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See Terms & Conditions for p&p rates. | |  | Cecilia & Bryn
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| |  | The Art of Bryn Terfel
Berlioz: | Une puce gentille 'Flea Song' (from La damnation de Faust) Voici des roses (Air de Méphistophélès) | Gurney: | Sleep | Gwynn Williams: | My Little Welsh Home | Handel: | Si, tra i ceppi (from Berenice) Te Deum in D major 'Dettingen', HWV283: Vouchsafe, O Lord | Hughes, J: | Guide me, O thou great Redeemer (Cwm Rhondda) | Loewe, F: | Paint Your Wagon: They Call the Wind Maria | Mahler: | In diesem Wetter, in diesem Braus (Kindertotenlieder) | Mendelssohn: | Lord God of Abraham (Elijah) | Mozart: | Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Il core vi dono (from Così fan tutte) Ein Mädchen oder Weibchen (from Die Zauberflöte) Io ti lascio, oh cara, addio, KAnh. 245 | Puccini: | Tre sbirri...Una carozza...Presto 'Te Deum' (from Tosca) | Quilter: | Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) | Rutter: | The Lord bless you and keep you | Schubert: | Erlkönig, D328 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) | Schumann: | Du bist wie eine Blume, Op. 25 No. 24 Die beiden Grenadiere, Op. 49 No. 1 Mein Wagen rollet langsam, Op. 142 No. 4 | Sullivan, A: | Hereupon we’re both agreed (The Yeomen of the Guard) | trad.: | Amazing Grace Shenandoah Ar hyd y Nos (All through the night) Suo gan Deep River | Vaughan Williams: | The Vagabond (from Songs of Travel) Silent Noon | Verdi: | Ehi! Paggio! ... L'onore! Ladri! (from Falstaff) | Wagner: | Die Frist ist um (from Der fliegende Holländer) O du, mein holder Abendstern (from Tannhäuser) |
Bryn Terfel is one of Britain’s best-loved singers, as comfortable in popular musical repertoire as he is in the great roles of opera. Ahead of his curated BrynFest appearances at London’s Southbank Centre, and his career-defining role as Wotan in Wagner’s Ring Cycle at the Royal Opera House this autumn, Deutsche Grammophon is proud to release this 2CD career retrospective. | | | (Sorry, download not available in your country) | Usually despatched in 2 - 3 working days. |
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| |  | Bryn Terfel - A Song in my Heart
| | The Vagabond Whither Must I Wander Sea Fever Little Prince (The Little Prince) They Call the Wind Maria (Paint Your Wagon) English Northern Philharmonia, Paul Daniel Come Home (Allegro) English Northern Philharmonia, Paul Daniel Suo-Gan (Lullaby) Sì, tra i ceppi e le ritorte (Berenice) Vouchsafe, O Lord (Dettingen Te Deum) Scottish Chamber Orchestra, Mackerras | Berlioz: | Une puce gentille 'Flea Song' (from La damnation de Faust) Voici des roses (Air de Méphistophélès) Philharmonia Orchestra and Chorus, Myung-Whun Chung | Gurney: | Sleep | Hughes, J: | Guide me, O thou great Redeemer (Cwm Rhondda) The Black Mountain Chorus, Risca Male Choir & The Orchestra of Welsh National Opera, Gareth Jones | Mahler: | In diesem Wetter, in diesem Braus (Kindertotenlieder) Philharmonia Orchestra, Giuseppe Sinopoli | Mendelssohn: | Lord God of Abraham (Elijah) Orchestra of the Age of Enlightenment, Paul Daniel | Mozart: | Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Il core vi dono (from Così fan tutte) Cecilia Bartoli (Dorabella) & Bryn Terfel (Guglielmo) Orchestra dell’Accademia die Santa Cecilia, Myung-Chun Chung Ein Mädchen oder Weibchen (from Die Zauberflöte) Io ti lascio, oh cara, addio, KAnh. 245 Scottish Chamber Orchestra, Sir Charles Mackerras | Quilter: | Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) Malcolm Martineau (piano) | Rutter: | The Lord bless you and keep you London Symphony Orchestra, Barry Wordsworth | Schubert: | Erlkönig, D328 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) | Schumann: | Du bist wie eine Blume, Op. 25 No. 24 Die beiden Grenadiere, Op. 49 No. 1 Mein Wagen rollet langsam, Op. 142 No. 4 | Sullivan, A: | Hereupon we’re both agreed (The Yeomen of the Guard) Academy of St Martin in the Fields, Sir Neville Marriner | trad.: | Amazing Grace London Symphony Orchestra, Barry Wordsworth Shenandoah London Symphony Orchestra, Barry Wordsworth Ar hyd y Nos (All through the night) Deep River arr. Chris Hazell | Vaughan Williams: | Silent Noon | Verdi: | Ehi! Paggio! ... L'onore! Ladri! (from Falstaff) MET Orchestra, James Levine | Wagner: | Die Frist ist um (from Der fliegende Holländer) Berliner Philharmoniker, Claudio Abbado O du, mein holder Abendstern (from Tannhäuser) The Metropolitan Opera Orchestra, James Levine |
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| |  | Tutto Mozart!
Mozart: | Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) lo ti lascio, oh cara…, addio 621a/K.Anh245/ Soave sia il vento (from Così fan tutte) Warnung 'Männer suchen stehts zu naschen', K433 Così dunque tradisci … Aspri rimorsi atroci, K432 Il core vi dono (from Così fan tutte) Un bacio di mano, K541 La ci darem la mano (from Don Giovanni) Ein Mädchen oder Weibchen (from Die Zauberflöte) Hai gia vinta la causa! (from Le nozze di Figaro) Nun, liebes Weibchen, ziehst mit mir, K625 Der Vogelfänger bin ich, ja (from Die Zauberflöte) Crudel! perché finora farmi languir così? (from Le nozze di Figaro) Deh! vieni alla finestra (from Don Giovanni) Diggi, daggi, schurry, murry (from Bastien und Bastienne) Pa-pa-pa-pa-Papagena (from Die Zauberflöte) Madamina, il catalogo è questo (from Don Giovanni) Bei Männern, welche Liebe fühlen (from Die Zauberflöte) |
“…half the pleasure of this disc is the contribution of the Scottish Chamber Orchestra, with Sir Charles Mackerras setting the perfect pace for Così's great terzettino… Best of all, perhaps, are Terfel's own excited discoveries: the priceless 'Cat duet', with Persson again, from Der Stein der Weisen; his noble and tender valediction in the concert aria, 'Io ti lascio, oh cara'... the totally authenticated nonsense sorcery, 'Diggi, daggi' from Bastien und Bastienne;...” BBC Music Magazine, September 2006 **** “Technically he can't be faulted -his performances appear absolutely effortless -and he conveys so much emotion and expression that you can almost see the tilt of his head, the glint in his eye.” Liz Mundler, bbc.co.uk, 8th September 2006  BBC Music Magazine
Opera Choice - September 2006 |
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| |  | Great Operatic Arias 10 - Diana Montague Volume 2Sung in English
Borodin: | Song of the Polovtsian Maiden from Prince Igor Sung in English as 'Tender flower, starved of water' | Gluck: | O malheureuse Iphigenie! (from Iphigénie en Tauride) Sung in English as 'No hope remains in my affliction' Je t'implore et je tremble (from Iphigénie en Tauride) Sung in English as 'I implore thee and tremble' | Gounod: | Si le bonheur à sourire t'invite (from Faust) Sung in English as 'When happy days' | Handel: | Verdi prati (from Alcina) Sung in English as 'Verdant pastures' Care selve (from Atalanta) Sung in English as 'Noble forests' | Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball Sung in English as 'In a cosy chambre séparée Helen Williams (Hortense) | Lehár: | Mein freund, vernuft…wie einer rosenknospe (from Die Lustige Witwe) Sung in English as 'Calm down, my friend!...Just as the sun awakens' Bruce Ford (Camille) | Mozart: | Non so più cosa son, cosa faccio (from Le nozze di Figaro) Sung in English as 'Is it pain, is it pleasure that fills me?' Parto, parto, ma tu ben mio (from La Clemenza di Tito) Sung in English as 'Send me, but, my beloved' Soave sia il vento (from Così fan tutte) Sung in English as 'Blow gently, you breezes' Orla Boylan (Fiordiligi), Alan Opie (Don Alfonso) Ah, scostati!...Smanie implacabili, che m'agitate (from Così fan tutte) Sung in English as 'Ah! Leave me now...Torture and agony' Prenderò quel brunettino (from Così fan tutte) Sung in English as 'I will take the handsome, dark one' Orla Boylan (Fiordiligi) Vado, ma dove? oh Dei!, K583 Sung in English as 'Banished, rejected, God save me!' Il core vi dono (from Così fan tutte) Sung in English as 'My heart here I give you' Alan Opie (Guglielmo) Chi sà, chi sà qual sia, K582 Sung in English as 'Who knows what feeling?' | Stölzel: | Bist du bei mir Sung in English as 'If you are near' Alistair Young (harpsichord), Susanne Beer (cello) | Strauss, J, II: | Ich lade gern mir Gäste ein (from Die Fledermaus) Sung in English as 'Three score and ten' |
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| |  | The Art of Cora Canne Meijer in Opera
Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Près des remparts de Séville (Séguedille) (from Carmen) Sans doute, l'heure est prochaine (from Djamileh) Nour-Eddin, roi de Lahore (from Djamileh) Avant d'aller dormir sous la vague profonde (from Djamileh) | Giordano, U: | La mamma morta (from Andrea Chénier) | Honegger: | La trompe d'Alarme (from Judith) Prière (from Judith) | Massenet: | Werther! Werther!…Je vous écris de ma petite chambre (from Werther) | Mozart: | Ah, guarda, sorella (from Così fan tutte) Di scrivermi ogni giorno (from Così fan tutte) Ah, scostati!...Smanie implacabili, che m'agitate (from Così fan tutte) Il core vi dono (from Così fan tutte) Le Nozze di Figaro: excerpts | Poulenc: | Dialogues des Carmélites: Le parloir, au Carmel de Compiègne Dialogues des Carmélites: Une cellule de l'infirmerie | Strauss, R: | Lieber Freund! Verschaffen sie mir die Geigen (from Ariadne auf Naxos) Nein Herr, so kommt es nicht (from Ariadne auf Naxos) | Tchaikovsky: | Adieu, forêts (from Jeanne d'Arc) | Verdi: | Condotta ell’era in ceppi (from Il Trovatore) O don fatale (from Don Carlo) Numi pieta del mio straziato core! (from Aida) |
Cora Canne Meijer (mezzo) | | Gala - GL100571 (CD - 2 discs) Normally: $13.00 Special: $11.05 |
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| |  | Mozart: Operatic Arias & Duets
Mozart: | Durch Zärtlichkeit und Schmeicheln (from Die Entführung aus dem Serail) Donna Robin (soprano) Vienna Mozart Orchestra, Konrad Leitner Prenderò quel brunettino (from Così fan tutte) Donna Robin (soprano) Capella Istropolitana-, Johannes Wildner Fra gli amplessi (from Così fan tutte) Donna Robin (soprano) Capella Istropolitana-, Johannes Wildner Ah, guarda, sorella (from Così fan tutte) Donna Robin (soprano), Andrea Martin (baritone) Capella Istropolitana-, Johannes Wildner Il core vi dono (from Così fan tutte) Donna Robin (soprano), Andrea Martin (baritone) Capella Istropolitana-, Johannes Wildner Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Andrea Martin (baritone) Vienna Mozart Orchestra-, Konrad Leitner Crudel! perché finora farmi languir così? (from Le nozze di Figaro) Donna Robin (soprano), Andrea Martin (baritone) Vienna Mozart Orchestra-, Konrad Leitner Deh vieni, non tardar (from Le nozze di Figaro) Donna Robin (soprano) Vienna Mozart Orchestra-, Konrad Leitner Madamina, il catalogo è questo (from Don Giovanni) Andrea Martin (baritone) Vienna Mozart Orchestra, Konrad Leitner La ci darem la mano (from Don Giovanni) Donna Robin (soprano), Andrea Martin (baritone) Vienna Mozart Orchestra, Konrad Leitner Deh! vieni alla finestra (from Don Giovanni) Andrea Martin (baritone) Vienna Mozart Orchestra, Konrad Leitner Vedrai, carino (from Don Giovanni) Donna Robin (soprano) Vienna Mozart Orchestra, Konrad Leitner Der Vogelfänger bin ich, ja (from Die Zauberflöte) Andrea Martin (baritone) Vienna Mozart Orchestra, Konrad Leitner Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Donna Robin (soprano) Vienna Mozart Orchestra, Konrad Leitner Ein Mädchen oder Weibchen (from Die Zauberflöte) Andrea Martin (baritone) Vienna Mozart Orchestra, Konrad Leitner Papagena! Papagena! (from Die Zauberflöte) Andrea Martin (baritone) Vienna Mozart Orchestra, Konrad Leitner La mano a me date (from Così fan tutte) Donna Robin (soprano), Andrea Martin (baritone) Capella Istropolitana, Johannes Wildner |
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| |  | Christa Ludwig - Vienna State Opera
Beethoven: | Abscheulicher! Wo eilst du hin? (from Fidelio) | Berg: | Dort links geht's in die Stadt (from Wozzeck) | Berlioz: | Pardonne, Iopas...O pudeur! Tout conspire (from Les Troyens) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) sung in German | Debussy: | Voici ce qu'il ecrit a son frere (from Pelléas et Mélisande) | Einem: | Das Herz mit deinem und meinem Namen | Mozart: | Non so più cosa son, cosa faccio (from Le nozze di Figaro) Ah, guarda, sorella (from Così fan tutte) Sento, o Dio (from Cosi fan tutte) Il core vi dono (from Così fan tutte) sung in German | Pfitzner: | Schonste ungnad'ge Dame (from Palestrina) | Rossini: | Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola) sung in German | Strauss, R: | Ich furchte, Frau Grafin Sie werden nach dieser Einfuhrung (from Capriccio) Sein wir wieder gut (from Ariadne auf Naxos) Da geht er hin (from Der Rosenkavalier, Op. 59) Ach, du bist wieder da! (from Der Rosenkavalier, Op. 59) Die Zeit, die ist ein sonderbar Ding from Der Rosenkavalier,Op. 59 Mir ist die Ehre widerfahren (from Der Rosenkavalier) Was willst du? Seht doch dort! (from Elektra) | Tchaikovsky: | Countess's Scene (from Pique Dame) sung in German | Verdi: | Nel dì della vittoria … Ambizioso spirto … Vieni t'affretta! … Or tutti sorgete (Lady Macbeth) La luce langue (from Macbeth) Una macchia è qui tutt'ora (from Macbeth) Duchessa, Duchessa tu m'appelli! (from Luisa Miller) Reverenza...Buon giorno, buona donna (from Falstaff) sung in German | Wagner: | Erhebe dich, Genossin meiner Schmach! (from Lohengrin) Elsa!... Wer ruft? (from Lohengrin) Entweihte Götter (from Lohengrin) Weiche, Wotan, weiche! (from Das Rheingold) Geliebter, komm! (from Tannhäuser) |
Christa Ludwig (mezzo) Choir and Orchestra of the Vienna State Opera, Böhm, Krips, Erede, Karajan, Prêtre, Heger, Maazel, Bernstein, Stein, Albrecht, Mehta, Kitaenko, Abbado & Hollreiser Live Recordings 1955 - 1994. The wide-ranging repertory in which Christa Ludwig appeared at the Vienna State Opera, often surprising her audiences over a period of many years, is central to the present set of three CDs issued to mark her 80th birthday. It begins with her Cherubino from Le nozze di Figaro and her Composer from Strauss' Ariadne auf Naxos, both of which she sang at the Salzburg Festival soon after her Vienna State Opera début in 1955. Another of her early roles in Vienna was Dorabella, while Angelina in Rossini's La Cenerentola was a lyric mezzo-soprano part that she sang only infrequently but to which she brought a stupendous coloratura technique. Her increasingly dramatic roles are represented by excerpts from Fidelio, Wozzeck,Tannhäuser, Lohengrin and Verdi's Macbeth, which also demonstrate the astute use of her resources in those roles that extend well into the soprano register, without ever sacrificing any quality or intensity. Under Leonard Bernstein, the subdued melancholy of her Marschallin is even more overwhelming than it was in the studio. No less impressive is the way in which Christa Ludwig was able to forge a successful working relationship with each of the very different conductors with whom she appeared, be it Karl Böhm, Herbert von Karajan, Lorin Maazel, Claudio Abbado or the conductor of the most recent New Year's Day Concert from Vienna, Georges Prêtre.Throughout her career, she retained a company spirit, happy to appear in smaller roles and, towards the end of her career, in character parts, including Klytämnestra in Elektra, the role in which she bade farewell to the stage in 1994.This final appearance - almost 40 years after her Viennese début - also brings to an end our musical tribute to Christa Ludwig, recalling an altogether exceptional career by this honorary member of the Vienna State Opera. | | | Usually despatched in 3 - 4 working days. |
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