Chopin: Prelude Op. 28 No. 2 in A minor

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The Best of Fryderyk Chopin, Vol. 3

The Best of Fryderyk Chopin, Vol. 3


Chopin:

Preludes (24), Op. 28


Edward Wolanin (piano)

Dux - DUX0176

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Chopin & Scriabin: 24 Preludes

Chopin & Scriabin: 24 Preludes


Chopin:

Preludes (24), Op. 28

Scriabin:

Preludes, Op. 11 (24)


Rudolf Kehrer (piano)

Presenting Rudolf Kehrer, one of the most extraordinary and original representatives of the Russian piano school of the 20th century. This remarkable musician is a rare example of a combination of scientific and creative talents. Born to a music family, Kehrer studied music at an early age but later became a mathematics teacher after graduating physical and mathematical college. After a long break, he returned to his music studies. After Rudolf Kehrer won at the All-Union Competition of Music Performers in 1961 (1st prize), he achieved his so long-awaited fame.

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Chopin: Piano Sonata No. 2, Op. 35 & 24 Preludes, Op. 28

Chopin: Piano Sonata No. 2, Op. 35 & 24 Preludes, Op. 28


Chopin:

Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre'

Preludes (24), Op. 28


Wolfgang Leibnitz (piano)

VDE-Gallo - VDECD1101

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Bicentennial Tribute: Works by Chopin and Schumann

Bicentennial Tribute: Works by Chopin and Schumann


Chopin:

Preludes (24), Op. 28

Schumann:

Fantasie in C major, Op. 17

Romance in F sharp major, Op. 28 No. 2


Rebecca Penneys (piano)

Revered pianist, Rebecca Penneys, celebrates 30 years at the Chautauqua Institution with this stunning Bicentennial Tribute to Chopin and Schumann.

“Penneys offers an extraordinary collection of performances displaying an astonishing control over piano sound. It is absolutely gorgeous and full of unimaginable colors. She sings through the instrument, seemingly without effort. Her playing is simply revelatory.” – American Record Guide

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Chopin: 24 Preludes, Waltzes, Mazurkas & Nocturnes

Chopin: 24 Preludes, Waltzes, Mazurkas & Nocturnes


Chopin:

Preludes (24), Op. 28

Mazurka No. 10 in B flat major, Op. 17 No. 1

Mazurka No. 11 in E minor, Op. 17 No. 2

Mazurka No. 13 in A minor, Op. 17 No. 4

Nocturne No. 7 in C sharp minor, Op. 27 No. 1

Nocturne No. 8 in D flat major, Op. 27 No. 2

Waltz No. 12 in F minor, Op. 70 No. 2

Waltz No. 13 in D flat major, Op. 70 No. 3


Christina Bjørkøe (b.1970) began learning the piano at the age of five from her mother. In 1978 she became a pupil of Therese Koppel, who taught her until 1990, then she studied with Seymour Lipkin at the Juilliard School in New York and with Anne Øland at the Royal Danish Academy of Music in Copenhagen, where she made her debut as a soloist in 1997. She has been awarded several prestigious prizes and grants, among them Victor Borges Musikpris in 1994, Victor Schiølers Legat in 1999, and Merete og Helge Finsens Hæderpris for 1999.

Christina Bjørkøe is associate professor at the Carl Nielsen Academy of Music Odense. She has made various acclaimed recordings of piano music from her homeland for CPO and Dacapo, including the works of Knudåge Riisager, Carl Nielsen, Herman D Koppel and Niels Viggo Bentzon.

Now she turns to music as well-loved and familiar as it is elusive, the Preludes of Chopin. They were conceived and composed amid the rain and emotional turmoil (far different from its modern reputation as a sun-seeker’s paradise) of Majorca, whence he had decamped with his mistress George Sand and her two children in search of a climate that would ameliorate his health, debilitated as he was by the onset of tuberculosis.

It was not to be. However, the Preludes form a deeply disciplined exercise in poetic sensibility, covering all the major and minor keys like Bach before him in The Well-Tempered Clavier. Each prelude is a poem, a complete, self-contained musical statement.

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Chopin: 24 Preludes & Piano Sonata No. 2

Chopin: 24 Preludes & Piano Sonata No. 2


Chopin:

Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre'

Preludes (24), Op. 28


Wolfram Schmitt-Leonardy (piano)

German pianist Wolfram Schmitt-Leonardy is one of the leading pianists of his generation. His concert activities and CD recordings mark him as an extremely intelligent musician with his heart in the right place, his immense technical powers almost being taken for granted. His CDs of Brahms, Schumann and Rachmaninov have won him 5 star reviews all over the world: “astonishing and exquisite listening” (Fono Forum), “Electrifying passion and clarity” (Piano News), “dazzling brilliance and interpretative sophistication”(American Record Guide), “Coup de Coeur”(Piano Magazine). His Chopin interpretations on this new recording breathe an air of improvisation, vision and imagination. Listening to the Preludes evokes a synaesthetic experience: the sounds, views and smells of Mallorca (where they were composed) merge into a feeling of beauty, bliss and melancholy…

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Frederic Chopin, Vol. 2

Frederic Chopin, Vol. 2

1942, 1950


includes:

Chopin:

Preludes (24), Op. 28

Alfred Cortot (piano)

Waltzes Nos. 1-14

Dinu Lipatti (piano)


Documents - Frederic Chopin - 298246

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Beatrice Rana plays Chopin & Scriabin

Beatrice Rana plays Chopin & Scriabin


Chopin:

Preludes (24), Op. 28

Prelude Op. posth. in A flat major (No. 26)

Prelude Op. 45 in C sharp minor (No. 25)

Scriabin:

Piano Sonata No. 2 in G sharp minor, Op. 19 'Sonata Fantasy'


Beatrice Rana (piano)

In June 2011, Beatrice Rana, then 18, became the youngest-ever winner of a first prize at the Montreal International Music Competition. She also won each of that year’s special prizes. She is, said Le Devoir, “not only a pianist but, above all, an artist.” Her ATMA solo CD is dedicated to Chopin’s Preludes Op. 28 and Scriabin’s Sonata No. 2 Op.19 — thrilling repertoire for an outstanding young pianist.

Beatrice Rana made her debut last season with several orchestras, including the Orchestra Internazionale d’Italia, the Südwestdeutsche Orchester, and the Aarhus Symfonieorkester in Denmark. She also performed as a guest artist with the Orchestre Symphonique de Québec, the symphony orchestras of Edmonton, Saskatoon, and Winnipeg, the Kuala Lumpur Philharmonic Orchestra, the Violons du Roy, and the Orchestre Métropolitain with Yannick Nézet-Seguin.

Beatrice Rana made her debut last season with several orchestras, including the Orchestra Internazionale d’Italia, the Südwestdeutsche Orchester, and the Aarhus Symfonieorkester in Denmark. She also performed as a guest artist with the Orchestre Symphonique de Québec, the symphony orchestras of Edmonton, Saskatoon, and Winnipeg, the Kuala Lumpur Philharmonic Orchestra, the Violons du Roy, and the Orchestre Métropolitain with Yannick Nézet-Seguin.

In addition to her First Prize in the Montreal Piano Competition last year, Rana has won numerous prizes at international competitions such as the Muzio Clementi Competion, the Concours International de San Marino, and the Bang & Olufsen Piano RAMA Competion.

She began studying piano when she was 4, and became a student of Benedetto Lupo at the Conservatorio Nino Rota, from which she graduated at the precocious age of 16. She now studies in Hanover with Arie Vardi.

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Chopin: 24 Preludes & Impromptus

Chopin: 24 Preludes & Impromptus


Chopin:

Impromptus Nos. 1-4

Prelude Op. 45 in C sharp minor (No. 25)

Prelude Op. posth. in A flat major (No. 26)

Preludes (24), Op. 28


Akiko Ebi (piano)

Frederick Chopin Institute - NIFCCD028

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Chopin: 24 Preludes

Chopin: 24 Preludes


Chopin:

Preludes (24), Op. 28

Mazurkas (4), Op. 30

Nocturne No. 7 in C sharp minor, Op. 27 No. 1

Nocturne No. 8 in D flat major, Op. 27 No. 2

Scherzo No. 2 in B flat minor, Op. 31


Master pianist Maurizio Pollini turned 70 on January 5th, 2012 and DG are celebrating this milestone birthday with a new album of breath-taking Chopin. Pollini’s Chopin recordings are his best-sellers – the complete Nocturnes, released in 2005, have sold more than 100,000 CDs to date.

Chopin: Preludes is a birthday programme of newly recorded solo works: Preludes op.28, four Mazurkas op.30, two Nocturnes op.27, and the Scherzo no.2 op.31. Pollini often feature Chopin’s works in his solo recitals – The Guardian raved, “... he still plays Chopin with the ease that floored even Rubinstein more than 50 years ago ...”

“The best of it, especially the B flat minor Scherzo, is superb, the virtuosity effortless, the grip on the formal structure utterly secure, but elsewhere...there's sometimes a chilly relentlessness about the playing, an impatience almost, that keeps the music at a distance.” The Guardian, 1st November 2012 ****

“His sense of phrasing, structure and pacing is undimmed...There are other accounts of the 24 Preludes that are more impassioned, more vividly imagined and coloured, but few are more pure or devoted. Recorded sound is excellent. The fingers are not entirely all they used to be in terms of nimbleness, but that isn't too intrusive.” BBC Music Magazine, January 2013 ****

DG - 4779530

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