion, but no lack of passion and insight. On every track you will find inspiration working at full intensity. She has the poise of a Ludwig. Even in the best known songs, she brings a fresh sense of adventure. Gerhard Huber is he accomplished pianist.” Sunday Telegraph

Harmonia Mundi - up to 30% off

Harmonia Mundi - HMC901991

(CD)

Normally: $16.00

Special: $12.64

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Ian Bostridge - Schubert Lieder

Ian Bostridge - Schubert Lieder


Schubert:

Die Forelle, D550

Ganymed, D544 (Goethe)

Im Frühling, D882

An den Mond, D193

Geheimes, D719 (Goethe)

Heidenröslein, D257

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

Erster Verlust, D226 (Goethe)

Der Fischer, D225 (Goethe)

Fischerweise, D881 (Schlechta)

Nacht und Träume, D827

Der Zwerg, D771 (Collin)

Wehmut, D772 (Collin)

An die Musik D547

Du bist die Ruh D776 (Rückert)

Auf dem Wasser zu singen, D774

An Sylvia, D891

Litanei auf das Fest Allerseelen, D343

Frühlingsglaube, D686

Sei mir gegrüsst! D741 (Rückert)

Im Haine, D738

Der Musensohn, D764 (Goethe)

Wandrers Nachtlied I 'Der du von dem Himmel bist', D224

Seligkeit D433 (Holty)

Erlkönig, D328


Recorded 1996 & 2000

“Few discs of favourite Schubert songs match this for sheer beauty...[Bostridge] offers fresh revelation in even the best-known songs” Penguin Guide, 2010 edition ****

“A voice more for Schöne Müllerin than Winterreise, Bostridge's fresh, buoyant, beautifully articulated tenor suits these Lieder perfectly. The literary and musical impulses are in perfect equilibrium, and Drake's rapport is absorbing.” BBC Music Magazine, January 2006 ****

EMI Great Artists of the Century - 4768512

(CD)

$10.50

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