Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Schubert: Partsongs, Auf dem Strom & Der Hirt auf dem Felsen
Schubert: | Gebet (Du Urquell aller güte) D815 (Fouqué) Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Nachthelle, D892 (Seidl) Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Gott in der Natur D757 (Kleist) Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Jünglingswonne, D983 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Ständchen 'Zögernd leise', D920/921 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Der Gondelfahrer, D809 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Psalm 23 'Gott ist mein Hirt', D706 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Gott im Ungewitter, D985 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Chor der Engel, D440 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Auf dem Strom, D943, Op. post. 119 Robert Tear (tenor), Neill Sanders (horn) & Lamar Crowson (piano) Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Die Forelle, D550 Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Gretchen am Spinnrade, D118 Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Der Musensohn, D764 (Goethe) Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Du bist die Ruh D776 (Rückert) Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) |
Two distinguished soloists – soprano Suzanne Danco and tenor Robert Tear – contribute to this disc of Schubert songs. Both of the composer’s ‘obbligato’ songs (Der Hirt auf dem Felsen and Auf dem Strom) are included, as are five of Schubert’s most popular Lieder in recordings by Danco previously unreleased on CD. But at the centre of this recital is a selection of Schubert’s Partsongs. Their origins lie in the vital demand for this kind of music in the context of the social life of Vienna during the composer’s lifetime. The male-voice quartet was a staple feature in the city’s concert halls, but even more so in the homes of the cultured middle-classes. Much of Schubert’s writing for this medium is in an ‘unbuttoned’ mood, providing material for friendly gatherings. Even so, we find among these partsongs for men’s or mixed voices, many which carry the unmistakable stamp of his genius – the gorgeous Ständchen, or the tranquil, other-worldly Nachthelle. “Schubert's secular choruses are among his least-known works, so a warm welcome for these charismatic performances of music beautiful enough to make you cry.” BBC Music Magazine, November 2012 ***** “This disc most delightfully extends the small number of Schubert's part-songs that has been recorded and these beautifully sung performances, very well recorded, capture the intimate spirit of music written primarily for friendly gatherings […] Robert Tear sings his part with lovely tone […] A contralto solo part woven into Ständchen is beautifully sung by Helen Watts […] this lovely disc gave me intense pleasure” Gramophone Magazine (Partsongs) “Der Hirt auf dem Felsen is marvellously clean and instrumental in execution” Gramophone Magazine (Danco) | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | The Hyperion Schubert Edition - Complete Songs Volume 35Schubert, 1822-1825
Lynne Dawson, Geraldine McGreevy, Patricia Rozario, Lorna Anderson (sopranos), Catherine Denley, Catherine Wyn-Rogers (contraltos), John Mark Ainsley, Philip Langridge, Ian Bostridge, Jamie Macdougall, Daniel Norman, Toby Spence (tenors), Thomas Hampson, Maarten Koningsberger, Christopher Maltman, Simon Keenlyside, Stephan Loges (baritones), Neal Davies (bass) Graham Johnson (piano) The London Schubert Chorale, Stephen Layton “Throughout the disc, Graham Johnson's accompaniments are typically illuminating with numerous touches of detail glossed over by many pianists. And, as ever, his vastly comprehensive notes, amounting to no less than a book, are in a class of their own” BBC Music Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | Volume 33 - Part-Songs Volume 2
Sibylla Rubens (soprano), Silke Schwarz (soprano), Regina Jakobi (alto), Ingeborg Danz (alto), Hildegard Wiedemann (alto), Markus Schäfer (tenor), Marcus Ullmann (tenor) Thomas E. Bauer (bass), Markus Flaig (bass), Marcus Schmidl (bass) & Ulrich Eisenlohr (piano) The Deutsche Schubert-Lied-Edition presents all Schubert’s Lieder, over 700 songs, grouped according to the poets who inspired him. Thanks to Bärenreiter’s Neue Schubert-Ausgabe (New Schubert Edition), Tübingen, which uses primary sources, the performers have been able to benefit from the most recent research of the editorial team. While Schubert’s numerous works for male-voice ensembles were circulated widely, those for female voices remained less well known, despite including several ambitious works of genius. Ulrich Eisenlohr, praised as the “splendid accompanist” on many of Naxos’s Schubert Lieder discs, and on Mozart’s Complete Songs (8557900-01) joins some outstanding singers on this second volume of Schubert’s delectable part-songs. | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Schubert: Sacred Music
Schubert: | Offertorium 'Intende voci', D963 Salve Regina in B flat major, D386 Magnificat in C major, D486 Psalm 23 'Gott ist mein Hirt', D706 Salve Regina in B flat major, D106 Tantum ergo in E flat major D962 Offertorium 'Totus in corde langueo' in C major, D136 Chor der Engel, D440 Offertorium 'Salve Regina' in F major, D223 Gott in der Natur D757 (Kleist) Stabat Mater in G minor, D 175 Deutsche Messe, D872: Heilig ist der Herr |
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