Wolf, H: Auf ein altes Bild (No. 23 from Mörike-Lieder) - download (MP3 & FLAC)

This page lists all recordings of Auf ein altes Bild (No. 23 from Mörike-Lieder), by Hugo Wolf (1860-1903) on download (MP3 & FLAC). Generally, more recent releases are listed first.

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Kathleen Ferrier, Vol. 2

Kathleen Ferrier, Vol. 2

1949, 1952


Mahler:

Kindertotenlieder

Vienna Philharmonic Orchestra, Bruno Walter

Ich bin der Welt abhanden gekommen (Rückert-Lieder)

Vienna Philharmonic Orchestra, Bruno Walter

Ich atmet' einen linden Duft (Rückert-Lieder)

Vienna Philharmonic Orchestra, Bruno Walter

Um Mitternacht (Rückert-Lieder)

Vienna Philharmonic Orchestra, Bruno Walter

Wolf, H:

Verborgenheit (No. 12 from Mörike-Lieder)

Phyllis Spurr (piano)

Der Gärtner (No. 17 from Mörike-Lieder)

Phyllis Spurr (piano)

Auf ein altes Bild (No. 23 from Mörike-Lieder)

Phyllis Spurr (piano)

Auf einer Wanderung (No. 15 from Mörike-Lieder)

Phyllis Spurr (piano)


Kathleen Ferrier (contralto)

Documents Kathleen Ferrier - 297759

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Kathleen Ferrier: Arias and Songs

Kathleen Ferrier: Arias and Songs

1946-1950 Recordings


Gluck:

Che faro' senza Euridice? (from Orfeo ed Euridice)

Sung in English

Handel:

Dove sei, amato bene? (from Rodelinda)

Sung in English

Ombra mai fu (from Serse)

Come alla tortorella langue (from Atalanta)

arr. for voice and piano

Cangio d'aspetto (from Admeto)

arr. for voice and piano

Irgens-Jensen:

Altar

arr. for voice and piano

Mendelssohn:

Elijah: Woe unto them

Elijah: O rest in the Lord

Purcell:

Hark! The Echoing Air (from The Fairy Queen, Z629)

arr. for voice and piano

Schubert:

Gretchen am Spinnrade, D118

Die junge Nonne, D828

An die Musik D547

Der Musensohn, D764 (Goethe)

Schumann:

Volksliedchen, Op. 51 No. 2

Widmung, Op. 25 No. 1

Wolf, H:

Verborgenheit (No. 12 from Mörike-Lieder)

Der Gärtner (No. 17 from Mörike-Lieder)

Auf ein altes Bild (No. 23 from Mörike-Lieder)

Auf einer Wanderung (No. 15 from Mörike-Lieder)

plus:

Bach: St. Matthew Passion, BWV 244, Part II: Aria: Have mercy, Lord, on me (Sung in English)


Kathleen Ferrier (contralto), Phyllis Spurr (piano), John Newmark (piano)

National Symphony Orchestra, London Symphony Orchestra, Boyd Neel Orchestra, Malcolm Sargent, Boyd Neel

Kathleen Ferrier was one of the greatest British singers of the 20th century. For ten years she enjoyed an unparallelled career, admired equally for the generous warmth and sincerity of her interpretations as for her uniquely splendid contralto voice. This reissue features twelve arias and songs that Ferrier recorded for Decca between 1946 and 1950. In addition there are eight treasurable items from a 1949 Norwegian Radio recital in Oslo, which include her only published recordings of Hugo Wolf.

Mark Obert-Thorn, producer and audio restoration engineer

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Naxos Historical Great Singers - 8112071

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Hugo Wolf: The Complete Songs Volume 1

Hugo Wolf: The Complete Songs Volume 1

Mörike-Lieder Nos. 1-26


Wolf, H:

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

Der Knabe und das Immlein (No. 2 from Mörike-Lieder)

Ein Stündlein wohl vor Tag (No. 3 from Mörike-Lieder)

Jägerlied (No. 4 from Mörike-Lieder)

Der Tambour (No. 5 from Mörike-Lieder)

Er ist's (No. 6 from Mörike-Lieder)

Das verlassene Mägdlein (No. 7 from Mörike-Lieder)

Begegnung (No. 8 from Mörike-Lieder)

Nimmersatte Liebe (No. 9 from Mörike-Lieder)

Fussreise (No. 10 from Mörike-Lieder)

An eine Æolsharfe (No. 11 from Mörike-Lieder)

Verborgenheit (No. 12 from Mörike-Lieder)

Im Frühling (No. 13 from Mörike-Lieder)

Agnes (No. 14 from Mörike-Lieder)

Auf einer Wanderung (No. 15 from Mörike-Lieder)

Elfenlied (No. 16 from Mörike-Lieder)

Der Gärtner (No. 17 from Mörike-Lieder)

Zitronenfalter im April (No. 18 from Mörike-Lieder)

Um Mitternacht (No. 19 from Mörike-Lieder)

Auf eine Christblume I (No. 20 from Mörike-Lieder)

Auf eine Christblume II (No. 21 from Mörike-Lieder)

Seufzer (No. 22 from Mörike-Lieder)

Auf ein altes Bild (No. 23 from Mörike-Lieder)

In der Frühe (No. 24 from Mörike-Lieder)

Schlafendes Jesuskind (No. 25 from Mörike-Lieder)

Karwoche (No. 26 from Mörike-Lieder)


Sophie Daneman (soprano), Anna Grevelius (mezzo), James Gilchrist (tenor), Stephan Loges (baritone), Sholto Kynoch (piano)

This is the first disc in a series that will be the first ever complete edition of the songs of Hugo Wolf. These performances were recorded live at the Oxford Lieder Festival (in the Holywell Music Room) on 22nd October 2010.

“their performances are acutely sensitive to Wolf's musical nerve system. And, best of all, a sense of intimacy, of close confiding with the audience, really does come over - invaluable for private listening...Festival director Sholto Kynoch is a vivid and sentient accompanist.” BBC Music Magazine, September 2011 ****

“Grevilius’s mezzo rises to the challenge of “Seufzer” and Daneman’s soprano brings sweetness to “Zitronenfalter im April”.” Financial Times, 25th June 2011 **

“The team of four singers is first-rate, responsive in every way, and if anything even more remarkable is the work of their pianist, Sholto Kynoch, displaying an exceptional expressive range, not only ideally agile but with the most subtle range of tone and dynamic...Altogether an impressive achievement from an enterprising new company.” Gramophone Magazine, January 2011

“Daneman, Grevelius, Gilchrist and Loges are top-flight lieder singers, with Oxford Lieder founder and pianist Sholto Kynoch offering sensitive support. Richard Stokes provides excellent notes and translations.” The Observer, 22nd May 2011

Stone Records Hugo Wolf Complete Songs - 5060192780086

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Accentus - Transcriptions 1 & 2

Accentus - Transcriptions 1 & 2


Barber, S:

Agnus Dei

Berg:

Die Nachtigall

Cornelius:

Drei Psalmlieder Op. 13

(based on melodies by J S Bach)

Debussy:

Les Angélus

Préludes - Book 1: No. 6, Des pas sur le neige

Krawczyk:

Lacrimosa

(transcription of Chopin Etude No. 6, Op. 10)

Lulajze, Jesuniu

(based on Largo from Chopin Sonata No. 3)

Mahler:

Ich bin der Welt abhanden gekommen (Rückert-Lieder)

Die zwei blauen Augen von meinem Schatz (No. 4 from Lieder eines fahrenden Gesellen)

Scheiden und Meiden (Lieder und Gesänge aus der Jugendzeit)

Nystedt:

Immortal Bach (Komm, süsser Tod, BWV478)

Pesson:

Kein deutscher Himmel

Preuve par la neige: Si comme la lune ...

Preuve par la neige: La lune paraît

Prokofiev:

Le champ des morts

Ravel:

Trois poèmes de Stéphane Mallarmé: 'Soupir'

Ronsard à son âme

L'Indifférent (Shéhérazade No. 3)

La Flûte enchantée (Shéhérazade No. 2)

Le Jardin féerique

Pavane de la Belle au bois dormant

Schubert:

Nacht und Träume, D827

Grablied fur die Mutter D616 (poet unknown)

Litanei auf das Fest Allerseelen, D343

Der Wegweiser (No. 20 from Winterreise, D911)

Vivaldi:

The Four Seasons: Winter, RV297

Wagner:

Im Treibhaus (No. 3 from Wesendonck-Lieder)

Wolf, H:

Das verlassene Mägdlein (No. 7 from Mörike-Lieder)

Auf ein altes Bild (No. 23 from Mörike-Lieder)


Brigitte Engerer (piano)

Accentus & Les Monts du Reuil Continuo, Laurence Equilbey

On these best-selling CDs many classical masterpieces are given an original interpretation for choir. The Accentus Chamber Choir, under the direction of Laurence Equilbey, is unanimously recognised as one of the world’s finest vocal ensembles.

Bonus (audio): Interview with Laurence Equilbey / Recording of Der Doppelgänger (Schubert)

Naive - V5151

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Choral arrangements by Clytus Gottwald

Choral arrangements by Clytus Gottwald


Berg:

Die Nachtigall

Berlioz:

Sur les lagunes

Debussy:

Les Angelus

Préludes - Book 1: No. 6, Des pas sur le neige

Liszt:

Lieder

Mahler:

Die zwei blauen Augen von meinem Schatz (No. 4 from Lieder eines fahrenden Gesellen)

Scheiden und Meiden (Lieder und Gesänge aus der Jugendzeit)

Ich bin der Welt abhanden gekommen (Rückert-Lieder)

Ravel:

Trois poèmes de Stéphane Mallarmé: 'Soupir'

Wagner:

2 studies from Tristan und Isolde

Webern:

Four Early Songs

Wolf, H:

Der Gärtner (No. 17 from Mörike-Lieder)

Auf ein altes Bild (No. 23 from Mörike-Lieder)

Das verlassene Mägdlein (No. 7 from Mörike-Lieder)

Und willst du deinen Liebsten sterben sehen (No. 17 from Italienisches Liederbuch)


KammerChor Saarbrucken, Georg Grun

Carus - CARUS83182

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Great Singers - Lotte Lehmann

Great Singers - Lotte Lehmann

Lieder Recordings Volume 2 (1937-1940)


Brahms:

Botschaft, Op. 47 No. 1

Das Mädchen spricht, Op. 107 No. 3

Volkslieder: No. 25

Mein Mädel hat einen Rosenmund (No. 25 from Deutsche Volkslieder, WoO 33)

Schubert:

Winterreise D911 (excerpts)

Schumann:

Alte Laute, Op. 35, No. 12

Er und sie, Op. 78 No. 2

So wahr die Sonne scheinet, Op. 37, No. 12

Unterm Fenster, Op. 34 No. 3

Familien-Gemälde, Op. 34 No. 4

Ich denke dein, Op. 78, No. 3

Sjöberg:

Tonerna (text: Erik Gustaf Geijer)

Wolf, H:

Gebet; Nun lass uns Frieden schliessen

Frühling übers Jahr (No. 28 from Goethe-Lieder)

Auf ein altes Bild (No. 23 from Mörike-Lieder)

In der Frühe (No. 24 from Mörike-Lieder)

Auch kleine Dinge (No. 1 from Italienisches Liederbuch)

Und willst du deinen Liebsten sterben sehen (No. 17 from Italienisches Liederbuch)

Peregrina I (No. 33 from Mörike-Lieder)

Der Knabe und das Immlein (No. 2 from Mörike-Lieder)

Heimweh (No. 12 from Eichendorff-Lieder)


“This disc is a must for every lover of German Lieder”

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Naxos Historical Great Singers - 8111094

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Accentus - Transcriptions

Accentus - Transcriptions

Transcriptions for choir of works by Bach, Berg, Chopin, Ravel


Barber, S:

Agnus Dei

Berg:

Die Nachtigall

Debussy:

Les Angélus

Krawczyk:

Lacrimosa

(transcription of Chopin Etude No. 6, Op. 10)

Lulajze, Jesuniu

(based on Largo from Chopin Sonata No. 3)

Mahler:

Ich bin der Welt abhanden gekommen (Rückert-Lieder)

Nystedt:

Immortal Bach (Komm, süsser Tod, BWV478)

Pesson:

Kein deutscher Himmel

Ravel:

Trois poèmes de Stéphane Mallarmé: 'Soupir'

Wolf, H:

Das verlassene Mägdlein (No. 7 from Mörike-Lieder)

Auf ein altes Bild (No. 23 from Mörike-Lieder)


Naive - V4947

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Wolf: Mörike-Lieder (selections)

Wolf: Mörike-Lieder (selections)


Wolf, H:

Fussreise (No. 10 from Mörike-Lieder)

Er ist's (No. 6 from Mörike-Lieder)

Auf einer Wanderung (No. 15 from Mörike-Lieder)

Im Frühling (No. 13 from Mörike-Lieder)

Heimweh (No. 37 from Mörike-Lieder)

An die Geliebte (No. 32 from Mörike-Lieder)

Peregrina II (No. 34 from Mörike-Lieder)

Lebe wohl (No. 36 from Mörike-Lieder)

Verborgenheit (No. 12 from Mörike-Lieder)

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

In der Frühe (No. 24 from Mörike-Lieder)

Auf ein altes Bild (No. 23 from Mörike-Lieder)

Denk es, o Seele! (No. 39 from Mörike-Lieder)

Wo find'ich Trost? (No. 31 from Mörike-Lieder)

Der Feuerreiter (No. 44 from Mörike-Lieder)

Um Mitternacht (No. 19 from Mörike-Lieder)

Die Geister am Mummelsee (No. 47 from Mörike-Lieder)

Begegnung (No. 8 from Mörike-Lieder)

Storchenbotschaft (No. 48 from Mörike-Lieder)

Auftrag (No. 50 from Mörike-Lieder)

Abschied (No. 53 from Mörike-Lieder)

Peregrina I (No. 33 from Mörike-Lieder)


Roman Trekel (baritone), Oliver Pohl (piano)

“Still too little known outside Germany, Roman Trekel brings to his selection of 22 Mörike Lieder a voice of burnt umber, a scrupulous sense of style (including a true legato) and a probing imagination, whether in an eager wondering "Auf einer Wanderung" or a musing unmawkish "Verborgenheit".” Gramophone Magazine, October 2008

“There can be no better advocate of Hugo Wolf than Roman Trekel, now at the peak of his career as a Lieder interpreter, who presents this deeply satisfying recital of the best of the Mörike Lieder.
These inspired songs need, above all, the kind of intense expression and intimate, detailed treatment that Trekel brings them. Performed as convincingly as they are here, they offer a particular frisson of individual accent that no other composer in the genre, whatever their other merits, quite equals: words and music seem as though they were written at one and the same time Trekel achieves an ideal fusion of tonal security, sense of line and word-painting. In a comparatively long and complex Lied such as 'Im Frühling', he and the admirable Oliver Pohl traverse all the points of the expressive compass, and all the nuances of dynamics that belong to them. In that surpassingly sincere and beautiful love-song 'An die Geliebte' they build to the climax from 'Von Tiefe dann zu Tiefen' with a confidence that bespeaks long familiarity with the piece.
Even better is the heartache they bring to 'Peregrina II' and 'Lebe wohl', where Wolf seems to enter into all the poet's suffering at the hands of a beloved. They also find the inner spirituality of the religion-inspired settings, such as 'Auf ein altes Bild' and 'Denk' es o Seele', the latter so compelling for saying so much in such a short time. In a quite different vein, they rise marvellously to the frenzied melodrama of 'Der Feuerreiter', always a challenge to singer and pianist and one that's surely met here.
A truthful recording adds to the disc's merits.
Not so the notes, which omit any exposition of the songs and also English translations. Even so, this is a recital that ought to convert even Wolf heretics to the cause.”
Gramophone Classical Music Guide, 2010

Oehms - OC305

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