Rachmaninov: Morning, Op. 4 No. 2 (I love you so)

This page lists all recordings of Morning, Op. 4 No. 2 (I love you so), by Sergey Vassilievich Rachmaninov (1873-1943) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Rachmaninov: Romances

Rachmaninov: Romances


Rachmaninov:

We shall rest, Op.26, No. 3

Do you remember the evening?

O, no, I beg you, do not leave, Op. 4 No. 1

Morning, Op. 4 No. 2

In the silence of the secret night, Op. 4 No. 3

The Harvest Of Sorrow, Op. 4 No. 5

Romance in E flat Op. 8 No. 2

A dream, Op. 8 No. 5

I was with her, Op. 14 No. 4

Do not believe me, friend, Op. 14 No. 7

She is as beautiful as midday, Op.14 No. 9

Spring torrents, Op. 14 No.11

In my soul, Op.14 No.10

It is time, Op. 14 No. 12

They replied, Op. 21 No. 4

Fragment from A. Musset, Op. 21 No. 6

How fair this spot, Op. 21 No. 7

How pained I am, Op. 21 No.12

All was taken from me, Op. 26 No. 2

Yesterday we met, Op. 26 No.13

Prokhodit vse, Op.26 No.15

Night is sorrowful, Op. 26 No.12

I am again alone, Op.26 No. 9

At the gates of the holy cloister

Christ is risen, Op.26 No. 6

I await you, Op.14 No. 1


Dmitri Hvorostovsky (baritone) & Ivari Ilja (piano)

For his first CD release on Ondine, star baritone Dmitri Hvorostovsky has chosen art song repertoire of great intensity and emotion from his Russian home country.

The 26 romances by Sergei Rachmaninov on this disc include such popular songs as Spring waters, op.14/11 or In the silence of the mysterious night, op.4/3.

Together with his longstanding duo partner, Estonian pianist Ivari Ilja, they have frequently performed many of these songs to great critical acclaim (“Mr. Hvorostovsky used the infinite shadings of his luxuriously dark and dusky voice to illuminate the yearning nuances of bitterness and regret. […] his admirable range of expressive and dynamic shadings [was] aptly mirrored by Ivari Ilja, an exemplary accompanist..” – The New York Times, 5 April 2008)

Dmitri Hvorostovsky is recognized as one of the leading and most charismatic baritones of our time, performing internationally at such opera houses as the New York Met, and partnering regularly with singers Renée Fleming and Jonas Kaufmann.

Dmitri Hvorostovsky recently signed to Ondine. He has released numerous highly successful CD and DVD recordings on such labels as Deutsche Grammophon, Philips, and Delos.

“for all his famously silky tones and deep-brown vocal shading Hvorostovsky does shape the lines meaningfully, and his delivery suits these songs admirably...Not everyone needs to respond to the 'Russian soul', of course; but for those who do, this is a fascinating recital - even if it's best not listened to all in one go.” BBC Music Magazine, April 2012 *****

“Though Dmitri Hvorostovsky revisits repertoire he recorded in his 1991 'Russian Romantics'...he has little to fear from comparisons with his more svelte-voiced younger self...his long-admired breath control is, if anything, more impressive...his baritone has a far richer palette of vocal resources to call upon...This is as fine as any currently available single-disc collection of Rachmaninov songs.” Gramophone Magazine, April 2012

“This is still a full-throated, virile baritone of great beauty, capable of dramatic declaration. It verges on the over-heated, but it's impossible to approach this 'heart-on-the-sleeve' repertoire without anything less than total commitment...Ivari Ilja tackles Rachmaninov's elaborate piano accompaniments with equal commitment.” International Record Review, March 2012

“This recording should come with the warning "too hot to handle", such is the combustible combination of Dmitri Hvorostovsky's heroic baritone with the flaming passion of intensely romantic Russian poetry...the listener is left quite drained but also lost in wonder at the beauty of the melodic line.” The Observer, 5th February 2012

Ondine - ODE12072

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Shostakovich & Rachmaninov Songs

Shostakovich & Rachmaninov Songs


Rachmaninov:

We shall rest, Op.26, No. 3

Christ is risen, Op.26 No. 6

The ring, Op.26, No.14

I await you, Op.14 No. 1

Thoughts, reflections, Op. 8 No. 3

O niet molyu ni ukhodi, Op.4 No.1

Oh, do not grieve, Op.14 No. 8

Prokhodit vse, Op.26 No.15

How pained I am, Op. 21 No.12

In my soul, Op.14 No.10

Morning, Op. 4 No. 2

A dream, Op. 8 No. 5

V molchanii nochi taynoy, Op. 4 No. 3

Shostakovich:

Six Spanish Songs Op. 100

Five Songs to lyrics by E Dolmatovsky Op. 98


Iris Oja (mezzo) - Roger Vignoles (Steinway piano)

“This is a distinctly beautiful voice, with some power but no undue showiness, an often crystalline top, good diction and expressive intelligence.” BBC Music Magazine, January 2009 ****

Harmonia Mundi - HMU907449

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Russian Melodies

Russian Melodies


Mussorgsky:

The Nursery

Songs and Dances of Death

Rachmaninov:

Morning, Op. 4 No. 2

Oh, do not grieve, Op.14 No. 8

I await you, Op.14 No. 1

In the silence of the secret night, Op. 4 No. 3

She is as beautiful as midday, Op.14 No. 9

Christ is risen, Op.26 No. 6

Spring torrents, Op. 14 No.11

Tchaikovsky:

Was I not a blade of grass?, Op. 47 No. 7

Pesn' Zemfiri (Zemfira's song)

If only I had known, Op.47, No.1

Den' li tsarit? (Does the day reign?), Op. 47 No. 6


Ewa Podles (contralto), Graham Johnson (piano)

Disque Dom - FOR16683

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Rachmaninov - Works for Cello and Piano

Rachmaninov - Works for Cello and Piano


Rachmaninov:

Pieces (2) for cello & piano (Prelude & Oriental Dance), Op. 2

Melodie in E Major, Op. 3 No. 3

Cello Sonata in G minor, Op. 19

Prelude Op. 23 No. 5 in G minor

Lied (Romance) in F minor

In the silence of the secret night, Op. 4 No. 3

Morning, Op. 4 No. 2

Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4

Spring torrents, Op. 14 No.11

Vocalise, Op. 34 No. 14

Lilacs, Op. 21 No. 5

How fair this spot, Op. 21 No. 7

On the death of a siskin, Op.21, No. 8.


David Geringas (cello) & Ian Fountain (piano)

David Geringas studied at the Moscow Conservatoire with Rostropovich and has received a number of awards for his recordings. He has had several contemporary works dedicated to him including the Cello Concerto by Peteris Vasks.

“…Fountain's idiomatic nuancing and the grainy texture of Geringas's cello are certainly distinctive. But it is in the magnificent Sonata in G minor that the duo dig deepest. There's nothing ethereal about the achingly beautiful Andante, which is seized with passion, building to a thunderous climax. The finale surges restlessly, as I feel it should. The sound is edgy and virile, not always purely resonant, but overall their tremendous sweep and sense of shape convinced me.” BBC Music Magazine, October 2009 ****

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The Low Bass: Great Art Songs from the Bass Repertoire

The Low Bass: Great Art Songs from the Bass Repertoire


Beeson:

The Sinister Potato

Brahms:

Verrat, Op. 105 No. 5

Flégier:

Le Cor

Joio:

The Assassination

Mussorgsky:

Sadly rustled the leaves

Rachmaninov:

Morning, Op. 4 No. 2

Saint-Saëns:

Danse macabre (song)

Schubert:

Der Tod und das Mädchen, D531

Erlkönig, D328

Der Wanderer, D493

Strauss, R:

Im Spätboot, Op. 56, No. 3

Der Einsame, Op. 51

Das Tal, Op. 51

Wolf, H:

Songs (3) on poems by Michelangelo Buonarroti


Kevin Maynor (bass), Richard Woitach (piano)

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Rachmaninov - Songs For Baritone

Rachmaninov - Songs For Baritone


Rachmaninov:

At the gates of the holy cloister

Nothing shall I say to you

Song of the disenchanted

Do you remember the evening?

Were you hiccoughing, Natasha?

O, no, I beg you, do not leave, Op. 4 No. 1

Morning, Op. 4 No. 2

In the silence of the secret night, Op. 4 No. 3

Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4

My child, your beauty is that of a flower, Op. 8 No. 2

Thoughts, reflections, Op. 8 No. 3

I was with her, Op. 14 No. 4

You are so loved by all, Op.14 No. 6

She is as beautiful as midday, Op.14 No. 9

Spring torrents, Op. 14 No.11

It is time, Op. 14 No. 12

Fate, Op. 21 No. 1

By a fresh grave, Op. 21 No. 2

Lilacs, Op. 21 No. 5

Before the icon, Op. 21 No. 10

I am not a prophet, Op. 21 No.11

All was taken from me, Op. 26 No. 2

We shall rest, Op.26, No. 3

Christ is risen, Op.26 No. 6

Yesterday we met, Op. 26 No.13

All passes, Op. 26 No. 15

Letter to K.S. Stanislavsky

In the soul of each of us, Op. 34 No. 2

The raising of Lazarus, Op. 34 No. 6

You knew him, Op. 34 No. 9

The herald, Op.34 No.11

From the gospel of St. John.


Sergei Leiferkus (baritone), Howard Shelley (piano)

Chandos - CHAN9374

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Rachmaninov: Songs, Vol. 1

Rachmaninov: Songs, Vol. 1


Rachmaninov:

At the gates of the holy cloister

Nothing shall I say to you

Again you are bestirred, my heart.

April! A festive day in the spring.

Dusk was falling.

Song of the disenchanted

The flower died

Do you remember the evening?

O, no, I beg you, do not leave, Op. 4 No. 1

Morning, Op. 4 No. 2

In the silence of the secret night, Op. 4 No. 3

Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4

Oh, my field, Op. 4 No. 5

It wasn't long ago, my friend, Op. 4 No. 6

Water lily, Op. 8 No. 1

My child, your beauty is that of a flower, Op. 8 No. 2

Thoughts, reflections, Op. 8 No. 3

I fell in love, to my sorrow, Op. 8 No. 4

A dream, Op. 8 No. 5

Prayer, Op. 8 No. 6

I await you, Op.14 No. 1

Small island, Op. 14 No. 2

How fleeting is delight in love, Op.14 No. 3

I was with her, Op. 14 No. 4

Summer nights Op.14 No. 5

You are so loved by all, Op.14 No. 6

Do not believe me, friend, Op. 14 No. 7

Oh, do not grieve, Op.14 No. 8

She is as beautiful as midday, Op.14 No. 9

In my soul, Op.14 No.10

Spring torrents, Op. 14 No.11

It is time, Op. 14 No. 12


Joan Rodgers (soprano), Maria Popescu (contralto), Alexandre Naoumenko (tenor), Sergei Leiferkus (baritone), Howard Shelley (piano)

Chandos - CHAN9405

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Rachmaninov Songs

Rachmaninov Songs


Rachmaninov:

Before the icon, Op. 21 No. 10

Yesterday we met, Op. 26 No.13

I am not a prophet, Op. 21 No.11

All passes, Op. 26 No. 15

All was taken from me, Op. 26 No. 2

It is time, Op. 14 No. 12

Thoughts, reflections, Op. 8 No. 3

We shall rest, Op.26, No. 3

In the soul of each of us, Op. 34 No. 2

On the death of a siskin, Op.21, No. 8.

O, no, I beg you, do not leave, Op. 4 No. 1

A dream, Op. 8 No. 5

By a fresh grave, Op. 21 No. 2

Fate, Op. 21 No. 1

Song of the disenchanted

Morning, Op. 4 No. 2

At the gates of the holy cloister

I was with her, Op. 14 No. 4

Christ is risen, Op.26 No. 6

Fragment from A. Musset, Op. 21 No. 6


Sergej Koptchak (bass), Marian Lapsansky (piano)

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Zara Dolukhanova: Lieder, Songs, Arias and Duets

Zara Dolukhanova: Lieder, Songs, Arias and Duets


Arensky:

Mutual guarantee (No. 2 from Six Children's Songs, Op. 59)

Beethoven:

In the little woods (No. 13 from Songs of Various Nationalities, WoO 157)

Oh, rivers, rivers (No. 14 from Songs of Various Nationalities, WoO 157)

Sung in Russian

Bizet:

Douce mer

Sung in Russian

Brahms:

Vor Der Tür Op. 28 No. 2

Sung in Russian

Britten:

Nurse's Song (No. 5 from A Charm of Lullabies)

A Charm (No. 4 from A Charm of Lullabies)

Sung in Russian

Caldara:

Come raggio di sol

Cardillo:

Core 'ngrato

Carissimi:

Vittoria, mio core!

Cui:

Confidant, Op. 57 No. 8

Evening glow

Ici bas, Op. 54 No. 5

Dargomïzhsky:

Fair maidens

Delibes:

Bonjour, Suzon!

Sung in Russian

Falla:

Siete Canciones populares españolas

Giordani, G:

Caro mio ben

Liszt:

Gebet, S265

O quand je dors (Hugo), S282

Der Glückliche, S.334

Die Lorelei

Sung in Russian

Marcello, B:

Quella fiamma che m'accende

Medtner:

Lish’ rozï uvyadayut, Op. 36, No. 3

Spanish Romance, Op. 36 No. 4

Winterabend, Op. 13 No. 1

Mozart:

Exsultate, jubilate, K165

Sung in the original Latin

Ridente la calma, K152

Komm, liebe Zither, K351

Als Luise die Briefe, K520

An Chloë, K524

Ah, guarda, sorella (from Così fan tutte)

Sung in Russian

Niedermeyer:

Pietà, Signore

Offenbach:

O Dieu, de quelle ivresse (from Les contes d'Hoffmann)

Sung in Russian

Pergolesi:

Se tu m'ami

Rachmaninov:

Morning, Op. 4 No. 2

Water lily, Op. 8 No. 1

Prayer, Op. 8 No. 6

Summer nights Op.14 No. 5

Oh, do not grieve, Op.14 No. 8

They replied, Op. 21 No. 4

Lilacs, Op. 21 No. 5

The Muse, Op. 34 No. 1

A dream, Op. 8 No. 5

Ravel:

Deux mélodies hébraïques: Kaddisch

Rossini:

La regata veneziana (C. Pepoli)

La Pesca

Sung in Russian

Schubert:

Wiegenlied, D498

Die Forelle, D550

Du bist die Ruh D776 (Rückert)

Wohin? (No. 2 from Die schöne Müllerin, D795)

Ave Maria, D839

Ihr Bild, D957 No. 9

Sung in Russian

Schumann:

Frauenliebe und -leben, Op. 42

Sung in Russian

Scriabin:

Romance (c. 1894)

Strauss, R:

Allerseelen, Op. 10 No. 8

Cäcilie, Op. 27 No. 2

Heimliche Aufforderung, Op. 27 No. 3

Morgen, Op. 27 No. 4

Traum durch die Dämmerung, Op. 29 No. 1

Hat gesagt - bleibt's nicht dabei, Op. 36 No. 3

Sung in Russian

Taneyev:

Music, when soft voices die (Pust' otsvuchit) Op. 17 No. 3, 1905 (Bal'mont/Shelley)

Tchaikovsky:

Spirit my heart away

Ni slova, o drug moy (Not a word, O my friend), Op. 6 No. 2

Both painfully and sweetly, Op. 6 No. 3

Look: there is a silver cloud, Op. 27, No. 2

Do not leave me, Op. 27 No. 3

To bilo ranneyu vesnoy (It happened in the early spring), Op. 38 No. 2

Na zemlyu sumrak upal (Dusk fell on the earth), Op. 47 No. 3

Sleep, my poor friend, Op.47, No. 4

Den' li tsarit? (Does the day reign?), Op. 47 No. 6

Skazhi, o chom v teni vetvey (Tell me, what in the shade of the branches), Op. 57 No. 1

Do not ask, Op. 57 No. 3

This, our first reunion, Op. 63 No. 4

This, our first reunion, Op. 63 No. 4

O ditya, pod okoshkom tvoim (Serenade), Op. 63 No. 6

Pesn' Zemfiri (Zemfira's song)

Mezza notte

Au Jardin, près du ruisseau, Op. 46 No. 4 (Paul Collin)

Verdi:

Ave Maria, for voice & strings or piano

Wolf, H:

Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder)

Der Rattenfänger (No. 11 from Goethe-Lieder)

Verborgenheit (No. 12 from Mörike-Lieder)

Wenn du zu den Blumen gehst (No. 65 (No. 20 from Spanisches Liederbuch: Weltliche Lieder)

Seltsam ist Juanas Weise (No. 3 from Spanisches Liederbuch: Weltliche Lieder)

Sung in Russian


Zara Dolukhanova (mezzo)

“The whole set of four discs is in fact something of a voyage of discovery into the art of this superb mezzo. Though she is indeed full of expression in the Aria Antiche there is no over emoting...she is technically and tonally at an exceptional level...One can hear something Ferrier-like in the middle and lower registers of her voice...Her Ravel has the requisite histrionic projection.” MusicWeb International, September 2004

Guild Historical Russian Legacy - GHCD2281/4

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