Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Schubert: Partsongs, Auf dem Strom & Der Hirt auf dem Felsen
Schubert: | Gebet (Du Urquell aller güte) D815 (Fouqué) Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Nachthelle, D892 (Seidl) Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Gott in der Natur D757 (Kleist) Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Jünglingswonne, D983 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Ständchen 'Zögernd leise', D920/921 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Der Gondelfahrer, D809 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Psalm 23 'Gott ist mein Hirt', D706 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Gott im Ungewitter, D985 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Chor der Engel, D440 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Auf dem Strom, D943, Op. post. 119 Robert Tear (tenor), Neill Sanders (horn) & Lamar Crowson (piano) Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Die Forelle, D550 Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Gretchen am Spinnrade, D118 Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Der Musensohn, D764 (Goethe) Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Du bist die Ruh D776 (Rückert) Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) |
Two distinguished soloists – soprano Suzanne Danco and tenor Robert Tear – contribute to this disc of Schubert songs. Both of the composer’s ‘obbligato’ songs (Der Hirt auf dem Felsen and Auf dem Strom) are included, as are five of Schubert’s most popular Lieder in recordings by Danco previously unreleased on CD. But at the centre of this recital is a selection of Schubert’s Partsongs. Their origins lie in the vital demand for this kind of music in the context of the social life of Vienna during the composer’s lifetime. The male-voice quartet was a staple feature in the city’s concert halls, but even more so in the homes of the cultured middle-classes. Much of Schubert’s writing for this medium is in an ‘unbuttoned’ mood, providing material for friendly gatherings. Even so, we find among these partsongs for men’s or mixed voices, many which carry the unmistakable stamp of his genius – the gorgeous Ständchen, or the tranquil, other-worldly Nachthelle. “Schubert's secular choruses are among his least-known works, so a warm welcome for these charismatic performances of music beautiful enough to make you cry.” BBC Music Magazine, November 2012 ***** “This disc most delightfully extends the small number of Schubert's part-songs that has been recorded and these beautifully sung performances, very well recorded, capture the intimate spirit of music written primarily for friendly gatherings […] Robert Tear sings his part with lovely tone […] A contralto solo part woven into Ständchen is beautifully sung by Helen Watts […] this lovely disc gave me intense pleasure” Gramophone Magazine (Partsongs) “Der Hirt auf dem Felsen is marvellously clean and instrumental in execution” Gramophone Magazine (Danco) | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | The Hyperion Schubert Edition - Complete Songs Volume 35Schubert, 1822-1825
Lynne Dawson, Geraldine McGreevy, Patricia Rozario, Lorna Anderson (sopranos), Catherine Denley, Catherine Wyn-Rogers (contraltos), John Mark Ainsley, Philip Langridge, Ian Bostridge, Jamie Macdougall, Daniel Norman, Toby Spence (tenors), Thomas Hampson, Maarten Koningsberger, Christopher Maltman, Simon Keenlyside, Stephan Loges (baritones), Neal Davies (bass) Graham Johnson (piano) The London Schubert Chorale, Stephen Layton “Throughout the disc, Graham Johnson's accompaniments are typically illuminating with numerous touches of detail glossed over by many pianists. And, as ever, his vastly comprehensive notes, amounting to no less than a book, are in a class of their own” BBC Music Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | Schubert: Nachtmusik
Schubert: | Vorüber die stöhnende Klage, D53 Ein jügendlicher Maienschwung, D61 Geist der Liebe D747 (Matthisson) German Dance D365 No. 19 German Dance D365 No. 2 'Trauerwalzer' German Dance D365 No. 29 Der Gondelfahrer, D809 Der Entfernten D331 (Salis-Seewis) German Dance D783 No. 10 Deutsche Tanze D969 No. 9 Ruhe, schönstes Glück der Erde D657 Minuet in A major, D334 Wein und Liebe D901 Nachthelle, D892 (Seidl) German Dance D365 No. 36 German Dance D365 No. 34 German Dance D365 No. 35 Räuberlied, D435 No. 13 Die Nacht, D983c Piano Sonata No. 13 in A major, D664: Andante Grab und Mond, D893 Ländler D790 No. 5 Ländler D790 No. 6 German Dance D783 No. 15 Der Geistertanz D494 (Matthisson) Das Grab D330 (Salis-Seewis) Waltz D844 |
This CD features Schubert's choral songs. He used emotionally charged texts dealing with romantic topics and the themes of the songs are often highly melancholic or even despondent. Schubert is able to express the atmosphere and contents of a poem in a concise way which is well illustrated by these performances. | | | Usually despatched in 2 - 3 working days. |
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| |  | Volume 33 - Part-Songs Volume 2
Sibylla Rubens (soprano), Silke Schwarz (soprano), Regina Jakobi (alto), Ingeborg Danz (alto), Hildegard Wiedemann (alto), Markus Schäfer (tenor), Marcus Ullmann (tenor) Thomas E. Bauer (bass), Markus Flaig (bass), Marcus Schmidl (bass) & Ulrich Eisenlohr (piano) The Deutsche Schubert-Lied-Edition presents all Schubert’s Lieder, over 700 songs, grouped according to the poets who inspired him. Thanks to Bärenreiter’s Neue Schubert-Ausgabe (New Schubert Edition), Tübingen, which uses primary sources, the performers have been able to benefit from the most recent research of the editorial team. While Schubert’s numerous works for male-voice ensembles were circulated widely, those for female voices remained less well known, despite including several ambitious works of genius. Ulrich Eisenlohr, praised as the “splendid accompanist” on many of Naxos’s Schubert Lieder discs, and on Mozart’s Complete Songs (8557900-01) joins some outstanding singers on this second volume of Schubert’s delectable part-songs. | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Schubert - StandchenWorks for men's choir
Schubert: | Der Gondelfahrer, D809 Mondenschein, D875 Gondelfahrer, D808 Fruhlingslied D914 Fruhlingsgesang D740 Ständchen 'Zögernd leise', D920/921 Wein und Liebe D901 Grab und Mond, D893 Nachthelle, D892 (Seidl) Widerspruch D865 (Seidl) Nachtgesang im Walde, D913 Wehmut, D825 Ewige Liebe, D825a Flucht, D825b |
| | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Liedertafel
Mendelssohn: | Wasserfahrt, Op. 50 No. 4 Sommerlied 'Wie Feld und Au' so blinkend im Thau', Op. 50 No. 3 Abendständchen Op. 75 Nr. 2 | Schubert: | Die Nachtigall, D724 Der Entfernten D331 (Salis-Seewis) Widerspruch D865 (Seidl) Trinklied D148 (Castelli) Trinklied aus dem 16. Jahrhundert D847 Op. post. 155 Trinklied, D75 Im Gegenwärtigen Vergangenes, D710 Grab und Mond, D893 Der Gondelfahrer, D809 Die Nacht, D983c Abendfrieden La Pastorella, D513 Zur guten Nacht, Op. 81 No. 3 D903 | Schumann: | Der träumende See Op. 33 Nr. 1 Die Minnesänger, Op. 33 Nr. 2 Die Lotosblume, Op. 33 No. 3 | Silcher: | Loreley Frisch gesungen Entschuldigung Der lustigen Doktoren Leibliedlein Untreue ('In einem kühlen Grunde') |
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| |  | Singphonic Rossini
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| |  | Schubert Male Choruses
Schubert: | Nachtgesang im Walde (E major), Op. 139 (Text: Johann Gabriel Seidl) Die Nacht (D major), Op. 17 No. 4 (Text?: Friedrich Krummacher) Der Gondelfahrer, D809 Sehnsucht (Nur wer die Sehnsucht kennt), D656 Im Gegenwärtigen Vergangenes, D710 Liebe (D major) (Text: Friedrich von Schiller) Ständchen 'Zögernd leise', D920/921 Grab und Mond, D893 Psalm 23 'Gott ist mein Hirt', D706 Die Einsiedelei (G minor), D337 (Text: J. G. von Salis-Seewis) Nachthelle, D892 (Seidl) Trinklied aus dem 14ten Jahrhundert (Edit Nonna ...) (C major), Op. 155 Dreifach ist der Schritt der Zeit, D43 (Text: Schiller) Geist der Liebe D747 (Matthisson) Gesang der Geister über den Wassern, D714 |
| | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Schubert: Complete Part Songs for Male Voices, Vol. 1
Berno Scharpf (piano) Die Singphoniker | |
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| |  | Franz Schubert - Part-Songs
Schubert: | Ständchen 'Zögernd leise', D920/921 Die Nacht, D983c Die Nachtigall, D724 Nachthelle, D892 (Seidl) Grab und Mond, D893 Im Gegenwärtigen Vergangenes, D710 La Pastorella, D513 Gesang der Geister über den Wassern, D714 Geist der Liebe D747 (Matthisson) Mondenschein, D875 Der Gondelfahrer, D809 Psalm 23 'Gott ist mein Hirt', D706 Widerhall, D428 Sehnsucht, D636 (Schiller) Nachtgesang im Walde, D913 |
Utrecht Vocal Soloists, Ronald Brautigam (piano) Udo Reinemann - Solo and Direction | | | Usually despatched in 2 - 3 working days. |
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