Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Tell me the truth about love…
Barber, S: | Rain has fallen | Boulanger, L: | Vous m'avez regardé avec toute votre âme | Brahms: | Wir wandelten, wir zwei zusammen Op. 96/2 Am Sonntag Morgen Op. 49 No. 1 Du sprichst, daß ich mich täuschte, Op. 32 No. 6 | Bridge: | Adoration, H 57 | Chausson: | Le Charme, Op. 2 No. 2 (Silvestre) | Copland: | Heart we will forget him | Debussy: | La chevelure | Dunhill: | The Cloths of Heaven, Op. 30/3 | Fauré: | Fleur jetée, Op. 39 No. 2 | Grieg: | Jeg Elsker Deg, Op. 41 No. 3 | Hahn, R: | Infidélité | Ireland: | The Trellis | Loewe, C: | Ich kann's nicht fassen, nicht glauben, Op. 60 No. 3 | Marx: | Und gestern hat er mir Rosen gebracht | Quilter: | Love's Philosophy, Op. 3 No. 1 (Shelley) | Rachmaninov: | Summer nights Op.14 No. 5 | Schoenberg: | Warnung, Op. 3 No. 3 | Schubert: | Du liebst mich nicht D756 (Platen) | Schumann: | Seit ich ihn gesehen (No. 1 from Frauenliebe und Leben, Op. 42) | Strauss, R: | Nachtgang Op. 29 No. 3 | Weill, K: | Je ne t'aime pas (text: Maurice Magre) | Wieniawska: | En sourdine | Wolf, H: | O wär dein Haus durchsichtig wie ein Glas Geh' Geliebter, geh' jetzt (No. 34 from Spanisches Liederbuch: Weltliche Lieder) |
Some say love's a little boy, And some say it's a bird, Some say it makes the world go around, Some say that's absurd… W.H. AUDEN Charting the course of a love affair – in song – through the eyes of a young woman who begins by asking the universal question, Tell me the truth about love presents a programme of 19th and 20th century song. The album takes its title from Benjamin Britten’s 1938 seductive setting of W.H. Auden’s amusing poem and tries to pin down and define the most elusive of human emotions. The story takes us from love at first sight with Schumann’s Seit ich ihn gesehen, breathless with wonder and fervent reverance and Chausson’s Le charme which describes the quiver of excitement and the tender veneration the girl feels when the boy’s smile catches her unawares to Loewe’s Ich kann’s nicht fassen, nicht gluben to describe the lovers first encounter. As the love story unfolds and the couple become closer, it is illustrated with music such as Strauss’s Nachtgang, Rachmaninov’s Midsummer nights and Bridge’s Adoration. However the magic is soon broken and Sunday brings deception and betrayal. The girl finds out that the young man does not love her and she bitterly awakes from her dream. The feeling of love lost is brought to life through Brahm’s Am Sonntag Morgen, Schubert’s Du liebst mich nicht and Kurt Weill’s Je ne t’aime pas. As a postlude, Britten’s arrangement of Early one morning perfectly sums up the story of the young girl and the final message of ‘how could you use a poor maiden so?’ lingers in the ear. Amanda Roocroft has secured an international reputation as one of Britain’s most exciting singers, in opera, concert and recital and Joseph Middleton enjoys a busy and varied career as a chamber musician and song accompanist. “Roocroft is impassioned in outgoing songs such as Bridge's ecstatic 'Adoration', where accompanist Joseph Middleton is really able to let himself go, but she can sound strained elsewhere...The choice of songs, though, is its own strong selling point.” Gramophone Magazine, June 2013 | | | In stock - usually despatched within 1 working day. |
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| |  | Kate Royal: A Lesson in Love
Beach: | Ah, Love, but a day! Op. 44, No. 2 | Bolcom: | Waitin' | Brahms: | Am Sonntag Morgen Op. 49 No. 1 | Bridge: | Love went a-riding | Britten: | O Waly, Waly | Canteloube: | Songs of the Auvergne: Chut, chut | Copland: | Pastorale Heart we will forget him | Debussy: | Apparition - song (1884) | Duparc: | Extase | Fauré: | Donc ce sera par un clair jour d’été | Hughes, H: | I will walk with my love | Liszt: | Es muss ein Wunderbares sein, S. 314 | Ravel: | Chanson de la mariée | Schubert: | Gretchen am Spinnrade, D118 Rastlose Liebe, D138 Die Männer sind méchant, D866 No. 3 Du liebst mich nicht D756 (Platen) | Schumann: | Jemand Lied der Braut II, Op. 25 No. 12 Lied der Braut I, Op. 25 No. 11 | Strauss, R: | Hochzeitlich Lied Op. 37 No. 6 | Tosti: | Pour un baiser | trad.: | Londonderry Air | Wolf, H: | Die Kleine O wär dein Haus durchsichtig wie ein Glas Erstes Liebeslied eines Mädchens (No. 42 from Mörike-Lieder) Verschling der Abgrund meines Liebsten Hütte |
A Lesson in Love tells the universal story of a love won and lost, and contains some beautiful and emotional German lieder, English and American songs and French mélodies. Kate Royal’s first two orchestral discs for EMI have been critically acclaimed. Here she turns her attention towards a more intimate recital disc with piano. A Lesson in Love charts the journey of a young girl’s relationship: from the first kiss and thrill of a blossoming love and initial intimacy through to the joy of a love fulfilled, to the disappointment and anger when the relationship breaks down - it ends with the girl’s acceptance and a cheeky sense of optimism about what her future love life might hold… Kate here creates her own unique song cycle, a thematic journey through the highs and lows of love, of young naivety lost and emotional maturity gained, feelings and experiences everyone can relate. Kate leads us through her own personal choice of song, and her innate sense of drama and her passion for musical storytelling brings a fresh and youthful interpretation of the disc repertoire. A Lesson in Love contains a mixture of well-known songs as well as some surprising rarities, with a range of song styles and languages to appeal to a broad audience. She is joined by the most esteemed and respected accompanists, Malcolm Martineau. “Royal is on fine form in the Schumann and Schubert Lieder, with Malcolm Martineau at the piano stage-managing the show admirably, as indeed he does throughout.” BBC Music Magazine, April 2011 **** “Royal's idea of combining songs of disparate eras and styles to tell a single love story works beautifully...[She] sings with radiant beauty and powerful emotional immediacy. If the golden warmth of her voice shows a hint of tightening when pushed on her high notes, it doesn't detract from the overall impact.” Classic FM Magazine, April 2011 **** “Royal, with Malcolm Martineau at the piano, finds a character and colour for each of her 28 songs...William Bolcom’s gentle “Wait in” at the start and finish is well justified, and her Bridge and Britten are heartfelt, but the gem is Amy Beach’s winsome “Ah, Love but a day!”.” Financial Times, 11th February 2011 **** “Kate Royal's beautifully sung new album, with finely characterised piano-playing from Malcolm Martineau, ranges imaginatively across a spectrum of composers who have captured the first pangs, the heartaches and the dashed hopes that can make life such a maelstrom of emotion.” Gramophone Magazine, March 2011 “Royal is generally in fine voice...luscious warmth is much in evidence. Royal is an exception among the majority of lyric sopranos these days in boasting an especially substantial middle range, which really glows throughout this disc.” International Record Review, March 2011 “An intriguingly fresh and unhackneyed programme...Kate Royal proves herself a compelling recitalist, colouring words with feeling and creating vivid atmosphere and character.” The Telegraph, 6th March 2011 **** | | | In stock - usually despatched within 1 working day. |
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| |  | The Hyperion Schubert Edition - Complete Songs Volume 28An 1822 Schubertiad
Schubert: | Versunken D715 (Goethe) Im Gegenwärtigen Vergangenes, D710 Mahomets Gesang D721 (Goethe) completed by Van Hoorickx Geheimes, D719 (Goethe) Johanna Sebus D728 (Goethe) completed by Van Hoorickx Mignon I (Heiß mich nicht reden) D726 Die Nachtigall, D724 Sei mir gegrüsst! D741 (Rückert) Frühlingsgesang D740 (Schober) Der Wachtelschlag D742 (Sauter) Geist der Liebe D747 (Matthisson) Die Liebe hat gelogen D751 (Platen) Du liebst mich nicht D756 (Platen) Todesmusik, D758 (Schober) Selige Welt, F743 (Senn) Ihr Grab D736 (Engelhardt) Schatzgräbers Begehr D761 (Schober) Der Musensohn, D764 (Goethe) Am Flusse, D766 An die Entfernte, D765 (Goethe) Willkommen und Abschied, D767 Schicksalslenker, blicke nieder, D763 |
John Mark Ainsley (tenor), Maarten Koningsberger (baritone), Christine Schäfer, Patricia Rozario (sopranos), Catherine Denley (mezzo soprano), Paul Agnew, Ian Bostridge, Jamie Macdougall (tenors), Simon Keenlyside (baritone), Graham Johnson (piano) The London Schubert Chorale, Stephen Layton “There are unknown treasures here. Anyone who hasn't invested in this vast enterprise might well begin with this volume” Classic CD | | | In stock - usually despatched within 1 working day. |
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| |  | Volume 24 - Romantic Poets Volume 1
Schubert: | Die junge Nonne, D828 Die Liebe hat gelogen D751 (Platen) Frühlingsglaube, D686 Morgenlied, D685 Abendröte, D690 Der Schmetterling D633 Das Mädchen D652 (Schlegel) Der Knabe, D692 Die Rose, D745 Der Wanderer, D649 (Friedrich von Schlegel) Die Berge, D634 Der Fluss, D693 Die Vogel D691 Die Sterne, D684 Die Gebüsche, D646 Du liebst mich nicht D756 (Platen) Dass sie hier gewesen! D775 (Rückert) Du bist die Ruh D776 (Rückert) Lachen und Weinen, D777 Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n' |
Julia Borchert (soprano) & Ulrich Eisenlohr (piano) | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Schubert: Lieder
Schubert: | Das Lied im Grünen, D917 Der Schmetterling D633 An die Nachtigall, D497 An die Nachtigall, D196 (Holty) Der Wachtelschlag D742 (Sauter) Im Freien D880 Die Vogel D691 Fischerweise, D881 (Schlechta) Die Gebüsche, D646 Im Haine, D738 Im Abendrot, D799 Die Sterne, D939 (Leitner) Nacht und Träume, D827 Der liebliche Stern, D861 (Schulze) Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n' Der Einsame, D800 Schlaflied D527 (Mayrhofer) An Sylvia, D891 Das Mädchen D652 (Schlegel) Minnelied D429 (Holty) Die Liebe hat gelogen D751 (Platen) Du liebst mich nicht D756 (Platen) An die Laute D905 Der Blumenbrief D622 (Schreiber) Die Männer sind méchant, D866 No. 3 Seligkeit D433 (Holty) |
Remastered Quadro Recording (RQR) | | | Usually despatched in 2 - 3 working days. |
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| |  | Kathleen Ferrier: The Legendary Edinburgh Recital, 1949
Brahms: | Immer leiser wird mein Schlummer, Op. 105 No. 2 Der Tod, das ist die kühle Nacht, Op. 96 No. 1 Botschaft, Op. 47 No. 1 Von ewiger Liebe, Op. 43 No. 1 | Schubert: | Die junge Nonne, D828 Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n' Du liebst mich nicht D756 (Platen) Der Tod und das Mädchen, D531 Suleika I, D720 Du bist die Ruh D776 (Rückert) | Schumann: | Frauenliebe und -leben, Op. 42 |
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| |  | Schubert: Lieder
Schubert: | Der Jungling und der Tod, D545 (Spaun) Nacht und Träume, D827 Wehmut, D772 (Collin) Geheimnis, D491 (Mayrhofer) Abendstern, D806 Auflösung, D807 Die Sterne, D684 Das Mädchen D652 (Schlegel) Der Schmetterling D633 Die Rose, D745 Das Zugenglocklein D871 (Seidl) Am Fenster, D878 Marie D658 (Novalis) Dass sie hier gewesen! D775 (Rückert) Die junge Nonne, D828 Der blinde Knabe D833 Die Liebe hat gelogen D751 (Platen) Du liebst mich nicht D756 (Platen) An den Mond, D296 |
Mitsuko Shirai (mezzo-soprano), Hartmut Holl (piano) | |
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| |  | Matthew Polenzani: Live at the Verbier Festival & Academy
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| |  | Kathleen Ferrier: The Complete Decca RecordingsCentenary Edition
Bach, J S: | St Matthew Passion, BWV244 (excerpts) ed. Elgar and Atkins; transl. Troutbeck and Johnson Elsie Suddaby (soprano), Kathleen Ferrier (contralto), Eric Greene (tenor), William Parsons (baritone), Osborne Peasgood (organ), Thornton Lofthouse (harpsichord) The Bach Choir, The Jacques Orchestra, Reginald Jacques Cantata BWV67 'Halt im Gedächtnis Jesum Christ' Ena Mitchell (soprano), William Herbert (tenor), William Parsons (bass),
Thornton Lofthouse (harpsichord continuo), Wilfred Parry (piano) The Jacques Orchestra, The Cantata Singers, Reginald Jacques Ascension Oratorio 'Lobet Gott in seinen Reichen', BWV11 Ena Mitchell (soprano), William Herbert (tenor), William Parsons (bass),
Thornton Lofthouse (harpsichord continuo), Wilfred Parry (piano) The Jacques Orchestra, The Cantata Singers, Reginald Jacques Erbarm' dich mein, o Herre gott, BWV305 sung in English as 'Have mercy, Lord' David McCallum (violin) National Symphony Orchestra, Malcolm Sargent Vergiss mein nicht, BWV505 Millicent Silver (harpsichord) Ach, dass nicht die letze Stunde BWV439 Millicent Silver (harpsichord) Bist du bei mir, BWV508 John Newmark (piano) Mass in B minor, BWV232: Qui sedes ad dexteram Patris Michael Dobson (oboe d’amore) St Matthew Passion, BWV244: Buss und Reu sung in English as 'Grief for sin' London Philharmonic Orchestra, Sir Adrian Boult St John Passion, BWV245: Es ist vollbracht sung in English as 'All is fulfilled' Ambrose Gauntlett (viola da gamba) London Philharmonic Orchestra, Sir Adrian Boult Mass in B minor, BWV232: Agnus Dei Basil Lam (harpsichord continuo) London Philharmonic Orchestra, Sir Adrian Boult | Brahms: | Sapphische Ode, Op. 94 No. 4 Phyllis Spurr (piano) Botschaft, Op. 47 No. 1 Phyllis Spurr (piano) Vier ernste Gesänge, Op. 121 orch. Sargent; transl. England BBC Symphony Orchestra, Sir Malcolm Sargent Alto Rhapsody, Op. 53 London Philharmonic Orchestra, London Philharmonic Choir (men’s voices), Clemens Krauss Two songs for contralto with viola obbligato, Op. 91 Phyllis Spurr (piano), Max Gilbert (viola) Liebeslieder-Walzer, Op. 52 Irmgard Seefried (soprano), Julius Patzak (tenor), Horst Günter (bass-baritone)
(Clifford Curzon, Hans Gál piano duet) Immer leiser wird mein Schlummer, Op. 105 No. 2 Bruno Walter (piano) Der Tod, das ist die kühle Nacht, Op. 96 No. 1 Bruno Walter (piano) Botschaft, Op. 47 No. 1 Bruno Walter (piano) Von ewiger Liebe, Op. 43 No. 1 Bruno Walter (piano) Neue Liebeslieder-Walzer, Op. 65 Irmgard Seefried (soprano), Julius Patzak (tenor), Horst Günter (bass-baritone), Clifford Curzon, Hans Gál (piano duet) | Bridge: | Go Not, Happy Day Frederick Stone (piano) | Britten: | Spring Symphony, Op. 44 Jo Vincent (soprano), Peter Pears (tenor) Concertgebouw Orchestra, The Netherlands Radio Choir, The Boys’ Choir of St Willibrorduskerk, Rotterdam, Eduard van Beinum O Waly, Waly Frederick Stone (piano) Come ye not from Newcastle? Frederick Stone (piano) O Waly, Waly Phyllis Spurr (piano) | Chausson: | Poème de l'amour et de la mer, Op. 19 Hallé Orchestra, Sir John Barbirolli | Ferguson, H: | Discovery, Op. 13 Ernest Lush (piano) | Gluck: | Orfeo ed Euridice -abridged version Kathleen Ferrier (Orfeo), Ann Ayars (Euridice), Zoë Vlachopoulos (Amor) Southern Philharmonic Orchestra, Glyndebourne Festival Chorus, Fritz Stiedry What is life? (Orfeo ed Euridice) London Symphony Orchestra, Malcolm Sargent | Gruber, F: | Silent Night The Boyd Neel String Orchestra, Boyd Neel | Handel: | Art thou troubled? (from Rodelinda) London Symphony Orchestra, Malcolm Sargent Frondi tenere e belle ... Ombra mai fù (from Serse) London Symphony Orchestra, Malcolm Sargent Come alla tortorella langue (from Atalanta) sung in English as 'Like as the love-lorn turtle' Phyllis Spurr (piano) Cangio d'aspetto (from Admeto) sung in English as 'How changed the vision' Phyllis Spurr (piano) Samson: Return, O God of hosts Basil Lam (harpsichord continuo) London Philharmonic Orchestra, Sir Adrian Boult Messiah: O thou that tellest good tidings to Zion Basil Lam (harpsichord continuo) London Philharmonic Orchestra, Sir Adrian Boult Judas Maccabaeus: Father of Heaven Basil Lam (harpsichord continuo) London Philharmonic Orchestra, Sir Adrian Boult Messiah: He was despised Basil Lam (harpsichord continuo) London Philharmonic Orchestra, Sir Adrian Boult | Jensen, A: | Altar Phyllis Spurr (piano) | Mahler: | Symphony No. 2 in C minor 'Resurrection' Jo Vincent (soprano) Concertgebouw Orchestra, Amsterdam Tonkunst Choir, Otto Klemperer Kindertotenlieder Concertgebouw Orchestra, Otto Klemperer Das Lied von der Erde Julius Patzak (tenor) Wiener Philharmoniker, Bruno Walter Ich bin der Welt abhanden gekommen (Rückert-Lieder) Wiener Philharmoniker, Bruno Walter Ich atmet' einen linden Duft (Rückert-Lieder) Wiener Philharmoniker, Bruno Walter Um Mitternacht (Rückert-Lieder) Wiener Philharmoniker, Bruno Walter | Mendelssohn: | Elijah: Woe unto them The Boyd Neel Orchestra, Boyd Neel Elijah: O rest in the Lord The Boyd Neel Orchestra, Boyd Neel | Parry: | Love is a bable, Op. 152 No. 3 Frederick Stone (piano) | Pergolesi: | Stabat Mater Joan Taylor (soprano) Nottingham Oriana Choir, The Boyd Neel String Orchestra, Roy Henderson | Purcell: | From silent shades ('Bess of Bedlam') Z370 arr. Britten Phyllis Spurr (piano) Hark! The Echoing Air (from The Fairy Queen, Z629) Phyllis Spurr (piano) | Quilter: | Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) Phyllis Spurr (piano) The Fair House of Joy Phyllis Spurr (piano) To Daisies, Op. 8 No. 3 Phyllis Spurr (piano) Over the Mountains Phyllis Spurr (piano) Ye banks and braes Phyllis Spurr (piano) Drink to me only Phyllis Spurr (piano) | Rubbra: | Psalms (3), Op. 81 Ernest Lush (piano) | Schubert: | Gretchen am Spinnrade, D118 Phyllis Spurr (piano) Die junge Nonne, D828 Phyllis Spurr (piano) An die Musik D547 Phyllis Spurr (piano) Der Musensohn, D764 (Goethe) Phyllis Spurr (piano) Ganymed, D544 (Goethe) Benjamin Britten (piano) Du liebst mich nicht D756 (Platen) Benjamin Britten (piano) Lachen und Weinen, D777 Benjamin Britten (piano) Die junge Nonne, D828 Bruno Walter (piano) Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n' Bruno Walter (piano) Du liebst mich nicht D756 (Platen) Bruno Walter (piano) Der Tod und das Mädchen, D531 Bruno Walter (piano) Suleika I, D720 Bruno Walter (piano) Du bist die Ruh D776 (Rückert) Bruno Walter (piano) | Schumann: | Frauenliebe und -leben, Op. 42 John Newmark (piano) Volksliedchen, Op. 51 No. 2 John Newmark (piano) Widmung, Op. 25 No. 1 John Newmark (piano) Frauenliebe und -leben, Op. 42 Bruno Walter (piano) | Stanford: | The Fairy Lough Op. 77 No. 2, from An Irish Idyll in Six Miniatures (1901) Frederick Stone (piano) A soft day Frederick Stone (piano) | trad.: | Kitty my love arr. Hughes Frederick Stone (piano) Ma bonny lad Phyllis Spurr (piano) The Keel Row Phyllis Spurr (piano) Blow the Wind Southerly Phyllis Spurr (piano) I have a bonnet trimmed with blue Phyllis Spurr (piano) My boy Willie Phyllis Spurr (piano) I know where I'm going Phyllis Spurr (piano) The fidgety bairn John Newmark (piano) I will walk with my love Phyllis Spurr (piano) Ca' the yowes John Newmark (piano) Willow, willow Phyllis Spurr (piano) The stuttering lovers Phyllis Spurr (piano) Have you seen but the whyte lillie grow Phyllis Spurr (piano) Down by the Salley Gardens arr. Hughes Phyllis Spurr (piano) The lover's curse Phyllis Spurr (piano) | Vaughan Williams: | Silent Noon Frederick Stone (piano) | Wade: | O come, all ye faithful The Boyd Neel String Orchestra, Boyd Neel | Warlock: | Sleep Frederick Stone (piano) Pretty Ring Time Frederick Stone (piano) | Wolf, H: | Verborgenheit (No. 12 from Mörike-Lieder) Phyllis Spurr (piano) Der Gärtner (No. 17 from Mörike-Lieder) Phyllis Spurr (piano) Auf ein altes Bild (No. 23 from Mörike-Lieder) Phyllis Spurr (piano) Auf einer Wanderung (No. 15 from Mörike-Lieder) Phyllis Spurr (piano) | Wordsworth: | Songs (3), Op. 5 Ernest Lush (piano) |
22nd April 2012 marks 100th anniversary of the birth of Kathleen Ferrier. Kathleen Ferrier was born on 22 April 1912 and died at the age of forty-one on 8 October 1953. She was an artist held in awe and affection by numerous colleagues and countless fans worldwide and her reputation is undiminished to this day. A true contralto, whose repertory encompassed English song as well as German Lieder, her recording of Mahler’s Das Lied von der Erde with the Vienna Philharmonic under Bruno Walter [and tenor Julius Patzak] is one of the most celebrated classical recordings of all time and has been a staple of the Decca catalogue since it was first released in 1952. The majority of Ferrier’s studio recordings were made for DECCA and many from broadcast sources have also been published by DECCA. On the occasion of the 100th anniversary of Kathleen Ferrier’s birth the DECCA legacy is brought together in a comprehensive 14-CD set with a bonus DVD. All the recordings have been remastered for this anniversary edition and will further demonstrate the unique qualities of this much-loved artist. Also included is 'What the Edinburgh Festival has meant to me' - a talk given by Ferrier on 11th September 1949 | | | Usually despatched in 2 - 3 working days. |
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