Dohnányi: Rhapsody No. 3 in C major, Op. 11 No. 3

This page lists all recordings of Rhapsody No. 3 in C major, Op. 11 No. 3, by Ernö Dohnányi (1877-1960) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Great Pianists - Women at the Piano Volume 2

Great Pianists - Women at the Piano Volume 2

An Anthology of Historic Performances


Bach, J S:

Prelude and Fugue No. 36 in F minor

Elsie Hall

Bartók:

Romanian Folk Dances for piano, Sz. 56, BB 68

Lili Kraus

Chopin:

Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu'

Irene Scharrer

Couperin, F:

Pièces de clavecin III: Ordre 18ème in F major: Le Tic-Toc-Choc ou Les Maillotins

Kathleen Long

Dohnányi:

Rhapsody No. 3 in C major, Op. 11 No. 3

Johanne Amalie Stockmarr

Garreta:

Sardana

Blanche Selva

Goossens:

The Hurdy-Gurdy Man

Claudette Sorel

Gould, John:

Boogie Woogie Etude

Leah Effenbach

Hummel, J:

Rondo for piano in E flat major, Op. 11

Lubka Kolessa

Ibert:

Le petit âne blanc (from Histoires)

France Marguerite Ellegaard

Lecuona:

Suite Andalucía: Malagueña

Olga Samaroff

Liszt:

Étude d'exécution transcendante d'après Paganini, S. 140 No. 6

Marie-Aimée Warrot

Concert Paraphrase on Rigoletto, S.434 after Verdi's opera

Raie Da Costa

Spinnerlied aus Der fliegende Holländer S440

Galina Werschenska

Rachmaninov:

Barcarolle in G minor. Op. 10 No. 3

Madeleine de Valmalète

Schumann:

Aufschwung, Op. 12, No. 2

Ania Dorfmann

Scriabin:

Étude Op. 8 No. 10 in D flat major

Muriel Kerr

Villa-Lobos:

Chôros No. 5 'Alma Brasileira' for piano

Ellen Ballon

Vogrich:

Staccato Caprice in F sharp major

Yolanda Merö

Weber:

Perpetuum Mobile (Rondo from Piano Sonata in C major, Op. 24)

Ginette Doyen


20% off Naxos

Naxos Historical Great Pianists - 8111121

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Three Great Danish Woman Pianists

Three Great Danish Woman Pianists


Beethoven:

Für Elise (Bagatelle in A minor, WoO59)

Piano Sonata No. 7 in D major, Op. 10, No. 3 (Menuetto)

Piano Sonata No. 26 in E flat major, Op. 81a 'Les Adieux'

Ecossaise in E flat major, WoO 86

Brahms:

Rhapsody in G minor, Op. 79 No. 2

Chopin:

Nocturne No. 2 in E flat major, Op. 9 No. 2

Waltz No. 7 in C sharp minor, Op. 64 No. 2

France Ellegaard

Berceuse in D flat major, Op. 57

Polonaise No. 3 in A major, Op. 40 No. 1 'Military'

Waltz No. 7 in C sharp minor, Op. 64 No. 2

Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu'

Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre'

Waltz No. 7 in C sharp minor, Op. 64 No. 2

Galina Werschenska

Dohnányi:

Rhapsody No. 3 in C major, Op. 11 No. 3

Falla:

Ritual Fire Dance (from El amor brujo)

Franck, C:

Prélude, Choral et Fugue, M21

Grieg:

Norwegian Bridal Procession, Op. 19, No. 2

Hummel, J:

Rondo for piano in E flat major, Op. 11

Liszt:

Hungarian Rhapsody, S244 No. 2 in C sharp minor

Liebestraum, S541 No. 3 (Nocturne in A flat major)

Grande Étude de Paganini, S. 141 No. 3 'La Campanella'

Mozart:

Piano Sonata No. 4 in E flat major K282

Prokofiev:

Prelude in C major, Op. 12 No. 7

The Love for Three Oranges: March

Rachmaninov:

Prelude Op. 23 No. 7 in C minor

Scarlatti, D:

Pastorale

Scriabin:

Prelude, Op. 11 No. 10 in C sharp minor

Wagner:

Summ' und brumm', du gutes Rädchen 'Spinning Chorus' (from Der fliegende Holländer)

arr. for piano by Liszt


Johanne Stockmarr, France Ellegaard and Galina Werschenska

Danacord - DACOCD442-443

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Rarities of Piano Music at the Husum Festival 1995

Rarities of Piano Music at the Husum Festival 1995


Alkan:

Les regrets de la Nonette

Chopin:

Mazurka No. 56 in B flat major, K.IIa/3

Mazurka No. 49 in F minor, Op. 68 No. 4

Czerny:

Piano Sonata No. 1 in A flat major, Op. 7: Prestissimo agitato

Dohnányi:

Rhapsody No. 3 in C major, Op. 11 No. 3

Horowitz:

Hungarian Rhapsody No. 2 (after Liszt)

Indy:

Piano Sonata in E Minor

Liszt:

Canzone napolitana, S248 (first version, 1842)

Tausig:

Première Suite No. 3 'Wahlstimmen', Op. 250

Tchaikovsky:

The Nutcracker: Dance of the Sugar Plum Fairy


Anton Kuerti (piano), Ronald Smith (piano), Daniel Berman (piano), Roberto Cappello (piano), Philip Fowke (piano), Marie-Catherine Girod (piano)

Danacord Husum Festival Rarities - DACOCD449

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Eileen Joyce

Eileen Joyce


Albert, E:

Scherzo in F Sharp Major, Op. 16, No. 2

Bach, J S:

Prelude & Fugue in A minor, BWV894

Bergman, S:

Polka Caprice, Op. 1 No. 3

Himmelgesang, Op. 2 No. 1

Debussy:

Pour le Piano: Toccata

Dohnányi:

Rhapsody No. 3 in C major, Op. 11 No. 3

Fauré:

Impromptu No. 2 in F minor, Op. 31

Grieg:

Scherzo-Impromptu, Op. 73 No. 2

Lyric Pieces Op. 43: No. 1 - Butterfly

Lyric Pieces Op. 47: No. 3 - Melody

Lyric Pieces Op. 43: No. 6 - To Spring

Lyric Pieces Op. 71: No. 2 - Summer's Eve

Lyric Pieces Op. 43: No. 2 - Lonely Wanderer

Lyric Pieces Op. 62: No. 4 - Brooklet

Liszt:

La leggierezza - Étude de concert No. 2, S144

Gnomenreigen, S145 No. 2

Moszkowski:

Waltz in E major, Op. 34 No. 1

Palmgren:

En route

Paradies:

Toccata in A

Rachmaninov:

Prelude Op. 23 No. 8 in A flat minor

Prelude Op. 32 No. 8 in A minor

Prelude Op. 23 No. 5 in G minor

Schlözer:

Etude in A flat major, Op. 1 No. 2

Scott, C:

Lotus Land, Op. 47 No. 1 (W183)

Danse nègre, Op.58 No.5 (W89)

Sinding:

Frühlingsrauschen (Rustle of Spring), Op. 32 No 3

Strauss, R:

Ständchen, Op. 17 No. 2

(arr. Walter Gieseking)


Eileen Joyce (piano)

Testament - SBT1174

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$15.50

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Eileen Joyce: Complete Parlophone & Columbia solo Recordings

Eileen Joyce: Complete Parlophone & Columbia solo Recordings

1933-1945


Albéniz:

Tango (No. 2 from Espana, Op. 165)

Recorded on 18th December 1939

Albert, E:

Scherzo in F Sharp Major, Op. 16, No. 2

Recorded on 2nd September 1938

Bach, J S:

Fantasia & Fugue in A minor, BWV944

Recorded on 7th February 1938

Beethoven:

Bagatelle in C major, Op 33 No. 2

Für Elise (Bagatelle in A minor, WoO59)

Recorded on 15th May 1940

Bergman, S:

Polka Caprice, Op. 1 No. 3

Himmelgesang, Op. 2 No. 1

Recorded on 31st May 1938

Brahms:

Romance in F major, Op. 118 No. 5

Recorded on 2nd September 1937

Intermezzo in C major, Op. 119 No. 3

Recorded on 14th May 1935

Capriccio for Piano in D minor, Op. 116 No. 7

Recorded on 14th May 1935

Intermezzo in A major, Op. 76 No. 6

Rhapsody in E flat major, Op. 119 No. 4

Recorded on 26th September 1934

Intermezzo in B flat minor, Op. 117 No. 2

Recorded on 24th April 1939

Intermezzo in A major, Op. 118 No. 2

Ballade in G minor, Op. 118, No. 3

Recorded on 11th November 1935

Chopin:

Nocturne No. 2 in E flat major, Op. 9 No. 2

Nocturne No. 9 in B major, Op. 32 No. 1

Recorded on 3rd May 1940

Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu'

Berceuse in D flat major, Op. 57

Recorded on 18th December 1939

Étude Op. 10 No. 3 in E major 'Tristesse'

Recorded on 4th December 1941

Ballade No. 1 in G minor, Op. 23

Recorded on 8th July 1941

Ballade No. 3 in A flat major, Op. 47

Recorded on 15th May 1940

Debussy:

Reflets dans l'eau (No. 1 from Images pour piano - Book 1)

Recorded on 14th May 1935

Pour le Piano: Toccata

Recorded on 28th October 1933

Dohnányi:

Rhapsody No. 3 in C major, Op. 11 No. 3

Recorded on 11th January 1938

Farjeon:

Tarantella

Recorded on 14th May 1937

Fauré:

Impromptu No. 2 in F minor, Op. 31

Recorded on 11th August 1938

Friedman, I:

Viennese Dance No. 2 (after Eduard Gärtner)

Recorded on 25th February 1936

Gounod:

Faust - Waltz, Act II

Recorded on 5th May 1934

Granados:

Goyescas: Quejas ó La Maja y el Ruiseñor

Recorded on 11th January 1937

Grieg:

Scherzo-Impromptu, Op. 73 No. 2

Recorded on 12th July 1939

Lyric Pieces Op. 43: No. 1 - Butterfly

Lyric Pieces Op. 47: No. 3 - Melody

Lyric Pieces Op. 43: No. 2 - Lonely Wanderer

Lyric Pieces Op. 62: No. 4 - Brooklet

Recorded on 24th April 1939

Lyric Pieces Op. 43: No. 6 - To Spring

Lyric Pieces Op. 71: No. 2 - Summer's Eve

Recorded on 12th July 1939

Ballade in G minor, Op. 24

Recorded on 3rd May 1943

Henselt:

Si oiseau j`etais; Etude Op. 2 No. 6

Recorded on 26th February 1934

Hummel, J:

Rondo for piano in E flat major, Op. 11

Recorded on 4th January 1935

Liszt:

Prelude and Fugue in a minor, BWV 543 (J.S. Bach), S. 462/1

Recorded on 25th February 1936

Liebestraum, S541 No. 3 (Nocturne in A flat major)

Recorded on 31st August 1938

Waldesrauschen, S145 No. 1

Recorded on 4th January 1935

Valse oubliée No. 1, S.215/1

Recorded on 18th December 1939

Au bord d'une source (Années de pèlerinage I, S. 160 No. 4)

Recorded on 2nd September 1937

La leggierezza - Étude de concert No. 2, S144

Recorded on 8th June 1933

Gnomenreigen, S145 No. 2

Recorded on 6th September 1934

Widmung S566 after Schumann (Liebeslied)

Recorded on 25th February 1936

Frühlingsnacht (after Schumann, Op. 39 No. 12), S568

Recorded on 31st May 1937

Spinnerlied aus Der fliegende Holländer S440

Recorded on 24th April 1939

Mendelssohn:

Rondo capriccioso in E major, Op. 14

Recorded on 29th April 1945

Moszkowski:

Waltz in E major, Op. 34 No. 1

Recorded on 28th October 1933

Caprice espagnole, Op. 37 - abridged version

Recorded on 7th April 1937

Mozart:

Rondo for Piano & Orchestra in A major, K386

Recorded on 2nd February 1936

Allemande, from Suite, K399

Recorded on 26th May 1939

Courante in E-flat Major, K399

Recorded on 26th May 1939

Piano Sonata No. 16 in C major, K545 'Facile'

Recorded on 26th May 1940

Piano Sonata No. 12 in F major, K332

Recorded on 29th August 1941

Piano Sonata No. 18 in D major, K576 'Hunt'

Recorded on 5th May 1941

Romance in A flat major, K Anh. 205

Recorded on 11th November 1941

Minuet in D major, K355

Recorded on 11th November 1941

Palmgren:

En route

Recorded on 26th February 1934

Paradies:

Toccata in A

Recorded on 7th February 1938

Pick-Mangiagalli:

La Danza di Olaf

Recorded on 26th February 1934

Rachmaninov:

Prelude Op. 23 No. 5 in G minor

Recorded on 5th May 1934

Prelude Op. 23 No. 6 in E flat major

Prelude Op. 23 No. 7 in C minor

Recorded on 11th January 1938

Prelude Op. 23 No. 8 in A flat minor

Prelude Op. 32 No. 8 in A minor

Prelude Op. 32 No. 13 in D flat major

Recorded on 2nd September 1938

Ravel:

Jeux d'eau

Recorded on 28th January 1941

Schlözer:

Etude in A flat major, Op. 1 No. 2

Recorded on 8th June 1933

Schubert:

Andante in A major, D604

Impromptu in E flat major, D899 No. 2

Impromptu in A flat major, D899 No. 4

Recorded in February and December 1939

Schumann:

Novelette, Op. 21 No. 2 in D major

Recorded on 7th April 1937

Novelette, Op. 21 No. 6 in A major

Recorded on 26th May 1939

Bunte Blätter, Op. 99: Stücklein

Recorded on 31st May 1938

Scott, C:

Lotus Land, Op. 47 No. 1 (W183)

Danse nègre, Op.58 No.5 (W89)

Recorded on 14th April 1937

Scriabin:

Prelude, Op. 11 No. 9 in E major

Prelude, Op. 11 No. 10 in C sharp minor

Recorded on 11th November 1941

Shostakovich:

Fantastic Dances (3), Op. 5

Recorded on 2nd September 1938

Sibelius:

Romance in D flat major, Op. 24, No. 9

Recorded on 12th July 1939

Sinding:

Frühlingsrauschen (Rustle of Spring), Op. 32 No 3

Recorded on 12th July 1939

Stavenhagen:

Menuetto scherzando

Recorded on 11th January 1937

Strauss, R:

Ständchen, Op. 17 No. 2

Recorded on 6th September 1934


Eileen Joyce (piano)

This set is this first in a new APR series featuring pupils of the great British piano teacher, Tobias Matthay.

TOBIAS MATTHAY (1858–1945) is the greatest piano teacher Britain has produced. From the 1890s to the 1930s, first at the RAM and then also at his own school, he almost singlehandedly produced a generation of concert pianists who launched an English piano tradition. York Bowen was an early pupil, but those best remembered are a group of female pianists; Harriet Cohen, Myra Hess, Irene Scharrer and Moura Lympany, all of whom will feature in this APR series.

EILEEN JOYCE lies somewhat outside this mainstream, as she trained principally in Germany, but she did have three years of finishing studies with Matthay between 1930 and 1933.

Eileen Joyce was born in Tasmania in 1908 to poor immigrants of Irish descent. Her father was an itinerant labourer and the family soon moved to Western Australia where the young Eileen discovered the piano and, in spite of much hardship, soon developed an astonishing playing ability. Heard by Grainger and Backhaus, who both praised her, she was sent off to Germany where she studied for three years with Robert Teichmüller. She came to England in 1930 with a recommendation which led to her Proms debut in that year playing Prokofiev's Third Concerto. She also commenced her advanced studies with Matthay.

After a slow start, her career blossomed exponentially from 1933 when she made her first recording. This disc, of Paul de Schlözer's Etude Op1/2 and Liszt's La Leggierezza is still regarded as one of the most astonishing examples of virtuosity ever recorded.

From this time until 1960, when she suddenly retired from performing at the age of 52, she was one of Britain's best loved pianists.

She appeared 37 times at the Proms, gave the British premieres of both Shostakovich concertos and became known to millions as the pianist playing Rachmaninov's Second Concerto in the film 'Brief Encounter'. Her greatest recordings are from the 78rpm period and we present all of these, with the exception of her concerto performances and a few later Decca discs. Eileen was a natural pianist with a big rich sound and very fast fingers; she is at her best in the many brilliant encore type pieces she recorded but she was equally stylish (and brilliant) in Mozart and had a special affinity with the wistful nostalgia of Grieg.

Most of these recordings have never been transferred to CD before so this set is a 'must' for all enthusiasts of great piano playing from the past.

“Whatever pressures she might have been under during her career, the quality that comes across in these performances is the sheer joy of playing. Joyce possessed a formidable technique and an interpretative mind that blended stylish sensibility with passion...Joyce’s breadth as well as her impeccable touch and distinctive artistic personality are valuably recalled here.” The Telegraph, 10th February 2012

“This is such a cornucopia of good things it is hard to know where to start...[in the Bach] Joyce's deft, sparingly pedalled light touch, her nonchalant speed and fluency and a palpable enjoyment of the task in hand are characteristic of her approach as a whole, which serves well the dizzying pace of the Fugue in particular.” Gramophone Magazine, December 2011

GGramophone Magazine

Re-issue of the Month - December 2011

APR - APR7502

(CD - 5 discs)

$40.75

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