Schubert: Des Fischers Liebesgluck, D933 (Leitner)

This page lists all recordings of Des Fischers Liebesgluck, D933 (Leitner), by Franz Peter Schubert (1797-1828) on CD, SACD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Dietrich Fischer-Dieskau: Schubert & Schumann Recitals

Dietrich Fischer-Dieskau: Schubert & Schumann Recitals

Two Films by Bruno Monsaingeon


Schubert:

An Schwager Kronos, D369

Hoffnung, D637

Auf der Donau, D553 (Mayrhofer)

Der Strom, D565 (poet unknown)

Der Wanderer, D489

Die Gotter Griechenlands D677 (Schiller)

Freiwilliges Versinken D700 (Mayrhofer)

Der Zwerg, D771 (Collin)

Wehmut, D825

Totengräbers Heimwehe D842 (Craigher)

Auf der Bruck, D853

Des Sängers Habe D832 (Schiechta)

Am Fenster, D878

Fischerweise, D881 (Schlechta)

Das Zugenglocklein D871 (Seidl)

Der Kreuzzug D932 (Leitner)

Des Fischers Liebesgluck, D933 (Leitner)

Die Sterne, D939 (Leitner)

Der Einsame, D800

Aus 'Heliopolis' - II D754 (Mayrhofer)

Geheimes, D719 (Goethe)

Im Abendrot, D799

Abschied D475 (Mayrhofer)

Schumann:

Mein Wagen rollet langsam, Op. 142 No. 4

Es leuchtet meine Liebe, Op. 127 No. 3

Abends am Strand, Op. 45 No. 3

Liederkreis, Op. 24

Dichterliebe, Op. 48

Du bist wie eine Blume, Op. 25 No. 24

Der Kontrabandiste, Op. 74 No. 10

Erstes Grün, Op. 35 No. 4

Schöne Fremde (No. 6 from Liederkreis, Op. 39)

Sitz'ich allein, Op. 25, No. 1

SCHUBERT RECITAL (1992)

SCHUMANN RECITAL (1991)


Dietrich Fischer-Dieskau (Baritone) & Hartmut Höll (piano)

This DVD release celebrates the life of Dietrich Fischer-Dieskau, German lyric baritone and one of the most acclaimed Lieder performers of the late 20th century. Elisabeth Schwarzkopf called him ‘a born god who has it all’. He performed and recorded a great many operatic roles and dominated both the opera and concert platform for over thirty years, being regarded as one of the finest lyrical vocalists of his generation.

In these two concerts from the Opera Theatre of Nuremberg, recorded in 1991 and 1992, Fischer-Dieskau performs beautiful and dramatic Lieder by Franz Schubert and Robert Schumann.

157 MINS • ALL REGIONS • NTSC 4:3 • COLOUR • L-PCM STEREO

DVD Video

Region: 0

Format: NTSC

Warner Classics - 2564656461

(DVD Video)

$18.00

In stock - usually despatched within 1 working day.

Schubert Lieder Volume 1: Sehnsucht

Schubert Lieder Volume 1: Sehnsucht


Schubert:

Fahrt zum Hades, D526 (Mayrhofer)

Freiwilliges Versinken D700 (Mayrhofer)

Das Weinen D926 (Leitner)

Des Fischers Liebesgluck, D933 (Leitner)

Der Winterabend (Es ist so still), D938

Memnon, D541 (Mayrhofer)

Lied eines Schiffers an die Dioskuren D360 (Mayrhofer)

Der Schiffer, D536 (Mayrhofer)

Sehnsucht, D636 (Schiller)

Der Jungling am Bache D638

An Emma, D113

Der Pilgrim, D794 (Schiller)

Gruppe aus dem Tartarus, second version, D583 (Schiller)

Hoffnung, D295

Grenzen der Menschheit, D716


“Critics have sung Mr. Goerne's praises over and over, and one can hardly add anything at this point: The voice is one of the most beautiful - most lush, most creamy - that any of us has ever heard. His singing is almost impossibly smooth. The first time you hear it, you can scarcely believe it. Even the 10th time, you have to wonder… An impressive recital. Matthias Goerne: a first-class and unforgettable lieder singer.” The New York Sun

“In the sombre and elegiac songs that dominate his programme, Goerne is in his element, singing with his distinctive dark, rounded beauty and almost tortured intensity of thought and feeling. More than almost any other Lieder singer today, he combines expressive diction with an unblemished legato... In their mingled majesty and aching tenderness, Goerne's performances of two great Mayrhofer settings...are as moving as any performances I can remember. With his deep mahogany tones and innate seriousness of manner (on the concert platform he habitually wears a haunted air), Goerne is less convincing when a certain lightness of touch is needed. While not many of his chosen songs require him to smile, one that surely does is the wistful barcarolle Des Fischers Liebesglück, whose fisherman in question sounds thoroughly depressed. It is the same in Der Jüngling am Bache, where Goerne's slow, doleful performance suggests hopeless resignation rather than the tremulous expectancy implied by poem and music.” The Telegraph, 28th April 2008

“Goerne's renowned breath control … creates the hushed legato which is his hallmarl. This comes into its own in the Mayrhofer and Leitner settings, creating the mesmeric lilt of water and of light.” BBC Music Magazine, May 2008 ****

“His voice has a melting allure that draws you in completely to the sentiments of the song, and the disarming beauty of Schubert's music. These performances glow in various lights, rounding off a truly excellent first volume of an ongoing Schubert series.” The Scotsman

“Following Dietrich Fischer-Dieskau nearly 40 years on, Goerne is in his element, singing with his distinctive dark, rounded beauty and almost tortured intensity of thought and feeling. More than almost any other Lieder singer today, he combines expressive diction with an unblemished legato, "bowing" Schubert's long lines like a master cellist (shades here of the great Hans Hotter). In their mingled majesty and aching tenderness, Goerne's performances of two great Mayrhofer settings, Memon and Lied eines Schiffers an die Dioskuren, are as moving as any performances I can remember.” The Telegraph, 26 April 2008 Classical CD of the Week

“Matthias Goerne is fast becoming the Fischer-Dieskau of his generation, the standard-setting singer of the central lieder repertoire.” International Record Review

“'Do you know of any happy music?' Schubert once asked a friend. 'I don't.' Those words could stand as an epigraph to Matthias Goerne's opening salvo in a projected 11- or 12-disc survey of Schubert Lieder. Evanescence, elegy and yearning for a transcendent otherness are the keynotes of a programme that encompasses the Attic majesty and terribilità of 'Memnon' and 'Gruppe aus dem Tartarus', the disillusioned fatalism of 'Der Pilgrim' and the philosophical grandeur of 'Grenzen der Menschenheit'. In these songs Goerne, with his distinctive dark, velvet timbre, is in his element. An intense, almost tortured concentration of thought and feeling has always been his hallmark, as has an unblemished legato. The way he bows Schubert's long lines like a cellist is reminiscent of the great Hans Hotter.
Goerne's rich bass resonances are heard to advantage in a performance of 'Grenzen der Menschenheit' that embraces aching tenderness as well as deep, rolling gravitas. 'Memnon' – a typical Mayrhofer allegory of the artist as tragic outsider – is equally spellbinding, illuminated by telling details like the lingering portamento on 'liebend' – 'lovingly' – as dawn's rays break through the mists. And when have the hazardous leaps of another allegorical Mayrhofer song, 'Freiwilliges Versinken been negotiated with such smoothness and hypnotic eloquence.
Where doubts creep in is in the handful of songs where, pace Schubert's own words, a certain lightness of tone and spirit is implied, but Goerne's involvement is so palpable and his style so scrupulous. For two-thirds and more of this recital the interpretative rewards are uncommonly rich, with the baritone well complemented by Elisabeth Leonskaja's deep-toned (if on occasion over-pedalled), often orchestrally conceived accompaniments.”
Gramophone Classical Music Guide, 2010

GGramophone Magazine

Editor's Choice - May 2008

Harmonia Mundi Matthias Goerne Schubert Edition - HMC901988

(CD)

$16.00

In stock - usually despatched within 1 working day.

Schubert - Lieder

Schubert - Lieder


Schubert:

Bei dir allein, D866/2

Abendbilder, D650

Himmelsfunken, D651

Dass sie hier gewesen! D775 (Rückert)

Drang in die Ferne, D770

Am Fenster, D878

Auf der Bruck, D853

Des Fischers Liebesgluck, D933 (Leitner)

Der Winterabend (Es ist so still), D938

Das Zugenglocklein D871 (Seidl)

Alinde, D904

Fischerweise, D881 (Schlechta)

Im Abendrot, D799

Der Musensohn, D764 (Goethe)

Du bist die Ruh D776 (Rückert)

Greisengesang, D778

Willkommen und Abschied, D767


Christian Gerhaher (baritone) & Gerold Huber (piano)

“An exhilarating recital from this superb lieder singer” Gramophone

“Christian Gerhaher is one of the most exciting German baritones on the Lieder scene at the moment, with his outstanding natural voice, immaculately groomed to enable a powerful musical sculpting of all he sings. …Gerhaher and Huber are at their riveting and rhythmic best in the trotting gait of 'Drang in die Ferne', the canter of 'Auf de Bruck' and the break-neck gallop of 'Wilkommen und Abschied'.” BBC Music Magazine, August 2006 ****

“Eschewing the eccentricities and exaggerations of some of his contemporaries, Gerhaher wonderfully exhibits the verities of Schubert interpretation in this well-planned and absorbing programme. Everything he does evolves from the song in hand and so accords with all that is needed in performing some of the composer's greatest Lieder.
The title, 'Abendbilder', is interpreted freely but almost all the pieces have some relevance to the dreams and moods of evening. Gerhaher enters into these nocturnal moods with unerring artistry where line, tone and word-painting are concerned. He is at his very best in the three settings of Rückert. That quirky, equivocal piece Dass sie hier gewesen, prophesying the style and harmony of Hugo Wolf, is sung with a full understanding of its inner meaning. Du bist dieRuh is delivered with the fine line and intense concentration such a great song deserves, and the thoughts of an elderly man in Greisengesang are as meaningful as they should be.
Highly appealing throughout is the mellifluousness and breath control, a feature prominent throughout the recital, of the quietly contemplative Im Abendrot, and the appropriate dreaminess brought to the hypnotic barcarolle that is Des Fischers Liebesglück. As a nice contrast, Gerhaher brings virile energy to the fierce riding of Auf der Bruck – and here Gerold Huber deserves as much praise as his partner for portraying the insistent beat of horse's hooves in the piano part so vividly – and the familiar Der Musensohn has just the right verve as does another Goethe setting, the ecstatic Willkommen und Abschied, that brings a rewarding recital to an exhilarating close with Huber – as throughout – seconding the singer with his discerning contribution. The recording is ideally balanced.”
Gramophone Classical Music Guide, 2010

“Gerhaher enters into these nocturnal moods with unerring artistry where line, tone and word-painting are concerned. He is at his very best in the three settings of Rückert. Du bist die Ruh is delivered with the fine line and intense concentration such a great song deserves, and the thoughts of an elderly man in Greisengesang are as meaningful as they should be. ...Gerhaher brings virile energy to the fierce riding of Auf der Bruck - and here Gerold Huber deserves as much praise as his partner for portraying the insistent beat of horse's hooves in the piano part so vividly and the familiar Der Musensohn has just the right verve as does another Goethe setting, the ecstatic Willkommen and Abschied, that brings a rewarding recital to an exhilarating close with Huber - as throughout - seconding the singer with his discerning contribution.” Gramophone Magazine, July 2006

GGramophone Awards 2006

Record of the Year Finalist

GGramophone Magazine

Editor's Choice - July 2006

RCA - 82876777162

(CD)

$13.50

In stock - usually despatched within 1 working day.

Christoph & Julian Prégardien - Father & Son

Christoph & Julian Prégardien - Father & Son


Brahms:

Die Sonne scheint nicht mehr (No. 5 from Deutsche Volkslieder, WoO 33)

Erlaube mir, fein's Mädchen (No. 2 from Deutsche Volkslieder WoO 33)

Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33)

In stiller Nacht (No. 42 from Deutsche Volkslieder, WoO 33)

Schubert:

Erlkönig, D328

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

Zum Rundetanz, D983b

Die Nacht, D983c

Im Abendrot, D799

Des Fischers Liebesgluck, D933 (Leitner)

Auf dem Wasser zu singen, D774

Der Zwerg, D771 (Collin)

Meeres Stille, D216, Op. 3 No. 2 (Goethe)

Widerspruch D865 (Seidl)

Licht und Liebe D352 (Collin)

Nacht und Träume, D827

Schumann:

Nachtlied, Op. 96 No. 1

Weisst du, wieviel Sternlein stehen

O du stille Zeit

Silcher:

Frisch gesungen

Ännchen von Tharau

O wie herbe ist das Scheiden

Loreley

Zilcher:

Fruehlingsstrophe

Der betrunkene Sternseher

Ein Traum ist unser Leben

Ueber allen Gipfeln ist Ruh

Guter Rat


Christoph Prégardien, Julian Prégardien (tenor), Michael Gees (piano), Fabienne Waga, Patricia Messner (harmonica)

‘Father and Son’ is an exciting project that features the great tenor and lieder specialist Christoph Prégardien and his son Julian performing arrangements for two voices and piano of songs by Franz Schubert, Robert Schumann, Friedrich Silcher, and Johannes Brahms.

The featured pianist is a regular accompanist of Christoph Prégardien, Michael Gees. This Hybrid SACD also includes five songs by the early 20th century German composer Herrman Zilcher written specifically for two tenors, in this case accompanied by a pair of harmonica players. Based on the reminiscences of Franz Schubert’s life noted down by Moritz von Schwind, it is possible to imagine that Schubert the composer may have sometimes intended the use of two voices with the same range to perform his songs either singing alternatively or in unison. This semi-improvisational approach did not find its way into the published works and has been largely forgotten, but it forms the basis of this ground-breaking album featuring the father and son combination of Christoph and Julian Prégardien. Alongside the twelve Schubert lieder presented here, the Prégardiens have chosen a selection of songs by Robert Schumann and a contemporary of his, Friedrich Silcher, as well as four works by Brahms, and these have all been arranged for two voices by the artists along similar lines. Also included are five lieder for two tenors and two harmonicas by the 20th century composer Herrmann Zilcher.

The renowned lieder tenor Christoph Prégardien has made several recordings for Challenge Classics including Schubert’s “Die Schone Mullerin” with Michael Gees (CC72292), a Gramophone “Editor’s Choice”. In 2013 Prégardien and Gees released a critically acclaimed recording of Schubert’s Winterreise (CC72596).

Released or re-released in last 6 months

Super Audio CD

Format:

Hybrid Multi-channel

Challenge Classics - up to 25% off

Challenge Classics - CC72645

(SACD)

Normally: $20.75

Special: $16.60

Usually despatched in 2 - 3 working days.

Sirène

Sirène


Bizet:

La sirène

Debussy:

La mer est plus belle

Dowland:

My heart and tongue were twins

Sorrow, stay

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Fauré:

La fleur qui va sur l'eau Op. 85 No. 2

Gregorian Chant:

Ave maris stella (gregoriano)

Haydn:

The Mermaid's Song, Hob. XXVIa:25

Honegger:

Chanson des Sirènes (No. 1 from "Three Songs from La petite Sirène" d'Andersen)

Berceuse

Lawes, H:

Slide soft, you silver floods

Mahler:

Phantasie aus Don Juan (Lieder und Gesänge aus der Jugendzeit)

Mendelssohn:

Auf dem Teich, dem regungslosen, weilt des Mondes, Op. 71 No. 4

Purcell:

Two Daughters of this Aged Stream (from King Arthur, Z628)

Schubert:

Der Fischer, D225 (Goethe)

Am See, D746 (Bruchmann)

Des Fischers Liebesgluck, D933 (Leitner)

Schumann:

Loreley Op. 53 No. 2 (August Wilhelmine Lorenz)

Der Himmel hat eine Träne geweint, Op. 37 No. 1

Die Meerfee Op. 125 No. 1

Szymanowski:

Samotny ksiezyc (No. 1 from Piesni ksieznicki z basni 'Songs of a Fairytale Princess', Op. 31)

Złote Trzewiczi (No. 3 from Piesni ksieznicki z basni 'Songs of a Fairytale Princess', Op. 31)

Pieśń o Fali (No. 5 from Piesni ksieznicki z basni 'Songs of a Fairytale Princess', Op. 31)

Wolf, H:

Die Geister am Mummelsee (No. 47 from Mörike-Lieder)

Erstes Liebeslied eines Mädchens (No. 42 from Mörike-Lieder)

Nixe Binsefuss (No. 45 from Mörike-Lieder)


Anna Prohaska (soprano), Eric Schneider (piano), Simon Martyn-Ellis (lute)

DG - 4779796

(Sorry, download not available in your country)

Volume 10 - Austrian Contemporaries Volume 1

Volume 10 - Austrian Contemporaries Volume 1


Schubert:

Drang in die Ferne, D770

Des Fischers Liebesgluck, D933 (Leitner)

Die Sterne, D939 (Leitner)

Der Kreuzzug D932 (Leitner)

Das Weinen D926 (Leitner)

Der Wallensteiner Lanzknecht beim Trunk D931 (Leitner)

Vor meine Wiege, D927 (Leitner)

Der Winterabend (Es ist so still), D938

Am Fenster, D878

Der Wanderer an den Mond D870 (Seidl)

Das Zugenglocklein D871 (Seidl)

Sehnsucht D879

Im Freien D880

4 Refrainlieder, Op. 95, D. 866

excerpts

Wiegenlied D867 (Seidl)


Christoph Genz (tenor), Wolfram Rieger (piano)

“If you want to get to know some marvelous late Schubert songs for minimal outlay, Genz's intelligent, personable performances, sympathetically accompanied by Wolfram Rieger, won't disappoint” BBC Music Magazine, Febuary 2003

Naxos Schubert Lied Edition - 8554796

(CD)

$8.50

(also available to download from $7.00)

Usually despatched in 2 - 3 working days. (Available now to download.)

Schubert - Ausgewählte Lieder

Schubert - Ausgewählte Lieder


Schubert:

Prometheus, D674 (Goethe)

Meeres Stille, D216, Op. 3 No. 2 (Goethe)

An die Leier, D737 (Bruchmann)

Memnon, D541 (Mayrhofer)

Freiwilliges Versinken D700 (Mayrhofer)

Der Tod und das Mädchen, D531

Gruppe aus dem Tartarus, first version, D396 (Schiller)

Nachtstück, D672 (Mayrhofer)

Totengräbers Heimwehe D842 (Craigher)

Der Wanderer an den Mond D870 (Seidl)

Abendstern, D806

Selige Welt, F743 (Senn)

Auf der Donau, D553 (Mayrhofer)

Über Wildemann D884 (Ernst Schulze)

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

Des Fischers Liebesgluck, D933 (Leitner)

An die Laute D905

Der Musensohn, D764 (Goethe)

Nachtviolen D752 (Mayrhofer)

Geheimnis, D491 (Mayrhofer)

Das Fischermädchen D957 No. 10

An Sylvia, D891

Im Abendrot, D799


Orfeo - Orfeo d'Or - Salzburger Festspieldokumente - C529001B

(CD)

$14.00

Usually despatched in 3 - 4 working days.

Hans Hotter - Lieder

Hans Hotter - Lieder


Brahms:

Auf dem Kirchhofe, Op. 105 No. 4

Sapphische Ode, Op. 94 No. 4

Sonntag, Op. 47 No. 3

Botschaft, Op. 47 No. 1

Loewe, C:

Der Erlkönig, Op. 1 No. 3 (Goethe)

Die wandelnde Glocke, Op. 20 No. 3

Hochzeitlied, Op. 20 No. 1

Schubert:

Grenzen der Menschheit, D716

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

Geheimes, D719 (Goethe)

Prometheus, D674 (Goethe)

Sei mir gegrüsst! D741 (Rückert)

Am Bach im Fruhling, D361

Des Fischers Liebesgluck, D933 (Leitner)

Alinde, D904

Gruppe aus dem Tartarus, second version, D583 (Schiller)

Strauss, R:

Himmelsboten zu Liebchens Himmelbett, Op. 32 No. 5

Ach weh mir unglückhaftem Mann, Op. 21 No. 4

Nichts, Op. 10 No. 2

Wolf, H:

So lang man nüchtern ist (No. 36 from Goethe-Lieder)

Ob de Koran von Ewigkeit sei? (No. 34 from Goethe-Lieder)

Der verzweifelte Liebhaber (No. 14 from Eichendorff-Lieder)


Hans Hotter (bass-baritone), Walter Martin (piano)

Orfeo - Orfeo d'Or - C507991B

(CD)

$14.00

Usually despatched in 3 - 4 working days.

Schubert & Schumann: Lieder

Schubert & Schumann: Lieder


Schubert:

An eine Quelle D530 (Claudius)

Des Fischers Liebesgluck, D933 (Leitner)

Du bist die Ruh D776 (Rückert)

Dem Unendlichen, D291 (Klopstock)

Der Wanderer, D649 (Friedrich von Schlegel)

Auf der Donau, D553 (Mayrhofer)

Der Wanderer an den Mond D870 (Seidl)

Greisengesang, D778

Prometheus, D674 (Goethe)

Gruppe aus dem Tartarus, second version, D583 (Schiller)

Schumann:

Dichterliebe, Op. 48


Hans Hotter (baritone), Hans Altmann (piano)

Preiser - PR93145

(CD)

$14.25

Usually despatched in 2 - 3 working days.

Elisabeth Schumann - Schubert Lieder (1927-1945)

Elisabeth Schumann - Schubert Lieder (1927-1945)


Schubert:

Die Post, D911 (No. 13 from Winterreise, D911)

Wohin? (No. 2 from Die schöne Müllerin, D795)

Im Abendrot, D799

Die Vogel D691

Du bist die Ruh D776 (Rückert)

Heidenröslein, D257

Das Lied im Grünen, D917

An die Nachtigall, D497

Liebhaber in allen Gestalten, D558

Ständchen 'Horch! Horch! die Lerch!', D889

An die Musik D547

Der Jüngling an der Quelle, D300 (Salis-Seewis)

Geheimes, D719 (Goethe)

Auf dem Wasser zu singen, D774

Des Fischers Liebesgluck, D933 (Leitner)

Der Musensohn, D764 (Goethe)

Fischerweise, D881 (Schlechta)

Gretchen am Spinnrade, D118

Nacht und Träume, D827

Seligkeit D433 (Holty)

Nähe des Geliebten, D162

Lachen und Weinen, D777

Der Einsame, D800

Wiegenlied, D498

Der Schmetterling D633

Des Baches Wegenlied (No. 20 from Die schöne Müllerin, D795)

Der Hirt auf dem Felsen, D965 (Von Chezy / Muller)

Die Forelle, D550


Elisabeth Schumann (soprano) & George Reeves (piano)

“In songs of a youthful, spring-like, artless nature, she was, and remains in some respects, supreme. There is an outgoing spontaneity, a pearly tone and absence of sophistication that appeal to the heart of the listener and that today’s singers find hard to emulate” Gramophone Magazine

Naxos Historical Great Singers - 8110731

(CD)

$8.50

(Sorry, download not available in your country)

Usually despatched in 2 - 3 working days.

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