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See Terms & Conditions for p&p rates. | |  | The Hyperion Schubert Edition - Complete Songs Volume 22An 1815 Schubertiad (II)
| | | In stock - usually despatched within 1 working day. |
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| |  | Schubert: Duette, Terzette, Quartette
Schubert: | Punschlied D277 (Schiller) Cantate zum Geburtstag des Sängers Michael Vogl D666 (Stadler) Gütigster, Bester, Weisester, D441 Verschwunden sind die Schmerzen, D88 Trinklied D148 (Castelli) Der Tanz D826 (Meerau?) Schicksalslenker, blicke nieder, D763 Hymne an den Unendichen D232 (Schiller) An die Sonne D439 (Uz) Nun laßt uns den Leib begraben (Begräbnis-Lied), D168 Gott im Ungewitter, D985 Gott der Weltschöpfer D986 (Uz) Die Geselligkeit (Lebenslust) D609 (Unger) Gebet (Du Urquell aller güte) D815 (Fouqué) Hermann und Thusnelda D322 (Klopstock) Antigone und Oedip D542 (Mayrhofer) Cronnan D282 ('Ossian') Sing-Übungen D619 (Wordless) Sekna und Selmar D286b (Klopstock) Licht und Liebe D352 (Collin) Hektors Abscheid, D312 Nur wer die Sehnsucht kennt, D877/4 Szene aus Faust D126 (Goethe) Die Befreier Europas in Paris, D104 (Mikan) Die Advokaten, D37 |
Schubert's reputation as a composer of solo lieder has tended to overshadow the works for two of more voices that he composed from the age of 14 to his last years. Some of these works includes four voices and choir, and they fall in to the category of domestic music making. The earliest date from his years as a pupil of Antonio Salieri, and may well have been intended as study works, others, such as the scena 'Antigone und Oedipe' D542 of 1817 was probably composed for friends, and is quite demanding of the performers. The singers on these CDs represent some of the very best Schubert interpreters of the period -- and the recordings date from 1973. The accompanist is the incomparable Gerald Moore. “They are expert duettists [Baker and Fischer-Dieskau], having sung together on other occasions and in other media; the result, with the ever-faithful, ever-skilful Gerald Moore, is all that one might expect” Gramophone Magazine, 1973 “it really is pretty well impossible to imagine finer performances...these are charming domestic pieces here performed by four of the greatest Lieder singers of the time: luxury casting indeed.” International Record Review, May 2011 | | | Usually despatched in 4 - 5 working days. |
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| |  | Volume 19 - Poets of Sensibility Volumes 1 & 2Lieder of Friedrich Gottlieb Klopstock and Friedrich von Matthisson
Schubert: | Dem Unendlichen, D291 (Klopstock) Sekna und Selmar D286b (Klopstock) Furcht der Geliebten ('An Cidli') D285 (Klopstock) An Sie D288 (Klopstock) Edone D445 (Klopstock) Das Rosenband, D280 (Klopstock) Vaterlandslied D287(Klopstock) Hermann und Thusnelda D322 (Klopstock) Die fruhen Grabe, D290 (Klopstock) Die Sommernacht, D289 (Klopstock) Die Gestirne, D444 An Laura, als sie Klopstocks Auferstehungslied sang, D115 Erinnerung (Totenopfer), D101 (Matthisson) Die Betende, D102 Trost: An Elisa, D97 Die Sterbende, D186 (Matthisson) Vollendung D579A, formerly D989 (Matthisson) Entzückung D413 (Matthisson) Stimme der Liebe, D187 (Matthisson) Andenken, D99 Erinnerungen D98 (Matthisson) Der Geistertanz D15 (Matthisson) Stimme der Liebe, D418 (Matthisson) Lied aus der Ferne, D107 Der Abend schleiert Flur und Hain, D414 Der Geistertanz D15a (Matthisson) Lied der Liebe, D109 Geisternähe D100 (Matthisson) Der Abend D108 (Matthisson) Der Geistertanz D116 (Matthisson) Lebenslied D508 (Matthisson) Romanze, D114 (Matthisson) Die Erde, D579b (formerly D989a) Skolie D507 (Matthisson) Naturgenuss, D188 (Matthisson) Die Schatten, D50 Totenkranz fur ein Kind D275 (Matthisson) Klage D415 (Matthisson) Julius an Theone D419 (Matthisson) Adelaide, D95 |
Thomas Bauer (baritone), Simone Nold (soprano), Marcus Ullmann (tenor), Ulrich Eisenlohr (piano) | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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