Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Purcell: Music for Pleasure and Devotion
Purcell: | The Indian Queen: Trumpet Overture to Act II Rondeau from Abdelazer The Gordion Knot Untied - incidental music, Z597: chaconne The Indian Queen, Z630: excerpts If music be the food of love Z379A (first version) Three Parts upon a Ground in D major - Z731 Close thine eyes and sleep secure, Z184 A Ground in Gamut in G major, Z 645 Rejoice in the Lord alway ('The Bell Anthem'), Z49 Voluntary in D minor, Z718 Man that is born of a woman, Z27 In the midst of life, Z 17a Thou knowest, Lord Fantazia 8 in D minor, Z. 739 Of all the instruments that are, Z263 The Fairy Queen, Z629: excerpts |
Henry Purcell is regarded as the first great master of English Baroque music, and his works find their best interpreters today in Andrew Parrott and his ensemble. Purcell's oeuvre features splendid works written for festive occasions at court as well as dramatic operas and melancholy lute songs. This recording offers a representative cross-section of the composer's work, whose popularity remains unbroken. | 
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| |  | Purcell - Keyboard Suites & GroundsRecorded October 13-15, 2007, Potton Hall
Purcell: | Suite No. 1 in G major, Z 660 Chaconne in G minor, ZT 680, from Timon of Athens Suite No. 2 in G minor, Z 661 Swifter, Isis, swifter flow (Welcome Song for Charles II, 1681) Suite No. 3 in G major, Z 662 A New Ground in E minor, Z. T682 Suite No. 4 in A minor, Z 663 A Ground in Gamut in G major, Z 645 Suite No. 5 in C major, Z 666 Ground in C minor, ZD221 Suite No. 6 in D major, Z 667 Round'O, ZT 684, from Abdelazer Suite No. 7 in D minor, Z 668 Ground in D minor, ZD222 Suite No. 8 in F major, Z 669 |
In his latest solo recital for harmonia mundi, Richard Egarr turns to the rarely heard harpsichord Suites by Henry Purcell. In his beautifully shaped reading, these eight muscular and quirky works, published the year after Purcell's death, are interspersed with seven shorter pieces built on a recurring pattern - a chaconne, a rondeau, and five 'grounds'. Richard Egarr has worked with all types of keyboards and is in great demand both as soloist and as accompanist. His collaboration with long-time duo partner Andrew Manze has been setting new performance standards since 1984. He is music director of the Academy of Ancient Music, and they recently recorded Handel's Organ Concertos Op.4 together, nominated for a Gramophone Award 2008. Handel Concerti Grossi Op. 3 won the Baroque Award in 2007. “…Egarr is… brilliant in the G major Suite, introspective in its broody, lowering G minor sibling, and not beyond an utterly charming registrational surprise for the last track.” BBC Music Magazine, October 2008 ***** “While the eight posthumously published suites (with judiciously selected miscellany to create some elbow-room between each) are woefully unknown, they are beautifully crafted. Purcell's keyboard style rarely reverts to French luxuriance, rather more questing in its unpredictable steers, deliberately wrong-footed harmonic inflections, often quite tough textures and extended lyrical journeys. Richard Egarr's devotion to these pieces comes in the form of studied spaciousness which allows these rich strains to become gently infused into our listening habits. This is no background tafelmusik, which is why it requires our indulgence, to stop and follow the thread – especially in the sustained narrative of the minor-key suites. If the Almand of the G major Suite offers homage to the exquisite character-piece Almans of Gibbons, the A minor work is prescient of 18th-century models in its directed figuration and the grandiloquence of its easy conflation of French and Italian styles. Indeed, one of Egarr's greatest achievements is to challenge the homespun perception of this repertoire and present it as great keyboard music. The C major Suite is a wonderful demonstration of this, as is the gamey tuning of the D major work with its burly final hornpipe. The harpsichord by Joel Katzman (after Ruckers) covers all the bases with its disarming colour, clarity and resonance. An outstanding recital.” Gramophone Classical Music Guide, 2010 “A thoroughly persuasive case for these neglected masterpieces.” Gramophone Magazine, October 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | Daniel & Henry Purcell - Chamber Music
Henry Purcell has enjoyed enduring fame whereas his brother Daniel has been completely eclipsed over the course of the centuries. However, Daniel was also a successful composer in his day. “Until recently, I was unaware that England’s greatest native composer, Henry Purcell, had a younger brother
who also wrote music……..the trio Ensemble Meiolanum (with the excellent Wiebke Weidanz on harpsichord)
play together like a well-oiled machine.” Classic FM Magazine, July 3008 | | | (also available to download from $10.50) | Usually despatched in 3 - 4 working days. (Available now to download.) |
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| |  | The Power of Music
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| |  | Purcell Edition Vol. 4 - Instrumental Music
Purcell: | Sonata for Trumpet and Strings in D major, Z850 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Chacony in G minor - for Two Violins, Viola and Bass Z730 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Return revolting rebels (from Timon of Athens, Z632) James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge The father brave as e'er was Dane (from Who can from joy refrain?, Z342) James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Fly swift ye hours, Z369 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Fantazia 7 in C minor, Z. 738 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge 4-part Sonnata No. 3 in A minor - Z804 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge A New Ground in E minor, Z. T682 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Sefauchi's Farewell, Z656 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Pavan for Three Violins and Bass in G minor - Z752 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Suite No. 6 in D major, Z 667 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Overture in G minor Z772 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Three Parts upon a Ground in D major - Z731 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Pavan in A minor Z749 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Overture in G minor, Z770 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Suite in G major, Z 770 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Ground in D minor, ZD222 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Pavan in B flat major, Z750 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Overture in D minor Z771 James Bowman, Nigel Rogers & Max van Egmond Kings College Choir, Cambridge Twelve Sonatas of three parts (1683) Hogwood, Beznosiuk, Podger & Coin Ten Sonatas in Four Parts (1697) Hogwood, Coin, Huggett & Mackintosh Viol Fantasias Concentus musicus Wien, Nikolaus Harnoncourt Suites (8) for harpsichord Olivier Baumont A New Ground in E minor, Z. T682 Olivier Baumont A New Scotch Tune Z 655 Olivier Baumont A New Irish Tune Z646 Olivier Baumont A Ground in Gamut in G major, Z 645 Olivier Baumont Air Olivier Baumont Hornpipe Olivier Baumont Ground Olivier Baumont Round'O, ZT 684, from Abdelazer Olivier Baumont Sefauchi's Farewell, Z656 Olivier Baumont |
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